The meaning of the blue glaze
The blue glaze had a beautiful meaning. "Ji" originally described the especially bright and clean moonlight after the storm. In the idiom "Guangfeng Jiyue", it was extended to the world situation of political clarity and peace in the world, or to the aboveboard and magnanimous heart of the character. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
Kangxi Blue Glaze
Kangxi blue glaze was an important glaze color in Jingdezhen official kiln porcelain during the Kangxi period of the Qing Dynasty. I. Craftsmanship 1. ** Firing process ** - The blue glaze was a high-temperature lime soda glaze. After the green body was glazed, it was fired at a high temperature of 1280 - 1300 ° C. This firing method made the glaze not flow or crack, the color tone was even, and the color was relatively stable. 2. ** Glaze color performance ** - The color of the glaze was blue like the deep sea. The color was deep, the glaze was even, and the color was stable. Later generations called it "Ji Qing". Moreover, because its color was stable and bright like a gem, it was ranked alongside white glaze and red glaze, and was promoted as the three "top grade" of Xuande color glazed porcelain. During the Kangxi period, the sacrificial blue and blue and white flowers used materials with a high content of Cobalt. The hair color was strong, and the glaze was thin and smooth, giving people a sense of elegance. 3. ** Production Skill Level ** - During the reign of Emperor Kangxi, porcelain making skills reached an unprecedented height, and blue glazed porcelain was no exception. They displayed superb skills in terms of styling, decorative patterns, and glaze color. During this period, blue glazed porcelain was commonly seen in official kiln color glaze, blue and white, underglazed red porcelain and colored porcelain, most of which were written in two lines of six-character regular script. II. Usage and Model 1. ** Usage * - The traditional use of blue glazed porcelain was partially continued during the Kangxi period. From a historical point of view, the blue glazed porcelain was mainly used as sacrificial vessels and furnishings in the early and middle Ming Dynasty. In the Kangxi period, it still had the function of sacrificial vessels and furnishings. For example, in the royal sacrificial vessels, blue glazed porcelain was also used. 2. ** Styling ** - During the Kangxi period, there were many kinds of blue glazed porcelain, such as long-necked bottles, plates, bowls, plum bottles, elephant ear cong bottles, gold-painted appreciation bottles, etc. The long-necked vase had a straight mouth and a thin neck, a bulging belly and a circular foot, and the outer wall was covered with a blue glaze. III. Comparisons with other periods - Compared to the beautiful colors of the early and middle Ming Dynasty blue glazed porcelain using Su materials and Hui Qing materials, due to the difference in the Cobalt materials, the blue glaze of the Kangxi period of the Qing Dynasty was not the same color as the Ming Dynasty, but it still had its own unique elegance. Moreover, compared to the Yongzheng and Qianlong periods, the color of the sacrificial blue glaze in the Kangxi period was more elegant. The use of tungsten materials in the Yongzheng and Qianlong periods changed, and the iron content in the tungsten materials increased again. Although the color of the blue glaze was dark blue and the glaze color was gorgeous, it was not as elegant as the Kangxi period. IV. Collection Value - The blue-glazed porcelain made in the Kangxi era had a high collection value. On the one hand, the porcelain production skills during the Kangxi period were superb, and the artistic value of the blue glazed porcelain was high. On the other hand, this kind of porcelain was a precious item at that time, and now it was a popular collection in the collection world. With the increasing emphasis on traditional culture, the demand for Kangxi blue glazed porcelain was also increasing, further emphasizing its collection value. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
What is the meaning of colored glaze?
Coloured Glass had a rich meaning: 1. In Buddhism, glass was a very precious gem that symbolized purity, clarity, and brightness. The image of the Glazed Guanyin was named after the glass, expressing its supreme pure wisdom and compassion. 2. Coloured Glass was the head of the five masterpieces. It had a long history and had always been used by the royal family. In China, glass symbolized a kind of personality, a kind of spirit, and a kind of realm. There is a saying in the Buddhist scriptures: "May my body be as clear as glass when I attain Bodhi in my next life, both inside and outside, pure and flawless." The crystal clear glass entrusted people's beautiful wishes. 3. From the perspective of curing diseases, cultivators believed that Liu Li was the incarnation of Medicine Buddha, which could eliminate diseases and exorcise evil spirits, so that people could obtain the blessing of health. 4. In terms of tenacity, due to the difficulty of firing, Buddhism believed that glass could make people feel the difficulty of refining the truth, thus obtaining the strength of tenacity. 5. In terms of inspiration, the color of the glass was gorgeous and beautiful. It could give people artistic beauty and imagination, bringing inspiration and wisdom. 6. Colored glass had a variety of colors, and different colored glass had different meanings. Many people would choose different colored glass according to their own needs. "Glazed Flame" is equally exciting. Everyone is welcome to click and read it!
