National Treasure Cultural Relics Bowl
The following are some national treasure-level cultural relic bowls: - A blue glazed bowl made in Jingdezhen's official kiln during the Xuande period of the Ming Dynasty. In 1973, an old lady sold it as an ordinary bowl to a cultural relic shop for 80 yuan. Later, it was identified as a national treasure. There were only three such bowls in the world. - The black glazed oil dripping bowl of the Northern Song Dynasty was one of the 18 national treasures. - The golden bowl with mandarin duck lotus petal pattern was a cultural relic stored in Hejia Village. It was unearthed in October 1970. It was made of pure gold. When it was unearthed, it was a pair. On the inner wall, there were ink books left by the Tang Dynasty,"Nine Two-and-a-half" and "Nine Two-and-a-Three" respectively. The center of the bottom of the bowl was engraved with the image of mandarin ducks, which might be the royal wedding supplies. Among the 18 national treasure-level cultural relics in Shaanxi Libo, there were only 4 in Hejia Village's cellar. - The Hemudu culture lacquer wooden bowl was unearthed in 1973 in Hemudu Town, Yuyao City, Zhejiang Province. Although its appearance was "rotten" and incomplete when it was unearthed, the paint film covering its surface proved that the ancestors of Hemudu area had mastered the technique of making and using lacquer six or seven thousand years ago, which advanced the history of using lacquer in China to six or seven thousand years ago. It became a precious cultural relic that rose from an ordinary cultural relic to a national treasure. It was known as "the first bowl in China" and an important material evidence of the multi-dimensional integration of the origin of Chinese civilization. It was permanently stored in the Zhejiang Province Museum and was one of the 64 cultural relics that were strictly prohibited from being exhibited abroad. Read more exciting novels for free
National Treasure Part 2: Cultural Relics
Some of the cultural relics mentioned in the second season of "National Treasure" included Li Bai's "On the Balconies" and the Jinou Yonggu Cup; the cultural relics that appeared in the first and second episodes of "National Treasure" included the Qin bamboo slips of Yunmeng Sleeping Tiger; and the copper tableware of the Warring States Period in Shandong Province and the court clothes of the Ming Yan Saint Duke in the second season of "National Treasure" were also cultural relics. In addition, there were many precious cultural relics in other episodes of National Treasure, such as the sword of King Gou Jian of Yue, the bamboo slips of Qin Tomb in Shuihu Land, and the chime bells of Marquis Yi of Zeng, etc., which also had high cultural value. These cultural relics covered calligraphy, ritual vessels, daily necessities, clothing, and many other aspects, reflecting the historical culture and craftsmanship of different periods. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
National Treasure Level Cultural Relics of Hunan Museum
Hunan Museum has many national treasure-level cultural relics, such as Mawangdui Ququ plain gauze unlined garment, which is made of light, undyed plain square hole plain gauze fabric, cuffs and collar decorated with silk, the whole unlined garment is as thin as cicada wings, light as clouds, weighing only 48 grams. There was also a straight-hems plain gauze unlined garment that weighed 49 grams. The "Anle Ruyi Longevity Wuji" unearthed from Mawangdui Tomb No. 1 was also very valuable to the diamond pattern of the silk robe. On the fragment, the seal characters "Anle Ruyi Longevity Wuji" were found in a vertical row. This was the earliest sentence found in the unearthed silk fabric woven with a loom. In addition, in the Hunan Story (Hengyang Exhibition) of the Hunan Museum's Ten Thousand Years Cultural Relics, the dishes and jars were also national treasures. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
National Treasure Level Cultural Relics Appear in Kaifeng
Fan Pagoda was a national cultural relic protection unit. It was a Buddhist pagoda located in Kaifeng, Henan Province. There were nearly 7000 bricks of Buddha statues, one brick and one Buddha, with a total of 108 images. There were more than 200 stone inscriptions preserved in the pagoda. It had a thousand years of history and a certain historical and artistic value. "Along the River During Qingming Festival" was the "treasure of the Palace Museum". It depicted the scene on both sides of the Bian River in Kaifeng of the Northern Song Dynasty. It was one of the masterpieces in the history of China painting. The inscription tablet of Kaifeng Prefecture was a national first-class cultural relic, recording the names of 183 officials who served as the prefect of Kaifeng Prefecture in the Northern Song Dynasty in 146 years. These national treasures were all related to Kaifeng. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Shanghai's National Treasure Level Cultural Relics
