It's a first-class cultural relic
A first-class cultural relic referred to a representative cultural relic with particularly important historical, artistic, and scientific value that met the requirements of the Grading Standard for Cultural Relics Collection. For example, the Palace Museum had more than 8000 pieces (sets) of first-class cultural relics, such as "Along the River during the Qingming Festival" and square plates with turtle and fish patterns. The two-wheeled single-cylinder motorcycle "Jebel- 125" that Wang Jinxi bought at his own expense when he was in the Yumen oil mine, the brake handle, the "three-blade" drill bit, and the aluminum helmet he wore during the battle were all national first-class cultural relics. There were also wooden carvings and painted water moon Guanyin from the Liao Dynasty that were lost overseas. They were regarded as precious cultural relics in the Nelson Museum of Art in the United States. Xu Wei's ritual documents from the Southern Song Dynasty were also national first-class cultural relics. These cultural relics reflected the production relations, economic system, political system, social development, productivity development, technological progress, national unity, foreign exchanges, resistance to foreign aggression, deeds of famous figures, ethnic customs, religious beliefs, and many other aspects of China's history. They were especially valuable in ancient books or revolutionary practice activities, so they were recognized as first-class cultural relics. Read more exciting novels for free
Stolen Class One Cultural Relic
There were some cases of stolen first-class cultural relics. For example, in China, the "Xu Weili Book" excavated by tomb robbers from an ancient tomb on Longwang Mountain in Wuyi County, Zhejiang Province was identified as a national first-class cultural relic. In the "9.18" cultural relic theft case in Kaifeng Museum, four first-class cultural relics, including a blue and white lotus plate in Xuande years of Ming Dynasty, a yellow glazed porcelain plate in Hongzhi years of Ming Dynasty, a three-legged furnace with patterns in Dehua Kiln of Ming Dynasty, and a flat bottle with red broken branches and fruit patterns in blue and white glaze in Yongzheng years of Qing Dynasty, were stolen. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Experience in the cultural relic appreciation class
Studying the cultural relic appreciation class could bring about many benefits. From the perspective of culture and history, cultural relics were things left behind by history and had cultural value. They were the crystallization of human history and culture. Through the cultural relic appreciation class, one could look at the past from the cultural relics and understand the ancient culture, the aesthetics and lifestyle of the ancients. One could gain an in-depth understanding of the development of civilizations in different periods and regions, and experience the rise, development, and decline of civilizations. These were all difficult to obtain completely from written records. In terms of art and aesthetic improvement, cultural relics were a concrete embodiment of art. Whether it was ancient porcelain, calligraphy, or other works of art, they all showed the artistic level and aesthetic taste of the time, helping to improve one's artistic appreciation ability and perception of beauty. In terms of personal qualities, learning cultural relics appreciation could improve cultural taste and improve personal qualities. It involved the study of different types of cultural relics, such as jade appreciation, which could explore the reasons behind the ancient jade, such as the classification of grades. In terms of practical value, although they might feel that they could not identify anything despite coming into contact with many categories and identification methods during the learning process, the course taught basic identification methods, including traditional eye science, archaeological methods, and scientific methods. It also emphasized the importance of grasping the characteristics of different categories and different eras and regional styles. This would lay the foundation for future work related to cultural relics. For example, when working in a museum or archaeological unit, it could be used to identify the confusion of cultural relics 'age information. Even if it was not in the cultural industry, it could also help identify the complicated cultural information in society and prevent the spread of wrong information. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
First-class cultural relic of Zhejiang Province
