In the early and middle period of the Ming Dynasty, the blue glaze was mainly used for sacrificial vessels and furnishings, belonging to high-grade glaze. In the middle and late Ming Dynasty, there were poor quality domestic sapphire glazed porcelain made by civilian kilns. From the middle of Wanli to the end of Chongzhen, no sapphire glazed porcelain made by official kilns had been found. Judging from the existing Ming Jiajing Ji blue glazed bowl, the bottom half of the circle and the foot of the circle are not glazed. However, based on the current information, it was difficult to make a comprehensive and accurate summary of the characteristics of the Ming Dynasty blue glazed porcelain. There might be many different forms of expression, and more physical research and information were needed. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
The Qing Dynasty blue glazed porcelain had the following characteristics: - ** In terms of body quality, the body quality of the Yongzheng period was fine, white, and dense. It was the better porcelain in the Qing Dynasty, but there would be small brown eyes, and the body was thin and light. - ** Edge characteristics **: During the Yongzheng period, there was a lamp grass mouth on the edge of the mouth, which was one of the key points of identification. - ** Enamel performance **: - During the Yongzheng period, the glaze was plump, the color was calm and bright, the glaze color was even and moist, like a sapphire color, and there were orange peel lines on the glaze, which could only be discovered after careful observation. - The Kangxi period was the heyday of the development of blue glazed porcelain. The glaze was thin and had no cracks, and the glaze color was relatively dark. - ** Overall shape and decoration **: - There are very few of them left in the world, and most of them have exquisite and complicated patterns and unique shapes. There were many breakthroughs in the external patterns. Dark patterns, gold decorations, and many brightly colored three-dimensional decorations were added, as well as characteristics of Qing Dynasty artifacts such as elephant flowers, cross-ear, bat ears, and so on. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
The blue glazed porcelain had the following characteristics: 1. ** Color and Color Appearance ** - Cobalt dioxide was used as the main coloring agent. The color tone was uniform and stable. Similar to bright red glaze, the glaze did not flow or crack. During the high-temperature firing, due to the melting of the glaze layer, the mouth of the object became thinner along the glaze layer, revealing the white fetus bone, commonly known as the "lamp grass mouth". The glaze layer at the bottom flowed down and piled up, showing a bluish purple brown color. Blue was the typical color of glazed porcelain, which was the result of the interaction between the glaze and copper dioxide during the firing process. 2. ** Glazing ** - Generally, the circle foot is glazed to the end, and the circle foot is not exposed at eye level. 3. ** Styling ** - Bowls and plates were more common, but bottles and pots were rare. 4. ** In terms of decoration ** - Many of the blue glazes had light carvings, mainly dragon and phoenix, cloud dragon, and flowers, but they were not three-dimensional. 5. ** Quality and Appearance ** - It was hard, had a high density and strength, and had a certain degree of clarity. The porcelain body under the glaze could be seen. The surface was smooth and transparent, making it look even brighter. 6. ** In terms of firing ** - After the green body was glazed, it was put into the kiln and fired at a high temperature of 1280 ° C- 1300 ° C (some blue glazed porcelain needed to be fired more than twice). Green glaze was created in the Yuan Dynasty and has been burned until modern times. 7. ** Different dynasty characteristics ** - ** Early and Middle Ming Dynasty **: Mainly used for official sacrificial vessels and furnishings, belonging to a small number of high-grade glaze. - ** Qing Yongzheng period **: The fetus is fine, white and dense (the best fetus in the Qing Dynasty, but some have small brown eyes), the fetus is thin and light, the glaze is fat, the color is quiet and bright, the glaze color is even and moist like sapphire, and there are orange peel lines on the glaze (need to observe carefully). The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
The Kangxi blue glazed porcelain was a treasure of the Jingdezhen official kiln porcelain during the Kangxi period of the Qing Dynasty. During the reign of Emperor Kangxi, the porcelain making skills were superb, and the blue glazed porcelain also showed many characteristics. In terms of the glaze color of the blue glazed porcelain,"blue" was the name of the porcelain glaze color, also known as "blue glaze","sacrificial blue glaze" and "green glaze". It was a kind of high-temperature lime soda glaze. After the green glaze was applied, it was fired at a high temperature of 1280 - 1300 ° C. The color was deep, the glaze did not flow or crack, the color tone was even, and the color was relatively stable. The glaze color was blue like the deep sea, and the glaze was even. Later generations called it "Jiqing", and because its color was stable and bright like gems, it was pushed as one of the three "top" of Xuande color glazed porcelain. The blue-glazed porcelain of the Kangxi period continued to be made on the basis of inheriting the tradition of the Yuan Dynasty. However, due to the difference in the tungsten material, the blue glaze was no longer as beautiful as the Su material and the Huiqing material in the early and middle Ming Dynasty. In terms of shape and use, blue glazed porcelain was commonly seen in official kiln color glaze, blue and white, underglazed red porcelain and colored porcelain, most of which were written in two lines of six-character regular script. The main models were sacrificial vessels and furnishings, such as the blue glazed long-necked vase, which was featured by the long neck ratio, straight mouth and thin neck, bulging belly and circle foot; there were also blue glazed porcelain bowls from Jingdezhen kiln in Kangxi period of Qing Dynasty, round lips, open mouth, deep arc belly and slightly high circle foot. The artistic value and collection value of Kangxi blue glazed porcelain were very high. During this period, porcelain production skills reached an unprecedented height. Its shape, decorative patterns, glaze color, etc. showed superb skills and contained rich historical and cultural implications. Whether it was at that time or now, it was highly valued. It was a popular collection in the collection world. As people paid more attention to traditional culture, its collection value became more prominent. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
Xuande blue glazed porcelain was produced during the Xuande period of the Ming Dynasty. It was a classic in the history of Chinese porcelain. Its characteristics include: Splash blue glaze is a kind of glaze with iron dioxide as the main raw material combined with metal elements such as tungsten and titanium. This glaze will produce spots and spilling during the firing process, so it is called blue glaze. The Xuande blue glazed porcelain has a smooth glaze, a deep color, and a delicate surface, which has a high artistic value and appreciation value. 3. The production process of blue glazed porcelain was very cumbersome. It needed to go through many cumbersome processes to complete. Therefore, the production difficulty was extremely high, which was also the reason why the price of Xuande blue glazed porcelain was extremely high. Xuande blue glazed porcelain also has a high status in terms of historical and cultural value. It is one of the representative works of the Ming Xuande period, representing the superb craftsmanship and cultural and artistic level of the Ming Dynasty. Xuande blue glazed porcelain has extremely high artistic value, historical and cultural value. It is one of the outstanding representatives of ancient Chinese ceramic art and one of the most precious ceramic works of art in the world today.
