Cao Quan's stele, Song of Everlasting Regret, official script
Cao Quan's stele had a unique style of official script and had its own writing characteristics. As for the official script of the Song of Everlasting Sorrow, it might show the unique calligraphy art performance of the Song of Everlasting Sorrow under the style of Cao Quanbei's calligraphy. For example, the strokes might reflect Cao Quan's stele,"The pen is round and the tip is closed, the pen is long and the body is wide." Although the pen is broken, the meaning is connected, the line spacing is close, and the word spacing is wide. From an appreciation point of view, the Song of Everlasting Regret written in Cao Quanbei's official script style may have a simple and elegant beauty. The stroke shape, word spacing, and line spacing cooperate with each other to show a unique calligraphy rhythm. From a creative point of view, the writer needed to be familiar with Cao Quan's official script in order to write Song of Everlasting Sorrow in this style. Moreover, he could also see Cao Quanbei's official script 'Song of Everlasting Sorrow' written by different people, such as the works compiled by ANG_ZQ. Different writers might integrate their own understanding and style characteristics on the basis of following Cao Quanbei's basic style of official script. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
Cao Quan's stele, official script, online search for words
You can search for the words in Cao Quan's stele online by searching the official script calligraphy dictionary. For example, some search engines can provide the function of searching for words, which will include examples of the words in Cao Quan's stele, such as the writing method of the word "check" in Cao Quan's stele. In addition, some calligraphy websites might also provide such inquiry services. By entering the words you want to find, you can obtain the results related to Cao Quanbei's official script. The novel " Hidden Dragon " is equally exciting. Everyone is welcome to click and read it!
Cao Quan's Official Script
The full name of Cao Quan Stele was Han Heyang Ling Cao Quan Stele, which was an important representative work of Han Dynasty official script. It was famous for its elegant style and even structure. It was a stele inscription that preserved many official script characters of the Han Dynasty. The handwriting was elegant and beautiful, the structure was flat and symmetrical, stretched and elegant, the strokes were straight, the length was both long and short, and the expression was gorgeous and beautiful. It belonged to the same category as Yi Ying and Li Qi. It had the state of "looking back and smiling." The content was written by Cao Quan's subordinates singing praises for him. The calligraphy was beautiful, the structure was natural, free, and vivid, and the strokes were graceful and smooth. It was elegant and mellow, subtle and interesting. The carving was excellent, and it could accurately convey the effect of the brush and ink. It was called the top grade of Han Li and an excellent model for learning official script. Ye Dinglian and Wang Yihua co-wrote 'The Essence of Cao Quan's Official Script Collection,' which featured many works created in Cao Quan's official script style. There were also works such as " Jie Lin's Stele of Cao Quan ", which was 39cm in length x 24cm in width x 4 " and other works created by contemporary official calligraphers based on the Stele of Cao Quan. The novel " Hidden Dragon " is equally exciting. Everyone is welcome to click and read it!
Stele of Cao Quan
The Stele of Cao Quan was in the official style. Its full name was the Stele of Cao Quan, the Order of Heyang of Han Dynasty. It was also called the Stele of Cao Jingwan. It was erected by Wang Chang and others in the Eastern Han Dynasty to praise the merits of Cao Quan, the Order of Heyang. It was erected in October of the second year of Zhongping (185 years) of Emperor Ling of the Eastern Han Dynasty. It was unearthed in Shenli Village, Heyang (present-day Heyang, Shaanxi Province) in the early years of Wanli of Ming Dynasty. The stele is now preserved in the third room of Xi'an Stele Forest Museum. The Palace Museum in Beijing and Shanghai Museum have rubbings of Ming Dynasty. There are 20 lines on the front of the stele, each line has 45 words, and there are 33 lines on the back of the stele, divided into 5 rows. The seal inscription has been lost, the whole monument has a total of 1165 words. The front of the stele recorded the life and achievements of Cao Quan, the county magistrate of Heyang, while the back of the stele was engraved with the name, official position, and amount of money paid by the fund-raiser. This stele was unearthed relatively late. The inscription was well preserved, the handwriting was clear, and there were many rubbings. It was collected by Wang Chang's "Jinshi Collection", Fang Shuo's "Pillow Sutra Hall Jinshi Calligraphy and Painting Postscript", as well as the rubbings published by Xi'an Map Press. The rubbings of the steles in the Palace Museum were 253 centimeters high and 123 centimeters wide. It was said that the steles were broken at the end of the Ming Dynasty, and most of them were rubbings after breaking. Cao Quan's Stele was one of the representative works of the official script at the end of the Eastern Han Dynasty. The characters were even and neat, and the strokes were both square and round. The style was beautiful. It recorded Cao Quan's situation when he was in office and his participation in the Battle of Shule and the suppression of the Yellow Turban Uprising. It was an important historical material for studying the peasant uprising at the end of the Eastern Han Dynasty. It was also one of the few works with relatively complete preservation and clear font among the existing Han Dynasty stone tablets in China. In 1996, it was rated as a national treasure stone tablet. In 2004, it was made into official script stamps by the State Post Office. In addition, there was also a book published by the Shanghai Painting and Calligraphy Press called "Cao Quan Stele". Moreover, Xi Kui's "Official Script Thousand Character Essay" was written in the style of Cao Quan's stele. The novel "Hidden Dragon" is equally exciting. Everyone is welcome to click and read it!
