There were records of Fuxi's guqin music, such as the Duke of Zhou's Yue Shang Cao. Although Fuxi's guqin music was mostly legendary, from the perspective of legends, Fuxi Guqin had its special significance. There were Fuxi style guqin music. For example, in some modern ancient BGMs, there were guqin songs named after Fuxi, but no more detailed information about their specific tunes, performance styles, etc. was found. It was difficult to describe the specific characteristics of Fuxi guqin songs in detail.
Choosing between the Fuxi style or the Zhongni style, one could consider the following aspects: - ** Appearance **: - The Fuxi style is thick and solid. The head is slightly round, the neck has a curved circle, and the waist has two consecutive half-moons. The neck is wide from the shoulder and narrow from the bottom. It is integrated with the head. The waist is a double-arc shape. The Zhongni style head is a square head. The neck and shoulders are retracted by an arc. The waist is retracted by a square strip. The neck is folded inward. The waist is folded in a straight line. The whole is simple and generous. The arc is round and square. - ** Voice characteristics **: - In the case of the same craftsmanship and materials, the Fuxi style sounded heavier than the Zhongni style. The Fuxi style mainly retained the large and round sound quality of the Tang zither, while the Zhongni style zither flourished in the Song Dynasty, and its sound quality was more delicate and slender, which matched the fresh and elegant style of the Song Ci. - ** Cultural Connotation **: - The Fuxi Style was said to have been created by Fuxi, and the Zhongni Style was said to be related to Confucius. Although it was not certain whether it was created by Confucius, it was inevitable that people would think of Confucius because of its name. The Zhongni Style reflected the reserved style of Confucianism, and its voice was elegant and pure, fitting the voice of a gentleman. - ** Popularity and personal preference **: - The Zhongni style was one of the most widely spread and commonly used styles. It occupied a relatively high proportion in many Guqin collections. Scholars also liked the Zhongni style Guqin because its style was simple and simple, and its sound was neutral and peaceful. The Fuxi style was also a widely spread style, and was also loved by many Guqin friends. If you prefer a simple structure and a more elegant and delicate tone, the Zhongni style might be more suitable; if you like a thick voice and a more ancient and vigorous style, you can choose the Fuxi style. "Luo Mingxia Love Letter" is equally exciting. Everyone is welcome to click and read it!
The novel about the contract with the Fuxi Zither at the beginning was a good book with a thrilling plot. The main character, Liu Feng, was a Spirit Master. His mother's fetus had transmigrated to the Blue Planet where boys became Spirit Masters and girls became Artifact Spirits. He had obtained an SSS-rank talent, a perfect-grade treasure chest, and an ancient divine weapon, the Fuxi Zither. This novel was created by the cute little girl who sold bags and was currently being serialized.
Twelve Movements of the Gods. The author suddenly became popular. It was a fantasy dynasty. Earth's music genius Qin Yue had come to the other world, where music was very powerful. There were also twelve divine songs, such as Overture to the Gods. The book was already finished, and it felt a little unfinished, but it was good enough that it could be remembered. Beacon Fire Cheetah, a military war genre written by Julang Dongfeng. Special forces soldier Li Yang transmigrated to the early stage of the anti-Japanese battlefield. He led his brothers to form the Cheetah Special Forces and beat the devils to the core. [The Guqin Master of the Live Stream], written by Buried Sword Qingshan about urban life. The main character, Qingfeng Chen, was a zither player who taught Chinese culture with the zither. There were also characters like Jiu Xiaohuan and Little Master Yun. Although it was lacking, it was not bad overall. " The Qin Emperor " was the work of the three young masters of the Tang family. It was a fantasy modern magic genre. Ye Yinzhu grew up in the magic space from a teenager to the Qin Emperor, creating a precedent for music magic. The plot was wonderful, and although the ending was controversial, it was still a good book. Le Zun was an oriental fantasy created by Immortal Master Gui Gu. In the world of music cultivation, Xiao Yun used the Way of the Seven Tones to walk the path of the strong. The novel's creativity was good, but there were some small problems. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The Fuxi Style and the Chaos Style were two different styles of the zither. They had the following differences: - The Fuxi style had a curved neck and two curved waists. The overall shape had clear ups and downs on the lines of the forehead, neck, waist, and tail. The Chaos style was round and round. The shape was simple and round. It was based on the beginning of the chaos of heaven and earth. There were no obvious lines such as the neck and waist. - ** In terms of timbre **: The document did not mention the comparison between Fuxi Style and Chaos Style in terms of timbre. However, it mentioned that Fuxi Style mainly retained the large and round sound quality of Tang Qin. Under the condition that the craftsmanship and materials were the same, Fuxi Style's sound was thicker than Zhongni Style. However, Chaos Style's timbre did not mention the comparison with Fuxi Style.
