Relics in Poetry
In poetry culture, cultural relics were a common element. For example, in the first collection of poems in our country, the Book of Songs, Gan Tang could be regarded as the earliest poem that called for the public to protect "cultural relics". There were also cultural relics such as the green-glazed brown colored Tang Dynasty poetry pot with the poem "You were born, I was not born" in Hunan Museum. The pot body had poems written on it, reflecting the combination of cultural relics and poetry. In some activities, there would also be a combination of cultural relics and poems. For example, the "cultural relics" cultural relics and poems of Wen County were put into the special exhibition on campus. Through the way of "cultural relics pictures + poetry works", the story behind the cultural relics was told to make the cultural relics "alive". In addition, cultural relics such as the Yuan Dynasty white marble Lu Xianweng Hundred Character Stele written by Lu Dongbin were composed of five characters and twenty sentences of poetry, which described the whole process of Taoist inner alchemy cultivation, interior, effect, etc. All of these showed that poetry and cultural relics were closely related. Cultural relics became the carrier of poetry or the object described by poetry, and poetry also helped to express the meaning of cultural relics and spread the value of cultural relics. Read more exciting novels for free
Poetry Relics
In China culture, poetry and cultural relics were closely related. On the one hand, poetry was a vivid description of cultural relics. For example, in the first collection of poems in our country, the Book of Songs, Gan Tang could be regarded as an early poem related to the protection of cultural relics. There was also a Tang Dynasty blue-glazed brown colored "Jun Sheng, I am not born" poetry pot. The poetry on the pot body reflected the combination of cultural relics and poetry. The porcelain of Changsha kiln was decorated with ancient poems. Most of the ancient poems on these porcelain were created in the Tang Dynasty and carried the mainstream culture of the Tang Dynasty. On the other hand, there were also poems on the cultural relics. For example, Guo Ji Zi's white plate, the inscription on the bottom of the plate was mainly four words, and it was decorated with rhyme. The diction was beautiful, and the writing was completely similar to the Book of Songs. It could be seen as a poem cast on bronze ware. Moreover, some sentences in the inscription could be cited with the historical facts recorded in the Book of Songs, which had extremely high historical value. In short, cultural relics and poetry were the two treasures of China culture. They were intertwined and complemented each other in the long river of history. Cultural relics witnessed the changes of the times and human wisdom, while poetry was the expression of literati's feelings and the poetic reappearance of history. The two complemented each other and jointly constructed the brilliant picture of Chinese civilization. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
300,000 relics
I'm not sure what you want to ask about the "300,000 cultural relics". If it is a museum that collects 300,000 cultural relics, the Egyptian National Museum collects more than 300,000 historical relics, and China Three Gorge Museum in Chongqing has more than 290,000 cultural relics. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Investigation of Zhejiang Medical Relics and Relics
There were many relics and sites related to medicine in Zhejiang. In terms of the site, the Kuahuqiao site in Xiaoshan unearthed Chinese medicinal herbs and herbal medicine pots about 7000 - 8000 years ago, starting the development of Zhejiang traditional Chinese medicine. Traditional Chinese medicine such as gorgon seeds and traditional Chinese medicine instruments were found in the ruins of Liangzhu Ancient City and Hemudu. Ganoderma lucidum samples were unearthed from Tianluo Mountain in Zhejiang Province, and the use of ganoderma lucidum as a medicine was traced back to at least 6800 years ago. From the perspective of medical cultural relics, there was an exhibition of traditional Chinese medicine industry equipment and cultural relics in the backyard of the China Folk Museum. It displayed cultural relics such as small bottles used by doctors to collect medicinal herbs, as well as medical books that recorded how much money was weighed and the price list of medicinal herbs. These all reflected the rich medical cultural heritage retained in the development of traditional Chinese medicine in Zhejiang. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Bird Relics