Three rare crystal relics, a pure gold Sakyamuni Buddha statue, and many other related cultural relics were unearthed from the ruins of Longping Temple. These cultural relics are extremely valuable and are now collected in the Shanghai Museum. They can be regarded as important cultural relics in Shanghai. In addition, there were many purple clay teapots collected by the Shanghai Museum, such as Yang Pengnian's, Wang Hongke Mansheng's, etc. These purple clay teapots were also of high value from the perspective of history, culture, art, and craftsmanship. However, there was no exact statement on whether these cultural relics were clearly defined as "national treasures". The Shanghai Museum would also hold various international cultural relics exhibition, such as the 285 exquisite cultural relics from the "Glory of Ancient Persia-The Essence of Indian Cultural Relics Exhibition" and the 788 ancient Egyptian cultural relics from the upcoming "Top of the Pyramid: Ancient Egyptian Civilization Exhibition". Although these cultural relics were not unearthed in Shanghai, they were also part of the collection of the Shanghai Museum during the exhibition period, displaying the cultural treasures of different countries. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The treasure of cultural relics
The treasure of the museum was a collection of cultural relics that had extremely high value and could best represent the characteristics of the museum. The following are some of the museum's treasures: - National Museum of China: - ** Painted Stork Stone Axe Porcelain Vat **: Unearthed in 1978 in Yan Village, Linru County, Henan Province (now Ruzhou City), it is a burial tool of the early Neoliths. The overall height was 47 centimeters, the caliber was 32.7 centimeters, and the base diameter was 20.1 centimeters. On the outer wall of the belly, the stork stone axe was 37 centimeters high and 44 centimeters wide, occupying about half of the surface area of the cylinder. The picture was vivid, the colors were harmonious, the simplicity was beautiful, and the artistic conception was rich. It was the earliest and largest pottery painting discovered in China. In 2002, it was determined by the State Council as the first of the 64 precious cultural relics that could not be exhibited abroad. - ** Tao Ying Ding **: A product of the Yangshao culture, unearthed in Taiping Village, Hua County, Shaanxi Province in 1958. It was 35.8 cm tall and 23.3 cm in diameter. It was a model of the perfect combination of primitive art and practical functions. It adopted the shape of an eagle standing on its feet. The eagle's body was strong, the structure was simple, and it was mighty and majestic. - [Stepmother Wu Ding]: A heavy bronze artifact from the late Shang Dynasty. Unearthed in March 1939 in Houjia Village, Anyang, Henan Province. It weighed 832.84 kilograms, was 133 centimeters tall, 110 centimeters long, and 79 centimeters wide. It was the largest and heaviest bronze ware unearthed so far. It was named after the three words "Houmu Wu" cast on the inner wall of the tripod. It was the temple name of the wife of the Empress Wuding of the Shang Dynasty. It was also the largest and heaviest bronze ritual vessel unearthed in the world so far, enjoying the reputation of "the treasure of the country". - ** Queen Xiao Duan's Nine Dragon and Nine Phoenix Crown **: It was collected in the National Museum. It was made of 71 rubies, 57 sapphires, and 5449 Eastern pearls. There were 9 golden dragons on the top and 9 phoenixes on the bottom and top. The value was immeasurable. - ** Confucius Museum **: Topaz Horse of the Warring States Period, unearthed from Tomb No. 3 of the Old City Ruins of the State of Lu. It is 5.7 cm tall and 1.6 cm wide. Standing on a small jade board 2.4 cm long, it carries more than 2000 years of history. - ** Hunan Museum **: - ** Plain gauze unlined garment **: Funeral object of the wife of Li Cang of Changsha State of the Western Han Dynasty, Xin Zhui's wife. It was unearthed in 1972 at the tomb of Xin Zhui at Mawangdui, Changsha. The fabric was made of plain yarn and was woven from silk. There was no lining or color. The silk thread was extremely fine and exquisite. Including the embroidered collar, sleeves, and lapel edges, it weighed 49 grams, 132 centimeters long, and 181.5 centimeters long. It was the pinnacle of textile technology during the Western Han Dynasty. It was the earliest, most well-preserved, most exquisite, and lightest clothing treasure. - ** T-shaped silk painting of Mawangdui No. 1 Han Tomb **: Part of the funeral ceremony at that time. The tomb owner was Li Cang's wife. From top to bottom, the painting depicted the scenery of the earth, the human world, and the sky, interweaving real life and imagination. It had a strong superstitious color, reflecting the concept of worship of gods in the early Western Han Dynasty. - ** Dahe Square Tripod with Human Face Pattern **: 38.5 cm high, 12.85 kg heavy. The body of the tripod is rectangular. The mouth is slightly larger than the bottom. The mouth is turned