Comparing Su Shi's "Nian Nujiao" and Li Qingzhao's Ci
Su Shi's "Nian Nujiao·Remembering the Ancient Red Cliff" was bold and unconstrained, showing a grand historical vision and an open-minded attitude towards life. In the poem, the lines such as " The Great River flows east, the waves are washed away, and the heroes of the ages " described the vastness of the Yangtze River and the recollection of the heroes of the past with a majestic momentum, reflecting a kind of magnificent feeling. Li Qingzhao's Ci works are mostly graceful and restrained. For example, in "Slow Voice, Searching and Searching,""Searching and searching, cold and clear, desolate and miserable", through delicate strokes, it described the inner sorrow and loneliness, and the emotional expression was subtle and tactful. In terms of the content of the Ci, Su Shi expressed his thoughts and feelings about life by borrowing scenes and historical figures or events; Li Qingzhao was more based on her own emotional experience, like her later Ci, which lamented her life experience and sentimental sentiment. In terms of temperament, Su Shi's "Nian Nujiao·Remembering the Ancient Red Cliff" was once thought to be out of tune, while Li Qingzhao emphasized that Ci should conform to temperament, which was also a big difference between the two. While waiting for the TV series, he could also read the exciting content related to this site!
Biography of Li Bai, Su Shi and Li Qingzhao's Ci
There are many sets of books that contain the biographies of Li Bai, Su Shi and Li Qingzhao. These biographies described their legendary lives in beautiful writing, and were interwoven with their poems or works in different periods, helping readers to understand their thoughts and state of mind at that time. For example, in addition to Li Bai's Biography, Su Shi's Biography of Ci, and Li Qingzhao's Biography of Ci, some sets of books also included the biographies of other poets such as Li Yu, Nalan Xingde, Xin Qiji, Tsangyang Gyatso, etc. These sets of books provided readers with a comprehensive understanding of the lives and works of ancient poets. In addition, there were relevant sets of books on sale in the market. For example, the best-selling books of Lin Yutang's collection of memorial biographies included Li Bai's Biography, Su Shi's Biography of Ci, Li Qingzhao's Biography of Ci, etc.
Su Shi's "Nian Nujiao" detailed writing background
"Nian Nujiao·Remembering the Past at Red Cliff" was a classic in the history of Chinese literature. The author was Su Shi, a writer of the Northern Song Dynasty. This poem used the Battle of Red Cliff during the Three Kingdoms period as the background to describe the historical changes and life emotions that Su Shi felt during this war. According to records, Su Shi began to write the poem "Remembering the Past at Red Cliff" around 1075 AD and completed it around 1080 AD. During this period, Su Shi experienced the political turmoil and social reform in the middle of the Northern Song Dynasty. At the same time, he also felt the heavy history and the impermanence of life. In this poem, he expressed his deep thoughts and feelings about history and life, and entrusted his attention and pursuit of freedom, peace and humanity. The literary status of "Nian Nujiao·Red Cliff Memories" was extremely high. It was regarded as one of Su Shi's representative works and also a classic in the history of Chinese literature. It was widely read and appreciated as one of the representative works of the "bold and unconstrained" poetry and also a classic of ancient Chinese poetry.
Comparing the Style of Su Shi and Xin Qiji's Ci with the Use of Concretely-written Ci
Su Shi and Xin Qiji were both famous writers in the Song Dynasty. Their works had an important position in the history of Chinese literature. The following is a comparison of the specific styles of the two poets: Su Shi's Ci style: Su Shi's Ci was known for its boldness, boldness, vigor and magnificence. Most of his poems described natural scenery, social life, historical events, etc., with strong emotional colors and personal style. His representative works include Shuidiao Letou and Jiangcheng Zi: Hunting in Mizhou. Xin Qiji's style of writing: Xin Qiji's works were known for their impassioned, tragic, desolate, and gloomy expressions. Most of his poems described patriotic feelings, national pride, historical events, etc., with strong emotional colors and personal style. His representative works include "Sapphire Case·Yuanxi" and "Water Dragon Song·Climbing Jiankang Appreciation Pavilion". Therefore, the styles of Su Shi and Xin Qiji were very different. Su Shi's style was more bold and unrestrained, while Xin Qiji's style was more tragic and desolate.