The following is an introduction to some bird relics: ** I. Bird Relics in Dongyi Culture ** 1. ** Late Dawenkou culture, big mouth ** - Unearthed from the southeast site of Yuzhuang, Ningyang County, Tai 'an City in 2018, with a diameter of 32 and a height of 62 cm. There was a combination of engraved symbols (which could be called "image characters") at the bottom of the mouth on one side. It was composed of the "sun" on the top, the "mountain" on the bottom, and the birds flying towards the sun in the middle. It was temporarily identified as the combination of the words "Sun Bird Mountain". 2. ** Merchant's owl, copper beam ** - Unearthed from the Daxinzhuang site in Jinan in 2010 - 2011. 16.1 cm in length, 12.5 cm in width, 18.0 cm in height, 3.19 cm in width, 6.83 cm in length, 2.48 cm in diameter, and 2.056 kg in weight (including liquid). The whole vessel is oval in shape, with a big mouth, a cover as the head, a vessel as the body, a rope pattern lifting beam, the cover and the body as the mother and son mouth, and a mushroom shaped column button on the top of the cover. They looked like two owls with their backs facing each other. They had round eyes, hooked beaks, and thick legs. Their stomachs were decorated with carvings of cloud patterns to outline their wings. The patterns were a combination of various carving techniques, and the shape was agile and exquisite. In the Shang Dynasty, owls were revered as the symbol of the God of War. Artifacts with owl patterns were national treasures of the Shang Dynasty, which also reflected the importance of the Daxinzhuang site in Jinan. 3. ** Shang Phoenix Bird Pattern Bronze Zhi ** - Unearthed from the Daxinzhuang site in Jinan in 2010 - 2011. This was a common drinking vessel and ritual vessel during the Shang and Zhou Dynasties, and it was cast in the late Shang Dynasty. The design was small and exquisite, and the lines were beautiful and smooth. The phoenix pattern was commonly seen in bronze ware as the main pattern, indicating that the phoenix worship was deeply rooted in people's hearts at that time. The owner of the tomb who used the exquisite bronze ware had a noble status. 4. ** Shang Peacock Stone Bird Ornaments ** - Unearthed from Liujia Village in Jinan in 2010 - 2011. It was 3.8 cm long, 3.0 cm wide, 0.8 cm thick, and weighed 26 grams. It was made of a peacock stone, and its entire body was green and polished. The ring-shaped patterns were clear like peacock tail feathers. It was flat and bird-shaped. It had a big head, a sharp beak, and round eyes. Its wings were spread out and decorated with cloud patterns. Its tail was divided and there were several Yin lines on the tail to represent feathers. It might be the favorite object of the tomb owner when he was alive, or it might be a symbol of the clan emblem or a seal that symbolized military power. 5. ** Painted pottery bucket of the Warring States Period ** - Unearthed from the Sunjiadong site in Zhangqiu, Jinan in 2018. Total length 19.5 cm, total width 9.5 cm, height 10 cm, caliber 8.5 cm, base diameter 7.5 cm, bird head 3.1 cm, handle length 7.5 cm, handle width 4.4 - 5.5 cm. The mouth of the bucket is closed, the lips are square, the abdomen is folded, and the ring foot is higher. The upper part of the abdomen on one side is a three-dimensional bird head, and the opposite side is a wide and long ladder-shaped cranked tail. The body of the vessel is decorated with red color. The bird head is painted with the outline of the head and round eyes. The upper abdomen of the bucket is painted with triangular thunder patterns, and the tail is painted with grid patterns. The whole vessel is in the shape of a bird. The shape is three-dimensional and vivid. At present, the name of the vessel has not been determined. It is temporarily called "Douxing Vessel", which can also be called Jue or Zan. It is a long-handled wine (water) vessel with a head. ** 2. Bird Relics in Qin Culture ** 1. ** Bird-shaped Gold Flake Unearthed from the Tomb of Duke Qin of Dabaozi Mountain ** - Unearthed from the tomb of Qin Gong in the late Western Zhou Dynasty at Dabaozi Mountain (cultural relics were recovered after being stolen). Its original function cannot be determined. It is speculated that it is an ornament on the chariot. According to the bird pattern, it had a hook-shaped beak and was named the owl or the bird of prey. The owl was an owl that hid during the day and came out at night. It was considered magical in Shang culture. The hawk was a raptor like the hawk. It moved quickly and was cruel by nature. The Qin people decorated his image on the chariots and horses, probably because they wanted to use his mighty divine power to win. 2. ** Qin Culture Golden Crow Image Relics ** - Unearthed in the Baoji area, there is a three-legged bird on the bronze ware, which is the Golden Crow (also known as Yang Wu or three-legged). The Golden Crow comes from the crow. Crows were intelligent, and they worked together in groups. They didn't fight for food and were worshipped by the ancients. In addition, the surface of the Western Zhou's lifting beam You unearthed from the tomb of Shigu Mountain in Baoji in Zhou culture was mainly decorated with bird patterns, which had a profound influence on the bird-shaped patterns on the cultural relics of the early Qin culture. The bird-shaped cultural relics of the Qin people were produced under the joint effect of the bird cultures of Yin Shang, Dongyi and Western Zhou. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Handgun relics
