The relics of the Seal Treasure Hall
According to the information provided, there was only one book published by the Shanxi Province Cultural Relics Work Committee called "1980 Kong Wang Xi Bao Tang", but there was no more specific information about the cultural relics of Xi Bao Tang. In addition, as a trademark type 14 -jewelry watch-related trademark, Xi Bao Tang did not directly indicate that it had more connections with cultural relics. Therefore, it was impossible to accurately describe the cultural relics of the Seal Treasure Hall. Read more exciting novels for free
Imperial Seal Relics
In ancient China, the imperial seal was the emperor's seal and a symbol of imperial power. It was usually made of metal and engraved with the emperor's name and coat of arms. The right to use it was usually exclusive to the emperor. In Japan, the emperor's imperial seal was used to seal relevant documents when the emperor carried out state affairs. In China history, imperial seals such as the imperial jade seal of Qianlong were symbols of supreme power. However, there was no more information on the specific situation of the imperial seal cultural relics, such as the number of existing imperial seal cultural relics, the state of preservation, the location of collection, and so on. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The treasure of cultural relics
The treasure of the museum was a collection of cultural relics that had extremely high value and could best represent the characteristics of the museum. The following are some of the museum's treasures: - National Museum of China: - ** Painted Stork Stone Axe Porcelain Vat **: Unearthed in 1978 in Yan Village, Linru County, Henan Province (now Ruzhou City), it is a burial tool of the early Neoliths. The overall height was 47 centimeters, the caliber was 32.7 centimeters, and the base diameter was 20.1 centimeters. On the outer wall of the belly, the stork stone axe was 37 centimeters high and 44 centimeters wide, occupying about half of the surface area of the cylinder. The picture was vivid, the colors were harmonious, the simplicity was beautiful, and the artistic conception was rich. It was the earliest and largest pottery painting discovered in China. In 2002, it was determined by the State Council as the first of the 64 precious cultural relics that could not be exhibited abroad. - ** Tao Ying Ding **: A product of the Yangshao culture, unearthed in Taiping Village, Hua County, Shaanxi Province in 1958. It was 35.8 cm tall and 23.3 cm in diameter. It was a model of the perfect combination of primitive art and practical functions. It adopted the shape of an eagle standing on its feet. The eagle's body was strong, the structure was simple, and it was mighty and majestic. - [Stepmother Wu Ding]: A heavy bronze artifact from the late Shang Dynasty. Unearthed in March 1939 in Houjia Village, Anyang, Henan Province. It weighed 832.84 kilograms, was 133 centimeters tall, 110 centimeters long, and 79 centimeters wide. It was the largest and heaviest bronze ware unearthed so far. It was named after the three words "Houmu Wu" cast on the inner wall of the tripod. It was the temple name of the wife of the Empress Wuding of the Shang Dynasty. It was also the largest and heaviest bronze ritual vessel unearthed in the world so far, enjoying the reputation of "the treasure of the country". - ** Queen Xiao Duan's Nine Dragon and Nine Phoenix Crown **: It was collected in the National Museum. It was made of 71 rubies, 57 sapphires, and 5449 Eastern pearls. There were 9 golden dragons on the top and 9 phoenixes on the bottom and top. The value was immeasurable. - ** Confucius Museum **: Topaz Horse of the Warring States Period, unearthed from Tomb No. 3 of the Old City Ruins of the State of Lu. It is 5.7 cm tall and 1.6 cm wide. Standing on a small jade board 2.4 cm long, it carries more than 2000 years of history. - ** Hunan Museum **: - ** Plain gauze unlined garment **: Funeral object of the wife of Li Cang of Changsha State of the Western Han Dynasty, Xin Zhui's wife. It was unearthed in 1972 at the tomb of Xin Zhui at Mawangdui, Changsha. The fabric was made of plain yarn and was woven from silk. There was no lining or color. The silk thread was extremely fine and exquisite. Including the embroidered collar, sleeves, and lapel edges, it weighed 49 grams, 132 centimeters long, and 181.5 centimeters long. It was the pinnacle of textile technology during the Western Han Dynasty. It was the earliest, most well-preserved, most exquisite, and lightest clothing treasure. - ** T-shaped silk painting of Mawangdui No. 1 Han Tomb **: Part of the funeral ceremony at that time. The tomb owner was Li Cang's wife. From top to bottom, the painting depicted the scenery of the earth, the human world, and the sky, interweaving real life and imagination. It had a strong superstitious color, reflecting the concept of worship of gods in the early Western Han Dynasty. - ** Dahe Square Tripod with Human Face Pattern **: 38.5 cm high, 12.85 kg heavy. The body of the tripod is rectangular. The mouth is slightly larger than the bottom. The mouth is turned outwards. The two ears are upright. The belly of the tripod is deeper. There are four cylindrical tripod feet. The inscription "Great Heaven" is on the inner wall near the mouth. A human face was embossed on each of the four sides as the theme, and there were symbolic corners at the corners as decorations. It was the only human face pattern cauldron. - ** Dragon