Xin Qiji and Yan Shu's Ci Pai
Xin Qiji and Yan Shu had used Ci such as "Broken Enchantment" and "Qingpingle". "Breaking the Array", also known as "Ten Beats" and so on, was fixed as a double-tone sixty-two words, with five sentences and three rhymes in the front and back. Yan Shu's "Broken Array·Easy Ripening of Peaches on the Sea" expressed the sadness of parting; Xin Qiji's "Broken Array·Fu Zhuang Ci for Chen Tongfu" was an outstanding representative of this Ci, and there was also a poem "Broken Array·Throw Liu Lang Yu Dou" which was both a birthday congratulatory and encouraging poem. "Qingping Music" was originally the name of Tang Jiaofang's song, and later used as the name of Ci. It was also known as "Qingping Music Order","Drunken East Wind" and "Recalling Luoyue". It was a formal double-tone eight sentences with forty-six words. The first piece had four zepes and the second piece had three flat rhymes. Yan Shu, Xin Qiji and others have used more than this tune. Watching " Suddenly Looking Back " wasn't satisfying enough. Everyone, please click to read the novel!
Xin Qiji's Song Ci
Xin Qiji was a famous poet in the Southern Song Dynasty. His works were famous for their bold and unrestrained style and profound content. The following are some of his Song Ci selections: 1. Sapphire Case: Yuan Xi (click on the link to view the full text of this poem) 2. Shuidiao Datou-Bingchen Mid-Autumn Festival (click on the link to view the full text of this poem) 3. Remembering the Past at Red Cliff (click on the link to view the full text of this poem) "Congratulations to the groom. I'm dying." (click on the link to view the full text of this poem) 5. Yongyule·Recalling the Past at Beigu Pavilion in Jingkou (click on the link to view the full text of this poem) These are some of Xin Qiji's selected works of Song Ci. I hope they will be of help to you.
On the Thought and Achievement of Xin Qiji's Ci
Xin Qiji was a famous writer in the Southern Song Dynasty. His Ci works had a strong patriotic emotion and concern for the sufferings of the people. The content of his Ci was profound and the artistic value was superb. Xin Qiji's poems expressed profound thoughts and feelings, including deep love for the motherland and the people, dissatisfaction and reflection on history and reality, as well as thinking and exploring human nature. His works often used natural landscapes and characters as the theme to show a fresh and natural style, while also integrating some traditional cultural elements such as Confucianism, Buddhism and so on. In terms of artistic achievements, Xin Qiji's Ci works had extremely high artistic value. His unique artistic style and expression techniques had become a classic in the history of China literature. His works are concise in language and profound in artistic conception. He is good at using metaphor, exaggeration, contrast and other rhetorical techniques to make his works more vivid and touching. At the same time, Xin Qiji also paid attention to the musicality and was good at combining his works with music to make them more infectious and expressive. Xin Qiji was an important figure in the history of China literature. His works not only had profound ideology and superb artistic value, but also had a profound impact on later literature and art.
Xin Qiji's Song Ci Collection
The Song Ci Collection was a collection of Song Ci compiled by Zhou Ji in the Qing Dynasty. It included 51 Song Ci writers, including Xin Qiji, and 230 Ci poems. Xin Qiji's poems were also included in the '300 Song Ci Poems', and 12 of them were included. In addition, there were also some special collections of Xin Qiji's poems, such as an anthology of 80 poems.
Comparing the Style of Su Shi and Xin Qiji's Ci with the Use of Concretely-written Ci
Su Shi and Xin Qiji were both famous writers in the Song Dynasty. Their works had an important position in the history of Chinese literature. The following is a comparison of the specific styles of the two poets: Su Shi's Ci style: Su Shi's Ci was known for its boldness, boldness, vigor and magnificence. Most of his poems described natural scenery, social life, historical events, etc., with strong emotional colors and personal style. His representative works include Shuidiao Letou and Jiangcheng Zi: Hunting in Mizhou. Xin Qiji's style of writing: Xin Qiji's works were known for their impassioned, tragic, desolate, and gloomy expressions. Most of his poems described patriotic feelings, national pride, historical events, etc., with strong emotional colors and personal style. His representative works include "Sapphire Case·Yuanxi" and "Water Dragon Song·Climbing Jiankang Appreciation Pavilion". Therefore, the styles of Su Shi and Xin Qiji were very different. Su Shi's style was more bold and unrestrained, while Xin Qiji's style was more tragic and desolate.
A comparison of the similarities and differences between Su Shi and Xin Qiji's Ci
Su Shi and Xin Qiji were both famous poets in the history of Chinese literature. Their works occupied an important position in the history of Chinese literature. Although both of them were outstanding figures in the field of literature at that time, there were some differences in their writing style and content. Su Shi's literary achievements were even more prominent. He was regarded as one of the "Four Scholars of the Su School" and was known as the "Six Gentlemen of the Su School" along with the writers Huang Tingjian, Zhang Lei, and Lu You. His Ci was bold, unrestrained and full of emotion, and was known as the representative of the "bold and unconstrained school of Ci". The theme of Su Shi's Ci mostly involved love, friendship, philosophy of life and other aspects to express the author's love and pursuit of life. Xin Qiji's literary achievements were also outstanding. He was one of the Four Gentlemen of the Southern Song Dynasty, alongside Lu You, Yang Wanli, and You Dong. His Ci was known as the representative of the "graceful and restrained school of Ci" because of its graceful, reserved and affectionate characteristics. Xin Qiji's works mostly involved the theme of patriotic, military, history and other aspects to express the author's loyalty and love for the motherland. In terms of writing style, Su Shi's Ci was bold and unconstrained, giving people a feeling of unrestrained and open-minded, while Xin Qiji's Ci was graceful and restrained, giving people a feeling of implicitness and deep affection. In addition, the two also had different characteristics in the use of words. Su Shi's Ci often used metaphor, exaggeration, contrast and other rhetorical devices, while Xin Qiji's Ci often used symbols, metaphor, antithesis and other rhetorical devices. The works of Su Shi and Xin Qiji are different in theme, style and technique, but they are both outstanding poets in the history of Chinese literature. Their works occupy an important position in the history of Chinese literature.
