Teng Long lens photography skills
Here are some photography techniques for using the Tenglong lens: ** I. The application of lenses with different focal lengths ** 1. ** Portrait photography ** - For Tenglong 17 - 50mm and 35 - 150mm lenses, it can be used for portrait shooting. When shooting indoors and outdoors, you should pay attention to choosing the appropriate focal length. For example, the focal length of 35 - 150mm can meet most of the focal length requirements of portrait photography. Using a large aperture can get a better background blurring effect and highlight the main body of the character. - When shooting a portrait with a 28 - 75mm F2.8 lens, you can choose a focal length of about 50mm-85mm according to the character interaction scene. This will ensure the stability of the picture and create a suitable sense of distance. 2. ** macro photography (like Tenglong 90mm f/2.8)** - When shooting small objects such as wildflowers, the depth of field is usually small. This feature can be used to shoot soft and ethereal effects, such as focusing on the stamen or dewdrops. - In terms of aperture selection, it was not recommended to use f/16. Shooting with an aperture of around f/2.8 to f/5.6 could produce a larger bokeh and highlight the details of the subject. When shooting large scenes, it could be lowered to f/8 or f/16 to increase the depth of field. - When focusing, it was best to use the "manual focus" mode. With the help of the real-time display function, the subject was magnified by 5 - 10 times to check if the focus area was clear and make adjustments. At the same time, the subject had to be completely still (such as choosing to shoot wildflowers when there was no wind). 3. ** Shooting toy (Tenglong 28 - 75mm F2.8)** - It covered the focal length from wide-angle to medium-focal length, had a constant large aperture, and had the characteristics of wide-angle close-up. For the character interaction scene, the standard to medium focal length shooting was used. When shooting toys outdoors, the principle of "fill light first" was followed, and the human face and special props were filled with light. - When taking close-up shots of toys, you can use its wide-angle close-up ability to create a sense of oppression. However, due to the small proportion of the toy, you may need to properly close the aperture to ensure that the depth of field is not too shallow. The wide-angle close-up shot can close the distance between the subject and the audience. ** 2. Techniques related to aperture and blurring effects ** 1. The aperture size of the Soaring Dragon lens would affect the blurring effect. Generally speaking, the larger the aperture (the smaller the F value), the stronger the blurring effect. For example, when using the Tenglong lens, the aperture of a 28 - 75mm lens could be opened to F2.8 to produce a certain blurring effect, which was used to highlight the main body and weaken the background. 2. The blurring effect was controlled by combining the focal length, the distance between the subject and the lens, and the distance between the subject and the background. With a long focal length, the distance between the lens and the subject was close, and the distance between the subject and the background was far, the blurring effect was stronger. For example, when shooting with a telephoto lens, in addition to a stronger background blurring effect, it could also bring a narrower angle of view and enhance the atmosphere. Read more exciting novels for free
Gourmet single-lens reflex photography skills
Here are some culinary DSLR photography tips: 1. ** Food Attributes **: Different foods have different visual effects. Food that is expensive, time-consuming, and laborious to make often comes with a "high-class feeling." 2. ** Design **: - Lighting: Food photographers who have the pursuit of natural light as a light source, which can be divided into direct light and scattered light. Using a reflective board to guide the light from the side to the main body could create a "natural" atmosphere; using a soft board to "filter" the light or placing the dish in the shadows near the light area could obtain scattered light, which was more "soft" and less shadow. - Cutlery arrangement: Arrange the cutlery reasonably. At the same time, pay attention to the props in the photo to have a certain degree of relatedness. For example, in a photo with circular elements as the main element, maintain the unity of the elements. Even if there are many elements in a vertical shot, it will not appear messy. 