Mobile cultural relic display platform
A movable cultural relic display platform includes a cultural relic display platform, a No. 1 cylinder is arranged in the middle of the bottom of the cultural relic display platform, one side of the No. 1 cylinder is connected with a No. 1 cylinder rod, and one end of the No. 1 cylinder rod is fixedly connected with the display platform. The design of this display platform was an improvement on the existing technology. It could drive the display platform to rise and fall through the cylinder, so that the cultural relics could shrink into the interior of the cultural relics display platform. There were anti-collision sponge pads and cushions on both sides of the exhibition platform and on the platform, which could effectively prevent the collision impact from causing damage to the cultural relics. The bottom of the exhibition platform is equipped with a foldable roller through a cylinder and a cylinder rod. When moving, the roller is pushed out, and after moving, the roller is retracted into the interior of the cultural relic exhibition platform, which can effectively prevent the cultural relics from being damaged when moving. Read more exciting novels for free
Cultural relic plus platform
The Cultural Relics app was a good cultural relics display software and a mobile application that could enrich people's knowledge. On this platform, you can see the combination of artistic resources and cultural relics. The goal is to integrate cultural relics into life. Through the cultural relics app, not only could you understand the treasures of Chinese culture, but you could also learn historical stories and cultural relics knowledge from all over the world. You could also become a doujin creator to portray the wonderful history. The platform also had high-definition VR technology, which made users feel as if they were in a treasure. At the same time, there was a cultural information section that collected global cultural information for users to communicate with. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Xiaomi mobile phone cultural relic
The following are some situations related to Xiaomi phones and cultural relics: In the "Meeting the Golden Mummies of Ancient Egypt" exhibition, using the Xiaomi MIX4 phone to compare 107 rare collections of ancient Egypt.(Including the Golden Mummy and many other cultural relics). The design of the Xiaomi 12T Pro Daniel Arsham-edition phone adopted Daniel Arsham''s "Future Archeological" aesthetics. The back of the phone was the same bronze color as the "Sanxing Dui" cultural relics, imitating the mottled and incomplete cultural relics left after years of erosion. The opening of the phone box had a sense of ritual similar to the opening of cultural relics. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Method for manufacturing cultural relic protection display box
The following is a manufacturing method of a cultural relic protection display box: 1. ** Basic structure creation ** - A base plate was prepared, and a transparent display box was fixed on one side of the base plate. - A connecting gap is arranged at the end of the surface of the other side of the bottom plate, the side of the connecting gap is hinged with a hinged block, and the other end of the hinged block is fixedly connected with a side plate, so that the surface of the side plate is connected with the outer side of the surface of the bottom plate. - The other end of the surface of the side plate is provided with a threaded hole, and the surface of the side plate is fixedly sleeved with a cover plate. The side face of the cover plate is connected with a screw, and the end of the screw is threadedly connected with the side face of the threaded hole, so that the connection between the side plate and the cover plate is realized. 2. ** Internal Protection Setting ** - The surface of the side plate is fixedly adhered with a supporting sponge plate, so that the surface of the other side of the supporting sponge plate is tightly connected with the side face of the transparent display box to play the role of support and buffer protection. - Wedge sealing strips are fixed on the surfaces of both ends of the side plates, and the sealing strips are made of a right-angle structure of a graphene rubber to facilitate mutual compression and sealing, so as to avoid large gaps at the corners. 3. ** Cover protection settings ** - A protective rubber plate is fixed on the surface of one side of the cover plate, so that the protective rubber plate is tightly pressed and connected to the surface of the transparent display box, which is used for isolation and positioning after the cover plate is closed, so as to avoid collision and improve the safety protection effect. - The other end of the screw is fixedly connected with a connecting ring, and the connecting ring is located on the side of the cover plate, which is convenient for connecting and convenient for lifting the semicircle. - Make sure that the connection gap is located at the four corners of the bottom plate, and the depth is not less than the length of the hinged block to ensure the rationality and stability of the structure. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Relic and treasure display device