Xin Qiji's Imagery
Xin Qiji's sweetheart
Xin Qiji's sweetheart was a beautiful woman. In his poem, he described how he looked for her in the crowd, but unexpectedly found her in a place where the lights were sparse and dim. Some annotations interpreted this " he " as a " beauty " or " lover ", believing that Xin Qiji was looking for a lonely and unique woman. However, his specific identity or name was not mentioned in the information provided.
Xin Qiji's novels
" After Breaking Up, My Ex-Girlfriend Regrets It " was a novel about urban life written by Meowmeow in her deep sleep. The male protagonist, Li Qiuran, was questioned by his aggressive ex-girlfriend, Lin Miaomiao, and there were a bunch of female leads. "My Miss Boss Wants to Lose Money" was a novel about the urban business war in Zhengda Guanming. The female protagonist, Shangguan Qingcheng, wanted to lose money, but the male protagonist, Zhang Jun, made her lose more and more money. There was also the male supporting character, Old Wang. It was quite enjoyable to read this book once. " The Chu Clan's Spring and Autumn Annals " was a historical fiction novel written by Ning Zhiyuan. Although it had been cut short, it was still extremely exciting. The male protagonist, Chu Zheng, was a heavenly being back then. It was still a masterpiece now. It was just a pity that the author had been promoted and stopped writing. " Two-bellied in Power " was an ancient romance novel by Crimson Night Sandbury. It was about Yu Xi discovering that the young master was a two-bellied man. " Transdimensional Matchmaking " was a science fiction novel by the Sword of Hellfire. The male protagonist, Chen Ji, met a girl from a different time and space on a blind date. The setting was novel. Although there were some shortcomings, it was not bad overall. These books were quite unique. If there was a shortage of books, he could read them. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Fanlanzhou Ci Ci and Pai Meters
Fanlanzhou tune can be found in "Plum Garden," and the previous "New Lotus Leaf" alias "Fanlanzhou" flat rhyme word is different. The rhythm is eighty-three words in double tone, with eight sentences in the first paragraph and three rhymes in the second paragraph. The lyrics are written according to the anonymous writer's "Pan Lan Zhou·Frost Moon Pavilion Season." The rhythm of his words is: Frost moon, pavilion season, wild stream open ice. The old friend's letter was handed over to the south of the Yangtze River. Who can I rely on when I return? Cold shadow low horizontal, light fragrance dark degree, sparse fence secluded courtyard. Ping Ze, ping Ze, ping Ze. It's flat, it's flat, it's flat. Ping Ze Ping Ze, Ping Ze Ping Ze, Ping Ze Ping Ze. where are you in Qin Tower and Zhu Pavilion? flat tones, flat tones, flat tones. It is said that the curtain carrying wine, together to see the new poetry drunk, more worthy of elegant light, a kind of natural, like snow decorated with thin smoke. Heartbroken to meet, hand twist twigs, recall the muddy like. It was flat, it was flat, it was flat. It's all flat, flat, flat. Ping Ze Ping Ze, Ping Ze Ping Ze, Ping Ze Ping Ze. The man dressed lightly and combed his hair. the pitch is flat, the pitch is flat.
337 Ci Pai Meters
In Song Ci, the 337 form was more common. For example, the style of the Ci poems in " Chang Xiang Si " was more typical. Its format was " Ze Ze Ping, Ze Ze Ping, Ping Ze Ping, Ping Ze Ze Ping." Ze Ping Ping, Ze Ping Ping, Ze Ping Ze Ping, Zhong Ping Zhong Ze Ping ", like Lin Bu's" Wu Shan Qing, Yue Shan Qing, the two sides of the green mountains to send off. How can we bear to part? The king's tears are full, the concubine's tears are full, and the knot of the same heart is not formed. The tide by the river has leveled "followed this format. There was also the last line of Zhang Xian's Fairy of Heaven," The wind is uncertain, people are quiet at first, tomorrow's falling red should fill the path ", and Li Qingzhao's " Parcolin Sky "," Autumn is over, the days are still long, Zhongxuan is more desolate. It's better to get drunk before the branch, don't let the east fence chrysanthemum yellow "also reflected the sentence pattern of 337. In addition, the poem Gui Dian Qiu, the sentence pattern is 3375, 3375, the first and second half of each 18 words, a total of 36 words, the first and second half of each four sentences, with a four-level rhyme, such as "Autumn in the moon." Red banners and green banners descend from the palace. The peaches of immortality have already formed the dew of the Jade Pool, and the laurel seeds have just opened the wind of the Jade Palace."