3. ** Shooting angle **: - ** Aerial Shot **: When shooting vertically, if the prop elements are related, it will not be chaotic even if there are more. - [Upper-view photo: It is rarely used in food photography.] - ** Flat Shot **: Can also be used according to actual needs. - ** Using special composition angles **: For example, using the circular arc composition of the round table, when the character picks up the food, the chopsticks will be diagonally arranged to create a picture, which can make the person feel appetizing; with the shoulder of the character as the background, the eating scene can be taken from the back of the character, which can increase the sense of character immersion. 4. ** Color Match **: Try to avoid cold colors in the picture. It is best not to put two foods with large differences in color in the same photo. 5. ** Add interaction elements **: You can add characters, plants, ingredients, accessories, and other interaction elements. For example, shooting hand movements to enhance interaction, adding plants for decoration or color matching, adding toys and accessories that fit the theme to highlight the theme and enrich the content of the picture. 6. ** Backstory processing **: - ** Changing the background **: When shooting indoors, you can try changing different types of backgrounds to obtain different shooting effects. - ** Aperture adjustment affects the background effect **: A small aperture (such as f/22) can make the whole picture clear and sharp. The background and the scenery elements in the environment will be very clear, but the background elements may distract the audience's attention. A large aperture (such as f/2.8) will make the background blurred. The details and texture are not clear, but the main body is prominent. 7. ** Focus Selection **: - ** 35mm wide-angle **: It has a wide field of view, but it is not very useful for food photography. Other than shooting the "big scene" of the entire table of dishes, it has the characteristics of serious distortion and weak blurring ability. - ** 85mm **:(The advantages and disadvantages of special food photography are not mentioned. You can try it according to your actual shooting needs) - ** 135mm telephoto **: High degree of background blurring,"space compression" effect. 8. ** Other parameters adjustment **: - ** Aperture **: Control the amount of light entering the camera. Its size is represented by the f-value. The smaller the f-value, the larger the aperture, and the more light enters the camera. The large aperture was suitable for low-light environments and could create a shallow depth of field effect to highlight the main body. - ** Shutter Speed **: It is the length of time that the camera shutter is opened and closed. It controls the time that the camera sensor receives light. The faster the shutter speed, the less light enters the camera. - ** Light sensitivity **: controls the sensitivity of the camera's light sensor to light and affects the camera's ability to capture light. 9. ** Use of auxiliary equipment **: Choose auxiliary equipment according to your needs to effectively improve the shooting effect. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Fast hand single-lens reflex photography skills
The techniques for single-lens reflex photography were as follows: ** 1. Portrait Shooting ** 1. ** Close-up or still portrait ** - You can use a large aperture (such as F2.8) or a telephoto shot. Aperture priority mode (LV) can be used to create a blurred background effect to highlight the main character. - If you use the M file to shoot a close-up of a person, the sharpness is moderate, and the focus is placed on the eyes or key parts, and the composition can be centered. When shooting a person's scene, use the medium aperture F8, the focal length is the widest, and the composition uses the three-point method or the golden section method. Try to set the USB to 100 and use the RAW format to ensure that the face is exposed correctly. If the other parts are too black or exposed due to insufficient tolerance, you can adjust the curve later. The color of the character's clothing must be different from the background. The character's posture can be varied, such as using the props around him to make a headache, toothache, and other actions. 2. ** Shooting sports figures ** - Aperture priority mode is not applicable. Shutter priority mode (TV) should be used. The shutter speed should be set to about 1/250s. This way, the picture will not be blurred when capturing. ** 2. Scenery Shooting ** 1. ** General situation ** - It could be used in P mode, and the aperture was set to about F5.6, using a small aperture. It was best to use a wide-angle lens, which could accommodate more scenery, but it would reduce the distance of distant scenes and create a sense of distance. A telephoto lens could zoom in on distant scenes, and the sense of compression was stronger. - In the composition, avoid placing the most attractive scenery in the middle. You can use the three-point composition, frame composition rule, symmetrical composition, diagonal composition, white space composition, etc. It is recommended to bring a tripod to prevent the photo from blurring due to shaking. 