The following was a display device for cultural relics and treasures: 1. ** In terms of structure and composition ** - Base: The top of the base is connected to a supporting rod, which plays a fundamental role in supporting the entire device. - The end of the support rod is connected to the top plate, and the periphery is connected to the rotating plate. - The transmission component includes a driving gear fixed on the periphery of the supporting rod above the rotating disk, a driven gear which is connected to the rotating disk and engaged with the driving gear, and two limit rods which are fixed on the top of the driven gear and are flexibly connected to the transparent box. - transparent boxes: a number of transparent boxes are flexibly connected to the top of the transmission component, and an Auto Scaling piece is arranged between the transparent boxes and the transmission component. - The adjusting component is composed of a limit plate (with a through hole in the middle), an adjusting threaded rod, a transmission shaft, and a limit piece. The upper part of the adjusting component extends out of the top plate. - The driving component includes a first motor fixed on the top of the base and connected to an external power supply, a driving belt wheel fixed on the output shaft of the first motor, a driven belt wheel fixed on the periphery of the supporting rod and connected to the driving belt wheel through a belt, and a second motor also fixed on the top of the base and connected to the external power supply, a transmission gear fixed on the output shaft of the second motor, and a ring gear structure at the bottom of the rotating disc, which is engaged with the ring gear structure. - [Fixed components: installed inside each transparent box.] 2. ** Function ** - The audience could easily see the top of the set of cultural relics, the surrounding state, and the corresponding text descriptions in the same position without walking. This was due to the synergy of the various components of the device, such as the design of the transmission component and the adjustment component, which could display the cultural relics from multiple angles. - The motor and other parts in the driving component can provide power for the rotation of the device, so that the cultural relics display can have a dynamic effect, which is convenient for the viewer to observe the cultural relics in an all-round way. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
cultural relic indicator
The following are some indicators related to cultural relics: 1. ** Number of collections **: For example, in 2023, there were 6,820,500 pieces/set in the collections of Shanghai City relics institutions, of which 1,237,400 pieces/set were in the collections of state-owned museum under the management of cultural relics system, accounting for 18.14% of the total collections; in 2021, there were 3,407,500 pieces/set in the collections of Shanghai City, of which 440,400 pieces/set were in the collections of cultural relics. 2. ** Organization and personnel related indicators **: - ** Number of institutions **: By the end of 2023, there were 112 cultural relics institutions of various types in Shanghai City; by the end of 2021, there were 176 cultural relics institutions listed in the statistics system in Shanghai City. - ** Personnel situation **: At the end of 2023, there were 5023 employees in Shanghai City relics institutions, of which 320 were senior titles, accounting for 6.37%; 889 were intermediate titles, accounting for 17.7%; at the end of 2021, there were 5124 employees in Shanghai City relics institutions. 3. ** Museum exhibition and visitor reception index **: - ** Exhibitions **: In 2023, various cultural relics institutions in Shanghai City held a total of 688 exhibition, including 252 basic displays and 436 temporary displays; in 2021, the Shanghai City (Memorial Hall) held 348 basic displays and 388 temporary displays. - ** Visitor reception **: In 2023, various cultural relics institutions in Shanghai City received 27,737,500 visitors. The state-owned museum managed by the cultural relics system received 12,257,100 visitors, accounting for 44.19% of the total number of visitors received by cultural relics institutions. In 2021, the number of visitors to the Shanghai City (Memorial Hall) was 20,039,100. 