The author of " Magpie Flower Autumn Color " was Zhao Mengfu. Zhao Mengfu was an official, painter, and calligrapher in the late Song and early Yuan Dynasties. He had high attainments in painting, calligraphy, poetry, and many other fields. While waiting for the TV series, he could also read the exciting content related to this site!
The author of " Magpie Flower Autumn Painting " was Zhao Mengfu. While waiting for the TV series, he could also read the exciting content related to this site!
The Painting of Magpie Flower in Autumn was created in the first year of Yuanzhen of the Yuan Dynasty (1295). While waiting for the TV series, he could also read the exciting content related to this site!
The Painting of Que Hua Autumn Colors depicted the autumn scenery of Huabuzhu Mountain and Que Mountain in the northeast of Jinan. This place was a famous scenic spot as early as the Tang and Song Dynasties. Li Bai, Du Fu, Zeng Gong, and others had left poems here. In the early years of Zhao Mengfu's era, it was still a swamp area with water, a scenic spot in Jinan. The scenery in the painting was naturally arranged. The picture was composed of three parts: the distant view, the middle view, and the close-up view. In the close-up view, there were several trees standing on the island. In the middle view, there were dense trees and deep forests, houses hidden in them, fishermen working, people walking in the fields with crutches, and scattered cattle. In the distant view, there were two mountains facing each other. While waiting for the TV series, he could also read the exciting content related to this site!
The Painting of Magpie Flowers in Autumn was a landscape painting on paper by Zhao Mengfu in the first year of Yuanzhen (1295). It was now in the collection of the National Palace Museum in Taiwan. This painting depicted the autumn scenery near Magpie Mountain and Huabuzhu Mountain in Jinan. The layout of the screen was composed of three parts: the long shot, the middle shot, and the close shot. In the close-up view, there were several trees on the island. In the middle view, there were dense trees and deep forests, with houses hidden in them. Fishermen could be seen working, such as poling and pulling nets. There were also people walking in the fields with crutches. In the distance, there were cattle scattered. In the distance, there were two distant peaks, Magpie Mountain and Hua Buzhu Mountain. The trees, houses, people, and mountains and rivers in the whole picture blended together, presenting a peaceful atmosphere like an idyllic song. The painting used a variety of colors to blend and render. The strokes were unrestrained and rhythmic. The composition was flat and far, and the virtual and real were born together. The work reflected the ingenious echo of the real scene and the painting, nature and art, and was one of the representative works of the Yuan Dynasty's green landscape painting. Zhao Mengfu used his profound pen and ink skills to interpret the artistic conception of the landscape, enriched the means of expression and content of the literati's landscape painting, and established the overall style of the Yuan Dynasty's landscape painting circle. It laid the foundation for later China landscape painting. There were also many inscriptions and seals on the painting, such as the inscription of "Magpie Flower Autumn Color" by Aisin Gioro Hongli, as well as many seals such as "Divine Quality","Treasure of Qianlong Imperial View","Ancient Son of Heaven","Taishang Emperor", as well as seals such as "Treasure of Jiaqing Imperial View" and "Appreciation of Xuantong". While waiting for the TV series, he could also read the exciting content related to this site!
In the painting, there was a vast swamp and river, stretching from the close-up to the horizon in the distance. In the close-up, there were several trees standing on the island. In the middle, there were dense trees and deep forests, with houses hidden in them. Fishermen were working, either rowing or pulling nets. There was also a man walking in the fields with a cane. In the distance, cattle could be seen scattered. In the distant view, two mountains were facing each other. On the right was the straight triangular Hua Buzhu Mountain with two peaks, and on the left was the Magpie Mountain shaped like a bread or the back of a buffalo. There were many trees scattered between the two mountains and the close-up view. There were poplar trees, young pine trees and other trees. On the left side of the painting, several goats could be seen eating in the huts. There were also a few light boats by the water's edge. In the boat, the fisherman was working quietly. It was autumn at that time. Some leaves had fallen off, while others were red and yellow. The villagers were only focused on their daily lives and did not notice the beautiful scenery around them. The whole scene was filled with the tranquil atmosphere of an idyllic song. The distance, middle and close-up scenes blended together, presenting a poetic paradise. While waiting for the TV series, he could also read the exciting content related to this site!