2. ** In specific weather ** - ** Sunny Day **: If you use A and M gears, set the USB to 100, aperture to F8, and shutter speed to about 1/200. - ** Cloudy day **: Set the USB to 400 and use the A-grade overall dimming. You can use a filter such as a UV-ray filter to protect the mirror coating, a CPL filter to enhance the color and eliminate the reflection of the glass surface, a MD-gray density filter to reduce the amount of light entering, used for time-lapse shooting, and a gnd-gray filter to make the color of the sky gradually change. If the light ratio is too large to ensure the normal exposure of the scene, you can use black cardboard to block the sky in the lens to reduce the amount of light entering. ** 3. Shoot flowers and plants ** - The shooting mode was Aperture Prioritize Mode. You could choose a large aperture lens or a 100-micro lens. A large aperture would make the depth of field shallow, making the shot softer and highlight the subject. In the composition, you can place the object you want to shoot in the center of the picture (central composition), or you can use the nine-square grid composition. ** 4. Pet Shooting ** - You can turn on the automatic P gear and turn on the continuous shooting, or use the shutter priority mode (TV). The shutter is set to 1/250s or more, because the pet will not stay still and needs to be captured. ** 5. Shooting Night Scenery ** 1. ** Normal night view ** - Use the M file, put on the tripod, set the USB to 100 (when there is no tripod, the USB is within 1600), customize the white balance or set it to incandescent light, turn on the noise reduction, and use the RAW format. - Use a small aperture above F8 (such as F11) to make the light appear starlight effect. Pay attention to the safety shutter. - If you want to purify the scene, you can extend the exposure time (such as F22, Iso100, shutter 10 - 30S) to make pedestrians disappear from the picture; use the pre-raised reflective board to reduce the vibration of the machine, and cover the viewfinder to prevent stray light from entering and affecting the image quality. - If you want to take a light spot, use the largest aperture, the farthest focal length, facing the scattered light source, manually focus to twist out the light spot, or focus on the nearest prospect. 2. ** Portrait at night ** - Using the M-mode, the principle was to capture a double exposure (one to capture the character, one to capture the background). Mount the tripod or find a stable support, automatically white balance, set the USB to about 400, and use the aperture of F2.8 - 8 under the M gear. It uses slow sync flash and rear curtain flash mode. You can also use the night portrait gear. At this time, the flash will flash twice, once when the shutter is pressed, and once when the exposure is over. When shooting, don't leave or shake. This will make the character clear and the neon background beautiful. ** 6. Silhouette Shooting ** - Using the P-mode, the focus point was placed at the bright spot to measure the light. When shooting, the light spot was measured, and then the exposure was increased or decreased according to the actual needs. The dark part would automatically become a black silhouette. At the same time, you need to understand some basic knowledge of the DSLR camera, such as the focal length affecting the angle of view and the magnification.(The shorter the focal length, the wider the angle of view, suitable for wide-angle scenes; the longer the focal length, the narrower the angle of view, suitable for shooting long-distance objects); Aperture controls the amount of light entering the camera (the smaller the f-value, the larger the aperture); The focal length of the zoom lens can be adjusted to change the angle of view and the magnification, while the fixed-focus lens only has a fixed focal length; The anti-shake function can reduce hand-held shooting shake; Different brands of single-lens reflex cameras use different mounts, so you have to choose a lens that is compatible with the camera mount; The number and material of lenses affect the image quality and cost. The three main factors of a DSLR camera's exposure were aperture, shutter speed, and sensitivity, which controlled the exposure of the photo. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Nikon d3500 single-lens reflex photography skills