4. ** Qualification indicators related to cultural relic protection projects **: For example, the Grade A qualification for cultural relic survey and design, Grade A qualification for cultural relic protection project construction, Grade A qualification for cultural relic protection supervision, and other relevant qualifications are also important indicators in the field of cultural relic protection projects. They are of great significance in the general survey of cultural relics and the implementation of protection projects. 5. ** Standard-related indicators **: For example, the formulation and revision of standards in the sub-fields of immovable cultural relics, movable cultural relics, archaeological investigation and excavation, cultural relics safety, museum, cultural relics digitizing, special equipment for cultural relics protection, etc. are also indicators to measure the standardized and scientific aspects of cultural relics protection, including terms, classification, protection and repair technology, management, safety prevention and control, digitizing, etc. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cultural relic bone
The following are some relics related to bones: - Jiahu Bone Flute: Discovered in 1987 in Wuyang County, Henan Province, at an ancient site between 7,000 and 9,000 years ago. It is made from the leg bone of a crane. There are seven holes on the bone. It is very similar to the modern flute, and its melody is almost the same as the modern one. This discovery rewrote the history of music before the Qin Dynasty and even the entire history of China music, confirming the long history of Chinese civilization. - In 1981, after the collapse of the pagoda, four Buddha Finger relics were found in the underground palace. In 1987, it was identified as a first-class cultural relic by experts. For Buddhists, the Buddha Bone Sarira symbolized the high monks and their pure and flawless cultivation. It had great cultural significance. - The bone-wrapped clay sculpture of the Northern Song Dynasty was at Zhengguo Temple in Jiexiu City, Shanxi Province. Inside the clay sculpture was the remains of Daoist Songfeng, the head of the Jiegong Temple. After he passed away, his disciples first put on layers of clothes for his bones, then wrapped them in mud and painted them on the outside. Today, there were more than ten of such bone-wrapped true statues in the temple, which had maintained their original form after more than a thousand years. There were also nearly 20 clay sculptures from the Tang, Song, and Yuan Dynasties preserved in Mianshan, Shanxi Province. Among them was a bone-wrapped clay sculpture 800 years ago. The owner of the skeleton was the master of the Mianshan Palace Porcelain. It was also made in a similar way. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Lotus cultural relic
The following are some lotus relics: - The Autumn Training Cup was specially made during the Guangxu period to commemorate the autumn training of the Qing army. It was also a prize used to boost the morale of the army and the morale of the tottering Qing Dynasty. - ** Glass lotus cup from the Gansu Province Museum of the Yuan Dynasty **: The cup is 4.8 cm high, 1 cm high, and 12.5 cm in diameter. The cup and the cup complement each other, like a water lily blooming under the blue night sky. The shape is gorgeous, the color is gorgeous and noble. It is a relatively complete glass cup of the Yuan Dynasty unearthed so far, and it is a national treasure-level cultural relic. - ** The famille rose green flower-shaped cup from the Suzhou Museum of the Qing Emperor Qianlong **: It has a unique artistic value. - ** Jade Lotus Root Pen Stand (Clear)**: 5.3cm high, 16cm long, 5cm wide. The penholder was carved into a long lotus root, and the lotus flower, lotus pod, lotus leaf, and branches and leaves were hollowed out. The shape was novel, the jade was pure and smooth, and the embossed technique was used. The lotus flower and other decorative patterns had a strong three-dimensional sense and were exquisitely made. - ** Cizhou Kiln White Glaze Black Lotus Pattern Pillow (Song·Jin)**: Reflects the porcelain making process and artistic style of Cizhou Kiln at that time. - ** Blue and white lotus pond fish algae pattern jar (Ming)**: 36.7 cm high, 19.2 cm caliber, 19.3 cm diameter. The whole body was decorated with blue and white patterns. The neck was painted with back patterns, the shoulders were painted with lotus patterns, and the abdomen was painted with fish and algae in the lotus pond. The algae in the lotus pond