MG animation production
MG animation production was a meticulous process. First of all, the writing of the script was the foundation. Under the principle of being original, the main content should be expressed in concise language within 2 - 4 minutes to avoid redundant words. The second was the design of the storyboard, which was the basis for editing. It could be hand-drawn or created with PS software. It needed to include basic information such as the scene number, shot, action, sound, time, and so on. Then, the video was edited based on self-made or copyright-free materials according to the storyboard to ensure that the logic was reasonable. In terms of voice material production, it was difficult for MG animation dubbing to achieve the desired effect by relying on AI or their own dubbing. They could choose a professional dubbing resource integration website, such as voice dubbing, which could also be post-processed. Then, it was the sound and picture synthesis. Using PR, AR, and other software, the processed sound and the picture were synchronized. Finally, there was the review stage, which checked whether there were any problems or did not match the original design. After confirming that there were no mistakes, the video file was imported. While waiting for the TV series, he could also read the exciting content related to this site!
The animation production process
The animation production process could be divided into the following stages: 1. Script Creation: The screenwriter conceives the storyline and character setting according to the script created by novels, comics, etc. 2. Character design: The scriptwriter will design the character's image into a body, including appearance, personality, ability, etc., and at the same time determine the relationship and conflict between the characters. 3. Storyboard Script: Storyboard Script was an important part of animation production. It was a script that broke down the script according to the scene, including the composition of the scene, the language of the camera, the action design, and so on. 4. Art design: According to the script, design the art style and setting of the animation, including character modeling, background, props, etc. 5. Animation production: According to the art design, the animation frame number and image effects, including character movements, expressions, light and shadow effects, etc. 6. Sound effects design: Sound effects design includes music and sound effects to increase the atmosphere and tension of the animation. 7. Post-production: Including color adjustment, editing, music, etc., the works of various stages will be integrated and post-processed to form the final animation. Animation production required teamwork, and each stage required professionals to complete. The results of each stage needed further processing and polishing to finally form a complete animation work.
About animation production
The production cost of an animation
The production cost of an animation was generally between 10 million to 15 million yen, which was equivalent to about 572,939 to 859,408 yuan. However, there were also some companies that said that their investment in animation was as high as 40 million to 60 million yen, about 2,291,654 to 3,437,481 yuan. The domestic animation production price had already caught up with or even surpassed the price in Japan two years ago. The production cost of a domestic animation was about 6 million to 20 million, which was not high compared to a live-action movie. However, this was also one of the reasons why most animated films could earn back their money with only 30 million yuan at the box office. It should be noted that the cost factors of animation production include production staff costs, equipment and software costs, production time costs, copyright costs, and production site and equipment rental costs. The specific cost of animation production still needed to be determined according to the specific situation. Different production companies would have different costs.
animation production company
The following are some domestic animation production companies: 1. Fantawild Animation (ShenZhen): Its representative works include the series of movies such as "Bear Haunt". It is considered one of the top ten excellent original animation companies in China. 2. Aofei Entertainment (Guangzhou): Its representative works include the Pleasant Goat and Big Big Wolf series. It is one of the leading animation companies in China. 3. Shiyue Culture, founded in 1999, is one of the earliest 3D animation production companies in China. It has produced works such as Journey to the West: The Return of the Great Sage. In addition, there were other animation production companies, such as Shanghai Art Studio, Light Media, Cocoa Bean Animation Film and Television Co., Ltd., etc. However, the search results provided did not mention all the domestic animation production companies, so a complete list could not be provided.
The animation production of Asterisk
Asterisk was a manga created by the Japanese manga artist Katsuya Hengshan. The story was set in the future and told the story of a group of students who formed a combat team and took risks, fought, and grew up in the city. The animation production company of this work was Japan's A-1 Pictures, which released an animation adapted from a manga in 2018. The animation had achieved good reputation and box office results in Japan and overseas. It was considered an excellent battle adventure animation. Asterisk's animation production company paid attention to details and visual effects during the production process, especially in the design and production of battle scenes. At the same time, animation works also attracted the attention and love of many audiences through their unique storylines and character creation.
animation production technology
Animation production was a major in China's ordinary colleges and universities. It was a computer science major and the length of study was three years. This major mainly teaches basic knowledge and skills in painting and design, 3D modeling and animation, film and television media production, animation design and production, etc. It aims to enable students to have a solid foundation in art painting and the ability to express design ideas with hand-drawn sketches, so as to cultivate applied talents who can carry out animation design and planning, web design and planning, and advertising design. Their employment is for animation designers, digital media art professionals, visual communication designers, and other occupations.
