Translations and annotations of Xia Xing
" A Hero's Journey " was an ancient five-character poem written by Li Bai. It described and praised the image of a hero. The translation and annotations of the poem can be found in the search results provided.
Translations and annotations
Translating is the process of converting one language into another. Notes were added to the translated text by the translator according to the readers 'reading needs. They were explanations, explanations, or personal understandings that were not in the original. The content of the annotation was mainly to supplement background materials, introduce local customs, introduce people or specific time, introduce social and cultural knowledge, and explain what the translator thought should be added. It was an indispensable means for the translator to achieve the purpose of translation. In the practice of translation, the translator's "whether to annotate, when to annotate, and how to annotate" was often handled according to personal judgment and even preference. However, there were some standards for the application of "annotation" techniques, such as conciseness and clarity, understanding of the original text when the annotation must be made, targeted, clearly marked, appropriate location, and the form of annotation according to the length and subject of the original text (note in the sentence, note at the end of the page, note at the end of the text, etc.). Due to cultural differences, annotations were basically cultural annotations, except for some professional articles that annotate the language itself. In proverb and literary translation works, although annotations may affect the fluency of the translation, they played an irreplaceable role in conveying the cultural content of the original work. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
Translations and annotations of classical Chinese
Part of the original text and translation of "Heavenly Works" are as follows: " A man cannot live for long, but the grain gives birth to him. The grain cannot grow on its own, but the life gives birth to him." Note: To live, to survive, to feed. Humans could not survive for a long time. They could survive because they could rely on grains to feed themselves. However, grains could not grow by themselves. They needed to be planted by humans. Preface: " The heavens and the earth are endless, and there are tens of thousands of things. And things are also due to it. It is not human power to complete it without leaving it behind." [Note: It was formed indirectly.] Under the cover of the sky and above the earth, there are tens of thousands of species, and everything changes randomly into various forms without missing a single one. Could it be caused by human power? "I beg the great cause of the literati to throw this book on the table. This book has nothing to do with fame and progress." Note: Beggar, request. Scholars who pursued the imperial examinations. I beg those scholars who pursue fame to throw this book on their desks. This book has nothing to do with the advancement of the imperial examination. If you want to know more about the follow-up, click on the link and read it!
Translations and annotations of Heavenly Creations
The following is a translation and annotation of an extract from " [Original text] The sky covers the earth, the number of things is ten thousand, and things are also due to it, the song is formed without leaving, is it human power? There are thousands of things, must wait until the oral vision to understand, and how much? Among all things, there is no difference between the living and the beneficial, each half of which is contained. There are smart and knowledgeable people in the world, who are recommended by the rich. However, the flowers of dates and pears have not been appreciated, but they have imagined the "Chu Ping"(1); The Fan Xianjing of the pot is good, but they talk about the "Ju Ding"(3); The painter likes to draw ghosts and evil dogs and horses (4), so how can Zheng Qiao and Jin Hua be strong? [Note] (1) Chu Ping: According to the Confucius Family Language·Thoughts, King Zhao of Chu saw a red round object in the river. Asked Confucius, Confucius said it was Chu Ping, belonging to auspicious, rare and rare things, only tyrants can get it. (2) Kettle (xín): Kettle and pot, both ancient cooking utensils. 3. Ju Ding: According to Zuo Zhuan, the Marquis of Jin gave his son a two-sided tripod. It was a food vessel cast by Ju State (now Ju County, Shandong Province). 4 Painter: Han Feizi records that the King of Qi asked the painter what was the most difficult thing to paint? The painter replied: It is difficult to draw dogs and horses. The king of Qi asked again, what is the easiest thing to paint? The painter replied: Painting ghosts and spirits is the easiest. Because dogs and horses were seen every day, it was easy to tell whether the painting was good or not at a glance. No one saw ghosts and monsters, so the painter could paint them however he wanted. Strong: Beautiful, beautiful. Ji Kang's "Fu on the Guqin":"The sound is strong and far-reaching." The sky is above, the earth is below, and there are all things in between. The Book of Changes said,"Once you have achieved your goal, you should follow the changes of the Tao. You should try to turn the situation around and be determined to achieve your goal." However, since there are tens of thousands of things, how many can be recognized if they must be recognized by word of mouth? Among all things, those that are not beneficial to life and those that are beneficial to life are equally divided. There were intelligent and knowledgeable people in the world who were respected by everyone. However, he had not even appreciated the jujube flowers and pear blossoms, but he had made a subjective guess of "Chu Ping"; He rarely touched the mold of the pot, but he talked about "Ju Ding"; Painters like to draw ghosts and hate to draw dogs and horses. Are people like Zheng Qiao and Jinhua worthy of praise? If you want to know more about the follow-up, click on the link and read it!
