The original text of the stone tablet was: " I hope that the laws of the Qing Kingdom will be established for the people. They will not be tolerated because of nobility, nor will they be deprived because of poverty. There will be no injustice that cannot be justified, and there will be no forced crimes. Following the law is like holding a sword, breaking the illusions of ghosts and monsters, and not seeking the gods." This inscription was Ye Qingmei's idea of reform. It was carved on the stone tablet at the entrance of the Overwatch Council. This inscription expressed his hope for the Qing Kingdom's laws. He hoped that the laws would be established for the people, not biased towards the noble, not deprived of the poor, and eliminate injustice and unjust crimes. Following the laws was like using a sword, breaking the evil forces that were worshipped, and not relying on the gods. This inscription was changed in the TV series and the novel, but the core idea remained the same.
The words on the Overwatch Council stone tablet were: " I hope that the people of Qing Kingdom can become unsettled people. When you are abused by others, you will not yield. When you are attacked by evil, you will not be frustrated. If you do something wrong, you will not be afraid to correct it. You will not flatter jackals and tigers..."
The words on the Overwatch Council stone tablet were: " I hope that the people of Qing Kingdom can become unsettled people. When you are abused by others, you will not yield. When you are attacked by evil, you will not be frustrated. If you do something wrong, you will not be afraid to correct it. You will not flatter jackals and tigers..."
The Wei Stele Calligraphy was an inscription from the Northern Wei Dynasty. It had a unique style and artistic value. The Wei stele style inherited the Han Li and the Tang Kai, showing the innovative spirit of calligraphy art. Among them, Epitaph of Zhang Heinu, Stele of Zhang Menglong, and Record of Yang Dayan's Statue were all classic works in the copybook of Wei Monument. These inscriptions were famous for their dignified and handsome strokes, delicate and upright knots, and colorful styles. The copybook of the Wei Stele was very popular among calligraphy students and was regarded as an important reference for learning the calligraphy of the Wei Stele.
The Qinli Stele was one of the most famous steles in Chinese history. It was located in Xi'an City, Shaanxi Province. It was built at the end of the Eastern Han Dynasty to commemorate a famous politician and calligrapher, Dong Zhongshu. The Diligence Stele is about 27 meters high, 12 meters wide and 03 meters thick. The surface of the tablet was engraved with dense Chinese characters and official script. The content was mainly Dong Zhongshu's life story, thoughts, and contributions. The inscription was carved by Academician Youxian. The font was strong and powerful, and the style was dignified and beautiful. It was a classic work in the history of Chinese calligraphy. The Diligence Stele was not only a treasure in the history of Chinese calligraphy, but also an important part of ancient Chinese culture. Its engraving skills and calligraphy art not only represented the highest level of the Eastern Han Dynasty, but also had a profound impact on the calligraphy creation of later generations.
The words on the Overwatch Council stele were: " I hope that the people of Qing can become unsettled people. When they are abused by others, they will not yield. When they are attacked by evil, they will not be frustrated. When they do something wrong, they will not fear the heart of correction. They will not flatter jackals and tigers…I hope that every citizen of Qing Kingdom can become a king. They can become the one and only king who rules over the territory called 'themselves'."
Yan Qinli Stele was one of the representative works of regular script written by Yan Zhenqing in his later years in Tang Dynasty. It was a Shinto Stele written by Yan Zhenqing for his great-grandfather Yan Qinli. It was erected in the 14th year of the Dali Dynasty (779). The stele is now in the Forest of Steles Museum in Xi'an, and there is also an initial rubbing in the Palace Museum in Beijing. There were a total of 19 lines of words in Yang and 20 lines of words in Yin, with 38 and 37 words per line respectively. This stele was featured by its fine strokes, broad strokes, and strong momentum, showing the aesthetic fashion of the prosperous Tang Dynasty. It was Yan Zhenqing's mature calligraphy work in his later years, and it was also one of the models for many beginners to learn Yan Style.
Ye Qingmei had carved her thoughts of reform on the stone tablet at the entrance of the Overwatch Council. The specific inscription was as follows: " I hope that the laws of the Qing Kingdom are established for the people. They are not tolerated because of nobility, nor deprived because of poverty. There are no injustice that cannot be justified, and there are no forced crimes. Obeying the law is like holding a sword, breaking the illusions of ghosts and monsters, and not seeking the gods." This inscription expressed Ye Qingmei's hopes for the Qing Kingdom's laws. She hoped that the laws could serve the people and not favor the nobles or deprive the poor of their rights. She advocated that the law should be impartial, not wrong the innocent and not harm others. She pursued the law like a sharp sword, able to break the confusion of confusion and not rely on God. This inscription reflected Ye Qingmei's thoughts of reform and her pursuit of social justice.
Yan Zhenqing's multi-pagoda stele could be read as 'multi-pagoda stele'.
The complete version of the multi-pagoda stele copybook can be found in the search results provided. According to the contents of document [1], document [2], document [3], document [4], document [5], document [6], document [7], document [8], document [9], and document [10], the Duobao Pagoda Stele was the work of Yan Zhenqing, a calligrapher of the Tang Dynasty. Its full name was the "Duobao Pagoda Induction Stele of Qianfu Temple in Xijing, Tang Dynasty." This stele was one of Yan Zhenqing's early representative works, and it was also one of the models for future generations to learn regular script. The stele was 2.63 meters tall and 1.4 meters wide. It had 34 lines and 66 words. The content mainly recorded the whole story of how Chu Jin, the Zen Master of Longxing Temple in Xijing, built the pagoda. The font of the pagoda stele was neat and meticulous, the structure was standardized and strict, the strokes were rich and beautiful, moist and steady. The high-definition picture and the original text of this stele could be copied and learned by calligraphy enthusiasts. Thus, the complete version of the Multi-Pagoda Stele Calligraphy could be found in the relevant resources.
High-resolution pictures of Yan Qinli Stele can be found in Xi'an Forest of Steles and Beijing Palace Museum. This stele was one of the representative works of the Tang Dynasty calligrapher Yan Zhenqing in his later years. It was considered one of the most famous works of regular script in Chinese calligraphy. After reading the inscription, the size of the stone fragment was 175 x 90 x 22 cm. The stele is surrounded by inscriptions on all sides, and there are books on three sides. There were 19 lines in the north of the stele, 20 lines in the south of the stele, and 38 words in each line. There were 37 words in the 5 lines on the left. The upper part of the right side was engraved with the postscript of the Song Dynasty, and below it was the postscript of Song Bolu during the Republic of China. This monument was dignified and open-minded, relaxed and cheerful, combining movement and stillness, clever and clumsy, graceful and generous, showing the prosperity of the Tang Dynasty.