Song of Everlasting Regret Regular Script Calligraphy
"Lu Zhongnan's Regular Script 3: Bai Juyi·Song of Everlasting Sorrow" was carefully written by Teacher Lu Zhongnan. This copybook contains the content of "Song of Everlasting Sorrow" and is accompanied by necessary annotations and appreciation. It is a rare model for calligraphy practitioners. Lu Zhongnan studied under Mr. Ouyang Zhongshi. He used to be the deputy director of the Hard Pen Calligraphy Committee of the China Calligraphy Association. He was now a director of the China Calligraphy Association. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
Song of Everlasting Regret Original Regular Script
The following is the original text of the Song of Everlasting Regret that was often written by regular script writers: Tang Dynasty, Bai Juyi. The emperor of the Han Dynasty valued beauty and wanted to destroy the country. He had been in the imperial palace for many years and could not find it. The Yang family had a daughter who had just grown up and was raised in a boudoir. No one knew her. A natural beauty is hard to give up, and once she is chosen to be beside the king. Looking back at her, she smiled and gave birth to a hundred beauties. The six palaces had no color. In the cold spring, he was given a bath in Huaqing Pool, and the hot spring water flowed smoothly to wash the coagulated fat. The servant helped her up, but she was too weak to do so. This was the time when she had just received grace. Cloud hair, flowers, gold steps shake, hibiscus tent warm spring night. Spring nights are short and the sun rises high. From then on, kings don't go to court early. There is no leisure time to entertain guests, spring from spring outing night to night. There were 3,000 beauties in the harem, and 3,000 people were doted on. In the golden house she make-up into a delicate servant at night, in the jade tower banquet drunk and spring. Sisters and brothers are listed in the land, and the poor glory is born in the door. Therefore, the hearts of parents in the world are not born again, but born again. The king covered his face and could not save him. He looked back and saw blood and tears flowing. Li Palace high into the blue clouds, fairy music blowing everywhere. The yellow dust scattered in the wind, and the cloud stack lingered on the Sword Pavilion. Slow singing and slow dancing, condensed silk and bamboo, all day long the king can not see enough. The drums of the fisherman's sun shook the earth, breaking the song of the rainbow dress and feather dress. Smoke and dust rose from the nine watchtowers, and thousands of chariots and horses marched southwest. Cuihua swayed and stopped, more than a hundred miles west of the capital gate. The six armies could not do anything but turn around and die in front of their horses. The mother-of-pearl fell to the ground and no one collected it. It was buried in the mud under the slope of Mawei Mountain. The king covered his face and could not save him. Looking back at the blood and tears flowing together, the yellow dust scattered in the wind. Cloud stack winding up the Sword Pavilion, Emei Mountain foot few people. The flag is dim and the sun is thin. The water of Shu River is green and the mountain is green. The Lord's love is day and night, and the moon in the palace is sad. Night rain heard the sound of the bell heartbroken, the world spun back to the dragon. Here I hesitated and couldn't go. I was buried in the mud under Mawei Slope. I can't see the place where the jade face is empty, and the monarch and his subjects look at each other and get wet. Looking east at the capital gate, I believe that the horse will return. When I return, the pool and garden will be the same as before. Taiye hibiscus, Weiyang willow, hibiscus like face, willow like eyebrow. How can I not shed tears for this? Peach and plum blossoms bloom in the spring breeze, and the leaves of the parasol tree fall in the autumn rain. There are many autumn grasses in the south of the West Palace, and the fallen leaves on the steps are red and not swept away. The disciples of the pear garden have new white hair, and the green E of the supervisor of the pepper house is old. In the evening hall fireflies fly and think quietly, and the lonely lamp is lit up, but I can't sleep. Bells and drums have been playing for a long time, and the stars