The Nikon D3500 had the following techniques for taking portraits: - ** Use the mode dial **: You can turn the "mode dial" to the portrait icon according to the subject, and the camera will automatically select the appropriate settings and display the corresponding effect. - ** Choose a suitable focal length lens **: - The medium focal length was suitable for close-up shots. For example, an 85mm lens combined with a large aperture could produce a soft and beautiful out-of-focus blurring effect, making the background purer and helping to capture portraits. - The telephoto lens was suitable for shooting moving portraits. For example, the focal length of 70 - 300mm could meet the telephoto range required for outdoor sports portraits. At the same time, with the high-speed continuous shooting function, it could capture the natural and wonderful movements and expressions of the characters. - Special lenses such as fish-eye lenses could bring exaggerated distortion effects, making the scene full of drama, but it would cause a certain distortion of the human face. - ** Using special filming techniques **: - Diagonal composition was used to shoot close-up portraits. The main line of sight was placed on the diagonal line, and the character's face was in a diagonal state from the upper left to the lower right. The image was full, varied, and focused. At the same time, it should be avoided as much as possible. - By appropriately adding inverted composition elements, using the composition of looking down or looking up to make the picture produce a rotation and weightless illusion effect to express a specific emotion. The top-down composition can be shot from the side of the subject and guide him to slightly raise his head; the top-up composition can be shot from the bottom up. - The use of blocking composition, using shadows or blocking objects to increase the contrast between reality and reality, expressing mysterious and hazy beauty and rendering emotions. - Choose a close-up, such as shooting the hand and matching it with small props, to show the hand posture and explain the artistic conception of the picture. - Try shooting from a special angle, such as elevation or depression. A novel angle can make the subject more relaxed and ignore the tension of the lens. You can also use a special lens such as a fisheye lens to achieve an exaggerated image effect. - ** Adjusts camera parameters to improve portrait effects **: - When setting up the optimal adjustment, select portrait mode and enter the fine-tuning interface. By lowering the sharpness and clarity (such as sharpness by 2, clarity by 2), the skin would be polished. Finally, the brightness would be increased by 1 to brighten the skin. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Shifting lens photography
Tilt-shift photography, also known as tilt-shift photography, was a photography method that used a shift-shift lens to create a work. The characteristics of shift-lens photography were closely related to the characteristics of shift-lens. The most notable feature of the shift-axis lens was that it could shift, tilt, or rotate the main optical axis of the entire photographic lens while maintaining the position of the camera body and the film plane, thereby adjusting the perspective relationship of the photographed image or achieving full-area focusing. The reference clear image field was larger to ensure that the main optical axis of the lens could still obtain a clear image. It was also known as the "TS" lens ("TS" is the English "tilt and shift"),"oblique lens","shift lens" and so on. The main functions of shift-lens photography were as follows: 1. Correct perspective distortion: Reflect clearly in architectural photography. For example, when using a wide-angle focal length lens to shoot the shape of a building, the lines of the building's shape would converge upward due to the perspective effect of the near and far. However, when using a shift-axis lens to shoot, it could rely on its perspective adjustment function to correct this line convergence phenomenon, so that the building remained vertical in the picture, avoiding the feeling of tilting or even tilting. 2. [Realization of regional focus: Commonly used in commercial photography for product advertisements.] By combining the pan and tilt shooting functions of the lens, while correcting the perspective distortion of the subject, it can achieve a full-area focusing effect that is difficult to achieve with ordinary photographic lenses, so that the subject near and far in the picture can form a clear image. The photos and videos taken by the shift-lens photography were like miniature models, which could fully express the feeling of a "man-made city", which was unique and interesting. After using the shift-axis photographic lens on the 35mm single-lens reflex camera, it could be equipped with the function of a large-scale combined camera to control the perspective by adjusting the leather cavity, thus expanding the scope of use of this camera. It played a major role in the field of professional photography. For example, Canon's 135mm system's original, most widely used shift-axis lens, the ts-e 17mm4L, was regarded as an artifact. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
photography homework, single-lens reflex photography
