This Killer Is Not Too Cold

Answer 1

Léon: The Assassin's use of the camera was very unique, adding a lot of color to the film in many ways.

** 1. Opening scene **
1. ** Overall Construction and Rhythm Creation **
- The first paragraph of the movie was quite exquisite. The first shot was a large panoramic shot. It used an aerial camera that moved forward to sweep across the water surface. Then, it changed from a bird's eye view to a horizontal shot, flying over the forest and heading straight for the modern metropolis. This kind of camera movement had a wide field of vision and was quickly moving towards the target, as if it was leading the audience to an attractive place.
- The second, third, and fourth shots were shot at a wide angle on the streets of the metropolis. The camera was mounted on a moving car and slightly above the cars and pedestrians on the street. At the same time, the noise on the street was filtered out, leaving only the background music. There were few cars and pedestrians on the street, creating a trance and ethereal feeling. The fourth scene ended with the propaganda words, small colored flags, and the sky above the street. The fifth shot was a distant view of the shop on the street, then it quickly zoomed in to the door of the shop until the scene was completely black. The five shots moved in the same direction quickly or pushed the camera in a distinct manner. In a very short time, the audience could enter a narrow space from a grand view, creating a huge visual and psychological impact.
2. ** Arousing the audience's curiosity **
- In the opening scene, the director used fast editing and chase scenes to create a tense rhythm. The audience saw the fast-changing scenes of streets, pedestrians, and vehicles. This fast-paced editing brought a sense of urgency. The chase scene further increased the tension, making the audience feel as if they were involved in a tense scene. In this atmosphere, the protagonist Leon appeared. He agilely passed through the crowd and avoided obstacles. His unique professional characteristics and calm personality aroused the audience's curiosity, making the audience want to understand his story and background in depth, thus attracting them to the plot of the film.

** 2. Choice of perspective **
1. ** Close-ups show the protagonist's heart **
- Close-up shots were often used to show the emotions and inner world of the protagonist, Leon. These close-ups drew the audience close to Leon, so that they could almost feel his emotions. For example, the audience could see the sadness, anger, or indifference in his eyes through a close-up shot. This intimate perspective helped the audience better understand Leon's emotional experience and build an emotional connection with him.
2. ** Overlooking the camera to show the character's state **
- The use of an overhead camera was also crucial. It put the audience in a higher perspective than the character, allowing the audience to understand the character's situation and emotions more comprehensively. The audience could clearly see the subtle changes in the character, such as expressions, movements, and postures. Through the choice and movement of the shots, the audience was guided into the inner world of the character, enhancing the audience's understanding and feelings of the character's emotional experience, thus creating an emotional resonance between the audience and the character.

** 3. Movement and expression of nervousness **
1. ** The use of sports cameras in the chase scene **
- In the car chase scene in the movie, this common motion scene technique expressed the action and tension by tracking the fast-moving car. The director used fast editing and smooth motion shots to bring the audience to the scene of the chase, letting the audience feel the speed and urgency, as if they were also participating in the chase, experiencing the excitement and tension with the protagonist.
2. ** The use of sports shots in combat scenes **
- The intense fighting scene used sports footage to increase the tension. By following the camera and quickly editing, the audience was placed in the dynamic environment of the battle, allowing the audience to feel every action and attack of the character, deepening the experience of the tense atmosphere of the battle. The motion editing allowed the camera to switch smoothly, showing high-intensity movements and rhythms.

** 4. Special Scenes **
1. ** Close-up use of the mission description paragraph **
- In the movie, the scene of "handing over missions and accepting missions" was in a shop on the street (where Tony, the assassin's agent, was). This paragraph used close-ups and large close-ups, such as a glass of milk and two hands, Tony's eye, Leon's eye hidden behind a dark lens, the mouth that spoke, the hand that put out the cigarette, half of the nose and half of the face, and the photo of the target. The space of the entire paragraph was greatly compressed, and the depth and background space were lost. The light was projected from the back of Tony's left sideburns to outline the partial outline. The full picture of the character was not fully displayed, and the dialogue was concise. On the one hand, this kind of treatment was needed for visual impact, and on the other hand, it strengthened the sense of mystery.

Watching Léon: The Assassin wasn't satisfying enough. Everyone is welcome to click to read the novel!