Disfigured relics
In recent years, there had been many incidents of cultural relics being disfigured. For example, in 2016,"the most beautiful Great Wall in Liaoning was flattened", and the repaired Great Wall lost its original charm. The thousand-year-old Buddha statue incident in Anyue Grottoes had been renovated into a comical appearance similar to the animated image of Pleasant Goat. In 2018, the Buddha statue in Fengmen Temple Grotto, Anyue County, Ziyang City, Sichuan Province, was repainted and repaired with cement. There was also a Southern Song Dynasty Buddha statue in Dongyan, Zizhong, Neijiang, Sichuan. The believers had painted it into a "curry-flavored" Buddha, and then painted it again. The most recent one was a cliff statue excavated in the late Northern Wei Dynasty more than 1400 years ago in Nanjiang County, Bazhong City, Sichuan Province, which was discovered in 2021. In 2024, it was painted with paint by local villagers and believers on the grounds of "returning a wish". Some of these incidents were due to the lack of professionalism of the restorers, such as the spontaneous restoration of some civil organizations; some were due to the lack of awareness of cultural relics protection by the villagers, and the destruction was regarded as protection. The local cultural relics protection department also had problems such as inadequate protection measures, failure to be included in the cultural protection unit in time, and insufficient publicity to the villagers. The restoration of cultural relics should be carried out by professionals in accordance with relevant laws and regulations. The protection of cultural relics was a systematic project that required the joint efforts of all parties. Read more exciting novels for free
Arce was disfigured
The Disfigured Streamer
Some of the hosts had their faces disfigured. For example, when the beautiful anchor Li Xinyun was traveling abroad, she was attacked by bed bugs when she stayed in a four-star hotel. Her arms and legs were bitten red and swollen with blisters. Although her face did not mention whether she was bitten or not, her encounter must have had a negative impact on her appearance. There was also the beautiful news anchor, Song Yanmin, who lost control and fell when she was riding her bicycle to pick up her husband. Her head hit the ground, causing her face to be bruised and swollen. There were also signs of bleeding. She also suffered a concussion, cerebral hemorrhage, fracture of her left eye socket and cheekbone. After her face was disfigured, her husband never left her and took care of her. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Beaded relics
The reference materials mentioned that amber, agate, and crystal beads were first-class cultural relics. There were a total of 56 beads, including 43 agates, 6 ambers, and 7 crystals. They were of various shapes, such as spherical, olive, earring, cylindrical, squatting beast, and so on. They were colorful. Among them, the amber squatting beast was small in shape and exquisite in craftsmanship. However, he did not find any more information about the beaded cultural relics. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Taoist relics
Poetry Relics
In China culture, poetry and cultural relics were closely related. On the one hand, poetry was a vivid description of cultural relics. For example, in the first collection of poems in our country, the Book of Songs, Gan Tang could be regarded as an early poem related to the protection of cultural relics. There was also a Tang Dynasty blue-glazed brown colored "Jun Sheng, I am not born" poetry pot. The poetry on the pot body reflected the combination of cultural relics and poetry. The porcelain of Changsha kiln was decorated with ancient poems. Most of the ancient poems on these porcelain were created in the Tang Dynasty and carried the mainstream culture of the Tang Dynasty. On the other hand, there were also poems on the cultural relics. For example, Guo Ji Zi's white plate, the inscription on the bottom of the plate was mainly four words, and it was decorated with rhyme. The diction was beautiful, and the writing was completely similar to the Book of Songs. It could be seen as a poem cast on bronze ware. Moreover, some sentences in the inscription could be cited with the historical facts recorded in the Book of Songs, which had extremely high historical value. In short, cultural relics and poetry were the two treasures of China culture. They were intertwined and complemented each other in the long river of history. Cultural relics witnessed the changes of the times and human wisdom, while poetry was the expression of literati's feelings and the poetic reappearance of history. The two complemented each other and jointly constructed the brilliant picture of Chinese civilization. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Spiritual relics
Cultural relics were considered to have spirituality. On the one hand, they could reflect the cultural style of a specific historical period and the spiritual characteristics of people at that time. For example, the cultural relics of the Kangxi, Yongzheng, and Qianlong dynasties of the Qing Dynasty. The ancient and elegant Kangxi Dynasty, the minimalist and elegant Yongzheng Dynasty, and the elaborate and gorgeous Qianlong Dynasty. Through the cultural relics, one could see the great achievements of the emperors at that time, as well as their confidence and preferences. On the other hand, cultural relics carried historical stories and the wisdom of the ancients. For example, the 100 national treasures and cultural relics in "Mawei National Treasures 100" told people about the historical process with their own unique spirituality. For example, the bronze galloping horse (horse treading on a swallow), its shape showed the rich imagination of the ancients, exquisite conception and skilled craftsmanship. It contained the story of being discovered, repaired, collected, and the process of becoming the spiritual symbol of the Chinese nation. In addition, from the perspective of cultural heritage, cultural relics were the physical bearers of history. They hid many secrets that were not recorded in historical books. They witnessed the development of Chinese civilization. When people explored the stories behind cultural relics, it was as if they could talk to the ancients and feel the "spirituality" of cultural relics. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cultural Relics 4
