Cultural relic bone
The following are some relics related to bones: - Jiahu Bone Flute: Discovered in 1987 in Wuyang County, Henan Province, at an ancient site between 7,000 and 9,000 years ago. It is made from the leg bone of a crane. There are seven holes on the bone. It is very similar to the modern flute, and its melody is almost the same as the modern one. This discovery rewrote the history of music before the Qin Dynasty and even the entire history of China music, confirming the long history of Chinese civilization. - In 1981, after the collapse of the pagoda, four Buddha Finger relics were found in the underground palace. In 1987, it was identified as a first-class cultural relic by experts. For Buddhists, the Buddha Bone Sarira symbolized the high monks and their pure and flawless cultivation. It had great cultural significance. - The bone-wrapped clay sculpture of the Northern Song Dynasty was at Zhengguo Temple in Jiexiu City, Shanxi Province. Inside the clay sculpture was the remains of Daoist Songfeng, the head of the Jiegong Temple. After he passed away, his disciples first put on layers of clothes for his bones, then wrapped them in mud and painted them on the outside. Today, there were more than ten of such bone-wrapped true statues in the temple, which had maintained their original form after more than a thousand years. There were also nearly 20 clay sculptures from the Tang, Song, and Yuan Dynasties preserved in Mianshan, Shanxi Province. Among them was a bone-wrapped clay sculpture 800 years ago. The owner of the skeleton was the master of the Mianshan Palace Porcelain. It was also made in a similar way. Read more exciting novels for free
Cultural relic bone whistle
The bone whistle was an ancient wind instrument. The oldest wind instrument in the world was the "Jiahu Bone Flute" unearthed from the Jiahu Ruins in Wuyang, Henan Province. Its upper limit was about 9000 years ago. It was named the bone flute because it was more complicated, while the bone whistle was relatively simple. The upper limit of the bone whistle unearthed from the Hemudu site in Yuyao, Zhejiang Province was 7000 years ago. The bone whistle was processed from the middle limb bone of birds and birds. The length varied from 4 to 12 cm. The body was slightly curved. One of them was unearthed with a limb bone inserted into the cavity. Put the section with a hole into the mouth and blow it gently. At the same time, the limb bone in the cavity could be played to play a simple music. The bone whistle unearthed from the Hemudu site was a first-class cultural relic of the Hemudu culture of the Neoliths, with a length of 8.5 centimeters. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
cultural relic oracle bone inscriptions
The oracle bone script was a type of ancient China script. It was an early form of Chinese characters and was also considered one of the calligraphy styles of Chinese characters. It was the oldest mature script in the current China dynasty. It was first unearthed in the Yin Ruins of Anyang City, Henan Province. The inscriptions on bones and tortoise shells were also known as the contract inscriptions, oracle bone inscriptions, and Yin Ruins characters. They were characters carved on tortoiseshells or animal bones by the royal family in the late Shang Dynasty for divination and recording. It was the earliest mature writing system in East Asia. Together with the hieroglyphic script of ancient Egypt, the cuneiform script of the two river basins, and the Mayan script of the United States, it was the world's four ancient scripts. It was of great significance to the development of human civilization. It was generally believed that Wang Yirong, a scholar of epigraphy in the late Qing Dynasty, discovered the oracle bone inscriptions on the oracle bones in Anyang, Henan Province. At present, the era of studying oracle bone inscriptions was mainly from the late Yin Shang and the early Western Zhou Dynasty, which was 273 years from the time Pangeng moved to the Yin Dynasty to the fall of Zhou Xin, the eighth generation and twelve kings. The inventor of the oracle bone inscriptions might be the Zhenren who was responsible for divination during the Yin Shang Dynasty. Dong Zuobin divided the Shang Oracle Bone Inscriptions of the year 273 into five periods according to ten standards. Each period had its own unique style of calligraphy. The main materials used to inscribe the oracle bone inscriptions were the tortoise shell, tortoise shell, and the shoulder blade of a cow. The content of the inscriptions was mainly divination inscriptions, but there were also a small number of records and table inscriptions. Later works recorded the contents of the oracle bone inscriptions in the form of rubbings, photographs, and copies. The inscriptions