Bodhisattva Man's Palindromic Poetry
The palindromic poem of Bodhisattva Man was a special form of poetry. Take Su Shi's "Bodhisattva Man Palindromic" as an example, such as "Qiao Nanjiang shallow red plum small, Xiaomei red shallow Jiangnan Qiao." Peeping at me to the sparse fence, the sparse fence peeping at me. The old man came as soon as he walked, and the old man came as soon as he walked. Parting cherish the broken branches, the broken branches cherish parting ", the upper and lower sentences can be recited repeatedly. There were many kinds of writing techniques, some of which expressed delicate emotions such as boudoir resentment through palindromic forms, such as "Cuiyu slanted curtain cloud hanging ear." earlobes, cloud-veiled, slanted, green. Spring Festival Gala, sleepy. Sleeping in late spring." There was also a palindromic poem to mourn Qu Yuan," When the wind is foul, the rain will shed sour tears. When the rain is sour, the wind will be foul." The river water flows into the heart, and the cold heart flows into the river. The light of the sun and moon is bright, and the light of the moon and the sun is bright. Fragrant rice dumplings give love, and long love gives rice dumplings fragrance." These palindromic poems were unique in the choice of words and sentences, the creation of artistic conception, the expression of emotions, and so on. In a limited space, they displayed rich meanings through palindromic structures.
Bodhisattva Man palindromic rhythm
Li Bai's "Bodhisattva Man·Pinglin Momo Smoke Like Weaving" is the main form of Bodhisattva Man Ci. Its meter requirement is double-tone, forty-four words, four sentences on the upper and lower parts, and two rhyme. Cao Xun's "Bodhisattva Man" palindromic words used this formal style, flat and rhythmic, every two sentences a group of four palindromic words, two sentences can be read both positive and negative. Zhu Xi's "Bodhisattva Man" palindromic words were also reversed in every two sentences, with a total of four groups of eight sentences. Su Shi's "Bodhisattva Man" palindromic word is two sentences and one palindromic word, the next sentence is the palindromic word of the previous sentence read backward. In addition, Huangfu Song's original Ci could be used in palindromic creation, and its rhythmic requirement was "Ping Ping Ze Ze Ping"(rhyme). Ping Ping Ze Ze Ping Ze (rhyme)."
Bodhisattva Man palindromic translation
According to Su Shi's "Bodhisattva Man Palindromic","Falling flowers idle courtyard spring shirt thin, thin shirt spring courtyard idle flowers fall." The day is late, hate Yiyi, Yiyi hate the day is late. Dream back oriole tongue play, play tongue oriole back dream. If you ask, you'll be ashamed. If you're ashamed, you'll ask." For example, the translation is as follows: During the falling flowers, there was a young woman dressed in thin clothes in the empty courtyard. A young woman wearing thin clothes was looking at the falling flowers in the open space of the courtyard. In the next few days, sorrow rose in his heart, and the sorrow of attachment and reluctance to part delayed day by day. When he woke up, he could only hear the oriole singing. The singing oriole was so tired that it returned to sleep. When the person who brought the letter asked about it, the young woman shyly lowered her head. The shy young woman asked someone to bring her a reply. (Note: There are works by different authors in the Bodhisattva Man palindromic. Here, only Su Shi's palindromic is used as an example to give the translation content.)
The Two Ancient Poetry of Bodhisattva Man
Wei Zhuang's "Bodhisattva Man II":"Everyone says that Jiangnan is good, and tourists only meet the old people of Jiangnan. The spring water is as green as the sky, and the painted boat sleeps in the rain. The man beside the loessial house looks like the moon, and the white wrist is covered with frost and snow. Don't go back to your hometown before you're old." The first part of this poem described the beautiful scenery of Jiangnan, while the second part focused on lyricism. The phrase "Everyone says that Jiangnan is good" points out the recognition and envy of the public at that time."The tourists only live in Jiangnan" contains the poet's personal experience of traveling to Jiangnan. The first film,"Spring water is green in the sky, painting boats listen to the rain and sleep", depicted the open and clean water towns in Jiangnan and the leisure of tourists. The second film,"People by the loessial side like the moon, white wrists frozen in frost and snow", depicted the beauty of the women in the restaurant. The ending sentence "Don't return to your hometown before you are old, and you must be heartbroken when you return to your hometown" responded to the previous sentence, expressing the poet's love for Jiangnan and the beauty and allure of Jiangnan. In addition, there was also Wen Tingyun's Bodhisattva Man: Small mountains overlap with golden light and disappear. I'm too lazy to get up and paint my crescent eyebrows. I'm too late to make up and wash up. The front and back mirrors reflect the flowers, and the faces of the flowers reflect each other. The newly embroidered Luo Ru, a pair of golden partridges." And Feng Dengfu's "Bodhisattva Man·II":"Picking incense and walking all over the Spring Sun Road." And the sky and the sun pass overhead. what's there to be busy with for half a month? the embroidery needles are thrown on a bed. deep sorrow makes shallow hatred. the mind is muddled and uncertain. at the bottom of things, habit breeds hatred. He doesn't answer when he shouts behind his back."