The Painting of Magpie Flowers in Autumn is now in the collection of the National Palace Museum. While waiting for the TV series, he could also read the exciting content related to this site!
To raise blooming azalea, you can start from the following aspects: ** I. Soil Management ** 1. ** Soil selection ** - Azalea flowers were suitable for planting in acidic, fertile, and airy soil with a pH-value below 6. It was a good choice to use rotten leaf soil, forest humus soil, or pine needle soil. When preparing pine needle soil, you can add a small amount of animal feces and 1/3 of the garden soil, and ensure that the pine needles are fully decomposed. - If the purchased nutrient soil was used, pearlite could be added to enhance the air and water penetration; fermented pine needles and river sand could also be mixed in a ratio of 1:1; or the soil could be prepared with turfy soil or rotten leaf soil plus coal cinders. 2. ** Soil disinfection ** - Before planting, the cultivation soil should be disinfected. It can be turned over several times in the hot sun or disinfected with liquid medicine to prevent pests and diseases. ** 2. Illumination Management ** - Azalea flowers like light but fear exposure to the sun. In spring, autumn, and winter, you can see more light, but you must avoid exposure to the sun at noon; in summer, you need to shade more than 50% - 70%; you can ensure 3 - 4 hours of scattered light every day, so that the color of the leaves is dark and it is not easy to cause problems. ** 3. Water Management ** 1. ** Water Quality Requirement ** - Alkaline water was forbidden for watering, and well water and tap water needed to be treated before watering the flowers. The temperature of the well water was too low, and the tap water contained Cl2. Therefore, the well water and tap water should be placed for a period of time before being used to water the flowers. 2. ** Watering volume and frequency ** - Azalea's roots were shallow, and they were not resistant to drought or water. It was best to keep the soil moist and not wet. The amount of watering varied in different periods. From March to June, when the azalea bloomed and grew vigorously, it should be watered more. On sunny days, it could be watered once a day. Under special circumstances, it should be replenished in the evening. In winter, it should be watered once every 7 - 10 days. In summer, it should be watered once every 1 - 2 days. In spring and autumn, it could be watered at any time except noon. Under the premise that the soil was well airy and the pot was not big, the soil surface could be watered by digging one or two centimeters dry. ** IV. Fertility Management ** - Azalea flowers liked fertilizer but could not tolerate it. During the spring and autumn growth period, they should apply thin fertilizer frequently. The topdressing should be mainly organic fertilizer. The best time to apply fertilizer was around evening. After the fertilizer was applied, water should be added to dilute the concentration of fertilizer in the soil for the root system to absorb. Before flowering, it can be applied with Ca-Mn-P fertilizer. After flowering in the middle of May, it can be applied with carbolic acid, cake fertilizer, or superphosphorous fertilizer. Compound fertilizer can also be applied once every 15 days and three times in a row. In the hot summer season, 0.2% monokalsium or 0.2% Fe-Sulphate can be sprayed once every 10 - 15 days. After autumn, it can be applied with fertilizer mainly composed of phosphorous and potash fertilizer. ** 5. Air humidity management ** - Azalea flowers like high air humidity, but when increasing the air humidity, make sure that the ventilation is good. You can spray it with a spray can under the premise of ventilation, or find a large base, put a brick on it, squat the flower pot on the brick, add water to the base (the water level does not exceed the brick), and evaporate the water vapor through the light and temperature to increase the air humidity. ** 6. Shaping and trimming ** - Azalea sprouts strongly and grows quickly. It needs to cut off sick branches, delicate old branches, overdense branches, redundant branches, etc. in time according to the growth state to increase ventilation and light transmission. After blooming in the middle and late May, the azalea could be collectively trimmed once, removing the remaining flowers, thinning and cutting at the same time, which could enhance the growth of the azalea and make its branches and leaves luxuriant. ** VII. Pest Management ** - Pest and disease management should focus on defense, scientific and reasonable watering and fertilizer, and enhance the ability of plants to resist diseases. In rainy seasons, ventilation should be strengthened, and universal drugs such as Bordeaux mixture, thiophanate, and 75% cyanothalonil should be sprayed to prevent pests and diseases once every 15 - 20 days. When pests and diseases occur, targeted treatment should be carried out. The novel "Acanthus Flower Blossoms" is equally wonderful. Everyone is welcome to click and read it!