Some of the first-class cultural relics of the Zhejiang Province Museum are as follows: - The Warring States period, the King of Yue, had an imperial edict for the Dao sword, 52.4 centimeters long. On both sides of the sword case, there were inscriptions of double-hook birds and insects. The hilt was engraved with a name. It was verified that its owner was the son of the King of Yue, Gou Jian. In early 1996, the Zhejiang Province Museum spent 1.06 million yuan to obtain it. - The gilded Ashoka Pagoda was unearthed from the Ashoka Underground Palace of Leifeng Pagoda. The tower was 35.6 meters high and consisted of three parts: the base, the tower body, and the top. It could reflect the highest level of gold and silver ware manufacturing in Wuyue Country. The four sides of the tower body were engraved with Buddha's Jataka story and there was a golden container containing Buddha's Conch Hair. It had extremely high historical research value. - The clay Bodhisattva statue of the Song Dynasty was unearthed from the White Elephant Pagoda in Wenzhou. It was 60 meters tall and had a beautiful appearance. The clothing and accessories of the Buddha statue were exquisite. - The jade cong of Liangzhu culture in the Neolith Age is shaped like a flat and short square pillar, with a round inside and a round outside. The upper and lower ends are round and round, with a pair of drilled holes in the middle. The four sides of the cong body are divided by straight grooves and horizontal grooves. - It is a copper sword made of gold and inlaid with copper from the State of Yue in the Warring States Period. It is 57 cm long and well-preserved. The frame is engraved with animal patterns and inlaid with turquoise (part of it has fallen off). The body of the sword is decorated with interwoven ripple dark patterns and head-shaped patterns. There are inscriptions in gold seal characters near the frame. When the sword was unearthed, it was attached with a complete scabbard and sword case. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
This motorcycle is actually a national first-class cultural relic
The reference material mentioned a number of trains that were classified as national cultural relics. For example, the No. 0 steam locomotive was the oldest locomotive preserved in China. It was used in the Tangxu railway since 1882 and was manufactured in a British factory. It had a high historical value and was collected in the China Railway Museum. The KP- 1 steam locomotive was specially customized by the National Government in the early 1930s for the Zhu-Shao section of the Yue-Han railway. A total of 24 units were produced, and only two of them were left, which were collected in the China Railway Museum. The first generation of the steam locomotive, Mao Tse-dong, was officially retired in 1977 after more than 30 years of safe operation, and is now collected in the China Railway Museum. Due to their unique historical significance and their rare number, these motorcycles were classified as national first-class cultural relics. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
cultural relic
Sand casting was an ancient craft that was of great significance in the production and identification of cultural relics. For example, 11 gilded Buddhas from the early Tang Dynasty unearthed in Duchang County, Jiujiang, Jiangxi Province, were made using the sand-turning process at the end of the Sui Dynasty. There was also the Yuan Dynasty's "Seal of Ten Thousand Families of the Han Army" in the collection of the Zhaodong City Museum, which was also made by sand casting, but this seal was more crude. In the field of China antique art, the art of turning sand was also used to counterfeit. For example, when ancient coins were forged, profiteers might use the method of turning sand to cast money, which involved turning the mold, trimming the edge, repairing the hole, rusting, silencing the sound, making old coins, and other methods to make counterfeit coins. This required collectors to improve their eyesight to distinguish. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
6,000 yuan to pick up a first-class treasure in the cultural relic store
A Tibetan friend had once bought a porcelain plate from a cultural relics store for 6,000 yuan. The bottom of the porcelain plate was engraved with the words " Made in the Qianlong period of the Qing Dynasty." It was identified by the old gentleman in the cultural relics department as " Gai Xuehong," a popular art and painting during the Qianlong period. This porcelain plate was the product of the " official and civilian burning." Its painting skills had reached the level of the official kiln painter, and the porcelain plate had the label of " Wen Jia." When the cultural relics store and the friendship store were separated, the cultural relics before Qianlong were divided into A, B, C, and D grades. This porcelain plate belonged to A, and the grade was higher. It was a treasure worthy of collection. This Tibetan friend had missed it. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
cultural relic with inscriptions
