Spiritual relics
Cultural relics were considered to have spirituality. On the one hand, they could reflect the cultural style of a specific historical period and the spiritual characteristics of people at that time. For example, the cultural relics of the Kangxi, Yongzheng, and Qianlong dynasties of the Qing Dynasty. The ancient and elegant Kangxi Dynasty, the minimalist and elegant Yongzheng Dynasty, and the elaborate and gorgeous Qianlong Dynasty. Through the cultural relics, one could see the great achievements of the emperors at that time, as well as their confidence and preferences. On the other hand, cultural relics carried historical stories and the wisdom of the ancients. For example, the 100 national treasures and cultural relics in "Mawei National Treasures 100" told people about the historical process with their own unique spirituality. For example, the bronze galloping horse (horse treading on a swallow), its shape showed the rich imagination of the ancients, exquisite conception and skilled craftsmanship. It contained the story of being discovered, repaired, collected, and the process of becoming the spiritual symbol of the Chinese nation. In addition, from the perspective of cultural heritage, cultural relics were the physical bearers of history. They hid many secrets that were not recorded in historical books. They witnessed the development of Chinese civilization. When people explored the stories behind cultural relics, it was as if they could talk to the ancients and feel the "spirituality" of cultural relics. Read more exciting novels for free
Poetry Relics
In China culture, poetry and cultural relics were closely related. On the one hand, poetry was a vivid description of cultural relics. For example, in the first collection of poems in our country, the Book of Songs, Gan Tang could be regarded as an early poem related to the protection of cultural relics. There was also a Tang Dynasty blue-glazed brown colored "Jun Sheng, I am not born" poetry pot. The poetry on the pot body reflected the combination of cultural relics and poetry. The porcelain of Changsha kiln was decorated with ancient poems. Most of the ancient poems on these porcelain were created in the Tang Dynasty and carried the mainstream culture of the Tang Dynasty. On the other hand, there were also poems on the cultural relics. For example, Guo Ji Zi's white plate, the inscription on the bottom of the plate was mainly four words, and it was decorated with rhyme. The diction was beautiful, and the writing was completely similar to the Book of Songs. It could be seen as a poem cast on bronze ware. Moreover, some sentences in the inscription could be cited with the historical facts recorded in the Book of Songs, which had extremely high historical value. In short, cultural relics and poetry were the two treasures of China culture. They were intertwined and complemented each other in the long river of history. Cultural relics witnessed the changes of the times and human wisdom, while poetry was the expression of literati's feelings and the poetic reappearance of history. The two complemented each other and jointly constructed the brilliant picture of Chinese civilization. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Taoist relics
353 new cultural relics discovered in the cultural relics survey
Please clarify the question. For example, do you want to know the specific areas of these discoveries, the scope of the survey, or other related content? The novel " Gilded Palm " is equally exciting. Everyone is welcome to click and read it!
Rebirth Cultural Relics
The following were some recommendations for novels related to the cultural relic category: " The Reborn Cultural Relic Master,"" The Great Appraiser,"" The Antique Appraiser,"" The Golden Eye Appraiser of Antiques,"" I Can Repair Antiques,"" The Foreignland's Ace Appraiser,"" The World's Collection," and so on. These novels covered topics such as the identification of cultural relics and the restoration of cultural relics. They were suitable for readers who liked such topics.
What is the name of the 17 relics?
You might want to ask about the name of the novel related to the 17 sariras. If that's the case, it's the second part of Journey to the West. There was a story about Tathagata and Wutian in the later part of Journey to the West. They were symbiotic beings with two sides of the same body. They had the same magical power and needed 17 compassionate ancient Buddhist relics to resolve the deadlock. Among them, Sun Wukong's Boneless Sarira was the key to breaking the deadlock between Buddha and Demon. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Lovesickness in the cultural relics
The cultural relics contained many feelings of longing. For example, in the Book of Songs, Xiaoya, Yuanyang, the mandarin duck was compared to the love between husband and wife, and the "red bean" mentioned in Wen Tingyun's "Two Songs of Southern Songs" represented deep love. These literary works also echoed the cultural significance embodied in cultural relics. For cultural relics like the engraved silver box, the bottom of the box was engraved with a pair of men and women standing side by side and the words "two people of the same heart". It was as if one could see the scene of a man giving a powder box to a woman he liked a thousand years ago. It contained the love between a man and a woman. The Western Zhou jade pendant was two meters long. It was the only thing Marquis Mu of Jin cared about and doted on the second wife. It reflected the deep feelings between husband and wife. Even if they were separated by yin and yang, it contained the thoughts of the living for the deceased. The golden hairpin in the Suzhou Museum had witnessed the love between Sun Ce and Da Qiao. Now, it could also make people feel the yearning and nostalgia that spanned thousands of years. More than 4800 pieces of exquisite jewelry were unearthed from the tomb of the King of Mingliang Zhuang and his step-concubine, which witnessed the experience of the husband and wife living together. Behind their "living in the same quilt and dying in the same cave", there was also endless longing and attachment for each other. Had he not watched enough of Long Lovesickness 2? Hurry up and read the original work of "Everlasting Lovesickness 2: A Vow of Love"!