The animation production process
The animation production process consisted of many links, and the production process of different types of animations would have certain differences. The general animation production process was as follows: 1. ** Pre-planning **: This includes determining the purpose of the animation, choosing the theme, adapting and creating based on the original work, etc. This stage involves the planning staff, scripts, character setting, art setting, and other related work. 2. ** Official Production ** - ** Script Creation **: Write the animation script. After the script meeting is passed, proceed to the next segment. - ** Storyboard Drawing **: The person in charge of storyboard draws the storyboard according to the script and then sends it to the original artist. - ** Original Art Drawing **: The original artist will draw an initial draft (layout) according to the storyboard. After the supervisor and the performance approve it, the first original art will be drawn. The first original art will only draw key frames, such as the beginning, middle, and end frames of the character's movements. Then, the painting supervisor will correct the style. If the painting supervisor is not good enough, the chief painting supervisor will correct the style again. Then, the second original art will fill in the missing frames. Finally, the middle cut will be used to clear the line drawing. - ** Coloring **: After the original art is completed, the Coloring Team (Shishang Team) will color the original art. - ** Adding a background to the art scene **: The art department will add a background to the scene, and the art supervisor will check and adjust the background to ensure the overall coordination. For some moving backgrounds (such as 3D backgrounds), the original artist will cooperate with the painting. - ** Photographic (post-production)**: Mainly used to add special effects, such as adding particle effects, water reflections, sword lights, sword lights, etc., to improve the texture of the picture, increase the sense of high-level, highlight the main character, and restore the real light and shadow effects. - ** Duration editing **: In order to coordinate with the TV station's broadcast, the animation duration was strictly controlled. This process often required difficult choices in the content. 3. ** Post-production **: Add in the sound prepared by the seiyuu, add in various sound effects, music BGM, etc. for post-production. After composing a DEMO version, let the staff involved in the production of this episode watch and check it (V). If there were no major mistakes and the supervisor approved it, it could be baked into a CD and sent to the TV station for broadcast (acceptance). The production process of stop-motion animation included script creation, storyboard drawing, character setting, character and prop scene production, frame by frame shooting, post-production synthesis, and other links. In the creation of stop-motion animation, the application of materials was an important factor that affected the effect of the film. The animation effect was presented by taking continuous images of the characters frame by frame.
MG animation camera sense design skills
In terms of MG animation's photogenic design, there were the following techniques: 1. [Horizontal direction: Pan the camera left and right. This is a relatively common transition method in the connection of images.] Moving the camera to the left could usually be used to express the past or memories, while moving to the right could be used to express the future or the future. It could play a role in connecting the scenes, but if the entire animation only used this method, it would seem monotonous. 2. ** From bottom to top **: Different display angles convey different information. Showing the same object from this angle can make the viewer have different psychological feelings. For example, to highlight the character's emotional changes, one could first in-depth portray the character's expression, then slowly move from the feet to the upper body. During this period, one could also add movement effects to the hands or chest. If you want to highlight the tall image of a character or object in MG animation, you can use this kind of camera design. 3. ** From top to bottom **: When designing the lens, you can simulate the feeling of standing straight and looking down at your toes. For example, you can roll A4 paper into a horn to experience the effect of looking down at an object. This sense of moving from top to bottom could be used to express the emotions of the mission list. In MG animation, it was suitable for the design of big scenes such as street scenes, football games, and traffic. 4. [Item View]: This technique is based on the first three. It is different from the usual horizontal or up and down movement. It uses the subject's perspective as the starting point to move the camera. In addition, in most cases, the camera feel was designed by the designer himself based on the experience of the specific scene. In actual animation production, not all techniques were suitable for direct application. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Game production company, animation
The following were some Chinese animation and game production companies: Jidong Culture and Art Group Co., Ltd., Shandong Beetle Animation Technology Co., Ltd., Beijing Shrub Entertainment Culture Technology Co., Ltd., Fujian Sirius Animation Co., Ltd., Fangte Animation, Aofei Entertainment, Yidian Animation, etc. These companies had rich experience and outstanding works in the field of animation and game production. However, the search results provided did not list all the domestic animation production companies, so it was impossible to provide a complete list.
Saving the cost of animation production
The cost of producing a 24-minute anime episode depended on many factors. In Japan, the average production cost of an animation episode was between 10 million yen and 20 million yen, which was equivalent to 800,000 yuan to 1.6 million yuan. However, this range could differ depending on the genre of the animation and the target audience. For example, the standard production cost of an animation targeted at a parent-child audience or a less demanding animation was 11 million yen, while the production cost of a late-night animation targeted at a young audience was 14 million yen. In addition, there were some special examples, such as Ghost in the Shell and Gundam Seed, which cost up to 30 million yen to produce. As for the cost of animation production in China, no specific data was provided at the moment.