Sui Stele Number One
The Longzang Temple Stele was recognized as the number one stele of the Sui Dynasty. The full name of this stele was "The Stele of the Duke of E, the governor of Hengzhou, who advised the country to build Longzang Temple." It was erected in the sixth year of Emperor Kaihuang of Sui Dynasty (586 years). The whole stele was written in regular script. The original author of the stele and book was not signed, and the author was believed to be Zhang Gongli. There are 30 lines on the positive side of the stele, 50 words on each line, five columns on the back of the stele, and three columns on the left. The original stone is now in Longxing Temple, Zhengding, Hebei Province. The Sui Dynasty's regular script was in the transition period from the north to the south to the Tang Dynasty. The style of the Longzang Temple Stele was different from the rough and strong Wei steles of the Northern and Southern Dynasties, and also different from the strict rules of the Tang Dynasty's regular script. The strokes were thin and powerful. The square strokes were round and smooth, and the structure was square and stable. Compared with the regular script of the Northern Wei Dynasty, it was more dignified and rigorous. Compared with the regular script of the Tang Dynasty, it was quaint and simple. In the process of calligraphy development, it had a great influence on future generations, such as Chu Suiliang's Stele of Master Meng and Preface to the Holy Church of Yanta in the Tang Dynasty, as well as the calligraphy of Xue Ji and Lu Jianzhi. There are many rare copies of this monument, such as the Yuan and Ming Dynasties 'Zhang Gongli's Unfinished Version in the Shanghai Library. The novel "Hidden Dragon" is equally exciting. Everyone is welcome to click and read it!
The first stele of Sui Kai
The Longzang Temple Stele was known as the " crown stele of the Sui Dynasty " and was also regarded as the " first stele of the Sui Dynasty ". However, there was also a view that Su Xiaoci's Epitaph was the first in Sui Kai. Ever since the Epitaph of Su Xiaoci was unearthed, it had been valued by calligraphy scholars at home and abroad. Together with the Epitaph of Beauty Dong, the Records of the Yuan Cemetery, and the Stele of Longzang Temple, it was known as the Four Great Sui Kai. This epitaph's writing method is neat and beautiful, the knot is neat and tidy, the rhyme is vivid and dangerous, similar to the later European style, it is actually the pioneer of Ou Kai, which is the first of Ouyang Xun's calligraphy to open the Tang Kai method. The novel " Hidden Dragon " is equally exciting. Everyone is welcome to click and read it!
Wei Stele Calligraphy
The Wei Stele Calligraphy was an inscription from the Northern Wei Dynasty. It had a unique style and artistic value. The Wei stele style inherited the Han Li and the Tang Kai, showing the innovative spirit of calligraphy art. Among them, Epitaph of Zhang Heinu, Stele of Zhang Menglong, and Record of Yang Dayan's Statue were all classic works in the copybook of Wei Monument. These inscriptions were famous for their dignified and handsome strokes, delicate and upright knots, and colorful styles. The copybook of the Wei Stele was very popular among calligraphy students and was regarded as an important reference for learning the calligraphy of the Wei Stele.
Celebrating Years Stele
The original text of the Joy of Life stone tablet was: " I hope that the laws of Qing Kingdom will be established for the people. They will not be tolerated because of nobility, nor will they be deprived because of poverty. There will be no injustice that cannot be justified, and there will be no forced crimes. Obeying the law is like holding a sword, breaking the illusions of demons and monsters, and not seeking the gods." This inscription was Ye Qingmei's idea of reform. It was carved on the stone tablet at the entrance of the Overwatch Council. This inscription expressed his hope for the Qing Kingdom's laws. He hoped that the laws would be established for the people, not biased towards the noble, not deprived of the poor, and eliminate injustice and unjust crimes. Following the laws was like using a sword, breaking the evil forces that were worshipped, and not relying on the gods. This inscription was changed in the TV series and the novel, but the core idea remained the same.
"Stele of the Good King."
The full name of the 'Good King Stele' was 'Goguryeo's Great King's Tomb Stele of Peace and Peace in Guangkai's Land.' It was also known as the 'Good King Stele of Koryo.' It was discovered in Taiwang Township, Ji 'an County, Jilin Province, in the sixth year of Guangxu in the late Qing Dynasty (1880 AD). The original stele had no date, but it was later verified to be carved in the tenth year of Yixi of the Eastern Jin Dynasty (AD 414). Judging from the calligraphy style, the font of this stele was between regular script and official script. It was a relatively unique calligraphy style. Its style was similar to that of the Monument of Taiwei Deng's Ancestral Hall and the Monument of Guangwu General. It had the characteristics of square, simple, ancient and thick. His strokes retained the rich style of Qin Zhuan. The strokes were round and blunt, the hidden edge was reversed, the strokes were slow and astringent, the strokes were calm, the turns were agile and solid, and there were very few ripples in the lines. The strokes were mainly flat and straight. In terms of structure, it was round and vigorous, square and honest, broad and generous, simple and unadorned. The distribution of quantitative indicators such as the length and thickness of lines was balanced, and the spatial control was casual and natural. On the chapter, it is based on the sparse and clear, and both the word and the whole reflect the sense of sparse and careless. In terms of historical value, the Good King Stele recounted the myths of Goguryeo's founding, the military achievements during the reign of Damdeok, the succession of the throne, and the historical facts of the war between Silla and Japan, as well as the harsh laws of the tomb hunting slaves. It was an important material for studying the history of Goguryeo. In terms of rubbings, there were two well-known rubbings in the middle and late Guangxu period. One was the leather paper light ink rubbing mentioned by Ye Changchi in Yu Shi. Each side was divided into four sections, with a total of 16 pages, and the characters were plump. The other was the Koryo paper pot smoke thick ink rubbing mentioned in Tan Guohuan's handwritten letter. Each side had a total of four pages. The paper was tough and the characters were bright and clean. It was regarded as a treasure by experts. When writing the words on the stele, some people thought that they should return to a primitive and innocent state and not be bound by rules. However, in fact, this kind of writing had its own requirements, and it was even more difficult to write well. The evaluation was mainly based on the person's life state and the coordination and quality of the handwriting left behind. The novel "Hidden Dragon" is equally exciting. Everyone is welcome to click and read it!
