"Special Cultural Relics Investigation" was the first mystery game in the Confucius Temple scenic area. The event will be held from January 6th to May 31st, 2020. The event will be held at the Confucius Temple-Qinhuai Scenic Area. This was an outdoor reality exploration game. The game set up multiple levels with the scenic area as the main axis. Each level had a puzzle. Players needed to rely on puzzle props and the scene to solve the puzzle to get the answer. After solving the puzzles and moving along the level, they could gradually approach the truth. After completing all the tasks, they could clear the level. They could also compete with other special investigators in clearing the level. The game came with three tickets to the attraction. The game begins when the player receives a package sent to the "outlander" by an anonymous person. The package contains mysterious cultural relics, anonymous letters, incomprehensible marks, and other contents. To unlock the secrets, you need to go to the Confucius Temple to investigate. There is no time limit for this game, and the number of players can be decided freely. It can be either cooperation or competition. The things to note in the game were as follows: 1. When exploring the real world, you must abide by the relevant regulations of the Confucius Temple Qinhuai scenic area for safe sightseeing. 2. If you need help during the exploration process, you can get hints from the Mini programs. 3. The clues were all in the scenic area of the Confucius Temple and would not appear in the non-open area. 4. It is recommended that children under the age of 12 play with their parents. Players could purchase game boxes through Barley Net, Cat's Eye, Ferris Wheel, etc. After purchasing, they could exchange physical game boxes at Dangdang Bookstore (the third floor of Qinhuai Gift Flagship Store) and start the game in the scenic area. Read more exciting novels for free
Fangguang Temple Scenic Area was located in the Hengshan Scenic Area of Nanyue in Hunan Province, about 158 kilometers away from Changsha, the capital of Hunan Province, about 72 kilometers away from Hengyang City, and about 37 kilometers away from Hengshan County, Hunan Province. Fangguang Temple was one of the famous scenic spots on Mount Heng. It was built in the second year of Liang Tianjian of the Southern Dynasty (503) and was one of the five Buddhist temples in the forest of Mount Heng. There are Fangguang Temple, Erxian Temple, Buna Platform, Washing Pool, Xumeng Nunnery, Lion Mountain, Shifang Zigai Temple, Black Sand Pool and other scenic spots in the temple. Fangguang Monastery was built under the Lotus Peak, surrounded by eight mountain peaks. They were like the petals of a green lotus, and the scenery was beautiful. The construction of Fangguang Temple was related to a legend. It was said that the five Dragon Gods requested Hui Hai to allow them to listen to the scriptures and Buddha. In return, they were willing to give up a piece of flat land to Hui Hai to build a temple. Fangguang Temple was open during the peak season (April-October) from 8:00 to 18:00, and the off-season (November-March) from 8:30 to 17:30.
The distance between Mount Heng and Xuankong Temple was 2 kilometers.
The distance between Mount Heng and Xuankong Temple was about two kilometers.