are shining in the sky. Mandarin duck tile cold frost heavy, jade quilt cold who to share? Long life and death have been separated for many years, and the soul has never come to dream. Linqiong Taoist priest Hongdu guest, can use sincerity to attract the soul. In order to move the king's wandering thoughts, he taught the alchemist to look for it diligently. Empty the sky, control the qi, run like lightning, ascend to the sky, enter the earth, search everywhere. Up to the blue sky and down to the underworld, the two places are vast and invisible. Suddenly I heard that there was an immortal mountain on the sea. The mountain was in the air. The pavilion is exquisite and beautiful, and there are many fairies in it. Among them, there was a man named Taizhen, with snow-white skin and beautiful appearance. Jin Que West Chamber knocked on the jade door, turned to teach Xiaoyu to report double success. I heard that the emperor of the Han Dynasty sent an envoy. I dreamed in Jiuhua account that my soul was frightened. Pulling up his clothes and pushing his pillow, he stood up and paced back and forth, and the pearl chaff and silver screen spread out. His hair was half-clouded, and he had just gone to bed. The crown of his flower was not neat. The wind blew the fairy's sleeves and fluttered them, just like the dance of colorful clothes. Her face was pale and lonely, and her tears dried up. A pear flower in spring brought rain. I look at the king with affection, and the sound and appearance of parting are vague. In Zhaoyang Hall, love is cut off, and the sun and moon in Penglai Palace are long. Looking back down at the world, I saw no dust in Chang 'an. I only took the old things to express my deep feelings, and put them together with the golden hairpin to send them away. The hairpin is left with a fan, and the hairpin is broken with gold and divided into mother-of-pearl. As long as the heart is as strong as gold, heaven and earth will meet. Parting diligent re-sent words, words have vowed to know both hearts. On the seventh day of the seventh month, in the Temple of Immortals, when no one was whispering in the middle of the night. In heaven, I wish to be a pair of lovebirds, on earth, I wish to be a pair of branches. As long as the world lasts, there will be an end to it, and this regret will never end. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
Cao Quan's Stele Calligraphy Original Version
Your name is Quan, the word Jingwan, Dunhuang Xiaogu people, your ancestors are the descendants of the Zhou Dynasty, King Wu of Zhou took the opportunity to cut down the Yin and Shang Dynasties, established your meritorious service, the same blessing and salary, granted your brother Shu Zhenduo in Cao State, so surnamed him. At the time of Qin and Han Dynasties, Cao Can assisted the royal family on both sides, Sejong expanded the territory and exiled the whole country. His descendants moved to the suburbs of Yongzhou and lived in Youfufeng respectively. Some lived in Anding, some lived in Wudu, some lived in Longxi, some lived in Dunhuang. The branches were divided into leaves and cloth, and the place where they lived was the most outstanding. Your grandfather, Fu Min, was elected as Xiao Lian, Wuwei Changshi, Bajun Qu Ren Ling, Zhangye Juyan Duwei. His great-grandfather Liu Shu, Xiao Lian, audience, Jincheng Changshi, Xia Yang Ling, Shu Prefecture Western Duwei, grandfather Liu Feng, Xiao Lian, Zhangye vassal state Duwei Cheng, right Fufeng Mi Hou Xiang, Jincheng Western Duwei, North Shou, father Liu Wei, young famous state and county, unfortunately early generation, so the position does not conform to the virtue, the monarch is young and studious, very wise, no article is not comprehensive, virtuous and filial nature, rooted in the heart, adopted Ji grandmother, served stepmother, first thought, life and death respect, etiquette is not lacking, so the villagers made this proverb: Cao Jingwan, who was very close to him, changed his virtue from generation to generation and did not lose his reputation. When he was in politics, he was as honest as Yi Qi and admired Shi Yu. He successively served as the right official of the county. He was appointed as the assistant history of the county. He was still recruited by Liangzhou. He often served as the governor of the county. He did not drive. He had a discipline