Longxing Temple Stele
There were many inscriptions in Longxing Temple, among which the more famous one was Longzang Temple Stele. The Stele of Longzang Temple was carved in the sixth year of Emperor Kaihuang of Sui Dynasty (586 years). It was a very valuable inscription in Longxing Temple. It was established by Wang Xiaoxian, the governor of Hengzhou, who was ordered by the emperor to encourage more than 10,000 common people in Hengzhou to build Longzang Temple. Not only did this monument have historical value, but it also had extremely high calligraphy value. The inscription mainly recorded the construction of the temple, such as the process of the Hengzhou governor persuading the construction of Longzang Temple, the scale of the temple at that time, the architectural landscape and the surrounding environment, etc. It was an important historical material for studying the history of Longxing Temple. In terms of calligraphy, his handwriting was "neat, dense, thin, and strong, the first in the Sui Dynasty". His strokes were deep and powerful, with a combination of hardness and softness. The composition was rigorous and elegant, and the square was neat. It was already a mature image of regular script. It inherited the remnant wind of the Northern and Southern Dynasties and opened the first calligraphy of the early Tang Dynasty. It nourished a group of calligraphers such as Ouyang Xun, Yu Shinan, and Chu Suiliang. It was praised by Kang Youwei as "this integrated monument of the Six Dynasties, not only the first in the Sui Dynasty". There is also a "Holy Lord's Life Longevity Zhuyan Stele" in the temple, carved in the fourth year of Yuan Yanyou (1317), now standing in Zhengding Longxing Temple behind the wheel. In addition, there are five imperial steles of the Qing Dynasty in the temple, including one imperial stele of Kangxi, three imperial steles of Qianlong and one imperial stele of Jiaqing. Among them, the imperial stele of Longxing Temple in the fifty-second year of Kangxi and the rebuilding of Zhengding Longxing Great Buddha Temple in the forty-fifth year of Qianlong are located in the pavilions covered with yellow glazed tiles on the east and west sides of the moon platform of Great Compassion Pavilion. The other two imperial steles of Qianlong (engraved with six poems in total) and one imperial stele of Jiaqing are imperial poetry steles, which are respectively located in the side hall of Great Compassion Pavilion-Cishi Pavilion. Behind the Wheel Collection Pavilion and south of the Ci Pavilion. The novel "Hidden Dragon" is equally exciting. Everyone is welcome to click and read it!
The Soul Suppressing Stele
" Soul Suppressing Stele " was first released and signed an exclusive contract with the Black Lava Reading Network. You can go to the Black Lava Reading Network to see if you can read the full version online. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
If I need a concrete chapter number for Mother Stele, is Chapter 343 the strongest early answer?
Chapter 343, "Five Rounds of Bone Tempering, One Thousand Bristles Bone Burning in the Visible Yang Realm", is the clearest early answer because Mother Stele finally turns buildup into a real advancement. The chapter gives readers a real answer by opening on Hong Ye and the Zhao family members happened to be walking below the... and ending on Thus, he didn't rush the breakthrough but boldly attempted a second....
If I need a concrete chapter number for Mother Stele, is Chapter 343 the strongest early answer?
Chapter 343, "Five Rounds of Bone Tempering, One Thousand Bristles Bone Burning in the Visible Yang Realm", is the clearest early answer because Mother Stele finally turns buildup into a real advancement. The chapter gives readers a real answer by opening on Hong Ye and the Zhao family members happened to be walking below the... and ending on Thus, he didn't rush the breakthrough but boldly attempted a second....
The Character Introduction of Drifting on the Stele
The characters included the male lead, Wen Qi, who was thick-skinned and foolish. Overall, he was an otaku who could be looked at! The female lead, Yun Rong, was a competitive but generous girl. [Drifting on the Stele] Author: A Bao's notes. It is a fantasy/epic fantasy novel with elements of transmigration and transmigration. It is finished and can be enjoyed without worry. [User recommendation: Welcome to the Stele World!] Wen Qi, I'm your follower, Fluffy Ball The Stele World was the world of prehistoric dinosaurs. You must use the wisdom, courage, judgment, agility, and luck of humans to survive in this barren land. Please! Be careful of your back! Please! Take care of your body! Please! He had to be 100% alert to deal with the possibility of death that could happen at any time. Dizzy dragon, taming dragon, nurturing dragon, you have to learn to use prehistoric dinosaurs to survive. Come on! "I will follow you to explore the Stele World and complete the various trials within it until we find the way back. There were moments of life and death, painful struggles, happy memories, and never giving up faith. Even the most powerful beings would not be able to face the t-rex's most primitive fear that came from the depths of its heart. Prehistoric dinosaurs, prehistoric behemoths, and tiny humans, how could they find a chance of survival? The answer will be revealed to you by the text! I hope you will like this book.