outwards. The two ears are upright. The belly of the tripod is deeper. There are four cylindrical tripod feet. The inscription "Great Heaven" is on the inner wall near the mouth. A human face was embossed on each of the four sides as the theme, and there were symbolic corners at the corners as decorations. It was the only human face pattern cauldron. - ** Dragon and Phoenix Painting on Silk **: Unearthed in 1949 in the Chu Tomb of Chenjiashan, Changsha, Hunan Province. It is one of the earliest and most well-preserved portraits in China. Together with the "Dragon Painting on Silk", it roughly established the basic expression technique of Chinese meticulous figure painting. The texture was dark brown plain silk, 31 cm in length and 22.5 cm in width. The background was omitted, and the three images of a woman, a dragon and a phoenix were drawn with line drawing and color setting. The artistic expression was strong. - ** Painting of the Imperial Dragon on Silk **: also known as the Painting of Dragon Control. It was 37.5 centimeters long and 28 centimeters wide. When it was unearthed, it was placed flat between the cover of the outer coffin and the coffin. The painting depicted the scene of the tomb owner ascending to the sky on a dragon. There was a bamboo shaft on the top and a silk rope on the shaft. It should be the Ming Jing in the tomb that led the soul to the sky. It was in the late Warring States period. - ** Ming Tombs Museum **: - ** King Xiaojing's Empress 'Twelve Dragons and Nine Phoenixes Crown **: The golden dragon was made of silk. It rose with its head held high and its four legs had different postures. All nine phoenixes spread their wings and flew. Each model was made of 28 feathers stuck together on the neck of a living kingfisher more than 400 years ago. - The crown of King Xiaoduan's empress, the crown of six dragons and three phoenixes: The golden dragon was made of golden silk, and its four feet stood upright on the auspicious cloud inlaid with golden silk and gemstones. The phoenix was made of green silk, and it flew with its head held high and its wings spread. The dragon and phoenix held the pearl string made of eastern pearls in their mouths. - Palace Museum: Queen Xiaojing's three-dragon and two-phoenix crown, made of more than 100 red sapphires and more than 3000 pearls from the Songhua River and the Heilong River, which are 100 meters deep. It's the best phoenix crown in the Palace Museum. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Porcelain bowl drawing of cultural relics
Porcelain bowl drawings had different characteristics in different periods and kiln entrances. For example, the painted porcelain of the Changsha kiln in the Tang Dynasty was extremely exquisite. It was painted in two colors, with iron oxide-based paint to draw brown under the glaze and copper oxide-based paint to draw green under the glaze. The patterns of the painted porcelain included butterfly patterns, lotus patterns, dragon patterns, etc. There were also patterns of abstract art style, and there were date patterns, which were plastic-molded porcelain patterns that were fixed for export. A lotus leaf bowl with green dragon patterns on a white ground during the Qianlong period of the Qing Dynasty. The outer wall is decorated with a green dragon, with fire beads and cloud patterns with the word "Ren" in between. The feet are decorated with dark carvings of river teeth and sea water. The blue-and-white porcelain of the Ming Dynasty had a picture of a child playing with a child, which could portray the facial expressions of a child. Among the porcelain bowls of the Qing Dynasty, there were blue and white porcelain bowls with exquisite paintings. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The small county museum houses national treasure-level cultural relics
There were many national treasures in the county's museum. For example, although Yunmeng County Museum was located in the smallest county in Hubei Province, it hid many national treasure-level cultural relics and created four "first" brilliant achievements: China's First Law-Qin Law, China's First Building-Eastern Han Tao Lou, China's First Long Wen Gu-Zhengjia Lake Wood Gu, China's First Family Letter-Wooden Letter. At present, there are 4285 cultural relics in the museum, including 49 national first-class cultural relics, 64 second-class cultural relics and 240 third-class cultural relics. There was also the Qingzhou City Museum, which was the only county-level comprehensive museum among the first batch of 83 state-level first-class museum. It was known as the "small museum", which was located in a small county and had a large collection of cultural relics. There was a unique copy of Zhao Bingzhong's palace examination volume in the twenty-sixth year of Wanli of the Ming Dynasty, as well as the Eastern Han Dynasty's "Yi Descendants" jade, Buddhist statues unearthed from the Longxing Temple ruins, and other treasures. The novel "Gilded Palm" is equally exciting. Everyone is welcome to click and read it!
