Are there two styles of Linjiang Immortal Ci?
There were more than two forms of Linjiang Immortal Ci Pai. There are 52 words, 54 words, 58 words, 59 words, 60 words and 62 words. The common format was 58-word format, with 5 sentences each, with 3 rhymes each, and the sentence pattern was 66755. There was also a 60-word format, with 5 sentences each, with 3 rhymes each. Moreover, there were 11 forms commonly seen in Linjiang Immortal, and the sentence structure of different forms was different. For example, He Zhu's form was 67655.
Linjiang Immortal Ci Paidui Requirements
There was no hard requirement for the Ci Pai of the Immortal of Linjiang to be matched, but it could be right or wrong. However, many poets would fill it in antithesis or parallel sentences to enhance the artistic effect in order to increase the sense of rhythm. Among the 58-word format, the first two sentences of the first film should adopt the "Ze Ling" antithesis technique, and the first two sentences of the second film should also adopt the "Ze Ling" antithesis technique.
The Origin of the Ci Pai of Linjiang Immortal
Linjiang Immortal was originally a song of Jiaofang in Tang Dynasty, which was later used as a Ci tune. There are many explanations about the origin of its Ci. In the Southern Song Dynasty, Huang Sheng's "Selection of Hua An Ci" notes: Tang Ci is mostly related to the title, and the Fu "Linjiang Immortal" is about immortal things; Ming Dong Fengyuan's "Tang Ci Ji" believes that this tune is mostly Fu Shui Yuan Jiang Fei, that is, mostly chanting the goddess in the water, the original meaning of the tune is to chant Linjiang to mourn the goddess of narcissus. The modern scholar, Mr. Ren Bantang, according to Dunhuang Ci, had a sentence that said,"The shore is wide and the bottom of the river sees sand." The verb meant that it involved the river."Lin" originally meant to lean over to see things. What one sees by the river is the narcissus. However, the narcissus sacrificed in the past dynasties of China were not certain. For example, Wu Zixu, Qu Yuan, Qin Gao, Guo Pu, Tao Xian, etc. were regarded as different narcissus. In addition, Shun's two concubines and Luo River Goddess were also the objects of sacrifice.
The Writing Requirements of Linjiang Immortal Ci Pai
Linjiangxian Ci Pai rhyme is flat rhyme grid, double tone small order. There were 52 words, 54 words, 58 words, 59 words, 60 words, and 62 words. Common words are divided into two parts, the upper and lower parts of each five sentences, three flat rhyme. When singing, the syllables should be beautiful and harmonious, and the voice and emotion should be suppressed. In addition, in Liu Yong's "Music Collection", Linjiang Immortal entered the "Xianlu Diao", which used two six-character sentences at the beginning and two five-character sentences at the end of the upper and lower films. The word count was the same, but the tone was opposite, which was easy to form a contradiction.
Linjiang Immortal Long Yusheng's Ci Pu
Linjiang Immortal's Long Yusheng's Ci score is: Zhongze Zhongping Zhongze, Zhongping Zhongze Pingping. the middle is flat, the middle is narrow, the middle is flat. The middle is flat and the middle is flat. The middle is flat, the middle is flat, the middle is flat. the middle is flat, the middle is narrow, the middle is flat. The middle is flat and the middle is flat. This ci-score standardized the rhythm of Linjiang Immortal Ci, such as the arrangement of flat tones. It is helpful to create the Ci poem of Linjiang Immortal according to the requirements of the Ci score.
Linjiang Immortal Recitation
There were many versions of the recital of the Immortal of Linjiang. For example, Su Shi's "Linjiang Immortal" had Lan Xin's recitation; Hu Zhanfan's "Linjiang Immortal·Salute to the People of Hubei" had Yao Xishuang's recitation; Yang Shen's "Linjiang Immortal·Rolling Yangtze River East Passing Water" had also been recited by many people, such as "White-haired fisherman and woodcutter on the river island, used to watching the autumn moon and spring breeze." A jug of foul wine is a happy reunion, and many things from ancient times to the present have been put into laughter." Many people had read these lines before. In addition, Jiang Linshan had also read Li Qingzhao's (Song Dynasty) poem,"Linjiang Immortal."