of thousands of miles. He was not wrong. He went out to take charge of each county. He impeached injustice and corrected evil people. He was greedy and cruel. His colleagues admired his virtue. People near and far were afraid of his power. In the second year of Jianning, he was elected as filial piety and honesty. He was appointed as a doctor. He was appointed as the Sima of the Western Regions. At that time, King He De of Shule killed his father and usurped the throne. He did not pay tribute to the court. The monarch sent troops to attack. He had the kindness of Yan pus and the grace of sharing wine. He attacked the city and fought in the field. His strategy was like a spring. He was brave and brave. He De tied himself up and returned to his hometown to fight. He returned to the army to reorganize. The gifts given by the countries were nearly two million yuan. He was promoted to the right Fufeng Huaili order. He was abandoned by his brother's funeral. He was imprisoned and hidden in the alleys for seven years. In the sixth year of Guanghe, he was elected as filial piety and honesty. In March of the seventh year, he was appointed as a doctor. He was appointed as the chief of Jiuquan Lu Fu. He was the thief Zhang Jiao. He raised an army in Youji. Yan, Yu, Jing and Yang were attacked at the same time. The Guo family of the county people rebelled again, burned the city temple, harassed the people, and the people were uneasy. The three counties were in danger. The imperial edict still came, and at that time the emperor consulted, and all the officials said: You are really a monarch. You were appointed as the magistrate of Heyang County, collected the ashes, eliminated the rebels and cut off their roots. So you visited the old people and discussed with them. You helped Wang Chang, Wang Bi and other people to sympathize with the people, comfort the elderly, raise the widowed and widowed, buy rice and millet with the money of the family, give the sick and blind, the eldest daughter Tao Zhai and other people, gather the seven-headed medicine god ointment, personally go to Li Ting, subordinate officials Wang Gao, Cheng Heng and other people, give the sick people taxes, they all repent, the flow of benevolent government is even more than the post office. The common people are carrying children and carrying children, and there are many rebels. They repair the houses, arrange the shops in the market, and arrange them in rows. In the rainy season, there is a bumper harvest every year. The farmers weave women. In the first year of Heping County, Dai En, a hundred craftsmen, suffered from the flood disaster of Baimao Valley. He retired to Xuhai and built the city wall. From then on, the old surname and self-cultivation people could not take up their official positions. You sympathized with the failure of the scholar-bureaucrats, opened the gate of the South Temple, looked at the mountains and rivers, and ruled the country in a bright way. In this way, the scholars Li Ru, Luan Gui, Cheng Yin, etc. could each get the reward of the title, expand the hearing official residence, the court Cao corridor pavilion, rise and fall the steps of courtesy and pilgrimage. The cost did not come from the people, and the service did not interfere with the time. Wang Chang, Wang Bi, the chief clerk, Wang Li, Qin Shang, the household Cao, etc. Gong Cao Shi Wang Zhuan and others admired Xi Si and examined the merits of Xi Fu, so they jointly published a stone to record their achievements. The words read: After the reign of Emperor Ming, virtue and righteousness were displayed, tribute to the royal court, expedition to the ghost world, prestige spread, peace and prosperity, return to the army, visit the pagoda tree, feel the heart, attend the funeral ceremony, sigh for the rebels, burn the city, specially accept the mandate of heaven, govern the broken people, eliminate the disobedient ministers, calm the common people, repair the official temple, open the south gate, watch the towering mountains, look at the mountains, visit the Ming Dynasty, enjoy the benefits, officials are happy to govern the country, the people are well supplied, the monarch is promoted, and the bandits in the tripod foot are built on October Bingchen of that year. The novel " Hidden Dragon " is equally exciting. Everyone is welcome to click and read it!