A novel as good as Blue and White Glaze
The characteristics of the blue glaze base in Yuan Dynasty
In the Yuan Dynasty, the imported Cobalt material used to fire the blue glazed porcelain was very precious, and the hair color was still unstable. The blue glazed porcelain of the Yuan Dynasty was mainly "white flowers on the blue ground", and it was more common to see clouds and dragons, and it was almost impossible to see a plain glaze without patterns. The thickness of the matrix is moderate, the matrix is dense, hard, and the degree of porcelainization is high. In addition, ancient porcelain bodies may contain purple gold soil (purple gold sand). Due to the use of purple gold soil, a small amount of brown bubbles may appear under the fired porcelain, like the color of bubbles in soybean oil. This bubble can be used as a basis for identification. At the same time, Yuan Dynasty porcelain was limited by the processing technology at that time. There were many flat feet, many papillions and jumping knife grooves, and the knife cutting was irregular. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
Candy White Ice Flame Blue Glaze
Just from these few words, the content of the question was not clear. If it was related to the Baojun E100 or E200, these colors were the exterior colors of the Baojun E100 (Ice Flame Blue, Glaze Red, Candy White) and the exterior colors of the Baojun E200 also had Glaze Red, Ice Flame Blue, Candy White and other options. If it is not a question about the color of the car, please provide more detailed requirements to answer. "Glazed Flame" is equally exciting. Everyone is welcome to click and read it!
Distinguishing the new and old porcelain with blue glaze
To identify the new and old porcelain, one could start from the following aspects: 1. [Note: There was no note before the Yuan Dynasty, but it could be distinguished from the glaze and the bottom of the tire.] Ming Yongle and Xuande had a signature. The blue glazed porcelain produced by the official kiln during the Xuande period of the Ming Dynasty would have a double-line six-character regular script with the content of "Ming Xuande Year System". If there were only four words in the signature, it was mostly copied by later generations. In the Qing Dynasty, most of the official kiln blue glazed porcelain had the official style, while most of the civilian kiln was used as sacrificial vessels in temples, with the style of dating. 2. ** Glaze characteristics **: - ** Yuan Dynasty **: The high-quality blue glaze is a high-temperature glaze. It is mixed with a suitable amount of natural tungsten as a coloring agent in the lime soda glaze. It is successfully fired in the kiln at about 1280 - 1300 degrees Celsius. The color was deep, the glaze did not flow or crack, the color tone was even, and the color was relatively stable. At that time, it was monopolized by the official kiln. - ** Xuande period of the Ming Dynasty **: The color was pure and gorgeous, similar to the color of sapphire. Some porcelain was covered with blue glaze inside and outside, while some were covered with white glaze inside and blue glaze outside. The edges of the porcelain were mostly curved and irregular. The shape of the bowl or basin was more common, and the bottle and pot were less common. Occasionally, there were porcelain decorated with white flowers (made by stacking method, so the three-dimensional effect was not obvious). The overall style was simple. - ** Qing Dynasty Yongzheng period **: The fetus is thin, white and dense, with small brown eyes and a thin body. There was a lamp grass mouth on the edge of the mouth. The glaze was plump, the color was calm and bright, and the glaze color was even and moist, like sapphire. - ** Qianlong period of the Qing Dynasty **: The firing became more and more skillful, and the production was exquisite. The main shape was the palace sacrificial ware and furnishings. Generally, when the glaze is applied to the bottom, the circle foot cannot be seen at a level of sight. The shape is commonly seen in bowls and plates, but it is rare to see other shapes such as bottles and pots. Many blue glazes have shallow engravings (dragon and phoenix, cloud dragon, twining flowers, etc.), but they are not three-dimensional. 3. ** Observation of bubbles **: Due to the age, it is difficult for the bubbles in old porcelain to be intact. It can be inferred from the preservation of the bubbles whether it is old porcelain. 4. ** Cow hair pattern **: Generally speaking, the surface of old porcelain basically had traces of "cow hair pattern" formed by natural wear and tear. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
Different characteristics of the blue glaze in different ages
