Magpie Flower Autumn Color Zhao Mengfu
The Painting of Magpie Flowers in Autumn was a landscape painting on paper that Zhao Mengfu had painted for his friend Zhou Mi in the first year of Yuanzhen (1295). It was now in the collection of the National Palace Museum in Taiwan. The painting depicted the scenery near Magpie Mountain and Huabuzhu Mountain in Jinan. The painting was composed of three parts: the distant view, the middle view, and the close view. In the close-up view, there were several trees standing on the island. In the middle view, there were dense trees and deep forests, houses hidden in them, fishermen working, people walking on crutches, and cattle scattered in the distance. In the distance, there were two mountains facing each other in the distance. The distance, middle and close-up scenes blended together, and the whole picture was filled with the tranquil atmosphere of idyllic songs. The painting depicted a vast expanse of marshes and rivers, stretching from the close-up to the distant horizon. There were many trees between the two mountains of Que and Hua. There were poplar trees, young pine trees, and other trees. On the left side of the painting, goats could be seen eating in the huts. There was a light boat by the water's edge, and an old fisherman was working in the boat. It depicted the autumn scenery. This painting used the scenery on the ground as a reference, reflecting the ingenious echo of the real scene and the painting, nature and art. It was one of the representative works of the Yuan Dynasty's green landscape painting. Zhao Mengfu used his profound brush and ink skills to interpret the artistic conception of mountains and rivers, enriched the means of expression and content of literati's landscape painting, and established the overall style of Yuan Dynasty landscape painting and the elegant aesthetic style, laying the foundation for later China landscape painting. There were also many inscriptions and seals on the painting, such as the inscription of "Magpie Flower Autumn Color" by Aisin Gioro Hongli, and many seals such as "Divine Quality" and "Treasure of Qianlong Imperial View", as well as seals such as "Treasure of Jiaqing Imperial View" and "Appreciation of Xuantong". While waiting for the TV series, he could also read the exciting content related to this site!
Magpie Flower Autumn Color, Zhao Mengfu's Evaluation
Magpie Flower Autumn Painting
In the painting, there was a vast swamp and river, stretching from the close-up to the horizon in the distance. In the close-up, there were several trees standing on the island. In the middle, there were dense trees and deep forests, with houses hidden in them. Fishermen were working, either rowing or pulling nets. There was also a man walking in the fields with a cane. In the distance, cattle could be seen scattered. In the distant view, two mountains were facing each other. On the right was the straight triangular Hua Buzhu Mountain with two peaks, and on the left was the Magpie Mountain shaped like a bread or the back of a buffalo. There were many trees scattered between the two mountains and the close-up view. There were poplar trees, young pine trees and other trees. On the left side of the painting, several goats could be seen eating in the huts. There were also a few light boats by the water's edge. In the boat, the fisherman was working quietly. It was autumn at that time. Some leaves had fallen off, while others were red and yellow. The villagers were only focused on their daily lives and did not notice the beautiful scenery around them. The whole scene was filled with the tranquil atmosphere of an idyllic song. The distance, middle and close-up scenes blended together, presenting a poetic paradise. While waiting for the TV series, he could also read the exciting content related to this site!
Zhao Mengfu drinking horses in the autumn suburbs
The Painting of Drinking Horses in the Autumn Suburbs was created by Zhao Mengfu, a painter of the Yuan Dynasty. It was painted on silk and is now stored in the Palace Museum in Beijing. The painting depicted a red-robed Xi official driving a herd of horses to the riverbank to drink water in the suburbs of early autumn. In the painting, the shore was surrounded by trees. The lake was calm and there were no waves. The slope was filled with green stones and the autumn trees were red. The scenery was quiet and clear. The Wrangler was dressed in a red robe and riding on a horse. He held a whip in his hand and looked sideways at the horse that was playing. The ten horses were strong and fat. Some of them stepped into the river to drink water, while others chased, played, and cawed on the shore. They had different expressions. On the upper left corner of the painting was the signature of " Zi Ang, November of the first year of Huangqing." Zhao Mengfu was 59 years old when he painted the painting. This painting was also his representative work of the pommel horse painting. Zhao Mengfu's paintings retained a lot of ancient styles and techniques. The stories of people, pommel horses and animals continued to evolve after the Tang and Song Dynasties. Zhao Mengfu inherited this tradition. While waiting for the TV series, he could also read the exciting content related to this site!
