Translations and annotations of the Pangu Mythology
The original text of Pangu's creation of heaven and earth in classical Chinese: Heaven and earth are as chaotic as eggs. Pangu was born in it. 18,000 years. Heaven and earth opened up. Yang Qing is the sky. The earth is cloudy and turbid. Pangu was among them. Nine changes in a day. God is above heaven. Saint above the earth. The sun is ten feet high. The earth is ten feet thick every day. The Pan Gu sun was three meters long. It's been like this for eighteen thousand years. The number of days was extremely high. The earth is very deep. Pangu is very long. Therefore, the sky is 90,000 miles away from the earth. Later, there were three emperors. The First Born Pangu. Dying Avatar. The wind and clouds were formed by qi. The sound is like thunder. The left eye is the sun. The right eye is the moon. The four limbs and five bodies are the four poles and five mountains. Blood is rivers. the tendons and vessels are the earth. Muscles are the soil of the field. The hair becomes a star. The skin is made of grass and wood. The teeth and bones are made of gold and stone. The essence is pearls and jade. Sweat flows like rain. All the worms in the body. Because of the wind. He turned into a man named Li. In ancient times, the chaos of heaven and earth was like an egg, and Pangu grew in it. After eighteen thousand years, heaven and earth were opened up. The light and clear yang qi rose to become the sky, and the heavy and turbid yin qi sank to become the earth. Pangu had many transformations in a single day and was even more sacred than heaven and earth. The sky rose ten feet every day, the earth thickened by ten feet every day, and Pangu also grew by ten feet every day. Another eighteen thousand years passed like this. The sky became very high, the earth became very deep, and Pangu also grew extremely tall, so the distance between heaven and earth was ninety thousand miles. Only after that did the Three Sovereigns appear. Pangu was the first to be born. Before he died, he transformed into his own body. His breath turned into wind and clouds, his voice turned into thunder, his left eye turned into the sun, his right eye turned into the moon, his limbs and body turned into the four poles and five mountains, his blood turned into rivers, his veins turned into the veins of the earth, his muscles turned into soil, his hair turned into stars, his skin turned into plants, his teeth and bones turned into gold and stone, his essence turned into pearls, his sweat turned into rain, and the bugs on his body turned into civilians with the power of the wind. Note: - Hundun: also known as "chaos", the state of the universe in the imagination of the ancients before the world was opened up. - Chicken egg: Egg. - Yang Qing: Light and clear Yang Qi. The ancients believed that everything in the world was made up of yin and yang, and yang qi rose to form the sky. - Muddy Yin: Heavy and turbid Yin Qi. The heavy and turbid Yin Qi descends to form the earth. - Nine Changes in a Day: There are many changes in a day. Nine meant many times, not an exact number. - God was more sacred than heaven and earth. - "Three Sovereigns: There are many versions of the Three Sovereigns, such as Suiren, Fuxi, Shennong, or the Heavenly Emperor, the Earth Emperor, and the Human Emperor. This refers to the three great figures who appeared after the creation of the world. - [Dying Incarnation: When dying, the body will transform into everything in the world.] - Li Wei (m�n��): People. While waiting for the TV series, you can also click on the link below to read the classic original work of "Dafeng Nightwatchman"!
Translations of the Pangu Mythology
The Three Five Calendar Records recorded the story of Pangu's creation of heaven and earth. Part of it was translated as follows: In ancient times, the chaos of heaven and earth was like an egg. Pangu was born in it. After 18,000 years, heaven and earth were created. The light and clear yang qi became the sky, and the heavy and turbid yin qi became the earth. Pangu had nine transformations in one day, which was more marvelous than the sky and more brilliant than the earth. The sky rose ten feet a day, the earth thickened ten feet a day, and Pangu grew ten feet a day. This went on for another eighteen thousand years. The sky rose very high, the earth sank very deep, and Pangu grew extremely tall. After that, there were the Three Sovereigns. The number starts from one, stands at three, becomes five, becomes seven, and reaches the extreme point at nine, so the distance between heaven and earth is 90,000 miles. Before the creation of heaven and earth, the vital qi was still in the wilderness. From the beginning, it separated heaven and earth, established heaven and earth, opened yin and yang qi, distributed vital qi, and nurtured neutral qi. This was human. First, Pangu was born. Before his death, he transformed into his breath, wind and cloud, voice, thunder, left eye, sun, right eye, moon, four limbs and five bodies, four poles and five mountains, blood, rivers, veins, veins, grains, muscles, soil, hair, stars, skin, plants, teeth and bones, stones, pearls, sweat, rain, and dew. All kinds of insects on his body became common people because of the wind. While waiting for the TV series, you can also click on the link below to read the classic original work of "Dafeng Nightwatchman"!
