The Pingze Pattern of Bodhisattva Man's Ci
There were several types of flat tones in Bodhisattva Man Ci: 1. ** Ge 1 (Original Form)**: Double tone, 44 words. There are four sentences in the upper and lower pieces, two in the oblique rhyme and two in the flat rhyme. The format of the last two sentences of the second film is the same as the last two sentences of the first film. At the end of the first and second chapters, the five-character sentence "Ze Ping Ze Ping" was often used, and the law sentence "Ping Ping Ze Ping" could also be used instead. The format of the song is the first part: Zhongping Zhongze Pingze, Zhongping Zhongze Pingze. The middle is flat, the middle is flat, the middle is flat. The second part of the song: The middle is flat and the middle is flat. The middle is flat, the middle is flat, the middle is flat. 2. ** Box 2 (Variant 1)**: Dual tone, 44 words. There are four sentences in the upper and lower pieces, two in the oblique rhyme and two in the flat rhyme. For example, the first half of the song: flat and narrow, flat and narrow, flat and narrow. It was flat and flat, flat and flat. The second part of the song: flat and flat, flat and flat. It's flat, flat, flat. 3. ** Box 3 (Variant 2)**: Dual tone, 44 words. There are four sentences in the upper and lower pieces, two leaf rhymes and two flat rhymes. The first half of the song: flat and flat, flat and flat. Ping ze ze ping, ping ze ze ping. The second part of the song: flat and flat, flat and flat. It's flat, flat, flat. Among them,"middle" means that it can be flat and oblique. When filling in the lyrics, you need to pay attention to the transition of flat and oblique tones. There are two oblique rhymes and two flat rhymes before and after the lyrics.
The Pingze Pattern of the Seven Jue
There were mainly the following types of tones in the Seven Jue, which were distinguished by the first sentence's tone and rhyme: ** I. Ping Qi Ze Shou, the first sentence does not rhyme ** 1. Starting sentence: Ping Ze Ping Ze (Ping Ze crisscross, after two "Ping Ping", there are two "Ze", the last "Ze") 2. Couplet: Ze Ze Ping Ze Ping (Opposite to the beginning sentence) 3. Sticky Sentence: Ze Ze Ping Ze (Same as the first two words of the second sentence, the last two words are Ze Ze) 4. Couplet: Ping Ze Ze Ping Ze Ping (Opposite to the third sentence) ** Two, start and end evenly, rhyme the first sentence ** 1. Starting sentence: Ping Ze Ping Ze Ping Ze 2. Couplet: Oblique, flat, flat 3. Sticky sentence: Oblique, flat, flat, Oblique 4. Couplet: Ping Ze Ping Ze Ping ** III. Rhyming the first sentence ** 1. Starting sentence: Obscure, flat, flat 2. Couplet: Ping Ze Ping Ze Ping 3. Sticky sentence: flat and oblique 4. Opposite Sentence: Oblique Oblique ** IV. The first sentence does not rhyme ** 1. Starting sentence: Obscure, flat, flat, Obscure 2. Couplet: Ping Ze Ping Ze Ping 3. Sticky Sentence: Ping Ze Ping Ze 4. Couplet: Oblique, flat, flat These forms followed the rules of alternating levels and tones in the sentence, relative in the couplet, and sticky sentences. At the same time, the rhythmic poems generally emphasized level rhyme, and under the standard format, they did not turn rhyme or adjacent rhyme (except in special circumstances).
Pingze Ci Pai Meters
The Pingze rhythm of Ci Pai was more complicated and varied. ** One and Two Word Ci Pai Ping Ze Metre example ** 1. ** Squeak ** - For example, the first two words of "thin luck" and "not seen" are flat and narrow. 2. ** Ping Ping ** - Like "Changchun" and "Chuiyang", the first two words are flat. 3. ** Pingze ** - For example, the first two words of Ci poems such as "Chun Nong" were flat and oblique. 4. ** Peace ** - Like "Dark Fragrance" and other Ci, the first two words are flat. ** Two and Three-word Ci Pai Ping Ze Metre example ** 1. ** Peace ** - For example,"Young Master An" and "Anyang is good" had a flat tone. 2. ** Common ** - For example,"Eight Treasures Make-up" and "Eight Pai Man" had a flat rhythm. 3. ** Intense ** - For example,"Anagqu","Anqing touch" and other Ci tablets, the three words of the flat tone meter is flat tone. 4. ** Common and flat ** - For example,"Ai Gu Yun" and "Ba Yin Xie" were three words with flat tones. Different Ci poems also had their own rules on the subsequent word count and meter. These flat tones and meters needed to be followed when writing lyrics to reflect the rhyme beauty and meter requirements of Ci poems.