Translations and annotations of the Pangu Mythology
The original text of Pangu's creation of heaven and earth in classical Chinese: Heaven and earth are as chaotic as eggs. Pangu was born in it. 18,000 years. Heaven and earth opened up. Yang Qing is the sky. The earth is cloudy and turbid. Pangu was among them. Nine changes in a day. God is above heaven. Saint above the earth. The sun is ten feet high. The earth is ten feet thick every day. The Pan Gu sun was three meters long. It's been like this for eighteen thousand years. The number of days was extremely high. The earth is very deep. Pangu is very long. Therefore, the sky is 90,000 miles away from the earth. Later, there were three emperors. The First Born Pangu. Dying Avatar. The wind and clouds were formed by qi. The sound is like thunder. The left eye is the sun. The right eye is the moon. The four limbs and five bodies are the four poles and five mountains. Blood is rivers. the tendons and vessels are the earth. Muscles are the soil of the field. The hair becomes a star. The skin is made of grass and wood. The teeth and bones are made of gold and stone. The essence is pearls and jade. Sweat flows like rain. All the worms in the body. Because of the wind. He turned into a man named Li. In ancient times, the chaos of heaven and earth was like an egg, and Pangu grew in it. After eighteen thousand years, heaven and earth were opened up. The light and clear yang qi rose to become the sky, and the heavy and turbid yin qi sank to become the earth. Pangu had many transformations in a single day and was even more sacred than heaven and earth. The sky rose ten feet every day, the earth thickened by ten feet every day, and Pangu also grew by ten feet every day. Another eighteen thousand years passed like this. The sky became very high, the earth became very deep, and Pangu also grew extremely tall, so the distance between heaven and earth was ninety thousand miles. Only after that did the Three Sovereigns appear. Pangu was the first to be born. Before he died, he transformed into his own body. His breath turned into wind and clouds, his voice turned into thunder, his left eye turned into the sun, his right eye turned into the moon, his limbs and body turned into the four poles and five mountains, his blood turned into rivers, his veins turned into the veins of the earth, his muscles turned into soil, his hair turned into stars, his skin turned into plants, his teeth and bones turned into gold and stone, his essence turned into pearls, his sweat turned into rain, and the bugs on his body turned into civilians with the power of the wind. Note: - Hundun: also known as "chaos", the state of the universe in the imagination of the ancients before the world was opened up. - Chicken egg: Egg. - Yang Qing: Light and clear Yang Qi. The ancients believed that everything in the world was made up of yin and yang, and yang qi rose to form the sky. - Muddy Yin: Heavy and turbid Yin Qi. The heavy and turbid Yin Qi descends to form the earth. - Nine Changes in a Day: There are many changes in a day. Nine meant many times, not an exact number. - God was more sacred than heaven and earth. - "Three Sovereigns: There are many versions of the Three Sovereigns, such as Suiren, Fuxi, Shennong, or the Heavenly Emperor, the Earth Emperor, and the Human Emperor. This refers to the three great figures who appeared after the creation of the world. - [Dying Incarnation: When dying, the body will transform into everything in the world.] - Li Wei (m�n��): People. While waiting for the TV series, you can also click on the link below to read the classic original work of "Dafeng Nightwatchman"!
Translations and annotations of the Phoenix Terrace in Jinling
The Phoenix Platform once had a phoenix that came to roam, but the platform was empty after the phoenix left, leaving only the river flowing eastward. The Phoenix Platform referred to the platform on Phoenix Mountain in Jinling. According to the Jiangnan Annals, the Phoenix Platform was located in the southwest corner of Jiangning Prefecture. Jiang was referring to the Yangtze River. The Wu Palace referred to the palace built by Sun Wu in Jinling during the Three Kingdoms period. The Jin Dynasty referred to the Eastern Jin Dynasty, which also established its capital in Jinling after crossing south. The cenotaph referred to the cenotaph of Guo Pu, a writer of the Eastern Jin Dynasty. It was still in Xuanwu Lake Park in Nanjing. When it came to clothes, it also referred to the wealthy families at that time. The saying that floating clouds can cover the sun implied that evil villains were in power to harm loyal people. Here, it meant that crafty sycophants deceived the monarch.
Translations and annotations of the Phoenix Terrace in Jinling
The Phoenix Platform once had a phoenix that came to roam, but the platform was empty after the phoenix left, leaving only the river flowing eastward. Phoenix Terrace referred to the place on Phoenix Mountain in Jinling. According to the Jiangnan Annals, Phoenix Terrace was located in the southwest corner of Jiangning Prefecture. There was also a pagoda that could be seen. Jiang was referring to the Yangtze River. The Wu Palace referred to the palace built by Sun Wu in Jinling during the Three Kingdoms period. The Jin Dynasty referred to the Eastern Jin Dynasty, which also established its capital in Jinling after crossing south. The cenotaph referred to the cenotaph of Guo Pu, a writer of the Eastern Jin Dynasty. It was still in Xuanwu Lake Park in Nanjing. To sum up, the poem depicted a scene where a phoenix used to play freely on the Phoenix Platform. Now that the phoenix had left, only the river water was still flowing eastward.