Translations of Pangu Mythology
The Pangu Mythology was a local China myth. There was currently no fixed and widely recognized single English translation. The Pangu Myth. The Pangu Mythology told the story of the chaos of the ancient times. Pangu grew up in the chaos, and when he woke up, he used his divine power to create the world. In the end, his body turned into the sun, moon, stars, mountains, rivers, and all other things in the world. There were many elements in it, such as Pangu who had slept in the chaotic universe that was like a big egg for about 18000 years.(In the chaos - like universe which was like a huge egg, Pangu had been sleeping for about 18,000 years)(After waking up, he splits the chaos with an axe)（The light and clear substances rose to form the sky, while the heavy and turbid substances sank to form the earth）。Pangu was afraid that the sky and the earth would close together again, so he held up the sky and stood on the earth, growing taller as the sky and the earth grew. Finally, Pangu fell down and died, and all parts of his body turned into everything in the world. His left eye became the sun, his right eye became the moon, his hair and beard became stars, his blood became rivers, his teeth, bones, and marrow became metal, stones, pearls, etc. His skin and hair became flowers, trees, and sweat became rain and dew. For example, his left eye became the sun, his right eye became the moon, his hair and beard became the stars, his blood became the rivers, his teeth, bones and marrow became metals, stones, pearls, etc., his skin and body hair became flowers, plants and trees, and his sweat became rain and dew, etc.）。 While waiting for the TV series, you can also click on the link below to read the classic original work of "Dafeng Nightwatchman"!
Translations and annotations
Translating is the process of converting one language into another. Notes were added to the translated text by the translator according to the readers 'reading needs. They were explanations, explanations, or personal understandings that were not in the original. The content of the annotation was mainly to supplement background materials, introduce local customs, introduce people or specific time, introduce social and cultural knowledge, and explain what the translator thought should be added. It was an indispensable means for the translator to achieve the purpose of translation. In the practice of translation, the translator's "whether to annotate, when to annotate, and how to annotate" was often handled according to personal judgment and even preference. However, there were some standards for the application of "annotation" techniques, such as conciseness and clarity, understanding of the original text when the annotation must be made, targeted, clearly marked, appropriate location, and the form of annotation according to the length and subject of the original text (note in the sentence, note at the end of the page, note at the end of the text, etc.). Due to cultural differences, annotations were basically cultural annotations, except for some professional articles that annotate the language itself. In proverb and literary translation works, although annotations may affect the fluency of the translation, they played an irreplaceable role in conveying the cultural content of the original work. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
Translations and annotations of Xia Xing
" A Hero's Journey " was an ancient five-character poem written by Li Bai. It described and praised the image of a hero. The translation and annotations of the poem can be found in the search results provided.
Translations and annotations of classical Chinese
Part of the original text and translation of "Heavenly Works" are as follows: " A man cannot live for long, but the grain gives birth to him. The grain cannot grow on its own, but the life gives birth to him." Note: To live, to survive, to feed. Humans could not survive for a long time. They could survive because they could rely on grains to feed themselves. However, grains could not grow by themselves. They needed to be planted by humans. Preface: " The heavens and the earth are endless, and there are tens of thousands of things. And things are also due to it. It is not human power to complete it without leaving it behind." [Note: It was formed indirectly.] Under the cover of the sky and above the earth, there are tens of thousands of species, and everything changes randomly into various forms without missing a single one. Could it be caused by human power? "I beg the great cause of the literati to throw this book on the table. This book has nothing to do with fame and progress." Note: Beggar, request. Scholars who pursued the imperial examinations. I beg those scholars who pursue fame to throw this book on their desks. This book has nothing to do with the advancement of the imperial examination. If you want to know more about the follow-up, click on the link and read it!