Ci Pai, Francolin, Heaven, Pingze, Metre
The rhythm of the Ci poem "Paragon Heaven" was: O Ze Ping O Ze Ping (rhyme), O Ping O Ze Ping (rhyme). O flat O flat, O flat O flat. Level and Oblique, Oblique and Oblique (rhyme) O Ping O Ze Ping Ping (rhyme). O flat O flat, O flat O flat. The "O" meant that it could be flat or narrow. Strictly speaking, the third and fourth sentences were antithetical, and the fifth and sixth sentences were antithetical. This tone is fifty-five words, the first four sentences have three flat rhymes, and the last five sentences have three flat rhymes.
Qingping Music Ci Pai Pingze Metre
Qingping Music Ci Pai meter for the double-tone 46 words, eight sentences. The original form is the first four sentences with four zonal rhymes, and the last four sentences with three flat rhymes. The rules were as follows: Middle Obscure (Obscure Rhyme) Middle Obscure Flat Obscure (Rhyme) Middle Oblique Middle Ping Middle Oblique (rhyme) Middle Oblique Middle Ping Middle Oblique (rhyme) Middle Oblique Middle Oblique Middle tone, middle level, middle tone (sentence), middle tone, middle level (rhyme) For example, Feng Yansi's "Qingping Music·Rain Clear Mist Night":"Rain Clear Mist Night, Green Water New Pool Full." Two swallows flew to Weeping Willow Court, and the curtains of the small pavilion were rolled up high. At dusk, I lean alone against the vermilion railing, and the crescent moon in the southwest is curved. The wind blows when the flowers fall, and the silk clothes are especially cold in spring."
Magpie Bridge Immortal Ci Pai Pingze Form
Magpie Bridge Immortal Ci Pai takes Ouyang Xiu's "Magpie Bridge Immortal·Moon Wave Clear Ji" as the main body, with fifty-six words in double tone, five sentences in the front and back, and two tones. The flat tone format is Zhongping Zhongze, Zhongping Zhongze, Zhongze Zhongping Zhongze (rhyme). In the middle of the flat, in the middle of the flat (rhyme), in the middle of the flat, in the middle of the flat. There are also fifty-six words in double tone, five sentences in front and five sentences in two sentences. There were also lyrics that used Qin Guan's "Fairy of Magpie Bridge," which were composed in the same rhythm. Ping Ping Ze Ping Ze, Ze, Ping Ze Ze. Ping Ping Ze Ze, Ping Ze Ze, Ze Ping Ze. Ping Ping Ze Ping Ze, Ze, Ping Ze Ze. "The Legend of White Feather: A Long Way to Immortality" was equally exciting. Everyone was welcome to click and read it!
The Complete Collection of Ci, Pai, Metre and Rhythm, Pingze Version
The following are some of the common rhythms of Ci: ##1. Sixteen Words Order Monotone, four sentences, sixteen words, three flat rhymes, the first, second and fourth sentences rhyme, all with flat rhyme. ##2. Punching the drill 1. Monotone: Twenty-seven words, three flat rhymes. 2. Double-tone: 38 words, five sentences before and after each paragraph, three flat rhyme. ##3. Memories of Jiangnan 1. Monotone: Twenty-seven words, three flat rhyme, in the middle of seven words two sentences, to antithesis is appropriate, the second sentence also added a word. It was fixed to be flat and narrow, and narrow and narrow were flat. The middle is flat, the middle is flat, the middle is flat. the middle is narrow and flat. 2. [Double Tune: It's actually just repeating a single piece.] ##4. Jiangcheng Zi 1. Thirty-five words, five flat rhyme. There is a word added to the knot, and the sentence is changed into a seven-character sentence. It was fixed at the middle level. It's flat, it's flat. The middle is flat and the middle is narrow, and the middle is narrow and the middle is flat. The middle is flat and the middle is flat. 2. Most of the people of the Song Dynasty added a piece of music according to the original song. ##5. Su Muzhe Oblique and flat, flat and oblique (rhyme). The middle tone is flat, the middle tone is flat (rhyme). The middle tone is flat and the middle tone is flat. The middle tone is flat, the middle tone is flat (rhyme). Oblique and flat, flat and oblique (rhyme). The middle tone is flat, the middle tone is flat (rhyme). The middle tone is flat and the middle tone is flat. The middle tone is flat, the middle tone is flat (rhyme). ##6. Magpie Bridge Immortal The formal meter is: Zhongping Zhongze, Zhongping Zhongze, Zhongze Zhongping Zhongze (rhyme). In the middle of the flat, in the middle of the flat (rhyme), in the middle of the flat, in the middle of the flat. In addition, there were many combinations of the two-word Ci, such as Ze Ze (Ba Sai, Bo Xing, etc.), Ping Ze (Changchun, Chuiyang, etc.), Ping Ze (Chunnong, Cuixue, etc.), Ze Ping (Dark Fragrance, Ba Gui, etc.). Three-character Ci tablets such as Pingze (An Gongzi, Anyang Hao, etc.), Zepheping (Babaozhuang, Bapaiman, etc.), Pingze (Anagqu, Anqing Mo, etc.) and other forms also have many corresponding Ci tablets.