Fuxi Style and Zhongni Style had their own characteristics, so it was difficult to judge which was better. The Fuxi style was thick and vigorous. The head was slightly round, the neck was curved, and the waist was two consecutive half-moons. The neck was wide from the shoulder and narrow from the bottom. The waist was a double-arc shape. The whole style was simple and generous, and it was the oldest style. Since the appearance of the Tang Dynasty, there were famous Fuxi style zither in the past dynasties. The Zhongni-style zither head was a common square head. The neck and shoulders of the zither retracted into a slanted arc, the waist retracted into a square strip, the neck folded inward, and the waist folded into a straight line. The whole was simple and generous. The arc was round and square. It was quite the Confucian way of life. It was one of the most widespread and commonly used shapes. The choice of Fuxi style or Zhongni style depended on many factors, such as personal aesthetic preferences, performance habits, and the needs of the tone characteristics of the qin. "Luo Mingxia Love Letter" is equally exciting. Everyone is welcome to click and read it!
"High Mountains and Flowing Water" was one of the top ten ancient songs in China. Legend had it that when the Qin musician Bo Ya played the zither in the wilderness, the woodcutter Zhong Zi Qi could understand the artistic conception of " E'e like Mount Tai " and " Yangyang like a river ". "Good, your heart is the same as mine," Boya exclaimed. Later on, after Zhong Zi Qi passed away, Boya lost his bosom friend and broke the strings. He never played again, hence the song " High Mountains and Flowing Water ". This song was a metaphor for a confidant or a bosom friend, and also a metaphor for a wonderful piece of music. Its melody was gentle, melodious, and smooth. Its style was elegant and fresh, and its artistic conception was profound and long.
Here are some guqin songs:"White Snow in Spring,""Return,""Guan Ju,""Fa Tan,""Lu Ming,""Da Ya,""Ai Nai,""Chan Si,""Changqing,""Duanqing,""Chu Ge,""Heavenly Sound,""Sunset Cloud Forest,""Still Water Flowing Deep,""Shuidiao Ge Tou," Seven String of Bamboo Forest,"Bodhi Heart," Rain Strikes Flower Terrace,"Song of Fisherman's Light,""Farewell," Song of Lovesickness,"" Longevity,""& "Luo Mingxia Love Letter" is equally exciting. Everyone is welcome to click and read it!
During the first "Egret Cup" International Guqin Culture and Art Festival in China, the Guqin Culture Forum took the twelve lectures of Guqin as the theme, and invited many authoritative experts in the field of Guqin at home and abroad to come to the scene to jointly explore the innovative path of Guqin culture inheritance and operation in the contemporary context. As one of the activities of the art festival,"Twelve Lectures on Guqin" had nearly 3 million online viewers and nearly 60,000 fans. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
The Luoxia-style Guqin was a type of Guqin with a unique appearance and cultural meaning. On both sides of the body of the zither, the clouds were undulating, just like the clouds in the sky. The back of the zither was engraved with the name of the zither, the poems of literati, inscriptions, and seals. Judging from the materials used, there were many kinds of Luoxia Guqin made of Chinese Fir, old spruce, century-old Chinese Fir, old Chinese Alpinia, and other materials. In terms of production techniques, there was a pure raw lacquer antler frost technique. In terms of strings, there were generally seven strings. The strings could be divided into steel strings (nylon-coated steel wire), traditional silk strings (made of mulberry silk), and ice strings (said to be synthetic materials that combined the advantages of steel strings and silk strings and overcome the shortcomings of both). Different strings had their own advantages and disadvantages, and could be selected according to their needs. Its size was 123 centimeters long, 20 centimeters wide, and 108 centimeters long. On the price list, there was a Sunset Style Guqin that was priced at 4550 yuan. Different guqin of the Sunset Style also had different performances in terms of timbre. For example, some of the timbre was loose, deep, and strong, with great tenacity, suitable for all kinds of people. For example, the lute of the "Colorful Phoenix Singing Qi" was painted with red paint and had extremely fine ice cracks. The first and second strings were like a bell, the sixth and seventh strings were like a golden chime, and the four strings and five emblems were like a Jie drum. "Luo Mingxia Love Letter" is equally exciting. Everyone is welcome to click and read it!
The four ancient China zither were Duke Huan of Qi's "Hao Zhong", King Zhuang of Chu's "Roundabout the Beam", Sima Xiangru's "Green Silk" and Cai Yong's "Jiao Wei". "Hao Zhong" was a famous zither of the Zhou Dynasty. It was once played by the ancient zither master Bo Ya and later belonged to Duke Huan of Qi. The sound was loud, like a bell and a horn. "Rounding the beam" belonged to King Zhuang of Chu, and the lingering sound originated from the allusion of Han E's song "The lingering sound lingered around the beam for three days". After King Zhuang of Chu got the zither, he played the zither all day long. Later, he was persuaded by Princess Fan Ji, and the zither was smashed and stopped playing. "Green Silk" was a zither played by Sima Xiangru. It was said that it was black in color and had green vine-like patterns. "Jiao Wei" was personally made by Cai Yong. Cai Yong rescued a piece of Wutong wood from a fire and made this qin. It got its name because of the scorch marks on the end of the qin. It was famous for its tone and making method.