Zhao Mengfu's Flower and Bird Paintings
Zhao Mengfu's flower-and-bird paintings were relatively detailed. He proposed that " painting should have an ancient meaning " and combined it with the scholar-bureaucrat paintings that did not seek the shape of the painting. Then, he integrated it with the " natural imitation " and laid the theoretical foundation of the Yuan Dynasty literati painting. His flower and bird painting," The Painting of the Dark Bamboo and the Hoplite," was his exquisite work. The painting was neat and meticulous. It used many outlines and the style was rigorous and delicate. It had the legacy of the Southern Song Dynasty's flower and bird painting style. The colors were elegant and harmonious, and the composition was simple and bright. In the painting, the hoops were painted with fine brush strokes. The combination of hook dyeing and silk hair method was used in some parts. The color was mainly light ink, the back was covered with light ochre yellow, and the feathers of some heavy colors were dyed with flower green. The whole bird was full of feathers and full of spirit. The bamboo branches and leaves behind the bird were painted with double hooks. The strokes were dense and not messy. The strokes were exquisite and varied, showing his skill. The bamboo branches are tall and dense, and the strokes are strong and elastic. The whole painting did not have the shortcomings of the Southern Song Dynasty's flower and bird paintings, nor did it have the crude paintings of scholars since the Northern Song Dynasty. While emphasizing the importance of expression in literati paintings, it also abandoned the playful attitude of literati paintings that ignored images. He had also painted flowers and birds such as apricot flowers, sunflowers, autumn chrysanthemums, plum blossoms, mandarin ducks, swimming fish, etc., but there were very few works that were handed down. The only one that could be seen was the painting of the secluded bamboos. While waiting for the TV series, he could also read the exciting content related to this site!
Magpie Flower Autumn Full Picture Explanation
The Painting of Magpie Flowers in Autumn was a landscape painting on paper by Zhao Mengfu of the Yuan Dynasty in the first year of Yuanzhen (1295) for his friend Zhou Mi. It is now in the collection of the National Palace Museum in Taiwan. This painting depicted the autumn scenery near Magpie Mountain and Huabuzhu Mountain in Jinan. The layout of the picture consisted of a distant view, a middle view, and a close-up view. In the close-up view, there were miscellaneous trees standing on the island. In the middle view, there were dense trees, deep forests, houses, fishermen working, people walking on crutches, and cattle scattered. In the distant view, there were two mountains facing each other. The distant, middle, and close-up views blended with each other, presenting a peaceful atmosphere like an idyllic song. The painting showed a vast swamp and river, extending from the close-up to the horizon. The Magpie Mountain was shaped like a bread or buffalo's back on the left, and the Huabuzhu Mountain was shaped like a triangle and stood straight on the right. There were many trees between the two mountains and the close-up. On the left side of the painting, there were goats eating by the hut, and there were light boats and fishermen working quietly by the water. The leaves had fallen off, and the red and yellow colors reflected the characteristics of autumn. The villagers were busy making a living and did not notice the beautiful scenery around them. The work reflected the real scene and the painting, nature and art, and was one of the representative works of the Yuan Dynasty green landscape painting. Zhao Mengfu used his profound brush and ink skills to interpret the artistic conception of mountains and rivers, enriched the expression means and content of literati's landscape painting, and established the overall style of Yuan Dynasty landscape painting and elegant aesthetic style, laying the foundation for later China landscape painting. There were also many collectors 'inscriptions and seals on the painting, such as Qianlong's inscription of "Magpie Flower Autumn Color" at the head, and many seals, as well as "Treasure of Jiaqing Imperial View" and "Appreciation of Xuantong". From the perspective of painting techniques, Zhao Mengfu used a large brush to draw the two mountains and Tingzhu. He used a fine brush to outline reeds, boats, and people. In the middle, there were cangue trees and thatched cottages. The whole picture was clear and tranquil, with a sense of rhythm and a rustic flavor. Zhao Mengfu's personal experience was also behind the creation of this painting. He resigned from his official position in Jinan for three years and met Zhou Mi. Because Zhou Mi's ancestor was from Shandong, he created this painting at his request to describe the landscape of Jinan. While waiting for the TV series, he could also read the exciting content related to this site!
Zhao Meng Fu Magpie Hua Autumn Painting 28.4
The paper color of the Painting of Magpie Flowers in Autumn is 28.4 cm in length and 99.6 cm in width. It is now stored in the National Palace Museum in Taiwan. While waiting for the TV series, he could also read the exciting content related to this site!
Which dynasty was Zhao Mengfu from?