1. ** Yuan Dynasty **: Take the plum vase with white dragon pattern of Yuan Ji blue glaze as an example. The whole body of the vase is covered with Ji blue glaze, and the cloud dragon and pearl are covered with bluish-white glaze. The shape of the plum vase is small, the neck is short, the shoulders are abundant, and the lower part of the shoulder gradually converges, and the bottom is slightly tilted outward. 2. ** Ming Xuande period **: - In terms of glaze color, most of them were single-colored glazes, and a small number of them were carved with dark flowers. There were also blue glazes with white flowers, mostly broken branches and fish and algae patterns. - On the text, the official kiln style has blue and white and dark two kinds, are "Ming Xuande Year System" double-line six-character regular script style, four-character style is mostly imitation. - The glaze was applied with blue glaze inside and outside, white glaze inside and blue glaze outside. - The bowl and plate were curved and irregular along the edge of the lamp grass. - The circle foot is glazed to the end, and the circle foot is not exposed at the eye level. - Most of the shallow patterns were dragon patterns, and dragon patterns were rare for white flowers. White flowers were made into protruding three-dimensional patterns by stacking, but they didn't look three-dimensional at a distance. - The shape of the bowl and plate is common, but the bottle and pot are rare among the handed down products. 3. ** Chenghua to Jiajing Period **: - During the Chenghua, Hongzhi, and Zhengde periods, there were not many blue glazed porcelains handed down from generation to generation. There was no complete porcelain ware in the Chenghua period, but there were blue glazed fragments of the Chenghua style unearthed in the Jingdezhen Imperial Factory. - During the Jiajing period, blue-glazed porcelain was more popular. In addition to the traditional palace sacrificial vessels and furnishings porcelain, blue-glazed products were also commonly seen in daily utensils. In addition to the blue glaze color, the new "back green" glaze was created. 4. ** Yongzheng period of Qing Dynasty **: - The body is fine and white, but some blue glazed porcelain will have small brown eyes, the body is thin and light. - There is a lamp grass mouth at the mouth of the mouth. - The glaze was plump, the color was calm and bright, and the glaze color was even and moist like sapphire. - There were orange peel lines on the glaze, which could only be discovered after careful observation. 5. ** Jiaqing period of Qing Dynasty **: Like the Melon Style Washing of the Blue Glaze, it was washed into the shape of a split melon, on which the stem and leaves were plastered. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
What does the meaning of colored glaze mean?
Coloured glass had many meanings. In terms of characters, Azurite was the second female lead and villain in the movie "Palace Lock Agarwood." From a religious perspective, glass was related to Medicine Master, Glass Light Tathagata. When describing the Eastern Pure Glass World, the concept of glass was involved. From a material point of view, glass was also known as "Ruli". It was made of man-made crystals of various colors containing 24% lead dioxide and fired at a high temperature of more than 1000 degrees. Its color was like flowing clouds, and its quality was crystal clear and dazzling. Glaze could also be used to describe transparent, glass-like, brightly colored gemstones or artifacts. In idioms, it was often used to describe colorful and radiant things. Its origin could be traced back to ancient China. At that time, it was obtained from the by-products of bronze casting and refined. The ancients once regarded it as more precious than jade. Now, the glaze firing technique had been included in the national intangible cultural heritage list. "Glazed Flame" is equally exciting. Everyone is welcome to click and read it!
The meaning of emerald blue
The blue color of jade symbolized tranquility, freedom, and freshness. In Europe and the United States, blue was regarded as a symbol of loyalty to the country. In China, the navy's clothing was sea blue, symbolizing vastness, calmness, and stability. Blue jade also symbolized success and smoothness, unforgettable and eternal. It was mainly expressed as quiet and solemn. It was more suitable for adults, especially the middle-aged and elderly, to wear. It could give people a sense of stability and caution. The novel "Ledge" is equally exciting. Everyone is welcome to click and read it!
The meaning and symbol of Blue Tara
Blue Tara symbolized wisdom and compassion. She represented infinite wisdom and compassion, and had the ability to guide all living beings in their pursuit of wisdom and freedom. Blue was a tolerant and calm color, symbolizing inner harmony and peace. The image of Blue Tara was usually a blue goddess sitting on a lotus, holding a pearl and a blue lotus. Her image was full of elegance and solemnity. Blue Tara was widely worshiped and worshipped in Tibetan Buddhism, and it played an important role. She was seen as the embodiment of compassion and wisdom, able to give people strength and courage to help them overcome difficulties and challenges. The existence of Blue Tara gave people hope and confidence. She could bless, protect, care for, and enlighten people, helping them obtain peace, happiness, and wisdom in their lives.