Kangxi Blue Glazed Porcelain
The Kangxi blue glazed porcelain was a treasure of the Jingdezhen official kiln porcelain during the Kangxi period of the Qing Dynasty. During the reign of Emperor Kangxi, the porcelain making skills were superb, and the blue glazed porcelain also showed many characteristics. In terms of the glaze color of the blue glazed porcelain,"blue" was the name of the porcelain glaze color, also known as "blue glaze","sacrificial blue glaze" and "green glaze". It was a kind of high-temperature lime soda glaze. After the green glaze was applied, it was fired at a high temperature of 1280 - 1300 ° C. The color was deep, the glaze did not flow or crack, the color tone was even, and the color was relatively stable. The glaze color was blue like the deep sea, and the glaze was even. Later generations called it "Jiqing", and because its color was stable and bright like gems, it was pushed as one of the three "top" of Xuande color glazed porcelain. The blue-glazed porcelain of the Kangxi period continued to be made on the basis of inheriting the tradition of the Yuan Dynasty. However, due to the difference in the tungsten material, the blue glaze was no longer as beautiful as the Su material and the Huiqing material in the early and middle Ming Dynasty. In terms of shape and use, blue glazed porcelain was commonly seen in official kiln color glaze, blue and white, underglazed red porcelain and colored porcelain, most of which were written in two lines of six-character regular script. The main models were sacrificial vessels and furnishings, such as the blue glazed long-necked vase, which was featured by the long neck ratio, straight mouth and thin neck, bulging belly and circle foot; there were also blue glazed porcelain bowls from Jingdezhen kiln in Kangxi period of Qing Dynasty, round lips, open mouth, deep arc belly and slightly high circle foot. The artistic value and collection value of Kangxi blue glazed porcelain were very high. During this period, porcelain production skills reached an unprecedented height. Its shape, decorative patterns, glaze color, etc. showed superb skills and contained rich historical and cultural implications. Whether it was at that time or now, it was highly valued. It was a popular collection in the collection world. As people paid more attention to traditional culture, its collection value became more prominent. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
The characteristics of blue glazed porcelain
The blue glazed porcelain had the following characteristics: 1. ** Color and Color Appearance ** - Cobalt dioxide was used as the main coloring agent. The color tone was uniform and stable. Similar to bright red glaze, the glaze did not flow or crack. During the high-temperature firing, due to the melting of the glaze layer, the mouth of the object became thinner along the glaze layer, revealing the white fetus bone, commonly known as the "lamp grass mouth". The glaze layer at the bottom flowed down and piled up, showing a bluish purple brown color. Blue was the typical color of glazed porcelain, which was the result of the interaction between the glaze and copper dioxide during the firing process. 2. ** Glazing ** - Generally, the circle foot is glazed to the end, and the circle foot is not exposed at eye level. 3. ** Styling ** - Bowls and plates were more common, but bottles and pots were rare. 4. ** In terms of decoration ** - Many of the blue glazes had light carvings, mainly dragon and phoenix, cloud dragon, and flowers, but they were not three-dimensional. 5. ** Quality and Appearance ** - It was hard, had a high density and strength, and had a certain degree of clarity. The porcelain body under the glaze could be seen. The surface was smooth and transparent, making it look even brighter. 6. ** In terms of firing ** - After the green body was glazed, it was put into the kiln and fired at a high temperature of 1280 ° C- 1300 ° C (some blue glazed porcelain needed to be fired more than twice). Green glaze was created in the Yuan Dynasty and has been burned until modern times. 7. ** Different dynasty characteristics ** - ** Early and Middle Ming Dynasty **: Mainly used for official sacrificial vessels and furnishings, belonging to a small number of high-grade glaze. - ** Qing Yongzheng period **: The fetus is fine, white and dense (the best fetus in the Qing Dynasty, but some have small brown eyes), the fetus is thin and light, the glaze is fat, the color is quiet and bright, the glaze color is even and moist like sapphire, and there are orange peel lines on the glaze (need to observe carefully). The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
The characteristics of blue glazed porcelain in the Qing Dynasty
