"High Mountain", also known as "High Mountain Training", was a China zither piece. According to Liezi and Lu's Spring and Autumn Annals, this song was composed by Yu Boya during the Spring and Autumn Period. The existing score was first found in the Magical Secret Score published by Zhu Quan in the Ming Dynasty in 1425. In the Tang Dynasty,"High Mountain and Flowing Water" was divided into two pieces,"High Mountain" and "Flowing Water", and it was not divided into sections. In the Song Dynasty,"High Mountain" was divided into four sections. Along with the development of the art of playing the zither in the Ming and Qing Dynasties," High Mountain " had undergone great changes." Magical Secret Music Score " was originally not divided into sections, but later generations of zither scores were divided into sections. On November 7th, 2003, the China Guqin art represented by "High Mountain" was listed as one of the 28 items of the second batch of "Representative Works of Human oral and intangible heritage" by Unesco. This song used the high mountains as a metaphor for the magnanimous character of a gentleman. It used five tones to show the mountains. Listening to it, it was ancient, broad-minded, gentle and peaceful. The tone was simple and broad, and the charm was smooth and natural. Its melody was better than " Flowing Water," and its form was more elegant. It could be considered an " elegant " piece of music, but it was more abstract than " Flowing Water," which was full of images. It was also more difficult to appreciate and understand. Most of the people who liked or knew how to play "High Mountain" were amateur musicians. They might not like "Flowing Water."
"High Mountains and Flowing Water" was one of the top ten ancient songs in China. Legend had it that when the Qin musician Bo Ya played the zither in the wilderness, the woodcutter Zhong Zi Qi could understand the artistic conception of " E'e like Mount Tai " and " Yangyang like a river ". "Good, your heart is the same as mine," Boya exclaimed. Later on, after Zhong Zi Qi passed away, Boya lost his bosom friend and broke the strings. He never played again, hence the song " High Mountains and Flowing Water ". This song was a metaphor for a confidant or a bosom friend, and also a metaphor for a wonderful piece of music. Its melody was gentle, melodious, and smooth. Its style was elegant and fresh, and its artistic conception was profound and long.
The following are some common guqin songs: Xianweng Cao, Guqin Yin, Qiufeng Ci, Xiangfei Resentment, Crouching Dragon Song, Drunkard, Phoenix Seeking Phoenix, Good Night Guide, Yangguan Sandie, Guanshan Yue, Wild Goose Falling on the Sand, Ou Lu Forgetting Machine, Pu 'an Mantra, Plum Blossom Sannong, Flowing Water, Guqin Yin (According to Introduction to Guqin (1864)), Phoenix Seeking Phoenix (According to Mei An Guqin Music Score (1931)), Guyin (Biography of Gong Guangbiao and Yu Weichun in the late Qing Dynasty), Orchid Flower (Li Xiangting's fingering method), Little Cabbage (Li Xiangting's fingering method), Autumn Wind Ci (According to Gong Yi's Guqin Playing Method), Autumn Wind Ci (According to Mei An Guqin Music Score (1931)), etc. However, it was difficult to directly list 100 Guqin music scores. From the Six Dynasties period to the 35th year of the Republic of China (AD 1946), Pei Tiexia compiled "Shayan Guqin Collection". There were more than 3,360 different schools of music scores recorded. Excluding the repetitions, there were more than 650 pieces of music with different names.(The new music pieces and the collection of music books created after the founding of the People's Republic of China are not included.) If you need more music scores, you can refer to the collection of music pieces and other related books.
There were records of Fuxi's guqin music, such as the Duke of Zhou's Yue Shang Cao. Although Fuxi's guqin music was mostly legendary, from the perspective of legends, Fuxi Guqin had its special significance. There were Fuxi style guqin music. For example, in some modern ancient BGMs, there were guqin songs named after Fuxi, but no more detailed information about their specific tunes, performance styles, etc. was found. It was difficult to describe the specific characteristics of Fuxi guqin songs in detail.
"Wind and Thunder Guide" was a famous China zither piece. Legend had it that it was composed by He Yun, a native of the State of Lu during the Zhou Dynasty (also known as the Spring and Autumn Period). There were more than 40 guqin pieces named "Wind and Thunder" in the ancient zither music library of the zither world, which showed its importance. This song was recorded in "Song Xian Guan Qin Pu", which was written by Yan Tianchi in the Ming Dynasty. It was regarded as an authentic music piece and was also included in "Si Ku Quan Shu". The style of this song was different from the quiet and elegant style of most guqin songs. Instead, it had a unique charm and strength. The rhythm was strange and abrupt, gloomy and steep, and the momentum was mighty and majestic. It could emit the spirit, temperament, and charm of the traditional culture of the Han nationality. The music started with the brewing of a storm, then developed to the majestic momentum of thunder and fierce wind, then to the rumbling of thunder and the whistling of the wind. Finally, it ended with the clear sky after the rain, as if it was showing a picture of the changes in the thunderstorm. Other than that, there was also Zhou Tongsheng's performance of Wind and Thunder Guide (Guqin version), which was included in the album Plum Shadow Clear Sound. "Luo Mingxia Love Letter" is equally exciting. Everyone is welcome to click and read it!