Bodhisattva Man 31
Bodhisattva Man's Palindromic Poetry
The palindromic poem of Bodhisattva Man was a special form of poetry. Take Su Shi's "Bodhisattva Man Palindromic" as an example, such as "Qiao Nanjiang shallow red plum small, Xiaomei red shallow Jiangnan Qiao." Peeping at me to the sparse fence, the sparse fence peeping at me. The old man came as soon as he walked, and the old man came as soon as he walked. Parting cherish the broken branches, the broken branches cherish parting ", the upper and lower sentences can be recited repeatedly. There were many kinds of writing techniques, some of which expressed delicate emotions such as boudoir resentment through palindromic forms, such as "Cuiyu slanted curtain cloud hanging ear." earlobes, cloud-veiled, slanted, green. Spring Festival Gala, sleepy. Sleeping in late spring." There was also a palindromic poem to mourn Qu Yuan," When the wind is foul, the rain will shed sour tears. When the rain is sour, the wind will be foul." The river water flows into the heart, and the cold heart flows into the river. The light of the sun and moon is bright, and the light of the moon and the sun is bright. Fragrant rice dumplings give love, and long love gives rice dumplings fragrance." These palindromic poems were unique in the choice of words and sentences, the creation of artistic conception, the expression of emotions, and so on. In a limited space, they displayed rich meanings through palindromic structures.
Su Shi's Bodhisattva Man
Su Shi wrote many poems of Bodhisattva Man. In Bodhisattva Man, palindromic Xia boudoir resentment, such as "Liu Ting Feng Jing people sleep during the day, during the day people sleep in the wind Ting Liu." Fragrant sweat thin clothes cool, cool clothes thin sweat fragrance. The lotus root was served in a bowl of ice with red hands, and the lotus root was served in a bowl of ice with red hands. Lang laughs at the long lotus root, and the long lotus root laughs at Lang. Through the palindromic form, it shows the feelings of boudoir resentment. "Pusaman·Moist Clouds Still Cold over the Bridge" depicted the cold scenery of the bridge."Moist Clouds Still Cold over the Bridge. tender and cold, the east wind's shadow first shines through. the sound of water under the bridge is long. A stick of Kazuki incense. people pity flowers as old as before. flowers should be thinner than people. don't rely on small railings. It was late at night and the flowers were cold. He used the scenery to express a sense of loneliness. There were also works such as "Bodhisattva Man·Summer Scenery Palindromic","Bodhisattva Man·Palindromic Autumn Boudoir Resentment","Bodhisattva Man·Painting Eaves First Hanging Crescent Moon", etc. These works had their own characteristics in rhythm, artistic conception construction and emotional expression. Some used palindromic techniques, some used scenery descriptions to express emotions, etc.
Bodhisattva Man II
"Bodhisattva Man·II" was written by Wei Zhuang of the Tang Dynasty. Its lyrics were: "Everyone says that Jiangnan is good, and tourists only meet the old people of Jiangnan." The spring water is as green as the sky, and the painted boat sleeps in the rain. The man beside the loessial house looks like the moon, and the white wrist is covered with frost and snow. Don't go back to your hometown before you're old." The theme of this poem was to praise Jiangnan. The phrase "Everyone says Jiangnan is good" pointed out the public's recognition and envy of Jiangnan at that time. " The tourists are only old in Jiangnan " further emphasized the attraction of Jiangnan to tourists. " Spring Water Green in the Sky " depicted the beauty of Jiangnan's scenery. The river water in Jiangnan was greener than the sky." Sleeping in the Rain on a Painted Boat " reflected the leisure life in Jiangnan. Lying on the river and listening to the sound of the rain to sleep. " The person by the loessial side is like the moon, and the white wrist is like frost and snow." It described the beauty of the woman who sold wine in Jiangnan Restaurant. Her beauty was like the moon, and her arms were as white as snow. In the end,"Don't go back to your hometown before you're old. When you go back to your hometown, you must be heartbroken" expressed the poet's lingering feelings for Jiangnan. He didn't want to go back to his hometown when he was not old, but he would be heartbroken when he went back. As for the period of creation of this poem, some people think that it was a work of Wei Zhuang when he was wandering in Jiangnan in his early years. It can be inferred from the phrase "Don't return home before you are old" and the third poem of the group of poems,"Now I recall the music of Jiangnan, when I was young and thin in spring clothes". However, Zhang Huiyan and others believed that it was written by Wei Zhuang in his later years in Shu and contained political meaning. However, from the content of the text, it was more reasonable to write when he was roaming in Jiangnan in his early years.