The "four possessions" of cultural relics referred to the necessary protection scope, marking instructions, establishing records and archives, and setting up special protection and management agencies around the cultural protection unit. In 1961, the State Council approved the publication of the "Temporary Regulations on the Protection and Administration of Cultural Relics" for the first time, and in 1982, the State Council promulgated the "Law of the People's Republic of China on the Protection of Cultural Relics" for the first time in the form of law. The Law of the People's Republic of China on the Protection of Cultural Relics, which was revised in 2017, also pointed out: "The people's governments of provinces, autonomous regions, and cities directly under the Central Government, as well as the people's governments of cities and counties, respectively, shall define the necessary scope of protection for cultural relics protection units, make signs and descriptions, establish records and archives, and set up specialized agencies or special personnel to manage them according to the circumstances. The scope of protection and the records of the key cultural relics protected throughout the country shall be reported to the cultural relics administration department of the State Council for the record by the cultural relics administration department of the people's government of the province, autonomous region, or directly under the Central Government. The "Four Haves" archives work of cultural relics protection units is the most critical measure for cultural relics protection units to effectively protect cultural relics and the most important foundation for cultural relics management according to law. The contents of the archives involve all aspects of cultural relics protection. The scientific, complete and detailed "Four Haves" archives can provide complete information for the cultural relics protection unit in the protection, utilization, management and publicity of cultural relics, and can also provide reliable evidence for the restoration of cultural relics accidentally damaged by the cultural relics protection unit. In terms of filing, the national cultural relics protection unit shall file according to the requirements of the National Key Cultural Relics Protection Unit Record Archives Work Code and the National Key Cultural Relics Protection Unit Record Archives Description. The provincial cultural relics protection unit shall refer to the requirements of the national cultural relics protection unit to file one by one. The municipal and county (district) level cultural relics protection units shall strictly be equivalent to the requirements of the national cultural relics protection unit to file. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Stone relics
The following are some of the stone artifacts mentioned in the reference materials: - There are 847 immovable stone cultural relics identified by the third national cultural relics survey in Shiqian County, Chongqing City. - In 2006, a 27-ton stone coffin was stolen and sold to the United States. It was a stone relic in a huge cultural relic smuggling case. - The United States had returned two stone tables from China's Northern Dynasties to the Tang Dynasty. They were important stone carvings with a history of more than 1000 years. - During the Warring States Period, the stone carving of Gongcheng De guarding the hill was a natural river light stone. On it were engraved the words of the ancients greeting the gentlemen of later generations. - The stone statue tower of the Wei and Jin Dynasties was made of gray sand rock. The whole stone carving was made into a square prism. There were round arched niches on all sides, and the Buddha statues were engraved in the niches. It was of great significance to the study of the religious culture of the Wei and Jin Dynasties. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
indoor relics
Indoors cultural relics were usually placed in an environment with strict security measures, such as being placed in glass boxes, which ensured the safety of the cultural relics. For example, Xianyang Museum (II) had indoor cultural relics, and Hummingbird photography forum had exquisite photos of indoor cultural relics for photography enthusiasts to appreciate. This helped them learn photography skills, post-processing skills, understand photography equipment, and share beautiful photos. Inside the Great Buddhist Temple, there was the largest indoor wooden statue of the reclining Buddha in Asia and the most complete first printed version of Yongle Northern Collection. It was a Buddhist art museum that integrated various cultural elements. The indoor archaeological work of Nanhai No. 1 carried out in the museum had many advantages, such as the ability to artificially control and simulate the burial environment of the shipwreck, providing the necessary platform for the application of various technologies and fine excavation. In addition, Changsha had an immersive digital exhibition of life art-Mawangdui Han Dynasty culture. Through the combination of history and technology, people could immerse themselves in the cultural thoughts behind the indoor cultural relics of Mawangdui Han Tomb. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
353 new cultural relics discovered in the cultural relics survey
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