Cheng Gongliang was a guqin performer and composer of the Guangling School in China. He had many guqin pieces, such as "Pao Shura Orchid", which was a set of eight pieces in total and lasted about 70 minutes."Water" was the second piece in the set. " Water " was a lyrical piece of music. The light melody was like a flowing spring. The melody originated from Cheng Gongliang's relaxed pursuit of the beauty of goodness like water, innocence and purity, as well as the feeling of elegance, gentleness and agility after leaving the serious and heavy state when he composed " Earth ". It only took him a week to complete the composition. Different from the ancient song "Flowing Water","Water" showed the rhythm of the flowing water in nature. It was not turbulent and not urgent. It used nature and the melody was free and smooth, like a winding stream, full of vitality and movement. In addition, his " Memories of Old Friends " was also very popular. This song expressed the longing between ancient male scholars. The melody was smooth and bright.
There were records of Fuxi's guqin music, such as the Duke of Zhou's Yue Shang Cao. Although Fuxi's guqin music was mostly legendary, from the perspective of legends, Fuxi Guqin had its special significance. There were Fuxi style guqin music. For example, in some modern ancient BGMs, there were guqin songs named after Fuxi, but no more detailed information about their specific tunes, performance styles, etc. was found. It was difficult to describe the specific characteristics of Fuxi guqin songs in detail.
The following are some common guqin songs: Xianweng Cao, Guqin Yin, Qiufeng Ci, Xiangfei Resentment, Crouching Dragon Song, Drunkard, Phoenix Seeking Phoenix, Good Night Guide, Yangguan Sandie, Guanshan Yue, Wild Goose Falling on the Sand, Ou Lu Forgetting Machine, Pu 'an Mantra, Plum Blossom Sannong, Flowing Water, Guqin Yin (According to Introduction to Guqin (1864)), Phoenix Seeking Phoenix (According to Mei An Guqin Music Score (1931)), Guyin (Biography of Gong Guangbiao and Yu Weichun in the late Qing Dynasty), Orchid Flower (Li Xiangting's fingering method), Little Cabbage (Li Xiangting's fingering method), Autumn Wind Ci (According to Gong Yi's Guqin Playing Method), Autumn Wind Ci (According to Mei An Guqin Music Score (1931)), etc. However, it was difficult to directly list 100 Guqin music scores. From the Six Dynasties period to the 35th year of the Republic of China (AD 1946), Pei Tiexia compiled "Shayan Guqin Collection". There were more than 3,360 different schools of music scores recorded. Excluding the repetitions, there were more than 650 pieces of music with different names.(The new music pieces and the collection of music books created after the founding of the People's Republic of China are not included.) If you need more music scores, you can refer to the collection of music pieces and other related books.
There was an album of zither songs played by Fan Libin, which was produced by the original team of the 1999 American AFIM "Traditional World Music Award". This was an album of zither songs with profound "skills". Fan Libin used his deep and high-pitched voice and exquisite zither playing to convey the joy and sorrow of life, right and wrong, gains and losses of the open and Taoist feelings. In the song "Ode to the Furnace Fragrance", he also broke away from the limitations of the human and the zither, turning himself into a cappella of the strings, achieving the unity of the human and the zither to sing a "stringless zither song" full of religious and holy beauty. The length of the song in the album was three minutes.
"Wind and Thunder Guide" was a famous China zither piece. Legend had it that it was composed by He Yun, a native of the State of Lu during the Zhou Dynasty (also known as the Spring and Autumn Period). There were more than 40 guqin pieces named "Wind and Thunder" in the ancient zither music library of the zither world, which showed its importance. This song was recorded in "Song Xian Guan Qin Pu", which was written by Yan Tianchi in the Ming Dynasty. It was regarded as an authentic music piece and was also included in "Si Ku Quan Shu". The style of this song was different from the quiet and elegant style of most guqin songs. Instead, it had a unique charm and strength. The rhythm was strange and abrupt, gloomy and steep, and the momentum was mighty and majestic. It could emit the spirit, temperament, and charm of the traditional culture of the Han nationality. The music started with the brewing of a storm, then developed to the majestic momentum of thunder and fierce wind, then to the rumbling of thunder and the whistling of the wind. Finally, it ended with the clear sky after the rain, as if it was showing a picture of the changes in the thunderstorm. Other than that, there was also Zhou Tongsheng's performance of Wind and Thunder Guide (Guqin version), which was included in the album Plum Shadow Clear Sound. "Luo Mingxia Love Letter" is equally exciting. Everyone is welcome to click and read it!