Here are some tips on how to use DSLR cameras for photography homework: ** 1. The camera settings ** 1. ** Shooting Mode ** - Try to use manual mode. Manual mode allowed the photographer to precisely control the camera's parameters according to the specific shooting scene and needs, while automatic mode might not be able to meet some special shooting requirements. 2. ** White Balance Setting ** - If there was a color difference in the photo, it might be caused by the use of household light bulbs or the camera's default automatic white balance setting was inaccurate. In this case, you can try to set the white balance to daylight mode, or try to take a photo in all other white balance modes to compare which mode is closer to the actual color. 3. ** Setting of the sensitivity ** - For example, the higher the value, the brighter the photo, but at the same time, the more likely it was to have noise. It needed to be adjusted together with other values (such as aperture, shutter speed, etc.). For example, for a small object, you can set it to 200, and for a large object, you can set it to 400. 4. ** Exposing settings ** - The exposure value was displayed as-0.7,-0.3, 0, 0.3, 0.7, 1, etc. The higher the value, the brighter the photo. You can set the exposure value to 0.3 during the test shoot. 5. ** Shutter Speed Setting ** - Shutter speeds such as 1/60, 1/80, 1/100, 1/125, etc. The smaller the decimal value, the slower the speed, the more light entering the camera, and the brighter the photo taken. 6. ** Aperture setting ** - The smaller the aperture value, the larger the aperture. The more light entered, the brighter the photo. The larger the aperture value, the smaller the aperture. The less light entered, the darker the photo. It was important to note that the aperture and aperture value were in inverse proportion. The value on the camera was the aperture value, and the result after the adjustment was the aperture. For example, a photo taken with an aperture value of 3 is brighter than a photo taken with an aperture value of 6. ** 2. Shooting Techniques ** 1. ** Composing Skills ** - Diagonal composition, triangular composition, and other methods could be used to make the picture more beautiful and stable. He could also try the full-body composition method. - When shooting, you can stagger the composition or capture the moment when the character walks by to create a picture-in-picture effect. 2. ** Basic principles of filming ** - To make the photo have a clear and distinct theme, whether it was a person, a still life, or an event, it needed to be clearly expressed to avoid ambiguity or all-encompassing. - A good photo must draw attention to the subject so that the audience could immediately notice the core of the photographer's intention. - It made the photo more concise and removed those elements that couldn't set off the subject or even distract attention. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Canon single-lens reflex character photography lens
There were many types of Canon DSLR lenses for character photography. Among them, the 35mm f1.4 lens had excellent performance in portrait shooting. It could capture the delicate expression of the character and show the surrounding environment. The f1.4 large aperture background blurring effect was good, suitable for traveling portraits or indoor portraits. The 85mm f1.2 medium-focus lens could capture the details and expressions of the characters while maintaining a certain distance on the full frame. The picture was natural and realistic. The f1.2 large aperture allowed it to take bright and clear photos in low-light environments. The blurring effect was better than that of the 35mm f1.4 lens. The 70 - 200mm f2.8 telephoto zoom lens had a flexible focal length range, and the background blurring effect was better than the 35mm and 85mm lenses. It was suitable for long-distance shots such as stage portraits, athletes, concerts, etc., but indoor shooting required a large space. The EF100mm F2.8L IS USM lens could be used for macro and portrait shooting. It had double IS optical image stabilization, good sharpness and out-of-focus performance, and ideal autofocus speed for macro shooting. The ESF135mm F2LIS USM lens was a close-up shot of a portrait. It could bring a stronger sense of compression and better blurring effect. The focusing speed was fast, the lens body weighed 750g, and the image quality was excellent when the aperture was fully opened. It was sharp inside the focus and soft outside the focus. The 50mm fixed-focus lens was also commonly used for portrait shooting. The F1.2 lens with a large aperture had a better portrait shooting effect. The 50mm focal length belonged to the standard focal length, and the shooting effect was close to what the human eye could see. It would not cause space compression and could better express the surrounding environment of the subject. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Mobile phone photography teaching long exposure photography skills