The Painting of Magpie Flowers in Autumn was a landscape painting on paper by Zhao Mengfu of the Yuan Dynasty in the first year of Yuanzhen (1295) for his friend Zhou Mi. It is now in the collection of the National Palace Museum in Taiwan. This painting depicted the autumn scenery near Magpie Mountain and Huabuzhu Mountain in Jinan. The layout of the picture consisted of a distant view, a middle view, and a close-up view. In the close-up view, there were miscellaneous trees standing on the island. In the middle view, there were dense trees, deep forests, houses, fishermen working, people walking on crutches, and cattle scattered. In the distant view, there were two mountains facing each other. The distant, middle, and close-up views blended with each other, presenting a peaceful atmosphere like an idyllic song. The painting showed a vast swamp and river, extending from the close-up to the horizon. The Magpie Mountain was shaped like a bread or buffalo's back on the left, and the Huabuzhu Mountain was shaped like a triangle and stood straight on the right. There were many trees between the two mountains and the close-up. On the left side of the painting, there were goats eating by the hut, and there were light boats and fishermen working quietly by the water. The leaves had fallen off, and the red and yellow colors reflected the characteristics of autumn. The villagers were busy making a living and did not notice the beautiful scenery around them. The work reflected the real scene and the painting, nature and art, and was one of the representative works of the Yuan Dynasty green landscape painting. Zhao Mengfu used his profound brush and ink skills to interpret the artistic conception of mountains and rivers, enriched the expression means and content of literati's landscape painting, and established the overall style of Yuan Dynasty landscape painting and elegant aesthetic style, laying the foundation for later China landscape painting. There were also many collectors 'inscriptions and seals on the painting, such as Qianlong's inscription of "Magpie Flower Autumn Color" at the head, and many seals, as well as "Treasure of Jiaqing Imperial View" and "Appreciation of Xuantong". From the perspective of painting techniques, Zhao Mengfu used a large brush to draw the two mountains and Tingzhu. He used a fine brush to outline reeds, boats, and people. In the middle, there were cangue trees and thatched cottages. The whole picture was clear and tranquil, with a sense of rhythm and a rustic flavor. Zhao Mengfu's personal experience was also behind the creation of this painting. He resigned from his official position in Jinan for three years and met Zhou Mi. Because Zhou Mi's ancestor was from Shandong, he created this painting at his request to describe the landscape of Jinan. While waiting for the TV series, he could also read the exciting content related to this site!
The Painting of Magpie Flowers in Autumn was a landscape painting on paper that Zhao Mengfu had painted for his friend Zhou Mi in the first year of Yuanzhen (1295). It was now in the collection of the National Palace Museum in Taiwan. The painting depicted the scenery near Magpie Mountain and Huabuzhu Mountain in Jinan. The painting was composed of three parts: the distant view, the middle view, and the close view. In the close-up view, there were several trees standing on the island. In the middle view, there were dense trees and deep forests, houses hidden in them, fishermen working, people walking on crutches, and cattle scattered in the distance. In the distance, there were two mountains facing each other in the distance. The distance, middle and close-up scenes blended together, and the whole picture was filled with the tranquil atmosphere of idyllic songs. The painting depicted a vast expanse of marshes and rivers, stretching from the close-up to the distant horizon. There were many trees between the two mountains of Que and Hua. There were poplar trees, young pine trees, and other trees. On the left side of the painting, goats could be seen eating in the huts. There was a light boat by the water's edge, and an old fisherman was working in the boat. It depicted the autumn scenery. This painting used the scenery on the ground as a reference, reflecting the ingenious echo of the real scene and the painting, nature and art. It was one of the representative works of the Yuan Dynasty's green landscape painting. Zhao Mengfu used his profound brush and ink skills to interpret the artistic conception of mountains and rivers, enriched the means of expression and content of literati's landscape painting, and established the overall style of Yuan Dynasty landscape painting and the elegant aesthetic style, laying the foundation for later China landscape painting. There were also many inscriptions and seals on the painting, such as the inscription of "Magpie Flower Autumn Color" by Aisin Gioro Hongli, and many seals such as "Divine Quality" and "Treasure of Qianlong Imperial View", as well as seals such as "Treasure of Jiaqing Imperial View" and "Appreciation of Xuantong". While waiting for the TV series, he could also read the exciting content related to this site!