The Qing Dynasty blue glazed porcelain had the following characteristics: - ** In terms of body quality, the body quality of the Yongzheng period was fine, white, and dense. It was the better porcelain in the Qing Dynasty, but there would be small brown eyes, and the body was thin and light. - ** Edge characteristics **: During the Yongzheng period, there was a lamp grass mouth on the edge of the mouth, which was one of the key points of identification. - ** Enamel performance **: - During the Yongzheng period, the glaze was plump, the color was calm and bright, the glaze color was even and moist, like a sapphire color, and there were orange peel lines on the glaze, which could only be discovered after careful observation. - The Kangxi period was the heyday of the development of blue glazed porcelain. The glaze was thin and had no cracks, and the glaze color was relatively dark. - ** Overall shape and decoration **: - There are very few of them left in the world, and most of them have exquisite and complicated patterns and unique shapes. There were many breakthroughs in the external patterns. Dark patterns, gold decorations, and many brightly colored three-dimensional decorations were added, as well as characteristics of Qing Dynasty artifacts such as elephant flowers, cross-ear, bat ears, and so on. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
Beauty Glazed Porcelain
There was less information about the porcelain. From the available information, it was known that there was a Qing Emperor Qianlong Beauty Glaze Endowment Bottle. Its size was 34×20, the price was 600 yuan, and the appearance was of the eighth grade. There was also a Korean style of fleshy flower pot with beauty glaze, priced at 29.70 yuan. In addition, in terms of porcelain glaze color, Lang Hong and Beauty Drunken Glaze (also known as pink glaze, child face glaze, cowpea red glaze, peach blossom glaze, etc.) were very similar, but it was not clear whether Beauty Drunken Glaze and Beauty Glaze were related. Overall, there was limited information about the porcelain, and more information needed to be dug up. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
Xuande blue glazed porcelain characteristics, what are its characteristics, appreciation value
Xuande blue glazed porcelain was produced during the Xuande period of the Ming Dynasty. It was a classic in the history of Chinese porcelain. Its characteristics include: Splash blue glaze is a kind of glaze with iron dioxide as the main raw material combined with metal elements such as tungsten and titanium. This glaze will produce spots and spilling during the firing process, so it is called blue glaze. The Xuande blue glazed porcelain has a smooth glaze, a deep color, and a delicate surface, which has a high artistic value and appreciation value. 3. The production process of blue glazed porcelain was very cumbersome. It needed to go through many cumbersome processes to complete. Therefore, the production difficulty was extremely high, which was also the reason why the price of Xuande blue glazed porcelain was extremely high. Xuande blue glazed porcelain also has a high status in terms of historical and cultural value. It is one of the representative works of the Ming Xuande period, representing the superb craftsmanship and cultural and artistic level of the Ming Dynasty. Xuande blue glazed porcelain has extremely high artistic value, historical and cultural value. It is one of the outstanding representatives of ancient Chinese ceramic art and one of the most precious ceramic works of art in the world today.
A novel as good as Green Glazed Porcelain
Blue and White Porcelain
You can refer to the music score of " Blue and White Porcelain " at The novel " Sitting and Watching Immortals " is equally exciting. Everyone is welcome to click and read it!
Copper red glazed porcelain was very popular in the history of Chinese porcelain collection.
Copper red glazed porcelain is very popular in the history of Chinese porcelain collection. Copper red glazed porcelain was a kind of underglaze porcelain. The glaze was made of copper ions and copper ions. It showed the copper red color of copper and copper. Bronze red glazed porcelain can be divided into two categories: 1. Underglaze Copper Red Glazed Porcelain: Painting the bottom glaze of the porcelain with copper red color and then cover the glaze with a layer of transparent glaze. The painting skills of this kind of porcelain required a high level of gorgeous colors and delicate strokes. 2. Copper red glaze porcelain: On the basis of copper red glaze, a layer of glaze is usually transparent glaze or colored glaze. This kind of porcelain was more colorful and could show purple, blue, green, yellow and other colors. Copper red glazed porcelain was very popular among Chinese porcelain collections. It was a bright pearl in Chinese traditional porcelain culture.