National Collection of Cultural Relics
Currently, there were many units collecting cultural relics: - On August 14, 2014, the Supreme People's Court and the State Administration of Cultural Heritage issued a notice to support the collection of collections by the Supreme People's Court Museum. - CCCC First Harbor Administration will collect cultural relics and historical materials from all walks of life from today to December 31,2024. The collection contents include production tools and office supplies that witness the development and changes of the First Airlines, various certificates, medals, drawings, documents, photos, etc. with memorial value, covering historical development (such as the period of recovery and construction of the socialistic economy, the period of large-scale construction of the port, the new period of reform and opening up, since the 21st century, etc.), overseas project development (the period of assistance, the period of actively going overseas), and the implementation of national strategies (the strategy of rejuvenating the country through science and education, the strategy of making the country strong, etc.). - Jimsar County Museum is collecting cultural relics, including ancient stones.(The focus is on stone tools and jade articles from the Han and Tang Dynasties to the Ming and Qing Dynasties), steles, tablets and other materials that reflect the history and culture of Jimsar County and the stories of people, collections with high artistic value (such as famous people's calligraphy and paintings, etc.), and folk customs (reflecting the folk customs of various ethnic groups in Jimsar County, such as food, clothing, housing, etc., production tools and living utensils of specific periods, and objects and materials that reflect the history of modern revolutionary struggles, etc.). The owner is required to ensure that the source is inherited in an orderly, reasonable and legal manner. - The Seventh Campus of the People's Anti-Japanese Military and Political University of China From March 15 to July 31, 2024, the Seventh Campus of the University of Kang will publicly collect cultural relics and historical books from the whole society, including literature (such as orders and instructions issued by the Central Committee of the Party), physical materials (such as weapons used by revolutionary ancestors), audio and visual materials (such as photos, films, etc.) and other materials (such as other aspects of teachers, students and local working people). In addition, the State Administration of Cultural Relics announced the "New Rules for Collection of Collections in state-owned Missions" to broaden the sources of collections and encourage the people to donate cultural relics to the museum free of charge. If they are unwilling, they can also be purchased by the museum. However, when purchasing, it is necessary to confirm that the source of folk cultural relics is true and legal. For example, porcelain needs to be judged by three national experts from the aspects of authenticity, history, artistic value, scientific value, circulation experience, etc., and evaluated separately. After unified opinions, the collection process will be completed, and the experts have the right to" one-vote rejection". <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
National Cultural Relics Investigation
The national cultural relics investigation was part of the cultural relics survey. The cultural relics survey was a comprehensive survey of local cultural relics resources organized by the local cultural relics administrative department within an administrative division. This work was different from the special investigation of archaeological work and the general investigation of cultural relics by the cultural relics department. For example, on December 20,2023, the law enforcement officers of Yangxi County Culture, Broadcasting and Sports Bureau went to the Liang Ancestral Hall and Zhang Ancestral Hall in Zhiyi Town to carry out daily inspection work to ensure the safety of cultural relics. In addition, the fourth national cultural relics survey was also in progress. The relevant units actively cooperated with the general survey tasks issued by the State Council, carried out the compilation and approval of the general survey list, and did a good job in the general survey of cultural relics, data collection, sorting and sorting out, and did their best to improve the general survey work. Through the investigation of cultural relics and other general investigations, they could have a comprehensive understanding of the status of cultural relics resources, which would be helpful for the protection, inheritance, and utilization of cultural relics. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
National Treasures and Cultural Relics
The following are some situations related to the dubbing of national treasures: - In the documentary "If National Treasures Can Speak," the dubbing was pleasant and moving, and the mood changed constantly with the historical story behind the cultural relics. For example, the dubbing was long and mellow in the episode "Luo Shen Fu Tu," and the voice was light and playful when explaining "Tang Painted Twelve Zodiac Servants." The background music would also change according to the historical background of the cultural relics. According to the emotional atmosphere of the same cultural relics, drums, erhu, guqin, chimes and other ethnic instruments would be added to highlight the charm and characteristics of the cultural relics. - In the fourth season of "National Treasure," Xiao Zhan introduced the cultural relics and national treasures in his hometown, China Three Gorge Museum, as a special voice actor. - Zhao Xueying, who had 11 years of experience as a voice actor, performed a voice acting performance from the first-person perspective of cultural relics at the China National Treasure Conference. - The Hubei Province Museum once held an event to carefully select 20 heavyweight cultural relics as materials and write explanations for the majority of dubbing enthusiasts to participate in the dubbing activity of "I speak for national treasures". The activity adopted the mode of "offline card punching + online dubbing". The participants could follow the Weixin Official Accounts "Recruit Butler", click "I speak for national treasures" to open the dubbing Mini programs, select the national treasures they are interested in and dub according to the commentary. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>