The following is some information about the pistol relics: - In the West, there was a special invention in the 17th century. It was a pistol hidden in the Bible. It could be fired by pulling down the bookmark. This item was a unique sperm whale tooth carving of the Viska culture on the south coast of Mexico in 500 AD. - There was a revolver, 23 centimeters long. Its owner was Zhang Dongjiao, a commoner who died in the Jingyuan Uprising. It was a second-class cultural relic and was now collected in the Red Army's Western Expedition Victory Memorial Hall. - The 6.35mm small craft pistol from the German Lignos was now on display in the China People's Revolutionary Military Museum. The gun could hold six rounds and had an effective range of 30 meters. It had a one-handed loading mechanism, and the trigger guard was linked to the sleeve. When the index finger pulled the trigger guard, the sleeve could be pulled back to complete the loading action. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
100 Red Relics
"Red Cultural Relics 100" was a 100-episode online audio and visual program jointly produced by the State Administration of Radio and Television of China and the State Administration of Cultural Relics of China. In addition, there were 86 precious cultural relics left over from the revolutionary struggle in the book Red Cultural Relics. In addition, Chairman Mao's badge, military anthology, etc. were also red cultural relics. There were also items related to the West Fujian Lenin Bookstore, such as "May 5th, 1932, West Fujian Lenin Bookstore Award to Zhuo Xian's first-class silver medal for the printing competition","West Fujian Lenin Bookstore Stone Print of Lenin Statue","Stone Print of World Revolutionary Mentor Max's Head Painting","One Yuan stock of West Fujian Lenin Bookstore", etc. In the Runzhi Years Cultural Center, there were also red cultural relics such as the exhibition area of Chairman Mao's family and the collection of badges. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Beautiful relics
Here are some beautiful artifacts: - The phoenix crown of Empress Xiaoduan of Wanli of Ming Dynasty was collected in the National Museum of China. - Ming Dynasty,"Golden Cicada Jade Leaf" hairpin, collected in Nanjing Museum. - Yuan Dynasty, lotus-shaped glass cup, collected in Shaanxi History Museum. - Song Dynasty, blue glass hairpin, collected in Zibo ceramic glass museum. - Qing Dynasty·Autumn Cao Cup, collected in Gansu Province Museum. - The chime bell of Marquis Yi of Zeng was unearthed in Hubei Province. It was a treasure of ancient China music culture. Its tone was beautiful and its structure was exquisite. - The bronze ware of the Han Dynasty had a unique shape and exquisite patterns, showing the craftsmanship and cultural content of the Han Dynasty. - Tri-colored glazed pottery of the Tang Dynasty was colorful and vivid, reflecting the prosperity and opening of the Tang Dynasty. - Porcelains of the Song Dynasty had a simple and elegant style and superb firing techniques. - The Ming and Qing furniture was exquisitely carved and practical in design, displaying the superb level of ancient craftsmanship. - Ancient calligraphy works, such as Wang Xizhi's Preface to the Orchid Pavilion. - Jade articles were exquisite and had rich cultural meanings. - Tang Dynasty murals, such as the murals of the Mogao Grottoes in Dunhuang, show the religious beliefs and artistic style of the Tang Dynasty. - The blue and white porcelain of the Yuan Dynasty had a unique color. - The ancient bronze mirror was decorated with exquisite patterns, reflecting the aesthetic taste of the ancients. - Lacquerware of the Ming Dynasty, gorgeous in appearance and exquisite in craftsmanship. - Ancient terracotta warriors, such as the terracotta warriors of the Han Dynasty, vividly depicted the social life and customs of that time. - Qing Dynasty palace items, such as tea sets and the four treasures of the study, reflected the culture and lifestyle of the Qing Dynasty. - Ancient Buddha statues, such as the Buddha statues of the Tang Dynasty, displayed the glorious achievements of religious art. - Ancient paintings, such as Along the River During the Qingming Festival, vividly depicted the social life and customs of that time. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Relics and archaeology
