Comparing the Style of Su Shi and Xin Qiji's Ci with the Use of Concretely-written Ci
Su Shi and Xin Qiji were both famous writers in the Song Dynasty. Their works had an important position in the history of Chinese literature. The following is a comparison of the specific styles of the two poets: Su Shi's Ci style: Su Shi's Ci was known for its boldness, boldness, vigor and magnificence. Most of his poems described natural scenery, social life, historical events, etc., with strong emotional colors and personal style. His representative works include Shuidiao Letou and Jiangcheng Zi: Hunting in Mizhou. Xin Qiji's style of writing: Xin Qiji's works were known for their impassioned, tragic, desolate, and gloomy expressions. Most of his poems described patriotic feelings, national pride, historical events, etc., with strong emotional colors and personal style. His representative works include "Sapphire Case·Yuanxi" and "Water Dragon Song·Climbing Jiankang Appreciation Pavilion". Therefore, the styles of Su Shi and Xin Qiji were very different. Su Shi's style was more bold and unrestrained, while Xin Qiji's style was more tragic and desolate.
A comparison of the similarities and differences between Su Shi and Xin Qiji's Ci
Su Shi and Xin Qiji were both famous poets in the history of Chinese literature. Their works occupied an important position in the history of Chinese literature. Although both of them were outstanding figures in the field of literature at that time, there were some differences in their writing style and content. Su Shi's literary achievements were even more prominent. He was regarded as one of the "Four Scholars of the Su School" and was known as the "Six Gentlemen of the Su School" along with the writers Huang Tingjian, Zhang Lei, and Lu You. His Ci was bold, unrestrained and full of emotion, and was known as the representative of the "bold and unconstrained school of Ci". The theme of Su Shi's Ci mostly involved love, friendship, philosophy of life and other aspects to express the author's love and pursuit of life. Xin Qiji's literary achievements were also outstanding. He was one of the Four Gentlemen of the Southern Song Dynasty, alongside Lu You, Yang Wanli, and You Dong. His Ci was known as the representative of the "graceful and restrained school of Ci" because of its graceful, reserved and affectionate characteristics. Xin Qiji's works mostly involved the theme of patriotic, military, history and other aspects to express the author's loyalty and love for the motherland. In terms of writing style, Su Shi's Ci was bold and unconstrained, giving people a feeling of unrestrained and open-minded, while Xin Qiji's Ci was graceful and restrained, giving people a feeling of implicitness and deep affection. In addition, the two also had different characteristics in the use of words. Su Shi's Ci often used metaphor, exaggeration, contrast and other rhetorical devices, while Xin Qiji's Ci often used symbols, metaphor, antithesis and other rhetorical devices. The works of Su Shi and Xin Qiji are different in theme, style and technique, but they are both outstanding poets in the history of Chinese literature. Their works occupy an important position in the history of Chinese literature.
Xin Qiji's Song Ci
Xin Qiji was a famous poet in the Southern Song Dynasty. His works were famous for their bold and unrestrained style and profound content. The following are some of his Song Ci selections: 1. Sapphire Case: Yuan Xi (click on the link to view the full text of this poem) 2. Shuidiao Datou-Bingchen Mid-Autumn Festival (click on the link to view the full text of this poem) 3. Remembering the Past at Red Cliff (click on the link to view the full text of this poem) "Congratulations to the groom. I'm dying." (click on the link to view the full text of this poem) 5. Yongyule·Recalling the Past at Beigu Pavilion in Jingkou (click on the link to view the full text of this poem) These are some of Xin Qiji's selected works of Song Ci. I hope they will be of help to you.
Xin Qiji's Song Ci Collection
The Song Ci Collection was a collection of Song Ci compiled by Zhou Ji in the Qing Dynasty. It included 51 Song Ci writers, including Xin Qiji, and 230 Ci poems. Xin Qiji's poems were also included in the '300 Song Ci Poems', and 12 of them were included. In addition, there were also some special collections of Xin Qiji's poems, such as an anthology of 80 poems.
On the Thought and Achievement of Xin Qiji's Ci
Xin Qiji was a famous writer in the Southern Song Dynasty. His Ci works had a strong patriotic emotion and concern for the sufferings of the people. The content of his Ci was profound and the artistic value was superb. Xin Qiji's poems expressed profound thoughts and feelings, including deep love for the motherland and the people, dissatisfaction and reflection on history and reality, as well as thinking and exploring human nature. His works often used natural landscapes and characters as the theme to show a fresh and natural style, while also integrating some traditional cultural elements such as Confucianism, Buddhism and so on. In terms of artistic achievements, Xin Qiji's Ci works had extremely high artistic value. His unique artistic style and expression techniques had become a classic in the history of China literature. His works are concise in language and profound in artistic conception. He is good at using metaphor, exaggeration, contrast and other rhetorical techniques to make his works more vivid and touching. At the same time, Xin Qiji also paid attention to the musicality and was good at combining his works with music to make them more infectious and expressive. Xin Qiji was an important figure in the history of China literature. His works not only had profound ideology and superb artistic value, but also had a profound impact on later literature and art.