There were many cultural relics in the scenic area. For example, the Second Holy Palace in the valley south of the mountain was built in the Yuan Dynasty. It was made of stone strips and surrounded by many stone carvings. It was a key cultural relic protection unit in Tai 'an City. However, there was a lack of protection, such as the collapse of the stone strips, the long trees on the top of the building, and the danger of the wall collapsing at any time. There was also the study room in the mountain of Culai Village in Culai Town. It was a Jin Dynasty site and a key cultural relic protection unit in Tai 'an City. It was said to be the site of the Culai Academy, the first of the four academies in the Northern Song Dynasty. Only a two-story building and some broken walls were left. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Modern technology had brought a variety of special effects to cultural relics. In terms of 3D printing technology, the Xi'an Museum used this technology to scan and print the treasure of the town hall, the Tang Sancai Flying Barbarian Horse-riding Figurine. It also combined with the Cyber mechanical style for a second creation, presenting a cross-era three-colored flying horse that integrated ancient and modern times. The AR tour service was also a special effect application. For example, the AR tour of Xi'an Museum could be identified by the audience wearing AR glasses and aiming at the cultural relics. It could reproduce real-life items, restore ancient cultural relics, tell the story behind the exhibit,"repair" damaged cultural relics, and "touch" precious cultural relics that were not suitable for display. The digital virtual technology could restore the cultural relics in real life. For example, the Longmen Grotto Research Institute used this technology to restore the Northern Wei Dynasty's "Empress Wen Zhao's Buddhist Ceremony Painting" in virtual and real life, allowing the fragments of cultural relics scattered overseas to reproduce their former glory. Through 3D digital technology, cultural relics could be moved to the online display. On the mobile phone, they could rotate and zoom 720 degrees to view the structure, texture, pattern, decoration and other details of the cultural relics. At the same time, 3D, VR and other digital technologies could also create real-life replicas or pure virtual online 3D museum for the museum, creating the experience of a " mobile museum ". Combined with AI explanation, users could have a deeper understanding of cultural relics and the history behind them. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
There were many pagodas (National Treasure No. 20), Sakyamuni Pagoda (National Treasure No. 21), Lotus Bridge/Seven Treasure Bridge (National Treasure No. 22), Qingyun Bridge/Baiyun Bridge (National Treasure No. 23), golden bronze Vairocana Buddha statue (National Treasure No. 26), golden bronze Amitabha Buddha statue (National Treasure No. 27), stupa (protected cultural relic No. 61) and other cultural relics in the temple. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
There were some cultural relic game books, such as the cultural relic game picture book published by the Shanghai Museum, which was based on the clay figurine Da Afu of Huishan, Wuxi. In the book, one could experience the traditional life and human life of Jiangnan while following Afu to find the way home. One could also see the traditional culture and cultural relics of Jiangnan. There were also 24 treasure hunting cards in the book, which could be used to find the hidden cultural relic elements behind the card clues. There was also a cultural relic game book like " Porcelain Town Bronze Country ", which was a collection of the Shanghai Museum. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
In Shaodian Village, Wuying Township, Qin 'an County, Gansu Province, a villager once had a special "salt bottle". In 1973, the villager dug up a colorful pottery bottle while working in the farmland. The bottle was painted with fish-shaped patterns, and the mouth of the bottle was a girl's face. At that time, the bottle was in a damaged state. He glued it with cement and used it as a salt bottle at home for five years. In 1978, when archaeologists discovered the Dadiwan site and collected scattered folk cultural relics, the villagers handed in the salt bottle. After identification, it was a national first-class national treasure and was named a human-head-shaped painted pottery bottle. There were three main reasons why this colored pottery bottle became a special national treasure: First, it was the earliest colored pottery product in the Yangshao culture period; second, it was exquisitely made, reflecting the superb pottery skills of the ancestors 5000 years ago, representing the highest level of pottery art at that time; third, the human face and fish patterns on the bottle were full of mysterious cultural atmosphere, which had high research value and space. However, there were three mysteries about this human-head-shaped colored pottery bottle: First, was it a water container? If it was an ordinary container, why was it so exquisite? Second, was it a sacrificial vessel? If so, how did people use it to sacrifice? Third, was it the "ancestral god" of the ancestors of Dadi Bay? If so, what did the salamander and fish patterns on the bottle represent? Was it related to the totem symbols of Fuxi, who created humans? <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
There were many ways of transportation from Wutai Mountain to Xuankong Temple. First of all, the most convenient way was to rent a car or rent a car for many people. If he did not consider the other attractions in Datong, he could complete the journey from Wutai Mountain to Xuankong Temple in one day. Secondly, they could also choose to take the bus. The bus frequency from Wutai Mountain to Xuankong Temple was as follows: 08:00, 09:10, 10:20, 11:30, 12:40, 14:30. The bus fare was 21 yuan per person. In addition, you can also take the No. 155 bus to Xuankong Temple. The departure time is 09:50-16:15 every day. The ticket price is 10 yuan per person. Please note that the above information is for reference only. The specific itinerary and ticket prices may change. Please refer to the latest data.
Yes, Xuan Kong Temple was part of Mount Heng's scenic area.