The following are some of the cultural relics with inscriptions: - There were 29 inscriptions on the base of the "Eight-year-old Lacquer Wood Tall Bean" that was recovered from the Eastern Tomb of Qin Dynasty. The interpretation of some inscriptions helped to determine whether Lord Mengchang had served as the prime minister of Qin Dynasty. This cultural relic was determined to be a national first-class cultural relic. - He Zun, a national treasure of the Western Zhou Dynasty, had an inscription that recorded the important historical fact that King Cheng of the Zhou Dynasty inherited the will of King Wu of the Zhou Dynasty and moved the capital to Luoyi (now Luoyang, Henan Province), which was called "Cheng Zhou". The earliest source of the word "China" was "Staying in China". - There were four lines and 33 words of inscriptions cast on the bottom of the Gui of the Western Zhou Dynasty. The content was related to King Wu of Zhou's conquest of King Zhou of the Shang Dynasty. This Gui was also known as the Gui of King Wu's conquest of the Shang Dynasty. It had great historical significance and was listed as one of the nine national treasures. - There were two circles of words on the outer wall of a certain drum seat. The upper circle had about 98 words and the lower circle had 52 words. Although some of the words were vague and some were written in reverse, the word "Yu" in one of the lines was believed by experts to be more than a third-level cultural relic and should be classified as a first-level national treasure. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
cultural relic box
Casing cultural relics was a method of disposal during archaeological excavation. During an archaeological excavation, the unearthed cultural relics that were important but could not be cleaned up in time would be extracted in a box. For example, a large number of chariots and horses were unearthed from Tomb M1901 at the Liulihe archaeological site. Because their relative position was very important for archaeological research, the archaeologists carried out box extraction. These carriages were large, heavy, and in the mud. It might not be possible to insert them according to the usual steel plate extraction method. The team members listened to the advice of the old gentleman in the cultural relic protection and inserted a row of steel pipes under the boxes to reinforce the boxes. Also, in the archaeological research of the Marquis of Haiying's tomb, a large number of cultural relics excavated on the spot were transported to the laboratory in boxes for protection and research. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
cultural relic bottle
There were many kinds of bottles and jars in the cultural relics. There were all kinds of bottles and jars in different periods and regions. In the blue and white flowers of the Yuan Dynasty, there was a vase with four paintings of love. The blessed part of the vase had four paintings related to "love". They were Wang Xizhi's love for orchids, Tao Yuanming's love for chrysanthemums, Zhou Dunyi's love for lotuses, and Lin Hejing's love for plum blossoms and cranes. It was originally bought by a cultural relic store for 600 yuan, and was later identified as the Yuan Dynasty, becoming the treasure of the museum. There were also some bottles and cultural relics in the museum, such as the white glazed brown flower plum vase and the white glazed black animal pattern plum vase unearthed in 2017 from the tomb of the high-level noble family of the Khitan in the Liao Dynasty. There were also the Ming Jiajing blue and white cloud dragon auspicious phoenix cloud crane pattern cover jar, Ming Zhengde blue and white figure gourd vase, etc. In addition, in the Shandong Museum, there are various kinds of bronze "bottles and jars", such as You, which holds wine, has a large mouth and lower abdomen, with a cover and a beam; Gu, which holds wine, has a long body, luxurious mouth, mouth and bottom in the shape of a trumpet; The Zhi used for drinking wine, round belly, luxurious mouth, circle foot, looks like a small bottle, most of which have a cover; Gui, which holds cooked food, has a round mouth and two ears; Square pot for millet, rice and other meals; From Gui, there are oval mouths, lids, two ears, circular feet or four feet, etc. These bottles and cultural relics have their own characteristics in terms of shape and use. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
cultural relic maintenance
Cultural relics were divided into movable cultural relics and immovable cultural relics. The principle of not changing the original state of the cultural relics and the principle of minimum intervention must be adhered to when repairing, maintaining and migrating immovable cultural relics, so as to preserve the historical information and historical value of the cultural relics to the greatest extent. Taking Binzhou City as an example, in terms of cultural relics protection, they completed the confirmation of the protection scope and construction control zone of the sixth batch of provincial cultural relics protection units, strengthened the management of cultural relics protection qualification units, submitted the cultural relics protection project plan for the cultural relics protection units, strictly enforced the filing of cultural relics protection projects and the inspection of cultural relics protection projects, and successively carried out on-site supervision work for many cultural relics repair and protection projects. In addition, the relevant departments also attached great importance to the repair and maintenance of the original body of the small source conference site, Jiang Xianyun's former residence, and other places. All regions should also promote the protection of cultural relics from the legal and policy levels. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>