The Guqin song, Huaxu Yin, was an ancient song. Some said that it was composed by the Yellow Emperor, while others said that it was composed by the Yellow Emperor. It was first included in the "Magical Secret Manual" compiled by Zhu Quan in the first year of Hongxi in the Ming Dynasty. Judging from the meaning of the song, the inspiration for its creation came from an experience of the Yellow Emperor. During the 15th year of his reign, the Yellow Emperor was worried that the world would not be governed well, so he retired to rest and fasted. During this period, he slept during the day and dreamt about the Huaxu Kingdom. The Huaxu Kingdom was naturally harmonious. The people didn't have too many desires, didn't die prematurely, didn't struggle with life and death, didn't have the concept of good and evil sprouted in their hearts, and didn't trip when walking in the valley. They lived happily. After the Yellow Emperor woke up from his dream, he was happy and contented. He understood the Way of God and managed the world well in the next twenty-eight years, almost like the state of the Huaxu Kingdom. Therefore, he created the Huaxu Guide. This song was also included in the "Zhe Yin Shi Zi Qin Pu" compiled by Gong Jing four years ago in Hongzhi of the Ming Dynasty and the "Qin Yuan Xin Zhuan Quan Bian" compiled by Kong Xingyou in the sixth year of Kangxi of the Qing Dynasty. In the "Zhe Yin Shi Zi Qin Pu","Huaxu Yin" was written by the Yellow Emperor. There were three sections in total, and there were corresponding lyrics. The lyrics described the state of the Yellow Emperor's retirement, sleeping and dreaming of the Huaxu Kingdom, and the music of the Huaxu Kingdom.
The full name of " Chaotic Soul Transcription " was " Pure Heart Sound·Chaotic Soul Transcription ". It was a Soundtrack pure music composed by Lin Hai and was included in the " Chen Qing Ling Original Sound Music album " released in 2019. According to the speculations related to the plot of the Order of Pleasure, Jin GuangYao's Chaotic Soul Codex might not have been stolen from the Lan family's forbidden library as Wei WuXian had speculated, but obtained when Lan Xichen was taken in by Jin GuangYao after escaping from the Wen family's fire. Jin GuangYao was smart but unscrupulous. 16 years ago, he used the Chaotic Soul Codex to interfere with Chen Qing's orders, and used Wen Ning to kill Jin ZiXuan and Jin ZiXun. He also used Lan Xichen's trust in him to learn the Clear Heart Sound, and used the Chaotic Soul Codex to confuse Nie MingJue's mind, creating the illusion that he had gone crazy and killed people to cover up his crime of killing his adopted brother. In addition, the Chaotic Soul Mantra could disturb one's mind.
"Dreaming of the Orchid Pavilion" was a zither song from Bo Lin's album. There were two songs in the album. The other song was "Preface to the Orchid Pavilion", which was meant to pay tribute to Wang Youjun (Wang Xizhi). "The Reborn Daughter of the General Star" is the original novel of the TV series "The Moon is Like Song." You can click on the link below to read the original novel. The original novel is equally exciting.
" Huaxu Yin " was a zither score. It was included in the " Magical Secret Score " compiled by Zhu Quan in the first year of Hongxi in the Ming Dynasty. It was the third zither piece, and it was a desolate tune. There were many theories about the meaning of the song. One theory was that according to the records of the history of the zither, this song was an ancient song. There were also theories that it was composed by the Yellow Emperor or ordered by the musician. It was also included in the "Zheyin Shizi Qinpu" compiled by Gong Jing four years ago in Hongzhi of the Ming Dynasty. It was the 36th zither piece.
"High Mountain", also known as "High Mountain Training", was a China zither piece. According to Liezi and Lu's Spring and Autumn Annals, this song was composed by Yu Boya during the Spring and Autumn Period. The existing score was first found in the Magical Secret Score published by Zhu Quan in the Ming Dynasty in 1425. In the Tang Dynasty,"High Mountain and Flowing Water" was divided into two pieces,"High Mountain" and "Flowing Water", and it was not divided into sections. In the Song Dynasty,"High Mountain" was divided into four sections. Along with the development of the art of playing the zither in the Ming and Qing Dynasties," High Mountain " had undergone great changes." Magical Secret Music Score " was originally not divided into sections, but later generations of zither scores were divided into sections. On November 7th, 2003, the China Guqin art represented by "High Mountain" was listed as one of the 28 items of the second batch of "Representative Works of Human oral and intangible heritage" by Unesco. This song used the high mountains as a metaphor for the magnanimous character of a gentleman. It used five tones to show the mountains. Listening to it, it was ancient, broad-minded, gentle and peaceful. The tone was simple and broad, and the charm was smooth and natural. Its melody was better than " Flowing Water," and its form was more elegant. It could be considered an " elegant " piece of music, but it was more abstract than " Flowing Water," which was full of images. It was also more difficult to appreciate and understand. Most of the people who liked or knew how to play "High Mountain" were amateur musicians. They might not like "Flowing Water."
"High Mountains and Flowing Water" was one of the top ten ancient songs in China. Legend had it that when the Qin musician Bo Ya played the zither in the wilderness, the woodcutter Zhong Zi Qi could understand the artistic conception of " E'e like Mount Tai " and " Yangyang like a river ". "Good, your heart is the same as mine," Boya exclaimed. Later on, after Zhong Zi Qi passed away, Boya lost his bosom friend and broke the strings. He never played again, hence the song " High Mountains and Flowing Water ". This song was a metaphor for a confidant or a bosom friend, and also a metaphor for a wonderful piece of music. Its melody was gentle, melodious, and smooth. Its style was elegant and fresh, and its artistic conception was profound and long.