Translations and annotations of the ancient poem Chang 'an Chun
The translation of Chang 'an Spring was: " The willows outside the door drooped weakly, and the spring breeze blew the willow branches into golden yellow. The wine on East Street is too weak. It's easy to wake up when you're drunk, and your worries still can't be dispelled." It was mentioned in the note that the " Green Gate Willow " referred to the willow tree outside the southeast gate of Chang 'an City, the " golden color " referred to the yellow color of the willow tree's branches and leaves, and the " Jiedong Jiubao " referred to the weak alcoholic strength of the wine sold on the East Street.
Translations and annotations of the original text of Autumn Day
The original text of 'The Two Absolutes of Autumn (Part One)' was 'Green reeds and willows should not be frosted, dyed yellow in the area of Cangzhou. Don't praise the mountains and rivers, the cold clouds and cold waters are even more desolate." Note: - [Unsuitable]: Not suitable, unable to bear it. - "Cangzhou" referred to the area near the water. This place was seen by the poet, and it could also refer to the water town in Jiangnan. - "River and Mountain": Mountains and Rivers. - [Beike: Golden Man.] At that time, the Song and Jin Dynasties were divided by the Huaihe River and the Great Scattered Pass. The north and south confronted each other. Emperor Gaozong of the Song Dynasty built a Gusu Hall that could overlook the mountains and rivers to receive the Jin envoys. The green reeds and the graceful willows could not withstand the frost and were dyed yellow, making the water town a scene like this. There was no need to boast about this place to guests from the north, because in the blink of an eye, this place would become a cold and desolate scene.
Translations and annotations of Bai Hua's poem
The following is a trial translation of Yesenin's White Birch: The white birch tree in front of the window was covered in silver after the snow, the branches were fluffy, the snowflakes condensed into lace tassels, and the rime hung on the branches. Белая берёза Под моим окном Принакрылась снегом,Точно серебром Напушистых ветках Снежною каймой Распустились кисти Белой бахромой. In the silent dream, the white birches stood tall, and the snowflakes scattered in the golden flames. And the dawn spreads new silver frost on the branches. Истоит берёза Всонной тишине, Игорят снежинки Взолотом огне. Азаря, лениво Обходя кругом, Обсыпает ветки Новым серебром. Note: 1. ** Thematic **: This is a lyric poem with the white birch as the theme. It portrays the white birch from many aspects. Through the detailed description of the white birch, such as the color, shape, and the environment it is in, it shows the poet's careful observation of the natural scenery and his deep love for it. In fact, the white birch was the national tree of the Soviet Union. The poet Yesenin loved the motherland, the country, and the people. This poem literally wrote about the white birch, but it could also be understood as a praise for the country and the national spirit. 2. ** Images and descriptions ** - ** Bai Hua Image **: The poem described Bai Hua as "as if it was coated with silver frost and covered in snowflakes". It depicted the white color of Bai Hua after the snow as if it was covered in silver frost and covered in snow. " Furry branches, snow-embroidered lace, clusters of flowers, white tassels like a painting." Here, the snow on the branches was compared to the snow-embroidered lace, flower tassel, and white tassels, vividly describing the shape of the snow on the branches, showing the elegance of the white birch. - [Description of the environment: In the hazy silence, this white birch tree stands.] In the dazzling golden light, glittering snowflakes, white birches wandering around, the late morning glow. Through the description of the quiet atmosphere, the golden glow, the morning glow and other environmental elements, the White Birch was integrated with the surrounding environment, bringing out the noble and unique beauty of the White Birch. 3. ** Rhythm **: The words "Hua, Hua, Sa, Hua, Xia, Hua" in the poem rhyme, making the poem have a beautiful rhythm and catchy. For example, the phrase " covered in snowflakes, as if coated with silver frost " was logically reversed, but it was to rhyme and did not affect the understanding of the poem. "Life Like a White Birch" is equally exciting. Everyone is welcome to click and read it!
Translations and annotations of the three ominous characters in the classical Chinese
The classical Chinese translation of "Three Ominous in the Country" was: "It is unlucky for the monarch to not understand a virtuous person. It is unlucky for the monarch to not appoint him after understanding him. It is unlucky for the monarch to not trust him after appointing him." The meaning of this passage of classical Chinese was that if a country had a virtuous person, but the monarch did not understand him, it was an unlucky thing. It was the second kind of misfortune to understand but not appoint him. It was the third kind of misfortune to appoint but not trust him. The 'ominous' here referred to these problems.