Here are some long-exposure photography techniques: - Take advantage of the phone's built-in function: Many phones came with a " streamer shutter " mode, which could be found by turning on the " more " button in the phone's camera. There were a variety of modes available for long exposure effects. - " Heavy traffic " mode: It was often used to capture the night view of the city and the tracks of traffic. When shooting, he would fix the phone on a tripod or octopus, then turn on the phone camera, click on "More", then click on "Flowing Light Shutter", and then click on "Heavy Transportation" to shoot. Note that the shooting time should not be too long. Try to control it within 5 seconds. The specific time can be determined according to the situation on the spot. - [Light Graffiti': Able to capture the movement of light sources at night.] The shooting steps were to fix the phone on a tripod or octopus, then turn on the phone camera, click on "More", then click on "Flowing Light Shutter", and then click on "Light Painting Graffito". - Silk Flowing Water: Take the Huawei mobile phone as an example. The operation steps are as follows: the first step is to open the camera and select more; the second step is to select the streamer shutter; the third step is to select the silk flowing water; the fourth step is to compose the picture. You need to find a stationary object and focus on it. For example, you can choose the intersection between the sky and the object. After the image is formed, the picture is stable and the mobile phone will balance the brightness and exposure of the whole picture through an algorithm. The fifth step was to control the exposure time, which was set according to the desired effect. For example, the exposure time of the shooting body was about 2 minutes. If the water surface waves were large, the exposure time could be extended to ensure the effect. The sixth step was to use a tripod for shooting. - If your phone doesn't have the "streamer shutter" function or uses the phone's professional shooting mode: - It was necessary to use a stable shooting posture and auxiliary equipment such as a tripod to avoid shaking and loss of focus, because even a slight shake during a long exposure would blur the picture. - You need to choose the right shutter speed to capture the scene and effect you want. - Pay attention to the quality and color of the light. You can also use filter and other accessories to enhance the effect of the photo. - Accurately adjust and set the camera before shooting to ensure the accuracy and clarity of the photo. - For some mobile phones, click on the live scene in the upper right corner and then take a photo. When taking a photo, you must not shake your hand. After the photo is taken, click on the picture, click on the live scene in the upper left corner, and choose the long exposure in the menu below. You can adjust it later. - Some general points: - When composing a picture, one had to take into account the fact that long exposure was to record the trajectory of moving objects. Find a stationary object to focus on to avoid blurring the picture. - The exposure time needed to be set according to the scene and the desired effect. For example, the time setting for shooting different scenes such as water flow and clouds was different. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Selection of indoor photography lens
In the case of indoors, due to the influence of space and environmental light, lenses with relatively short focal lengths were generally selected, such as 35mm, 50mm, or 16 - 35, 24 - 70 medium and short focal lengths. Aperture was very important when shooting indoors. Since the indoor light was not as bright as the outdoor light, a large aperture was essential to ensure that the lens had a good amount of light. Due to the focal length, the short focal length lens had a relatively weak ability to compress space and blur the background during shooting. A large aperture could also have a better ability to blur the background when the focal length was short. Generally, the aperture of the fixed-focus lens could be made larger, and the sharpness was also higher than that of the zoom lens. Therefore, the fixed-focus lens was generally used for indoor portrait shooting, but this also varied from person to person. Generally, photography agencies would use fixed-focus lenses to ensure high sharpness and quality of the film. Generally, photography enthusiasts would use a 16 - 35 large three-dimensional lens. As long as they could guarantee the brightness when shooting, they could also get a good performance. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Single lens reflex photography
