This killer is not too cold.

Answer 1

The movie Léon:
1. ** Opening scene **
- The first scene at the beginning was a panoramic view. The advancing aerial camera swept across the water, changed from a bird's eye view to a horizontal shot, and flew over the forest toward the distant metropolis. The next few shots were shot at a wide angle on the streets of the metropolis. The camera was mounted on a moving car, and the camera was slightly higher than the cars and pedestrians on the street. It filtered out the noise and only the background music was used. There were few people and cars on the street, giving people a trance and ethereal feeling. The fourth shot ended with the propaganda words swaying into the sky above the street. The fifth shot zoomed in from the store's view to the darkness inside the door. These five shots were all moving in the same direction or pushing the camera in a distinct manner. They quickly changed from a large field of view to a small space, giving the audience a visual and psychological impact, pulling the audience into the exploration situation. The darkness behind the store door deepened this effect.
2. **" Giving Mission and Accepting Mission "
- In the paragraph describing " handing over tasks and accepting tasks," the director used 19 shots, all of which were close-ups and large close-ups, such as a glass of milk and two hands, Tony's eye, Leon's eye hidden behind a dark lens, the mouth that spoke, the hand that put out the cigarette, half of the nose and half of the face, and the photo of the target character. The space of this paragraph was greatly compressed, losing depth and background space. The light was projected from behind Tony's left sideburns to outline the partial outline. The full appearance of the character did not appear, and the voice dialogue was concise, which not only satisfied the visual impact but also enhanced the mystery.
3. ** The use of the camera to arouse the audience's curiosity **
- The film attracted the audience's interest with a well-designed opening scene. It used quick editing, chasing scenes, and echoing techniques to make the audience nervous and stimulate curiosity about the protagonist Leon. The quick editing and chase scenes at the beginning created a tense rhythm, such as quickly switching between streets, pedestrians, and vehicles. The chase scene allowed Leon to quickly pass through the crowd and avoid obstacles, thus leading to the role of Leon, making the audience curious about his identity and personality, and driving the audience to continue watching the movie.
4. ** Creating emotional resonance with the use of the camera **
- In terms of perspective selection, the film created an emotional resonance between the audience and the characters by cleverly choosing the perspective of the protagonist and the secondary characters. Close-up shots were often used to show Leon's emotions and inner world, allowing the audience to feel the sadness, anger, or indifference in his eyes and establish an emotional connection. The overhead shot was used to show the emotional state and psychological changes of the character, allowing the audience to have a more comprehensive understanding of the character's situation and subtle changes in emotions, so as to deeply understand and feel the character's emotional experience.

Watching Léon: The Assassin wasn't satisfying enough. Everyone is welcome to click to read the novel!