on bones and tortoise shells had a strong pictographic nature, and the handwriting style was uncertain, so it was extremely flexible. In 1928, the archeological team of the Institute of History and Language of the Academies of China organized the excavation of the Yin Ruins. Over the past hundred years, more than 100,000 pieces of oracle bones had been unearthed through archaeological excavation and other means. In addition, oracle bone inscriptions also appeared in other areas of Henan and Shaanxi. According to statistics, as of 2019, there were about 160,000 pieces of oracle bone inscriptions collected in China and around the world. Through the joint efforts of several generations of scholars represented by the "four halls of oracle bones", the study of oracle bones had become a world-wide mature discipline with strict laws. It had achieved fruitful results in the collection of materials, the study of characters, the study of Shang history, the study of archaeology, and the interpretation of characters. At present, there were more than 4000 characters in the oracle bone inscriptions unearthed. The oracle bone inscriptions that had been examined and explained were about 2000 characters. Among all the characters that had been explained, there were less than 1000 words that could be confirmed. The discovery of oracle bone inscriptions had brought forward the history of China by more than 1,000 years. It had also played an immeasurable role in the study of ancient Chinese characters. It played a fundamental role in the formation and evolution of Chinese characters. On November 24th, 2017, Oracle successfully passed the review of the International Committee of the Memory of the World Project of the United Nations Scientific and Cultural Organization and was successfully selected into the Memory of the World Register. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
5.18 cultural relic
5.18 The International Museum Day was related to cultural relics. On this day, the local museum would hold various activities to showcase the historical and cultural meaning behind the cultural relics. For example, there are many museum activities in Yulin on May 18 International Museum Day. Yulin Folk Museum welcomes children to visit and learn. Children can appreciate the charm of folk culture through the exhibition, while adults learn about the history of the party and listen to the stories behind the revolutionary cultural relics here. The collection of Yulin Han Dynasty Portrait Stone Museum is like "epic on the stone". On this day, people can learn more about cultural relics through the photo exhibition of mobile cultural relics survey results under the introduction of the staff; The Yu Zijun Memorial Hall in Yulin would also display pictures of the Great Wall culture in Yansui Town on this day. The Shaanxi Museum of History would also hold a series of activities on May 18 International Museum Day, such as the "Flower Dance Tang" cultural creation runway show in 2021, volunteer explanation services in the mobile museum, and themed educational activities. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
cultural relic
Sand casting was an ancient craft that was of great significance in the production and identification of cultural relics. For example, 11 gilded Buddhas from the early Tang Dynasty unearthed in Duchang County, Jiujiang, Jiangxi Province, were made using the sand-turning process at the end of the Sui Dynasty. There was also the Yuan Dynasty's "Seal of Ten Thousand Families of the Han Army" in the collection of the Zhaodong City Museum, which was also made by sand casting, but this seal was more crude. In the field of China antique art, the art of turning sand was also used to counterfeit. For example, when ancient coins were forged, profiteers might use the method of turning sand to cast money, which involved turning the mold, trimming the edge, repairing the hole, rusting, silencing the sound, making old coins, and other methods to make counterfeit coins. This required collectors to improve their eyesight to distinguish. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cultural relic abacus