If it was about DSLR photography, the following were some of the key points for DSLR photography: ** 1. Selection of shooting mode ** 1. ** Portrait Shooting ** - **A (Aperture priority mode)**: suitable for portrait shooting. In this mode, the aperture size could be adjusted manually. A large aperture (such as f/1.8, f/2.8, etc.) could make the background blur, highlight the main body of the character, and obtain a natural blurring effect. It could also increase the amount of light in the case of insufficient light. - **M file (full manual mode)**: Can be used for portrait photography. The photographer had to manually set the sensitivity, aperture, shutter speed, white balance, exposure compensation, focus, color temperature, and other parameters. This mode was suitable for taking portraits under complex lighting conditions, such as indoor lighting or scenes that used specific lighting to create a special atmosphere. 2. ** Shooting of moving objects ** - **S (Shutter priority mode)**: Adjusts the shutter speed. The faster the shutter speed, the more it can freeze the instant image of a moving object. It is suitable for capturing people, animals, or sports events in motion. 3. ** Scenery Shooting ** - **M (Full Manual Mode)**: It is very useful when shooting scenes such as sunrise, sunset, night scene, sea of clouds, starry sky, etc. For landscape photography, you can manually adjust the sensitivity, aperture, shutter speed, and other parameters according to the desired effect. For example, when shooting the starry sky, high sensitivity, large aperture, and slow shutter speed were needed (generally, a tripod was needed to keep the camera stable); when shooting sunrise and sunset, the parameters had to be adjusted according to the light intensity and the desired color effect. ** 2. Shooting Points ** 1. ** In terms of composition ** - ** Find a unique subject **: Choose a good-looking or oddly-shaped subject. This kind of subject will be easily remembered by the audience. - ** Use geometric composition **: For example, a triangular composition can make the picture full of geometric beauty. When shooting a picture that contained multiple elements, the elements could be arranged and combined to form a triangle to increase the stability and beauty of the picture. 2. ** Focus ** - Portrait and animal photography: If you are shooting portraits or animals, pay attention to the light in your eyes. This will make the subject more vivid. For animal photography, you can use methods such as feeding to get the animal to cooperate so that the eyes of the subject have a bright reflection. 3. ** Picture level ** - When shooting a scene, you can increase the layering of the picture by changing the angle of view. For example, lowering the angle of view, using the front and back arrangement of the characters or the changes in reality to create a sense of hierarchy. ** 3. Later adjustments ** Most of the photos taken by the DSLR camera were original photos. They couldn't completely restore the scenery seen by the human eye, so they needed to be retouched later. He could use the phone APP to adjust the light, shadow, contrast, saturation, atmosphere, color temperature, clarity, and other parameters of the photo to adjust the photo to his liking. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Nikon lens for sports photography
For sports photography, Nikon had a few good lenses to choose from. The AF-S Nikkor 200 - 400mm f/4G ED VR II was an ideal lens for shooting sports events. It had a large zoom range, up to 400mm at the telephoto end, and a constant aperture of F4, which allowed for a higher shutter speed in dark indoor environments, thus ensuring the success rate of shooting. The Nikkor Z600mm f/6.3VR S super-long focal length lens specialized in sports, ecological photography and other fields. It used 14 sets of 21 lens structure design, including a variety of special lenses to ensure image quality. It uses a step motor (Stellar Microscope) to achieve fast and quiet autofocus. When paired with the smart focusing system of high-speed microcameras such as the Nikon Z9 and Z8, it can bring a high-speed and accurate focusing experience. The lens was equipped with a VR anti-shake structure, which could provide up to 5.5 degrees of shake compensation effect. When combined with a camera with synchronous anti-shake function, it could achieve about 6 degrees of shake compensation effect. The hand-held shooting burden was small and the balance was good. In addition, the Nikon Z800mf/ 6.3 VR S was also a high-performance ultra-telephoto lens suitable for sports photography (such as shooting long-distance sports). The autofocus speed was fast and almost noiseless, and it was easy to aim at the subject. It was equipped with lens anti-shake VR, which was feasible for hand-held shooting. It could also play a role in shooting long-distance scenes such as birds and animals. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>