and Phoenix Painting on Silk **: Unearthed in 1949 in the Chu Tomb of Chenjiashan, Changsha, Hunan Province. It is one of the earliest and most well-preserved portraits in China. Together with the "Dragon Painting on Silk", it roughly established the basic expression technique of Chinese meticulous figure painting. The texture was dark brown plain silk, 31 cm in length and 22.5 cm in width. The background was omitted, and the three images of a woman, a dragon and a phoenix were drawn with line drawing and color setting. The artistic expression was strong. - ** Painting of the Imperial Dragon on Silk **: also known as the Painting of Dragon Control. It was 37.5 centimeters long and 28 centimeters wide. When it was unearthed, it was placed flat between the cover of the outer coffin and the coffin. The painting depicted the scene of the tomb owner ascending to the sky on a dragon. There was a bamboo shaft on the top and a silk rope on the shaft. It should be the Ming Jing in the tomb that led the soul to the sky. It was in the late Warring States period. - ** Ming Tombs Museum **: - ** King Xiaojing's Empress 'Twelve Dragons and Nine Phoenixes Crown **: The golden dragon was made of silk. It rose with its head held high and its four legs had different postures. All nine phoenixes spread their wings and flew. Each model was made of 28 feathers stuck together on the neck of a living kingfisher more than 400 years ago. - The crown of King Xiaoduan's empress, the crown of six dragons and three phoenixes: The golden dragon was made of golden silk, and its four feet stood upright on the auspicious cloud inlaid with golden silk and gemstones. The phoenix was made of green silk, and it flew with its head held high and its wings spread. The dragon and phoenix held the pearl string made of eastern pearls in their mouths. - Palace Museum: Queen Xiaojing's three-dragon and two-phoenix crown, made of more than 100 red sapphires and more than 3000 pearls from the Songhua River and the Heilong River, which are 100 meters deep. It's the best phoenix crown in the Palace Museum. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Ghost Seal of Cultural Relics
Metal Treasure Hunting Relics
In China, it is illegal to use metal detectors to search for treasures and excavate cultural relics. There was a case where the Wang brothers used metal detectors to search for treasures. They dug out a third-class cultural relic of the Song Dynasty from the tomb, but were later arrested by the police and sued by the prosecutor because their actions constituted theft and the amount was huge. There was also a local treasure hunting group in Changzhou. They went to ancient ruins and the wild to explore and excavate every weekend and holidays. The police found 90 kilograms of ancient coins they unearthed, including a national second-class cultural relic. The criminal gang had committed crimes for many years and sold stolen cultural relics in various ways. In the end, the main criminal was sentenced to fixed-term imprisonment for selling cultural relics. Although the use of metal detectors was not illegal in some legal engineering, industrial, and other fields, the excavation of underground cultural relics violated the relevant provisions of the Cultural Relics Protection Law. Because the cultural relics in the underground, inland waters, and territorial waters of the People's Republic of China belonged to the state, it was illegal for individuals to dig privately. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Treasure appraisal encounters cultural relics
I'm not too sure what you mean by 'when appraising a treasure and encountering a cultural relic.' Are you asking how to identify the authenticity of a cultural relic? Or was there a problem with the relevant processing procedures after the appraisal of cultural relics? If it was about the authenticity of cultural relics, different types of cultural relics had different identification methods. For example, metal cultural relics might be judged from the texture, craftsmanship, degree of oxidization, etc., while porcelain might be judged from the texture, glaze color, shape, etc. If it was a post-identification process, legal cultural relics would generally be protected, collected, or displayed according to their value and relevant laws and regulations. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Treasure House of Cultural Relics and Jade
The following are some examples of archaeological excavation that could be called a treasure trove of cultural relics and many jade artifacts were unearthed: - In the tomb of the second wife of Marquis Mu of Jin in Beizhao Village, Quwo County, Shanxi Province, there were more than 4280 funerary objects, more than 800 jade articles, and 12 jade dagger-axes alone. Some jade articles were exhibited in the Jade Museum of Shanxi Museum, including three exquisite jade dagger-axes, one exquisite jade wall, and exquisite jade animals and figures. - Tomb of King Liangzhuang of the Ming Dynasty in Zhongxiang, Hubei Province: excavated in 2001. Although the tomb was only 31 square meters, more than 5300 pieces of gold, silver, jade, copper, iron, lead and tin, porcelain, pottery, lacquer wood, stone, bone horn, etc. were unearthed. Among them, there were many exquisite jade articles, such as gold-inlaid precious stones, white jade thread, empty flower dragon pattern hat top, white jade Haidong blue swan pattern belt (should be the jade articles of the Jin Dynasty palace, which is the most complete jade belt of the same type at present), etc. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Renderings of the Cultural Relics Exhibition Hall