There are many kinds of cultural relics abacus. For example, the blue-and-white baby abacus of Jingdezhen kiln in Qing Dynasty was a historical relic. Its blue-and-white color was elegant, the glaze was bright and lustrous, the color of the body was white and yellow, and there were obvious flint red spots. The body was solid and the body was thick. The abacus was rectangular and made in imitation of a wooden abacus. It was 29.7 cm long, 13.9 cm wide, 3 cm thick, and weighed 1702 grams. There were 11 stalls. There were 2 beads on the beam in the middle of the stall (5 beads per stall) and 5 beads under the beam (1 bead per stall). Two beads were broken in a small stall, leaving a total of 75 beads. The inner wall of the abacus was glazed, and the outer wall was decorated with blue-and-white baby play patterns. The image of a child was vivid and lifelike. The counting beads were glazed with white glaze, and the bottom and inside of the abacus were exposed without glaze and rough. Several cracks on the body had been repaired. It provided physical evidence for the study of Jingdezhen blue-and-white porcelain production technology in the Qing Dynasty and traditional China calculation tools. There was also the Diamond Abacus, which was originally the collection of Chen Baoding, a famous collector in Shanghai. Later, it was given to the Abacus Museum in Huangshan City for display. These cultural relics reflected the technological level, cultural value and historical significance of the abacus in different periods. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cultural relic Tongbai
Tongbai was rich in cultural relics. There is a Mingang site in the north of Mingang Village, 3.5 kilometers west of Yuehe River in Tongbai County. It is a cultural relic protection unit in Henan Province, including the cultural relics from Yangshao to Qujialing, covering an area of 100,000 square meters. There are a large number of relics on the surface. The production tools are mainly ground stone tools such as axes, shovels, chisels, etc. The pottery tools are spinning wheels. The living utensils are mainly clay and reddish-brown pottery with sand. The shape of the ware is conical tripod, converging bowl, high-collar pot, etc., with various patterns. 202 cultural relics in Tongbai were designated as county-level cultural relics protection units. These were all precious cultural resources of Tongbai County, covering various relics from Qin and Han Dynasties to Ming and Qing Dynasties, from the Republic of China to modern times, such as stone bridge residential houses, earth buildings and temples, etc. In addition, there were various kingdoms of different sizes in the north of Tongbai, and related cultural relics had also been unearthed. Tongbai also had 11 provincial-level key protected cultural relics and 89 county-level key protected cultural relics. For example, Huaiyuan Temple (formerly known as Huaidu Temple) in Huaiyuan Town was built in the Qin Dynasty and rebuilt on the site in 1999. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Vessel cultural relic
Vessel cultural relics were common in the field of archaeology and cultural relics, and there were many types. For example, the glazed pottery long-necked vase (Western Han Dynasty) was a container with a sand-gray carcass and greenish glaze. It had a straight mouth, a slender neck, an oblate abdomen, a high circle foot, etc. The neck and upper part of the abdomen were decorated with concave string patterns, and there were water ripples between the string patterns. Its specifications were 3.9cm in diameter, 10.5cm in bottom diameter, 22.9cm in height, and 1158g in weight. It was unearthed from the tomb group of Zhangjia Zhonggu in 1985 in the sunshine. It is now collected by Wulian County Museum and is a national first-class cultural relic. The three-colored jar (Tang Dynasty) was also a container. It had a luxurious mouth, a short neck, a round belly, and a round bottom. It had no three feet. The whole body was green glaze. The shoulder was pasted with four fire bead patterns, and the abdomen was pasted with four dragon patterns. The yellow, green and white colors alternated. Although it was slightly damaged and the glaze was peeling off, it still had a high cultural relic value. The caliber was 14.8cm, the height was 18cm, and the weight was 1520g. It was unearthed in Wangjiaping Village, Ju County, Rizhao City. It was collected by Ju County Museum and was a national third-class cultural relic. There were also bronze vessels, which were one of the most important types of vessels during the Xia, Shang and Zhou Dynasties. They included cooking vessels, food vessels, wine vessels, washing vessels, and so on. Most of the bronze vessels were sacrificial vessels. For example, tripod and Li belong to cooking utensils, similar in shape, with a large mouth and three empty feet, generally used to cook rice; The pot is equivalent to a steamer, divided into two parts, the upper part holds food, the lower part holds water; Food utensils are used to hold food, usually covered to prevent food from falling. The Buddha Finger Sarira found in the underground palace of the Dafen Temple was placed in different treasure boxes. The treasure boxes were also container cultural relics, such as the eight-fold treasure box, the five-fold treasure box, the four-fold treasure box, etc. Different treasure boxes had different structures