What are the types of relics?
Sarira is divided into killing thief fruit position sarira, not born fruit position sarira, should be for fruit position sarira.
Nanyatang cultural relics
The document mentioned the Complete Collection of Nanyatang Medical Books, but it did not clearly indicate that it was detailed information about cultural relics, such as the age of cultural relics, texture, archaeological excavation, etc. He only mentioned that he had carried out an exploratory restoration of the Complete Collection of Nanyatang Medical Books. He adhered to the principle of repairing the old as it was, and compared the cleaning effects of different cleaning reagents. For the large number of mold spots in the book, he found that the solution of potassium Permanganate was more thorough in cleaning, and the solution of CaClO was more suitable for oil pollution treatment. Because the paper was too thin, it was easy to store it in the form of a full-page frame, and it was bound in a thread form. Therefore, more information about the cultural relics of Nanya Hall could not be accurately given. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Karst Cave Relics
There might be many kinds of cultural relics in the karst cave. For example, coins and jewelry from Alexander the Great's era, which were 2300 years old, were found in a cave in northern Israel, including silver coins, copper and silver earrings, necklaces, and rings. These artifacts might have been hidden in the cave by wealthy local residents after the death of Alexander the Great. There were stalactite carvings and relics from different periods after the Tang Dynasty in the Kaiyuan karst cave in Boshan. There were also precious cultural relics from the Neoliths. Although there was no mention of the discovery of specific cultural relics in the karst cave group in Lushan, Yiyuan, the karst cave group had a long history and there was also the possibility of discovering cultural relics. In addition, the underground karst cave discovered during the excavation in Guiyang was suspected to be a water prison. Although it has not been determined whether it has cultural relic protection value, the Cultural Relics Protection Administration has indicated that it will investigate. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Shooting relics and jewelry
There were many factors to consider when shooting cultural relics and jewelry. For the shooting of cultural relics and jewelry, the first thing to pay attention to was the lighting. As some cultural relics are sensitive to light, such as paper, fabrics, prints, rubber paintings, colored leather, plant specimens, etc., the recommended illumination value is <50LX.(Color temperature <4000K); bamboo, wood, rattan, bone, lacquer, murals, natural leather, animal specimens and other light-sensitive items, the recommended illumination value is <180LX (color temperature <4000K); For the types of items that are not sensitive to light, such as metal, stone, glass, porcelain, jewelry, and glaze, the recommended illumination value is <300LX (color temperature <6500K). The most commonly used flash lamps in daily life, such as the Xenon Lamp, had a color temperature of about 6200K and an instantaneous illumination of more than 10,000 LX, far exceeding the tolerance of many cultural relics. Therefore, it was generally not possible to use flash lamps to shoot cultural relics and jewelry, in case the infrared and infrared rays in the strong light caused damage to the surface of the cultural relics and jewelry, causing the molecules on the surface of the cultural relics and jewelry to decompose or react to change the original characteristics. In addition, the violet rays in the sun could also cause damage to cultural relics, so in addition to avoiding flashes, it was also necessary to prevent cultural relics and jewelry from being exposed to the sun. Secondly, copyright issues also needed to be considered. If the cultural relics and jewelry were works that had signed an agreement with the museum or gallery, they were not allowed to shoot at will to avoid harming the interests of the relevant parties. If the above conditions were met, suitable lighting equipment could be used, such as soft lighting in the venue or some special photography lighting equipment, without damaging the cultural relics and jewelry. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>