There were many versions of the High Mountain and Flowing Water Music, including Zhejiang Zheng Music and Shandong Zheng Music. The score of the Zhejiang Guzheng Music was composed by Wang Xunzhi and Xiang Sihua. It was divided into two parts,"Mountain" and "Flowing Water". Different playing techniques and techniques were used to describe the scene of mountains and flowing water. The music score of the Shandong zither music was composed with the zither music of "Lao Ba Ban" as the material, expressing the form of mountains and flowing water through chords and flower techniques. These scores were all simple, elegant, and lyrical. However, the specific content and details of the score required further research or consultation with relevant experts to obtain more accurate information.
" Plum Blossom Three Strokes " was also known as " Plum Blossom Guide "," Plum Blossom Song ", and " Jade Concubine Guide ". It was one of the top ten famous China guqin songs. The music score was first recorded in the "Magical Secret Score" compiled by Zhu Quan in the early Ming Dynasty. It was said that it was originally a flute music composed by Huan Yi in the Eastern Jin Dynasty, and later adapted into a zither music by Yan Shigu in the Tang Dynasty. It was mainly composed of a pantonic performance, and the melody representing the image of plum blossoms was repeated three times in different emblems, hence the name "San Nong". The whole song was a mixed composition, with a total of ten sections and an ending, divided into two topics. The first to the sixth section showed the proud and noble image of the plum blossom. The seventh section began to shape the static beauty of the plum blossom, expressing the appreciation and praise of the noble quality of the plum blossom. In terms of performance forms, the early stage was the solo zither. As the instruments developed, they began to use instruments such as Xiao, flute, pipa, etc. to perform or ensembles. After the Qing Dynasty, there were more than 40 versions. From the point of view of the music, it showed the noble character of the plum blossom, which was tall and straight, proud of the snow and frost. It used the characteristics of the plum blossom, which was white, fragrant and not afraid of the cold, to express people's praise for the unyielding nature and noble sentiment. Different people would have different styles and effects when playing this song. For example, the flute music was crisp and loud but might be "impatient". The flute music was slow and long but lacked some firmness. In comparison, the zither music was the most suitable. Its tone was restrained and quiet, reserved and far-reaching, matching the temperament of plum blossoms. "Luo Mingxia Love Letter" is equally exciting. Everyone is welcome to click and read it!
"Moonlit Night on the Spring River" was one of the top ten guqin pieces in China. It was adapted from the pipa piece "Sunset Flute and Drum." It was also a set of pipa pieces. Its score was first found in Ju Shilin and Wu Wanqing's handwritten copies. Through the euphemistic and simple melody and smooth and ever-changing rhythm, this zither song vividly depicted the charming scenery of the spring river on a moonlit night, praised the beautiful charm of the Jiangnan water village, and fully displayed the artistic beauty of traditional China silk and bamboo music. Its artistic techniques included static and moving, moving and still, from far to near, and from near to far. It also expressed emotions with the scenery and expressed feelings in the scenery. Ge Yong, Li Mingzhong and other performers have sung or performed this piece.
Mr. Nanyi's Transplanted Guqin Music Collection is a simplified musical score, which includes ancient musical scores adapted from popular songs, instruments, and music songs. For example, Mr. Nanyi Transplanted Guqin Music Collection I was published by People's Post and Television Press in January 2018. This collection is a transplanted work. In addition, Mr. Nanyi transplanted three sets of Guqin music collections, priced at 128.36 yuan (118.36 yuan after deducting 10 yuan from 99 yuan). He adapted the ancient music scores for the simplified musical score, reduced the word score, and mixed the popular songs, musical instruments, and song collections, and indicated the music. There were also two copies of "Mr. Nanyi Transplanted Guqin Music Collection 1 + 2", which was a book of guqin music scores adapted from ancient pop songs. The price was 158 yuan. "Luo Mingxia Love Letter" is equally exciting. Everyone is welcome to click and read it!
" High Mountain and Flowing Water " was an extended version of the original Guzheng piece. This song was mainly composed of two parts, the mountain and the flowing water. The first half of the song depicted the grandeur of the mountain, using the "big pinch" with a sliding tone that was separated by two octaves. The tone was rich and beautiful. The second half used the upward and downward scraping technique to exquisitely carve the different forms of the flowing water, showing the magnificent scene of the flowing water. "High Mountains and Flowing Water" was one of the top ten ancient songs in China, and it was the representative work of the Zhejiang Zheng School. Although there was a zither piece called " High Mountains and Flowing Water " that was circulated in all the zither schools in the country, the version of the Zhe School was the most researched and performed. This song was first found in the earliest existing collection of zither music in our country," Magical Secret Music ". It was based on the famous ancient Chinese music story " Bo Ya broke the zither and thanked the bosom friend ". It showed a lofty realm like a mountain and a vast ocean. As for the specific information about the extended version, there was no mention of it in the search results.
Here are some guqin songs:"White Snow in Spring,""Return,""Guan Ju,""Fa Tan,""Lu Ming,""Da Ya,""Ai Nai,""Chan Si,""Changqing,""Duanqing,""Chu Ge,""Heavenly Sound,""Sunset Cloud Forest,""Still Water Flowing Deep,""Shuidiao Ge Tou," Seven String of Bamboo Forest,"Bodhi Heart," Rain Strikes Flower Terrace,"Song of Fisherman's Light,""Farewell," Song of Lovesickness,"" Longevity,""& "Luo Mingxia Love Letter" is equally exciting. Everyone is welcome to click and read it!