and decorations. They were offered according to the highest Buddhist rituals and the lineup of Buddhist rituals. During the Warring States Period, the "Warring States Bird Cover Hu Pot" was also a kind of container cultural relic. It was a vessel used to hold mysterious wine. The lid was in the shape of a bird's head, with pearl patterns as the base. There was a ring buckle on the bronze bird's beak, and a flat ring-shaped handle on the shoulder of the vessel. The two ends of the handle were in the shape of a dragon's head. The bird's tail was covered and connected to the handle with a copper chain. The shape was exquisite and elegant. It was a rare and precious cultural relic, providing an important basis for studying the history and culture of the Warring States Period. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cultural relic buckle
The snap button, also known as a button, was a small ball or sheet used to fasten clothes. It was an important standard to judge the shape of Han clothes. The places with mother and daughter buttons were probably Han clothes made in the Ming Dynasty. It was commonly seen in Ming Dynasty standing collar long shirts, mending clothes, and capes. The number of buttons required for a Han costume varied from 2 pairs to 7 pairs. For example, the collar of a stand-collar gown was standard with 2 pairs, the cloak was standard with 1 pair, and the upper jacket was generally 5 - 7 pairs. The history of the mother and daughter buckle could be traced back to the Zhou Dynasty. The word "new" appeared in books such as "Zhou Li" and "Book of Rites." However, the mother and daughter buckle was most popular in the Ming Dynasty. In the Ming Dynasty, buttons were mostly made of gold, silver, copper, and other metals or jade. The structure was divided into two halves, which were similar in shape. One half was a button with a ring, and the other half was a metal buckle. The buckle was inserted into the button ring to realize the buckle connection. In the Ming Dynasty, due to the importance of covering the neck, the practice of buttoning the collar became popular, and even led to the birth of the vertical collar. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cultural relic painting
He didn't quite understand the exact meaning of " cultural relic painting." If it was about cultural relic painting in the civilization, from the reference materials, some art teachers showed the culture of their hometown by painting the cultural relics in the museum. There were also many painting activities with the theme of cultural relics, such as the practical activity of " I'll Draw Chinese Cultural Relics and Walk into Suzhou Museum " launched by Suzhou University, and the series of art exhibition activities of " I'll Draw Chinese Cultural Relics " in Luoyang. These activities were aimed at promoting and spreading the unique history and culture of various places, and many precious cultural relics were used as painting objects by artists, such as the Painting of Auspicious Crane by Emperor Huizong of Song Dynasty, and the painting jointly painted by Tang Bohu and Zhu Zhishan, which was valued at 3.3 billion yuan and was a first-class cultural relic of the Forbidden City. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
cultural relic storage
There were many ways to store cultural relics. In China, cultural relics collection units such as museum and library would have special warehouses for storing cultural relics. For example, the Neixiang County Yamen Museum had a cultural relics warehouse, which was a special storage place for cultural relics. It had constant temperature and humidity conditions and a strict security system, which was convenient for cultural relics protection research. From a legal point of view, as early as June 7, 1930, the National Government promulgated the Antiquities Preservation Law, which stipulated the preservation method of antiques. Except for private owners, the Central Antiquities Preservation Committee instructed the preservation place to preserve them, and made photos to be stored in the Ministry of Education, the Ministry of Internal Affairs, the Central Antiquities Preservation Committee, etc. Privately owned important antiques should be registered with the government and could not be transferred to outsiders. Underground antiques belonged to the state. With the development of science and technology, digital cultural relics became an emerging storage method, which used the latest 3D modeling technology to archive cultural relics. This method not only could preserve precious cultural relics permanently, but also provided the possibility for cultural relics experts and cultural relics enthusiasts to study and communicate together. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>