Song of Everlasting Regret, Small Regular Script Calligraphy
Many calligraphers had created the regular script version of Song of Everlasting Sorrow. For example, Zheng Zhihua's small script, Song of Everlasting Sorrow, was created after practicing regular script for a year. The overall style was close to the style of writing scriptures in the Tang Dynasty. The structure was neat and beautiful, the strokes were delicate, and the strokes reflected his profound skills in small script. Old Xi also had Xiaojie's 'Song of Everlasting Regret'. In addition, there were also Lu Zhongnan's regular script, Song of Everlasting Regret, and Lu Zhongnan's important status as a director of the China Calligrapher Association. These calligraphers wrote 'Song of Everlasting Sorrow' in regular script, showing the meaning of 'Song of Everlasting Sorrow' and the charm of calligraphy art from different angles. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
Song of Everlasting Regret Traditional Regular Script Calligraphy
"Song of Everlasting Sorrow" was written by many calligraphers in traditional regular script, such as Lu Zhongnan, Ding Xianghong, and others who had related works of "Song of Everlasting Sorrow" in regular script. These works had their own characteristics in terms of style and structure. For example, Ding Xianghong's regular script, Song of Everlasting Sorrow, had a precise structure and smooth strokes. These traditional calligraphy works helped to present and spread the content of the Song of Everlasting Sorrow in an artistic form of calligraphy. It also reflected the calligrapher's understanding and artistic interpretation of the classic literary work. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
Song of Everlasting Regret Calligraphy Small Regular Script
There were many calligraphers who had created Xiaojie's Song of Everlasting Sorrow. For example, after Zheng Zhihua practiced regular script for a year, the overall style of his work, Song of Everlasting Sorrow, was close to the style of writing scriptures in the Tang Dynasty. The structure was neat and beautiful, and the strokes were delicate, which could reflect his profound skill in regular script. There was also Old Xi's calligraphy practice of 'Song of Everlasting Sorrow' in small script. Lu Zhongnan also had works related to the Song of Everlasting Sorrow in regular script. Lu Zhongnan was born in 1950 and was a director of the China Calligraphers Association. Ding Xianghong also wrote "Song of Everlasting Regret" in regular script. Her work structure was precise and her strokes were smooth. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
Bai Juyi's Song of Everlasting Regret Song of Everlasting Regret
Song of Everlasting Regret was a long narrative poem written by Bai Juyi, a poet of China Tang Dynasty. In the winter of the first year of Yuanhe (806), when Bai Juyi visited Xianyou Temple, he was inspired by the story between Emperor Ming of Tang Dynasty and Yang Guifei, so he wrote this poem. The poem told the story of Emperor Ming's love for Concubine Yang and his neglect of government, which led to the death of Concubine Yang after the chaos in the world. It also told the love story between the two of them from their acquaintance, love, and longing. The poem used many rhetorical devices such as antithesis, parallel comparison, and thistle to show the love story between Li Longji and Yang Guifei, as well as the historical events of Emperor Ming of Tang Dynasty, which reflected the perfect combination of realism and romanticism. The poem described the beauty of Yang Guifei, such as,"A natural beauty is hard to give up, and once she was chosen by the king. Looking back at her, she smiled and bewitched, and the six palaces had no color. Emperor Ming of Tang's love for her was like,"Spring night is short and the sun rises high. From then on, the king will not go to court early." There were three thousand beauties in the harem, and three thousand dotes were all on one person. After the An Lushan Rebellion broke out, Emperor Xuanzong of the Tang Dynasty fled with Concubine Yang. On the way, there was a mutiny in Mawei, and Concubine Yang was killed."The six armies had no choice but to die in front of the moth's eyebrows." Later, Emperor Xuanzong of the Tang Dynasty missed Yang Guifei and sent a Taoist priest to look for her. The Taoist priest said that he saw Yang Guifei on Penglai Immortal Island. Yang Guifei also asked the Taoist priest to bring back gold hairpins and other things to express his meaning. At the end, it read,"7th day of the 7th month, the Temple of Immortals, in the middle of the night when no one was whispering. In heaven, I wish to be a pair of lovebirds, on earth, I wish to be a pair of branches. There will be an end to this forever, and this hatred will never end." Later scholars discussed the theme of the Song of Everlasting Sorrow, and generally formed the views of irony, love, and double theme. It had a great influence on the literature of later generations, opening up the way of poetry narration, romance, and reality. For example, works such as "Wutong Rain" and "Longevity Palace" were all based on "Song of Everlasting Regret." Japan's "The Tale of Genji" and "Pillow Grass" were also influenced by it. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!