fluttered, and there were mackerel, silver carp, carp, and mandarin fish swimming in the water, which meant "clean and honest". - ** Silk Lotus Frog Scroll (Republic of China)**: 78 cm long, 37 cm wide. On the painting, two large lotus leaves set off the delicate lotus flowers, and there were two frogs on the duckweed. The composition was concise and interesting, with the charm of a scholar's painting. - **<<Painting of Lotus and Mandarin Duck>>(Ming Dynasty, by Chen Hongshou)**: 183cm in length, 98.3cm in width. With the lotus flower as the theme, the flowers had various postures such as budding, first blooming, blooming, etc. The branches and leaves were dewy, the lake rocks were magnificent, and there were colorful butterflies flying and mandarin ducks playing in the water. - **<<Painting of Lotus Out of the Water>>(Song Dynasty, Fan Page)**: A blooming pink lotus flower occupies the entire picture. It is eye-catching under the contrast of the green lotus leaves. The lotus petal painting is similar to the "boneless" method of later generations, rendering the petals light and moist. - ** Bamboo inlaid with bamboo silk inlaid with jade lotus mandarin duck Ruyi (34cm long)**: Bamboo silk inlaid with jade Ruyi inlaid with lotus mandarin duck pattern jade decoration in the center. The style is delicate and elegant. After more than 200 years of craftsmanship, it is still exquisite. - ** Pink Egret Lotus Plate (Qing Guangxu)**: 6 cm high, 27.8 cm diameter, 17 cm diameter. The whole body was covered with white glaze, and the plate was decorated with lotus flowers, lotus leaves and egrets. - ** Green jade lotus water worm lotus leaf wash (clear)**: height 7.1 cm, caliber 8.7 - 11 cm. The brush wash is in the shape of a green jade lotus leaf. The center of the leaf droops, and the edge of the leaf rolls inward to form a heart wash. The bottom and the edge of the leaf are embossed water grass, lotus flowers, small lotus leaves, crabs, snails, frogs, etc. The shape is featured by the lotus. The image is vivid and vivid, full of natural charm. - ** Yue Kiln Secret-Color Porcelain Lotus Bowl (Five Dynasties, one of the three national treasures of Suzhou Museum)**: It is composed of a bowl and a holder. The whole body is covered with green glaze, which is crystal clear and clean. The bowl body and the outer wall are decorated with a shallow embossed a large lotus flower pattern. The shape is just like a blooming lotus flower, elegant and otherworldly. - ** Jade Lotus Hairpin Head (Song Dynasty)**: The hairpin head is carved with a lotus, lotus leaf, and lotus root on both sides. - ** Changsha Kiln Green Glazed Porcelain Bowl (Tang Dynasty)**: On the bowl, there is a five-character Tang poem depicting a woman picking lotus in the Tang Dynasty: Living by the green pond, learning to pick lotus in the morning. The water is deep and the responsibility is partial, and the lotus is exhausted and moved. In addition, there are Changsha kiln green glaze brown green color lotus flower pattern holding pot, Changsha kiln brown color lotus leaf pattern porcelain plate, Changsha kiln green glaze brown green color lotus flower pattern bowl, etc. Lotus is a common theme of Changsha kiln ware. - ** Xiaoyuzhai Golden Lotus Pattern Cover Bowl (Modern)**: A one-to-one classic replica of the original official kiln from the Qianlong period. There are two kinds of paintings: Doucai and Qinghua. The color of the Doucai model was gorgeous, while the blue-and-white model was fresh and elegant. With gold as the base, the lotus pattern was drawn using China realistic painting techniques. The lotus flowers were large and full, the shape was regular, and the color painting was exquisite. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cultural relic fan
The cultural relic fan has a rich historical and cultural content. In the Qing Dynasty, there were many famous fan relics, such as Ye Xin's "Jinling Eight Family Fan", which was a traditional Chinese painting on silk. It was now stored in Nanjing Museum in Jiangsu Province, China. The fan had overlapping peaks, mountain streams, and flying springs. It was very quiet and beautiful. The Museum of Shijiazhuang City has many collections of calligraphy and painting, most of which are fine works of the Ming and Qing Dynasties. The museum has selected 34 fan works of the Qing Dynasty and will jointly organize the "Breeze Stone Comes--Excellent Fan Works of the Qing Dynasty in the Museum of Shijiazhuang City Province" in the No.6 exhibition hall on the first floor of the Baoshan City from July 26 to October 9, 2024. These fan surfaces cover the theme of mountains and rivers, flowers and birds, poetry and poetry, and shadow accompanying. It fully reflects the essence