The carelessness of Linjiang Immortal
Linjiang Immortal was the name of Ci, and the general idea of Linjiang Immortal written by different authors was different. For example, Yang Shen's " Immortal of Linjiang River, Rolling Yangtze River East Water " opened with the words " Rolling Yangtze River East Water, Waves Wash Out Heroes." Right and wrong, success or failure, all are gone." It depicted the Yangtze River surging eastward, countless heroes disappearing like waves, and the success or failure of the world turning into nothingness in the blink of an eye. "The green mountains are still there, and the sunset is red." The green mountains were still there, and the setting sun was still rising and falling. The eternal natural scene set off the short life and the impermanence of the world. The second part of the song,"White-haired fisherman and woodcutter on the river island, used to watching the autumn moon and spring breeze." a jug of foul wine, happy to meet. How many things have happened since ancient times?" The image of the white-haired fisherman and woodcutter was created. They had experienced the world, and when they met, they would treat the ancient and modern things as jokes. They expressed a kind of open-minded detachment after experiencing the vicissitudes of life, thinking about the meaning and value of individual life, as well as an indifferent attitude towards fame and fortune. Yan Jidao's other works, such as Linjiang Immortal, also had their own unique emotional expressions and meanings, but because the reference materials did not elaborate on their complete gist, it was difficult to give a comprehensive answer.
Translated by Linjiang Immortal
Linjiang Xian was the name of the Ci, and there were many different Ci. The following are the translation of some of the more famous Ci: - Yang Shen's " Immortal of Linjiang River: The rolling water of the Yangtze River flows eastward." The water of the Yangtze River rolls eastward, and the flying waves wash away countless heroes. Right and wrong, success and failure disappeared in the blink of an eye. Everything turned into nothingness. Only the green mountains remained, and the setting sun rose and fell many times. The white-haired hermit was by the river bank and had long been used to seeing the autumn moon and spring breeze alternate. It was rare to meet an old friend and drink happily with him. Many things from ancient times to the present had become topics of conversation. - Su Shi's "Linjiang Immortal·Drinking Dongpo at Night to Wake Up and Get Drunk": Drinking at Dongpo at night, sleeping after getting drunk, continuing to drink after waking up until drunk. It was about midnight when he returned. The child fell asleep soundly, snoring loudly like thunder. No matter how hard he knocked, no one answered. He could only lean on his cane and walk to the riverside to listen to the magnificent sound of the Yangtze River. I often resent myself for not being able to live my life according to my ideals. When will I be able to forget the busyness of fame and fortune? The night gradually darkened, the river wind gradually stopped, and the water finally returned to calm. I want to quietly retire in a small boat and spend the rest of my life in Jianghai.
Linjiang Xian Ci Pai, Metre, Pingze
Linjiangxian's rhythm is flat rhyme, double-tone small order, the number of words has fifty-two words, fifty-four words, fifty-eight words, fifty-nine words, sixty words, sixty-two words six kinds. Common words are divided into two parts, the upper and lower parts of each five sentences, three flat rhyme. The format of the flat tones can be taken as follows (using He Zhuge as an example): The middle is flat, the middle is flat, the middle is flat. (rhyme) the middle is flat, the middle is narrow, the middle is flat. (rhyme) The middle is flat and the middle is narrow, and the middle is narrow and the middle is flat. (rhyme) The middle is flat, the middle is flat, the middle is flat. (rhyme) the middle is flat, the middle is narrow, the middle is flat. (rhyme) The middle is flat and the middle is narrow, and the middle is narrow and the middle is flat. (rhyme) Linjiang Immortal Ci tablets with different word count would have differences in specific tones, such as fifty-four-character double-tone, four sentences on the upper and lower pieces, three flat rhymes; Fifty-eight-character double-tone, five sentences on the upper and lower pieces, three flat rhymes, the upper and lower pieces are both four-character sentences, five-character sentences, etc. When filling in the specific words, the tones would be different according to the rules of the word score.
"Immortal of Linjiang" Su Shi
"Linjiang Immortal" was a poem by Su Shi, which came from "All Song Ci". This poem described the life of Su Shi when he was demoted to Huangzhou. The beginning of the poem described the scene of Su Shi returning home drunk at night, and then wrote about the silence and thoughts when he returned home. He lamented that he was in the official career and longed to forget the shackles of fame and fortune. In the end, he took a boat and traveled across the rivers and lakes, entrusting the rest of his life to the rivers and lakes. This poem was both emotional and interesting, showing Su Shi's broad-minded and free personality.
Ten Sentences of Linjiang Immortal
The ten sentences of Linjiang Immortal are: Ze Ping Ze Ze, Ping Ze Ping Ze. The sound is flat. It was flat and flat, flat and flat. It was flat, flat. The sound is flat. It was flat and narrow, narrow and narrow.