Long Lovesick's Poetry and Rhythm

Wang Wei's " Lovesickness " was an ancient poem from the Tang Dynasty. The poem described how red beans grew in southern countries and would grow a few new branches when spring came. The poet hoped that readers would pick more of these red beans, because they could best express the feelings of longing. This poem was concise and profound, and was considered one of Wang Wei's representative works.

Li Gou's Homecoming: "People say that the setting sun is the horizon, and you can't see home when you look at the horizon. I already hate the green mountains for blocking me, and the green mountains are still covered by the evening clouds." The general idea was that people said that the place where the sun sets was the end of the world. The poet looked far into the distance, but he could not see his own home. Here, the poet hated the green mountain in front of him for blocking his view of home, but what was more helpless was that the heavy twilight clouds came to cover the green mountain tightly. This poem expressed the poet's deep longing for his hometown. The poet in the poem was in a situation where he missed his hometown but was blocked by many mountains and shrouded by sunset clouds. His mood was very heavy and full of helplessness. Had he not watched enough of Long Lovesickness 2? Hurry up and read the original work of " Everlasting Lovesickness 2: A Vow of Love "!

"Imperial Cipu" marked "Francolin Sky" as a double-tone fifty-five words, the first four sentences with three flat rhymes, the last five sentences with three flat rhymes, the meter is as follows: Zhongzhong Ping rhyme. The middle is flat and the middle is flat. The middle level and the middle level and the middle level sentences, the middle level and the middle level rhymes. In the middle of the sentence, flat rhyme. The middle is flat and the middle is flat. In the middle of the flat tone in the flat tone sentence, in the flat tone in the flat rhyme. It could also be expressed as O Ze Ping O Ze Ping (rhyme), O Ping O Ze Ping (rhyme). O flat O flat, O flat O flat. Level and Oblique, Oblique and Oblique (rhyme) O Ping O Ze Ping Ping (rhyme). O flat O flat, O flat O flat. In the actual process of writing lyrics, we must pay attention to the requirements of the rhythm. The third and fourth sentences of the first half of the song and the first and second sentences of the second half of the song generally require antithesis. Moreover, the first six words could not be randomly selected according to the first sentence rhythm marked in the Imperial Ci-Pu, or even filled in extreme situations such as six words being completely flat or six words being completely flat.

The following are some new poems about Cold Dew: ** I. Cold Dew, Seven Laws by Pinghu (Guilin)** The dew is cold and cool, and the autumn makeup reflects the warm sun. Wild chrysanthemums bloom in yellow, and wild geese dance in the blue sky. Sweet melons and fruits sing happily, and the grain is abundant and smiling. The road ahead is wide, the mountains and rivers are colorful and the sun is long. ** 2. Another song by Ping Hu (Ji Lin),"Cold Dew"** The dew is cold, the fog is frosty, and the autumn is cool. Layers of forest are dyed with the color of the scenery, and the multicolored class is like a green light. The red leaves were blown away by the wind, and the green cattail rain showed the vicissitudes of life. The setting sun shines on the cold stream, and the wild geese in the north fly south with the fragrance of osmanthus. ** 3. Cold Dew of the Seven Laws by Kang Fang ** The cold pearl is cold and has not yet become frost, and the west wind is getting colder and colder. The chirping of cicadas has faded away, and the fragrance of withered grass and fallen osmanthus trees is still fragrant. Wild geese fly far away from the south of the Han River; Frog Peng Qingqu's love is long. Farming has always been heavy, and the countryside is busy with autumn planting. ** IV. Cold Dew of the Seven Laws by an author ** One night the west wind blew on the guest's clothes, and at dawn the cold dew wet the silk. The Jianghu is full of people, and no one comes. The sky is clear and empty, and there are wild geese flying late. Wanli Guanshan return to dream far away, a hundred years of life experience this heart shift. When can I fulfill my life's ambition, drunk with the east fence chrysanthemum pistil branches.