Appreciation of Su Shi's Palindromic Poetry in Jinshan Temple
Su Shi's " Inscription on Jinshan Temple " was a seven-character palindromic poem. Its content was: " The tide follows the dark waves and the snowy mountains, and the fishing boat fishes for the moon in the distant lake." The bridge faces the temple gate, and the pine path is small, and the stone waves at the mouth of the spring are clear. The green trees are far away, the river is bright, the sea is red and the sun is clear. Looking at the four sides of the clouds and the water, the green peaks are thousands of points light." Reading it was a beautiful picture of "Dawn in the River Sky": The huge waves rising from the river tide were like the collapse of a snowy mountain. The fishing boat in the distance seemed to be fishing for the moon in the water. The bridge faced the temple gate and the path between the pines was narrow. The threshold faced the clear spring water and the spring water on the stone was clear. The green trees welcomed the dawn. The sky was red and the sun was rising. The clouds and the water were connected. The surrounding green peaks were lightly lit by flying Hong. Reading it backwards, it became a picture of "Boating on a Moonlit Night":"The light Hong counts the thousands of peaks of green, the water meets the clouds and looks far away." On a sunny day, the sea is red and misty, and the trees on the river are green in the morning. Qingbo stone eye spring is the threshold, the path is Songmen Temple opposite the bridge. The fishing boat in the bright moon is far away, and the snow and waves are dark with the tide." He could read it straight and backward into a poem. There was no contradiction in the poem, which reflected Su Shi's superb literary creation ability.
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Su Shi's Bodhisattva Man
Su Shi wrote many poems of Bodhisattva Man. In Bodhisattva Man, palindromic Xia boudoir resentment, such as "Liu Ting Feng Jing people sleep during the day, during the day people sleep in the wind Ting Liu." Fragrant sweat thin clothes cool, cool clothes thin sweat fragrance. The lotus root was served in a bowl of ice with red hands, and the lotus root was served in a bowl of ice with red hands. Lang laughs at the long lotus root, and the long lotus root laughs at Lang. Through the palindromic form, it shows the feelings of boudoir resentment. "Pusaman·Moist Clouds Still Cold over the Bridge" depicted the cold scenery of the bridge."Moist Clouds Still Cold over the Bridge. tender and cold, the east wind's shadow first shines through. the sound of water under the bridge is long. A stick of Kazuki incense. people pity flowers as old as before. flowers should be thinner than people. don't rely on small railings. It was late at night and the flowers were cold. He used the scenery to express a sense of loneliness. There were also works such as "Bodhisattva Man·Summer Scenery Palindromic","Bodhisattva Man·Palindromic Autumn Boudoir Resentment","Bodhisattva Man·Painting Eaves First Hanging Crescent Moon", etc. These works had their own characteristics in rhythm, artistic conception construction and emotional expression. Some used palindromic techniques, some used scenery descriptions to express emotions, etc.
Bodhisattva Man II
"Bodhisattva Man·II" was written by Wei Zhuang of the Tang Dynasty. Its lyrics were: "Everyone says that Jiangnan is good, and tourists only meet the old people of Jiangnan." The spring water is as green as the sky, and the painted boat sleeps in the rain. The man beside the loessial house looks like the moon, and the white wrist is covered with frost and snow. Don't go back to your hometown before you're old." The theme of this poem was to praise Jiangnan. The phrase "Everyone says Jiangnan is good" pointed out the public's recognition and envy of Jiangnan at that time. " The tourists are only old in Jiangnan " further emphasized the attraction of Jiangnan to tourists. " Spring Water Green in the Sky " depicted the beauty of Jiangnan's scenery. The river water in Jiangnan was greener than the sky." Sleeping in the Rain on a Painted Boat " reflected the leisure life in Jiangnan. Lying on the river and listening to the sound of the rain to sleep. " The person by the loessial side is like the moon, and the white wrist is like frost and snow." It described the beauty of the woman who sold wine in Jiangnan Restaurant. Her beauty was like the moon, and her arms were as white as snow. In the end,"Don't go back to your hometown before you're old. When you go back to your hometown, you must be heartbroken" expressed the poet's lingering feelings for Jiangnan. He didn't want to go back to his hometown when he was not old, but he would be heartbroken when he went back. As for the period of creation of this poem, some people think that it was a work of Wei Zhuang when he was wandering in Jiangnan in his early years. It can be inferred from the phrase "Don't return home before you are old" and the third poem of the group of poems,"Now I recall the music of Jiangnan, when I was young and thin in spring clothes". However, Zhang Huiyan and others believed that it was written by Wei Zhuang in his later years in Shu and contained political meaning. However, from the content of the text, it was more reasonable to write when he was roaming in Jiangnan in his early years.
Bodhisattva Man III
Bodhisattva Man One
"Bodhisattva Man·One" was written by Wen Tingyun, a writer of the Tang Dynasty. the clouds at my temples want to pass the fragrant snow on my cheeks. too lazy to get up and paint crescent eyebrows. it is late to make up and wash up. in front and back mirrors the flowers shine. the flowers meet and reflect each other. a new thread is embroidered on a silk jacket. A pair of golden partridges."
Bodhisattva Man Wei Zhuangquan
Wei Zhuang had many Bodhisattva Mantras, and the following is one of the more famous ones: Everyone said that Jiangnan was good, and tourists only lived in Jiangnan. The spring water is as green as the sky, and the painted boat sleeps in the rain. The man beside the loessial house looks like the moon, and the white wrist is covered with frost and snow. Don't go back to your hometown before you're old, and you'll be heartbroken when you go back. Wei Zhuang's Bodhisattva Man also had other lines such as " When the waning moon goes out, the beauty and tears say. The lute is decorated with golden jade feathers, and the yellow oriole sings on the strings. He advised me to return home early, and the green window is like a flower." "The talented scholar of Luoyang is old in his hometown, and the king of Wei is hidden in the willows. At this moment, her heart softened and she took a bath on the water. Peach Blossom Spring 7, Congealing Hatred Against the Crippled. Do you remember Junjun?" Wait. However, due to the lack of information and other reasons, the complete picture of each of his "Bodhisattva Man" could not be presented.