Xin Qiji and Yan Shu's Ci Pai
Xin Qiji and Yan Shu had used Ci such as "Broken Enchantment" and "Qingpingle". "Breaking the Array", also known as "Ten Beats" and so on, was fixed as a double-tone sixty-two words, with five sentences and three rhymes in the front and back. Yan Shu's "Broken Array·Easy Ripening of Peaches on the Sea" expressed the sadness of parting; Xin Qiji's "Broken Array·Fu Zhuang Ci for Chen Tongfu" was an outstanding representative of this Ci, and there was also a poem "Broken Array·Throw Liu Lang Yu Dou" which was both a birthday congratulatory and encouraging poem. "Qingping Music" was originally the name of Tang Jiaofang's song, and later used as the name of Ci. It was also known as "Qingping Music Order","Drunken East Wind" and "Recalling Luoyue". It was a formal double-tone eight sentences with forty-six words. The first piece had four zepes and the second piece had three flat rhymes. Yan Shu, Xin Qiji and others have used more than this tune. Watching " Suddenly Looking Back " wasn't satisfying enough. Everyone, please click to read the novel!
A poem written by Xin Qiji for his son
Xin Qiji wrote a poem for his son," Qingping Music, Written for Tie Zhu." The poem expressed his good wishes for his son, Tie Zhu, such as " After the Spiritual Emperor's ceremony, all the blessings will come." I tried to dig out the young flowers under the tree, but when they were broken, I was frightened. From now on, you will become more and more intelligent, and you will be more suitable for Tan's sister and brother Song. There is also the poem "Xijiang Yue·Shier Cao Fu Zhi", in which Xin Qiji claimed that his body was already weak and entrusted the family affairs to his sons."All things pass by suddenly, and his body first weakens." Now what is the most suitable thing, suitable for drinking, suitable for playing, suitable for sleeping? As soon as possible, take advantage of the urging of the collection of taxes and salaries, and measure the income and expenditure of the income and expenditure. The old man was still in charge of some children, bamboo, mountains, and water."In addition, there was" The Highest Building,"which was written to" scold "his son because his son opposed his resignation and retirement. Had he not watched enough of Long Lovesickness 2? Hurry up and read the original work of " Everlasting Lovesickness 2: A Vow of Love "!
Understanding of Su Shi's Ci
Su Shi was a famous writer, calligrapher, and painter in the Song Dynasty. His works were known as one of the "Four Scholars of Sumen" and were known for their bold, unrestrained, emotional, and deep thoughts. Su Shi's works usually depicted natural scenery, social life, historical events, etc., expressing the author's outlook on life, values, and emotional world. His works had unique styles, such as the bold and unconstrained "Shuidiao Getou","Jiangcheng Zi·Mizhou Hunting", etc., and the delicate "Niannujiao·Red Cliff Memories of the Ancient Times","Calm Storm·Don't Listen to the Sound of the Forest Striking Leaves", etc. Su Shi's works of Ci had an important position in the history of Chinese literature and were praised as "the most beautiful works of Ci", which had a profound impact on the creation of Ci songs in later generations. His Ci works were widely praised and included in many Chinese classical literature masterpieces such as "Song Ci".
Su Shi's Palindromic Ci
Su Shi's palindromic Ci could be read in both the right and the reverse, and the meaning and artistic conception of the word were different when reading in both the right and the reverse. For example, in Bodhisattva Man's Palindromic Xia's Boudoir Resentment,"The wind in the willow courtyard is quiet, and the people who sleep during the day are quiet in the wind." Fragrant sweat thin clothes cool, cool clothes thin sweat fragrance. The lotus root was served in a bowl of ice with red hands, and the lotus root was served in a bowl of ice with red hands. The man laughs at the long lotus root, and the long lotus root laughs at the man." The next sentence was a palindromic reading of the previous sentence. When it was read directly, it described the scene of a woman sleeping during the day and the resentment after waking up. It went from the environment to the state of the woman, the object in her hand, and the resentment. When it was read backwards, it could also express this artistic conception, but there were subtle differences. Another example is the "Bodhisattva Man·Summer Scenery Palindromic","Fire clouds condense sweat and wave beads, beads condense sweat and cloud fire." Qiong warm green gauze light, green gauze warm Qiong. Halted cheeks hate pillow seal, pillow seal hate cheeks halo. Leisure shines on evening makeup, evening makeup shines on leisure." The correct reading was to express the summer scenery through the woman's body image in the summer. When read in reverse, it could also reflect the beauty of the summer and the woman, and it complemented each other in terms of meaning and artistic conception. It was very interesting.
Xin Qiji's Imagery
Xin Qiji's sweetheart
Xin Qiji's sweetheart was a beautiful woman. In his poem, he described how he looked for her in the crowd, but unexpectedly found her in a place where the lights were sparse and dim. Some annotations interpreted this " he " as a " beauty " or " lover ", believing that Xin Qiji was looking for a lonely and unique woman. However, his specific identity or name was not mentioned in the information provided.