of the Qing Dynasty fan art and the cultural artistic conception. The round fans of the imperial concubines of the Qing Dynasty were also very valuable. For example, the round fan with a dyed bone handle with silk flowers and fruit patterns of the Qing Emperor Qianlong, 50cm long and 33cm in diameter, would be auctioned on June 14 at the Spring Auction of Zhongmao Shengjia 2024,"Silk Road Qiankun-Weaving and Embroidery Art Grand View", with an estimated value of RMB 150,000 - 250,000. This round fan was exactly the same as the same type of round fan in the Forbidden City. It was made in the same batch. The craftsmanship had been lost for a long time. There were only three pieces of shaved velvet in the domestic museum, and this was the only one in the market. It had high aesthetic and academic value. In addition, there is also the Deng Tingzhen fan in the collection of Fuzhou City Lin Zexu Memorial Hall. The collection is made of paper, 50cm in width and 18.2cm in length. The inscription reads "Deng Tingzhen in September of the Year Yisi", with the seal of "Deng Tingzhen Seal"(white text) and the seal of "Miaoji Zen Room"(Zhu text). The inscription is a paragraph of text copying the old traces of Wu Zetian's tour and Shi Cong in the book "Song Luo Visiting Monument Painting". The words contain coldness and elegance, and the ancient meaning is abundant in the light. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cultural Relic Selling
The sale of cultural relics was an area that was strictly regulated by laws and regulations. First of all, selling cultural relics required legal qualifications. For example, the registered capital of a cultural relics store needs to be paid in full, and there must be five middle-level cultural relics experts. The business scope includes the sale of cultural relics, the identification of cultural relics, the collection of cultural relics, etc. The address must be approved by the Cultural Relics Bureau; The registered capital of cultural relics auction requires 10 million yuan and is paid in full, requiring five senior cultural relics experts and one auctioneer. The business scope includes cultural relics business, cultural relics auction, etc. However, many cultural relics belonged to the state and were strictly prohibited from being sold privately. Anyone who resells cultural relics prohibited by the state for profit, if the circumstances are serious, will violate the provisions of article 326 of the Criminal Law of the People's Republic of China and shall be sentenced to fixed-term imprisonment of not more than five years or criminal detention, and shall also be fined; if the circumstances are especially serious, he shall be sentenced to fixed-term imprisonment of not less than five years but not more than ten years and shall also be fined. For example, in some cases, someone privately sold ancient tombstones dug up at the construction site, stone tablets taken from the grass and sold, and the relevant personnel were investigated for criminal responsibility for the crime of selling cultural relics. At the same time, when buying cultural relics online, one should also be careful. Many criminals would sell fake cultural relics as real cultural relics. For example, the old man spent more than 400,000 yuan in the live broadcast room to buy cheap crafts from wholesale websites instead of cultural relics. In short, legal and compliant sales of cultural relics must comply with relevant laws and regulations, possess corresponding qualifications, and guard against fraud in the sale of cultural relics. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cardboard as a cultural relic
There were many examples of cardboard artifacts. For example, in school activities, students could cleverly combine cardboard boxes and paper cups into three Simuwu cauldrons. First, the cardboard boxes were cut and folded into rough shapes, and then carefully pieced together to make them three-dimensional and realistic. There were also parents who did manual work for their children. They took apart the cardboard at home and remolded it into the shape of a bronze cauldron. They used moldable clay to pinch out the patterns on the outside of the cauldron and stuck them on it. After drying, they were colored. In some school activities, students would also use cardboard to make magnificent works like the Simuwu Cauldron. Although the cardboard joining process was more difficult, it could produce very realistic effects. These cultural relics made of cardboard not only trained their hands-on ability, but also allowed people to feel the historical and cultural content carried by the cultural relics more deeply. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>