Zhao Mengfu (1309 - 1382), also known as Ziang, Songquan, Han nationality, Xiangyang, Xiangyang (now Xiangyang, Hubei), was a famous painter, calligrapher and poet of the Yuan Dynasty. Zhao Mengfu was known as the "Master of Calligraphy and Painting" and had a profound influence on Chinese calligraphy and painting. His calligraphy was good at regular script, running script, and cursive script. He was especially famous for running script and cursive script. His representative works included "The Ode to the Luo God,""The Stele of Emperor Xiaowu of the Jin Dynasty,""The Mysterious Tower Stele," and so on.
Zhao Mengfu's Calligraphy Works
Zhao Mengfu was a famous calligrapher in the Yuan Dynasty. His calligraphy works were very rich. Some of his famous works included the Ode to the Luo God, the Tao Te Ching, the Danba Stele, the Three Gates of the Xuanmiao Temple, the Linhuang Court Scripture, the Eleven Postscripts of the Lanting Pavilion, and the Four-Style Thousand-Character Essay. His calligraphy works were outstanding in regular script and running script, creating a unique artistic style, which had an important impact on the calligraphy of the Yuan Dynasty and later generations. Among them,"Ode to the Luo God" was one of his representative works, which was now in the collection of the Palace Museum in Beijing. In addition, he also had other important calligraphy works, such as the Heart Sutra and the Three Records of the Re-cultivation of the Mystic Temple. Zhao Mengfu's calligraphy works were famous for their exquisite skills and unique artistic style.
Zhao Mengfu in the History of Chinese Literature
Zhao Mengfu (1254 - 1322) was a famous painter, calligrapher, and writer of the Yuan Dynasty. He was also an important figure in the history of Chinese literature. He was regarded as one of the great masters of Chinese calligraphy. His calligraphy works were unique, magnificent, rhythmic and beautiful. Zhao Mengfu also had high attainments in literature. His poetry and prose were very profound and he was known as the second person in the history of Chinese calligraphy after Wen Zhengming. The influence of his literary works on the development of Chinese literature could not be ignored. Zhao Mengfu's contribution to Chinese calligraphy could not be ignored. He was good at regular script, running script, cursive script, and official script, especially the most famous regular script. His regular script was dignified and beautiful, and the strokes were round and smooth. Sometimes, it blended in with the strokes of running script and cursive script, forming a unique artistic style. Zhao Mengfu's regular script works occupied an important position in the history of Chinese literature and had a profound impact on the development of Chinese calligraphy. Zhao Mengfu's position in the history of Chinese literature was very important. His artistic works and literary achievements had a profound impact on the development of Chinese literature.
Author Zhao Mengfu's novel
I recommend "Madame Forced to Find a Noble," an ancient saying written by Yunni. The female protagonist, Zhao Luoyang, had a hard time with her family. She was required by the system to earn charm points. It was not easy for her to earn enough, but the system even gave her a husband. Shi Jiu, the male protagonist, became the system's helper. The process was very interesting, and there was even a small theater. The character settings were rich, the book list commented that Yun Ni's writing style was good, and the system's ancient language was novel. Although it was a farming and system text, the concept was ingenious and the words were rigorous. There was a guarantee that the serial had more than 200 chapters. " Zhao is King of the Warring States Period " was not bad either. It was a historical novel written by Xi Meng's father. The main character transmigrated into Zhao Xiaocheng and Wang Dan, and the Battle of Changping was the key. There were many characters, such as Zhao Dan and Wei Wuji. The writing style was good, and the reversal from the Battle of Changping was very exciting. Bai Xing's pace was just a little slow. The author had a deep understanding of history, and his writing style was humorous. Although there were some small flaws, it was a good book overall. It had a high recommendation index and was suitable for history lovers who wanted to change their tastes. "Young Master Zhao" was the work of Half City Smoke. The main character, Zhao Jia, was the eldest grandson of King Zhao Xiaocheng. After the Battle of Changping, Zhao was in a difficult situation. He met Li Mu and their fates were connected. The plot was interesting. The author had completed a good book before. The new book had great potential. The writing was good and the plot was rich. Although the update was slow, it was worth reading. " I actually became the Holy Maiden of the Human Race ", a light novel written by a broken water bottle. The protagonist transmigrated to the world of the Valkyrie of the End, brought a half-broken system, and became the Saintess of the Human Race after experiencing many twists and turns. There were many characters, but the update was slow. " You Can't Imagine the Happiness of a Reborn Genius Student " was written on the nail on the wall in urban language. The protagonist was reborn in 1982 and had the Library of the Future. He became a top student and worked hard to become the top scorer of the college entrance examination. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>