There was less information about the porcelain. From the available information, it was known that there was a Qing Emperor Qianlong Beauty Glaze Endowment Bottle. Its size was 34×20, the price was 600 yuan, and the appearance was of the eighth grade. There was also a Korean style of fleshy flower pot with beauty glaze, priced at 29.70 yuan. In addition, in terms of porcelain glaze color, Lang Hong and Beauty Drunken Glaze (also known as pink glaze, child face glaze, cowpea red glaze, peach blossom glaze, etc.) were very similar, but it was not clear whether Beauty Drunken Glaze and Beauty Glaze were related. Overall, there was limited information about the porcelain, and more information needed to be dug up. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
The characteristic of the five-colored porcelain made in the Longqing year of the Ming Dynasty was that the patterns were mainly green, decorated with red and yellow colors, beautiful and fresh. There were many types of utensils, such as a beam pot, a large jar, a square jar, and so on. There were many decorative motifs, including lotus, mandarin duck, egret, dragon, etc. There were very few five-colored porcelains in the Longqing Dynasty, so they were very rare. The carcass of the official kiln porcelain was hard and thin, the glaze was fat and moist, and the blue and white flowers were thick and gorgeous. In general, the five-colored porcelain made in the Longqing year of the Ming Dynasty had exquisite craftsmanship and rich and varied patterns. It was a treasure among the porcelain of the Ming Dynasty.
The price of Tang Sancai porcelain in the auction market was very high. In 1989, a black horse of the Tang Dynasty sold for 4.955 million pounds, setting the world record for the highest price of Chinese porcelain at the time. In recent years, the auction market for Tang tri-colored porcelain was still very strong. For example, at the Christie's Spring Auction in Hong Kong in 2013, a Tri-colored Tang horse was sold for 12.989 million Hong Kong dollars, and at the same auction in 2014, another Tri-colored Tang horse was sold at a high price of 20.299 million Hong Kong dollars. In addition, according to some auction records, the price of the Tri-colored Tang porcelain also included 4,197,000 US dollars, 1,330,000 US dollars, and 874,000 US dollars. In general, the price of Tang Sancai porcelain in the auction market was very expensive, but the specific market price may vary according to factors such as the auction, the auction date, and the auction company.
The Dehua white porcelain of the Ming Dynasty had many characteristics and achievements. In terms of kiln, Dehua kiln began to use class kiln, barrel-shaped sagger and so on. During this period, there were also many masters of porcelain sculpture art such as He Chaozong, He Chaochun, Zhang Shoushan, etc., who promoted the development of Dehua kiln porcelain sculpture art. The porcelain sculpture art of Dehua White Porcelain had a wide range of materials. The composition was simple and the lines were smooth. The porcelain sculptor was good at conceiving according to different characters and was good at expressing the characteristics of various characters. The production method mainly used direct molding, but it could also be turned into a mold and then poured into the mold or copied into the mold. The kneading, molding, carving, rubbing, cutting, scraping, rubbing, drawing, etc. of the porcelain sculpture were all traditional techniques. For example, the hands, feet, beads, flower ornaments, or tassels of the characters were molded completely before being kneaded. Dehua white porcelain of the Ming Dynasty was fine, malleable and translucent. The glaze color was mostly pure white, bright and lustrous, milky white like coagulated fat. Under the sunlight, the glaze would faintly appear pink or milky white, so it had the good names of " Lard White " and " Ivory White ". In terms of artistic value and cultural content, Dehua white porcelain of the Ming Dynasty was the carrier of China traditional culture. It existed in various forms such as Buddha statues, four treasures of the study, tea sets, ornaments, etc., reflecting the profoundness of Chinese culture. While waiting for the TV series, you can also click on the link below to read the classic original work of "Dafeng Nightwatchman"!
The Ming Dynasty Dehua white porcelain bottle had the following characteristics: - In terms of firing, it was mostly done in a separate dragon kiln. The flame atmosphere was more inclined to oxidization, and the content of iron ions in the glaze increased. The glaze color was white and yellowish, showing "ivory white" or "pig white". - The body was dense and had excellent light transmission. The body was made of porcelain clay with a high content of silicon dioxide, which contained 6% of potassium dioxide. After firing, it had more glass phase. - The glaze was one piece, the color was bright and smooth, like fat and jade, white and shiny yellow. In terms of the shape, other than bottles, there were also the most prominent figures, such as Bodhidharma, Guanyin, etc. In addition, there were furnaces, statues, pots, musical instruments, etc., which were also more famous. While waiting for the TV series, you can also click on the link below to read the classic original work of "Dafeng Nightwatchman"!