Translations and annotations of Heavenly Creations
The following is a translation and annotation of an extract from " [Original text] The sky covers the earth, the number of things is ten thousand, and things are also due to it, the song is formed without leaving, is it human power? There are thousands of things, must wait until the oral vision to understand, and how much? Among all things, there is no difference between the living and the beneficial, each half of which is contained. There are smart and knowledgeable people in the world, who are recommended by the rich. However, the flowers of dates and pears have not been appreciated, but they have imagined the "Chu Ping"(1); The Fan Xianjing of the pot is good, but they talk about the "Ju Ding"(3); The painter likes to draw ghosts and evil dogs and horses (4), so how can Zheng Qiao and Jin Hua be strong? [Note] (1) Chu Ping: According to the Confucius Family Language·Thoughts, King Zhao of Chu saw a red round object in the river. Asked Confucius, Confucius said it was Chu Ping, belonging to auspicious, rare and rare things, only tyrants can get it. (2) Kettle (xín): Kettle and pot, both ancient cooking utensils. 3. Ju Ding: According to Zuo Zhuan, the Marquis of Jin gave his son a two-sided tripod. It was a food vessel cast by Ju State (now Ju County, Shandong Province). 4 Painter: Han Feizi records that the King of Qi asked the painter what was the most difficult thing to paint? The painter replied: It is difficult to draw dogs and horses. The king of Qi asked again, what is the easiest thing to paint? The painter replied: Painting ghosts and spirits is the easiest. Because dogs and horses were seen every day, it was easy to tell whether the painting was good or not at a glance. No one saw ghosts and monsters, so the painter could paint them however he wanted. Strong: Beautiful, beautiful. Ji Kang's "Fu on the Guqin":"The sound is strong and far-reaching." The sky is above, the earth is below, and there are all things in between. The Book of Changes said,"Once you have achieved your goal, you should follow the changes of the Tao. You should try to turn the situation around and be determined to achieve your goal." However, since there are tens of thousands of things, how many can be recognized if they must be recognized by word of mouth? Among all things, those that are not beneficial to life and those that are beneficial to life are equally divided. There were intelligent and knowledgeable people in the world who were respected by everyone. However, he had not even appreciated the jujube flowers and pear blossoms, but he had made a subjective guess of "Chu Ping"; He rarely touched the mold of the pot, but he talked about "Ju Ding"; Painters like to draw ghosts and hate to draw dogs and horses. Are people like Zheng Qiao and Jinhua worthy of praise? If you want to know more about the follow-up, click on the link and read it!
Translations and annotations of the Phoenix Terrace in Jinling
The Phoenix Platform once had a phoenix that came to roam, but the platform was empty after the phoenix left, leaving only the river flowing eastward. The Phoenix Platform referred to the platform on Phoenix Mountain in Jinling. According to the Jiangnan Annals, the Phoenix Platform was located in the southwest corner of Jiangning Prefecture. Jiang was referring to the Yangtze River. The Wu Palace referred to the palace built by Sun Wu in Jinling during the Three Kingdoms period. The Jin Dynasty referred to the Eastern Jin Dynasty, which also established its capital in Jinling after crossing south. The cenotaph referred to the cenotaph of Guo Pu, a writer of the Eastern Jin Dynasty. It was still in Xuanwu Lake Park in Nanjing. When it came to clothes, it also referred to the wealthy families at that time. The saying that floating clouds can cover the sun implied that evil villains were in power to harm loyal people. Here, it meant that crafty sycophants deceived the monarch.
Translations and annotations of the Phoenix Terrace in Jinling
The Phoenix Platform once had a phoenix that came to roam, but the platform was empty after the phoenix left, leaving only the river flowing eastward. Phoenix Terrace referred to the place on Phoenix Mountain in Jinling. According to the Jiangnan Annals, Phoenix Terrace was located in the southwest corner of Jiangning Prefecture. There was also a pagoda that could be seen. Jiang was referring to the Yangtze River. The Wu Palace referred to the palace built by Sun Wu in Jinling during the Three Kingdoms period. The Jin Dynasty referred to the Eastern Jin Dynasty, which also established its capital in Jinling after crossing south. The cenotaph referred to the cenotaph of Guo Pu, a writer of the Eastern Jin Dynasty. It was still in Xuanwu Lake Park in Nanjing. To sum up, the poem depicted a scene where a phoenix used to play freely on the Phoenix Platform. Now that the phoenix had left, only the river water was still flowing eastward.
Translations and annotations of the ancient poem Chang 'an Chun
The translation of Chang 'an Spring was: " The willows outside the door drooped weakly, and the spring breeze blew the willow branches into golden yellow. The wine on East Street is too weak. It's easy to wake up when you're drunk, and your worries still can't be dispelled." It was mentioned in the note that the " Green Gate Willow " referred to the willow tree outside the southeast gate of Chang 'an City, the " golden color " referred to the yellow color of the willow tree's branches and leaves, and the " Jiedong Jiubao " referred to the weak alcoholic strength of the wine sold on the East Street.
Translations and annotations of the three ominous characters in the classical Chinese
The classical Chinese translation of "Three Ominous in the Country" was: "It is unlucky for the monarch to not understand a virtuous person. It is unlucky for the monarch to not appoint him after understanding him. It is unlucky for the monarch to not trust him after appointing him." The meaning of this passage of classical Chinese was that if a country had a virtuous person, but the monarch did not understand him, it was an unlucky thing. It was the second kind of misfortune to understand but not appoint him. It was the third kind of misfortune to appoint but not trust him. The 'ominous' here referred to these problems.