Green Glazed Lotus Zun Zibo Porcelain Museum
The green glazed lotus flower was a national first-class cultural relic and one of the treasures of Zibo ceramic glaze museum. An ancient tomb was unearthed in Hezhuang Village, Longquan Town, Zichuan District in 1982. It was 59 centimeters tall, 13.1 centimeters in diameter, and 16 centimeters in diameter. Its mouth and neck were decorated with eight lines of Yin strings, and its shoulders were surrounded by a circle of raised rope patterns. Below it were four curved lines, and between the lines were decorated with four sets of printed patterns, each set having a total of three flowers. It was a combination of drawing, stacking, printing, embossed, and round carving. The upper part of the abdomen was piled with 21 lotus petals, the middle part of the abdomen was printed with two layers of honeysuckle patterns, and the lower part of the abdomen was decorated with a set of double-layer lotus petals. The lower part of the abdomen contracted and the circle was slightly extravagant. Not only was this lotus flower statue in perfect condition and had a large carcass, it was also a combination of carving, imprinting, stacking and other decorative techniques. It was a rare treasure. In 1987, it was identified by the State Administration of Cultural Relics as a cultural relic of the Northern Qi Dynasty. It was the only green-glazed lotus statue unearthed in the country that was confirmed to be fired at the kiln mouth. According to the celadon fragments of the Northern Dynasty period unearthed from the Zhaili kiln in Zichuan, it was the work of the Zhaili kiln, and the Zhaili kiln site was therefore considered to be the earliest celadon kiln site in northern China. In the Zibo ceramic glaze museum, it attracted many tourists to visit. With the help of digital technology, tourists could see the introduction of cultural relics and digital models through the "MR glasses" when they approached. They could also rotate and enlarge them for better appreciation. In addition, its image was also made into a creative refrigerator and sold in the cultural creation center of the museum. The novel " Gilded Palm " is equally exciting. Everyone is welcome to click and read it!
Blue and White Porcelain Vase
The blue and white porcelain vase was a traditional Chinese porcelain ware and an important symbol of Chinese culture. It was usually made of blue and white porcelain glaze and the bottle itself. It was an art form that combined painting and ceramic craftsmanship. The production of blue and white porcelain bottles had a long history. It began in the Tang Dynasty, developed in the Song Dynasty, and reached its peak in the Ming Dynasty. The production process of blue and white porcelain bottles required many steps, including material selection, washing, screening, blank making, painting, firing, and so on. The production process required the use of high-quality ceramic raw materials and the use of specific production processes and techniques to ensure the quality and beauty of the blue and white porcelain vase. The patterns and painting styles of the blue and white porcelain vase varied from traditional Chinese landscape paintings, flower and bird patterns to modern decorative and artistic styles. They were often used to decorate homes, gifts, and art displays. Apart from being a traditional porcelain ware, blue and white porcelain vases also had important cultural significance. They are considered as one of the symbols of Chinese culture, representing the ancient Chinese ceramic craftsmanship and artistic style. At the same time, blue and white porcelain vases were also regarded as a precious cultural heritage with high collection value and historical value.
Blue and White Porcelain Auction
The blue and white porcelain of the Yuan Dynasty had attracted much attention in the auction house. In recent years, its auction price had repeatedly reached new heights. For example, in 2005, the large jar of Yuan Dynasty blue and white flower "Guigu 'zi Descends the Mountain" at Christie's in London was sold at a sky-high price of 2.3 billion yuan; in 2011, the plum vase of Yuan Dynasty blue and white flower "Xiao He Chases Han Xin under the Moon" at the auction house in Macau was sold at a price of 8.4 billion Hong Kong dollars. There were also many pieces of blue and white porcelain in Beijing Poly's auction that were sold at high prices. For example, the blue and white "Fuluwandai" big gourd vase (Alexander vase) in the spring auction of 2018 was sold for 56,810,000 yuan; the blue and white peacock peony plum vase with a lid was sold for 16,675,000 yuan; and the blue and white lotus pond fish-algae pattern bowl in the autumn art auction of 2023 was sold for 10,465,000 yuan. The high price of blue and white porcelain in the Yuan Dynasty was inseparable from its scarcity, exquisiteness, and historical and cultural value. However, there were also some uncertainties in the market of blue and white porcelain. The identification of its authenticity had always been a difficult problem. There were many fakes on the market, and the capital speculation had also pushed up the price, causing ordinary collectors to shrink back. For those who wanted to invest in the collection of blue and white porcelain, they needed to learn professional knowledge to improve their appreciation ability, choose formal trading channels, and do what they could to avoid unnecessary economic losses.