The following are some ideas related to the renovation renderings of the cultural relics exhibition hall: - As for the Academy's cultural exhibition hall, its exhibition hall area was 500 square meters and was divided into four areas. For example, the "Source of Mind Learning" area adopted an archaic architectural style to reproduce the original appearance of the Academy. The history and architectural features of the Academy could be displayed in the form of exhibition boards, pictures, videos, sculptures, etc., as well as the panoramic model of the Academy.(High-definition three-dimensional model, touch-screen operation to view details), Wang Yangming's thought evolution map (dynamic Timeline, sliding screen to browse and inquire), Academy cultural heritage display cabinet (transparent display cabinet to display cultural heritage with text and voice explanation) and other multi-media equipment. The "Rhyme of Mind" area adopted a modern minimalist style. There was a Rhyme of Mind Wall (LED wall to display influence and contribution, and there were also interaction games and tests), a Rhyme of Mind Stage (using phantom imaging technology to display the performance inheritance in art forms and there were interaction devices), and a Rhyme of Mind Pavilion (semi-open space using special effects screen technology to display contemporary applications and promotion). The "Path of Mind" area adopted a modern technological style. It was equipped with the Path of Mind navigation (a large touch control all-in-one machine to display application guidance in different fields), the Path of Mind experience (a small VR device to display the influence of different periods and regions), and so on. - In the exhibition hall in Liulichang area of Jinjiang District, Chengdu City, digital media functions were arranged in the hall. There were 3D cultural relics display equipment without glasses, scene interaction digital media (to deepen the understanding of the theme), VR simulation display (digital simulation restoration of the past grand occasion), etc. The arrangement of these different functions could also be reflected in the decoration renderings, such as reserving suitable space for digital media display and reasonable viewing area. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Family ancestral hall, cultural relics
As a cultural relic building, the family ancestral hall carried a lot of information about history, humanities, science, art, architecture, folk customs, and so on. It was an important part of China's precious historical relics. Many family ancestral halls were listed as cultural relics protection units at all levels. For example, Zhao Nanxing's ancestral hall was located in Gaoyi County and was a key cultural relic protection unit in Hebei Province. It was built during the Hongwu period of the Ming Dynasty and rebuilt during the Jiaqing year of the Qing Dynasty. Qutang's Yang's ancestral hall was built in the 48th year of Qianlong of the Qing Dynasty and rebuilt in the 4th year of Daoguang. It was now announced by the State Council as a national key cultural relic protection unit. Xiao's ancestral hall was located in Xiaojiadian Village, Anzhuang Town. It was built during the Qing Dynasty and was a county-level cultural relic protection unit. The Shao Ancestral Temple on the bank of Nanxi River in Yongjia County, Wenzhou, was built in 1194. It was a state-level cultural preservation unit. There were many precious cultural relics in these ancestral halls. For example, the Luo Ancestral Hall in Xingguang Village, Beimu Town, Dongxing District, preserved cultural relics from the Qing Dynasty, such as signboards and birthday banners sent by relatives and friends, as well as some seriously damaged calligraphy and paintings. These ancestral halls and their internal cultural relics all had important historical value. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Kunlu Treasure Hall
You might want to ask about the Vairocana Hall. The Vairocana Hall was a temple in Buddhist architecture. For example, the Vairocana Hall in the Qixia Temple worshiped Vairocana Buddha, the Dharmakaya of Buddha Shakyamuni. On its left and right stood the two heavenly kings, Brahma and Dishi. On both sides of the hall were 20 wooden statues of the heavenly kings. Behind Vairocana Buddha were statues of Guanyin on the island. There was a big bell and a Dharma drum on the front and left sides of the hall, and two large and luxurious Buddhist shrines with fine carvings and gold makeup at the back. Qianshan Zhonghui Temple also had Vairocana Hall, which was built on a high platform and was the most magnificent hall in Zhonghui Temple. A huge bronze Buddha, Vairocana, was worshipped in the hall. Its head was two meters high, its height was three meters, its Meru Lotus Seat was seven meters high, and it weighed 13.6 tons. It was cast in copper and its golden body was made of gold foil. The Sumeru Seat was made of thousands of Buddha statues of different shapes and sizes, surrounding Vairocana. In Jiming Temple, the Vairocana Hall was also known as the Mahavira Hall. It was rebuilt in 1994 and was the main hall of the temple. In the middle of the hall, the Vairocana Buddha was worshipped. " Yun Anlu's Body Sacrifice " is equally exciting. Everyone is welcome to read it!