The rhythm of reading ancient poems could be divided according to syllables or meanings. The method of syllable division was to determine the rhythm according to the number of syllables in the poem. Usually, a four-character poem had two beats per sentence, a five-character poem had three beats per sentence, and a seven-character poem had four beats per sentence. The method of meaning division was to determine the rhythm according to the grammar structure of the sentence and the pause between the sentence components. For example, the pause of a classical Chinese sentence was often between the subject and the verb or between the verb-object. The rhythm of reading ancient poems could also be determined by the tone words at the beginning of the sentence or the words that played a soothing role in the sentence. In short, the rhythm of ancient poetry reading could be determined according to syllables and meaning.

There were four types of meter in seven-temperament poems: 1. The first sentence is flat and flat: flat and flat, flat and flat. It was flat, flat. It was flat, flat. It was flat, flat. 2. The first sentence was the overlapping of the second half of the first format: Ping Ping Ze Ze Ping Ze, Ze Ze Ping Ze. It was flat, flat. It was flat, flat. It was flat, flat. 3. The first sentence starts and ends in a flat manner: Ze Ze Ping Ze Ze Ping, Ping Ze Ze Ping. It was flat, flat. It was flat, flat. It was flat, flat. 4. The first sentence was the overlapping of the second half of the third format: Ze Ze Ping Ze Ping Ze Ze, Ping Ze Ze Ping Ze. It was flat, flat. It was flat, flat. It was flat, flat. At the same time, you should pay attention to the second word of the whole poem. In these four forms, the third and fourth sentences are opposite, and the fifth and sixth sentences are opposite. The word "double" in the rhythm here can be chosen to be flat or flat. In addition, the second format was the repetition of the last two couplets of the first format, the first couplets of the third format were reversed, and the last couplets and the neck couplets were swapped. The fourth format was the repetition of the last two couplets of the third format. In terms of rhyme, there were four kinds of rhyme: the first sentence of flat rhyme, and the first sentence of flat rhyme.

A cluster of flowers Ci rhyme for the double tone, a total of seventy-eight words, up and down each seven sentences, each with four levels of rhyme (the whole word eight rhymes). The format of the first and second pieces is the same, and the meter is: flat, flat Ping Ze Ping Ze, Ze Ping Ze (beans), Ping Ze Ping Ze (rhyme). Ping Ze Ze Ping, Ping Ze Ze, Ping Ze Ping (rhyme). It is best to use the fifth and sixth sentences as antithesis or even antithesis, which should be grasped flexibly. The first word must be narrow, and the second word should not be limited, but three narrow words should be avoided as much as possible. It should be noted that Zhang Xian's and Su Shi's Ci styles were exactly the same when they were tested. When testing the rhyme of the Ci poems, the Ci poems of a bunch of flowers could be tested according to this rhyme.

The second female lead, Ah Nian, was the concubine of the second king of Haoling Kingdom. She was doted on by her father and was the apple of his eye. This made her arrogant and unscrupulous. She had always loved and admired Binghuan, and Binghuan only treated her like a brother and sister. Ah Nian was unruly and willful. He did whatever he wanted because of his brother's love. For example, he had asked the servant girl to play with Wen Lil 'Six's brother in front of everyone in Clearwater Town. She wasn't very likable in terms of character, but she looked sweet. Even if she lost her temper, she would still make people feel that she was cute. There was a contrast between willfulness and cuteness. Had he not watched enough of Long Lovesickness 2? Hurry up and read the original work of " Everlasting Lovesickness 2: A Vow of Love "!

The rhythm of "Everlasting Lovesickness"(Qing·Nalanxing De) was divided as follows: a journey of mountains, a journey of water, body to Yuguan/that bank, deep night/thousand tent lights. The wind blows again, the snow blows again, the sound breaks the heart of the hometown/Dream is not successful, hometown/There is no such sound. Had he not watched enough of Long Lovesickness 2? Hurry up and read the original work of "Everlasting Lovesickness 2: A Vow of Love"!