Cultural relic archaeology was a specialized course in China's ordinary colleges and universities. It belonged to the cultural service category and the length of study was three years. Through teaching the basic theories of archaeology, this major trains students to have the ability of field archaeological investigation, exploration, excavation, drawing, photography and recording, data sorting and preliminary research, so that they can engage in archaeological exploration, archaeological excavation and other work. Archeological work can help us understand the life and culture of ancient humans. For example, in the field of animal and plant archaeology, through the study of animal and plant remains, one could understand the food culture of ancient China people, including the diet structure, the cultural code behind the eating habits, the development of ancient agriculture, the dependence of human beings and nature, etc. One could also speculate on the migration of ancient population, the path of cultural exchange, and the changes in social structure, revealing the spiritual beliefs and religious rituals of ancient China people. At the same time, there were also unsolved mysteries, such as the lack of archaeological evidence of animals and plants recorded in some ancient literature, the controversy over the origin and evolution of animals and plants, the way ancient humans used animal and plant resources and their impact on the ecological environment, etc., which needed further study. In terms of archaeological discoveries, such as the pottery and human bones unearthed from the Dongxiafeng site in 2023, Fudan University used DNA testing on the skull and modern skull restoration technology to restore the appearance of the Chinese female ancestor 3800 years ago; In 1986, the archaeological discoveries in Alimatu Township, Guanghe County, Summer Prefecture, such as the special burial forms and unearthed artifacts found in the investigation of Alimatu Han Tomb, including the tomb jars of Zhushu Town with exact dates, all provided important evidence for the study of society, culture and funeral customs at that time. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
indoor relics
Indoors cultural relics were usually placed in an environment with strict security measures, such as being placed in glass boxes, which ensured the safety of the cultural relics. For example, Xianyang Museum (II) had indoor cultural relics, and Hummingbird photography forum had exquisite photos of indoor cultural relics for photography enthusiasts to appreciate. This helped them learn photography skills, post-processing skills, understand photography equipment, and share beautiful photos. Inside the Great Buddhist Temple, there was the largest indoor wooden statue of the reclining Buddha in Asia and the most complete first printed version of Yongle Northern Collection. It was a Buddhist art museum that integrated various cultural elements. The indoor archaeological work of Nanhai No. 1 carried out in the museum had many advantages, such as the ability to artificially control and simulate the burial environment of the shipwreck, providing the necessary platform for the application of various technologies and fine excavation. In addition, Changsha had an immersive digital exhibition of life art-Mawangdui Han Dynasty culture. Through the combination of history and technology, people could immerse themselves in the cultural thoughts behind the indoor cultural relics of Mawangdui Han Tomb. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Spiritual relics
Cultural relics were considered to have spirituality. On the one hand, they could reflect the cultural style of a specific historical period and the spiritual characteristics of people at that time. For example, the cultural relics of the Kangxi, Yongzheng, and Qianlong dynasties of the Qing Dynasty. The ancient and elegant Kangxi Dynasty, the minimalist and elegant Yongzheng Dynasty, and the elaborate and gorgeous Qianlong Dynasty. Through the cultural relics, one could see the great achievements of the emperors at that time, as well as their confidence and preferences. On the other hand, cultural relics carried historical stories and the wisdom of the ancients. For example, the 100 national treasures and cultural relics in "Mawei National Treasures 100" told people about the historical process with their own unique spirituality. For example, the bronze galloping horse (horse treading on a swallow), its shape showed the rich imagination of the ancients, exquisite conception and skilled craftsmanship. It contained the story of being discovered, repaired, collected, and the process of becoming the spiritual symbol of the Chinese nation. In addition, from the perspective of cultural heritage, cultural relics were the physical bearers of history. They hid many secrets that were not recorded in historical books. They witnessed the development of Chinese civilization. When people explored the stories behind cultural relics, it was as if they could talk to the ancients and feel the "spirituality" of cultural relics. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>