Li Qingzhao's Introduction and Ci
Li Qingzhao (1084 - 1155), also known as Yi 'an, was a female poet in the Northern Song Dynasty and one of the most famous female writers in the history of Chinese literature. Her Ci works were known as "the first talented woman in history" for their graceful, fresh, subtle style and profound meaning. Li Qingzhao was born into a cultured family. His grandfather and father were both scholars. She had been smart since she was young and had started learning poetry very early on. Later, she married the famous scholar, Zhao Mingcheng. Li Qingzhao's works mainly reflected her life experience and emotional experience. Her representative works included "Like a Dream,""Slow Voice,""The Phoenix with a Head,""The Feelings of the World" and so on. Li Qingzhao's Ci works were known for their graceful, fresh, and subtle style. In his representative work,"Dream of the Dream", there was a line that read,"I often remember the pavilion, and I don't know the way back when I'm drunk at dusk." It was similar to the "searching for the cold and desolate" in "Slow Voice". Such famous sentences are still widely read today. Her works had a profound influence on Chinese literature and was called "the first talented woman in history" by later generations.
Translations of Li Qingzhao's Ci
The translation of Li Qingzhao's Ci is as follows: Li Qingzhao's poem,"Like a Dream," described a woman who missed her lover who had traveled far away at night. In her dream, her longing turned into tears that fell on her pillow. In the poem, the fresh and graceful strokes expressed the deep longing and helplessness of women towards love. Original text: I often remember that I was drunk at dusk in the stream pavilion and didn't know how to return. At night I return to my boat and mistakenly enter the depths of lotus flowers. Fighting to cross, fighting to cross, startled a pool of gulls and egrets. Translated: I often remember when the sun was setting in the creek pavilion, I was so intoxicated that I forgot the way home. When he returned home late, he accidentally entered the depths of the lotus flower. Zheng Du, Zheng Du accidentally startled a flock of gulls.
Li Qingzhao's Introduction and Ci
Li Qingzhao (1084 - 1155), also known as Yi 'an and Jia Xuan, was a female poet in the Northern Song Dynasty and one of the most famous female poets in the history of Chinese literature. Her Ci works were regarded as the classics of ancient Chinese Ci works. The style of her Ci was fresh, elegant, reserved and graceful, expressing the feelings and thoughts in the depths of women's hearts. Li Qingzhao was born in Jinan, Shandong Province. Her family had been literati for generations. Li Qingzhao's father was a well-known literary scholar, and his mother was also a talented woman. During her growth, she was deeply influenced by her family environment and received a good education and literary influence. Li Qingzhao started writing poems when she was young, and her works were quickly recognized and appreciated by society. Li Qingzhao's most famous poem was "Dream Like Order". This poem expressed the loneliness and desire in the depths of a woman's heart by describing the scene of a woman's longing for a long journey. Its language was fresh and beautiful, and its artistic conception was far-reaching. It was hailed as a classic of ancient Chinese Ci. In addition to "Like a Dream", Li Qingzhao also had many other famous works such as "Slow Voice" and "The Phoenix with a Head", which had also become classics of Chinese literature. Li Qingzhao's works occupy an important position in the history of Chinese literature. Her works not only have high literary value, but also are an important part of Chinese culture. Her works expressed the deep feelings and thoughts of women, which had a profound influence on literature and art of later generations.
Li Qingzhao's Ci of Yi 'an
Yi 'an Ci referred to Li Qingzhao's Ci and its style. Li Qingzhao was known as Yi 'an Jushi. In the early stage of her Ci, she wrote more about leisure life. She was good at using the method of plain drawing in the form. Her language was clear and beautiful, with the characteristics of the secluded house. For example, she had lived a comfortable life in her early years. She and Zhao Mingcheng worked together to collect and sort out calligraphy, painting, gold and stone. The Ci of this period mostly reflected the state of this rich and comfortable life. Later, due to the demise of the Northern Song Dynasty and the death of her husband, Zhao Mingcheng, the style of her Ci turned into sadness, mostly lamenting her life experience, sentimental mood, and some also revealed nostalgia for the Central Plains. After experiencing so many changes, her words were filled with the longing for her deceased husband and the lamentation of her own wandering situation. In the creation of Ci, she emphasized the harmony of rhythm, advocated elegance and emotion, and proposed the theory of Ci "not being a family", opposing the method of writing poetry. She could also write poems, but she didn't keep much. Some of her poems were written in a historical style, which was different from her Ci style. Her works include "Yi An Ju Shi Wen Ji","Yi An Ci"(already lost), and later generations have "Shuyu Ci" compilation. Yi 'an's Ci also used the image of flowers, such as plum blossoms, chrysanthemums, begonia, pear blossoms, etc., to express his mood with flower patterns.
Li Qingzhao's "Shuyu Ci"
Shuyu Ci was a collection of Ci written by Li Qingzhao in Song Dynasty. Li Qingzhao, known as Yi 'an Jushi, was born in Jinan. She was the daughter of Li Gefei, a member of the Ministry of Rites, and the wife of Zhao Mingcheng, the prefect of Huzhou. The name of the collection originated from the Shuyu Spring in front of Li Qingzhao's former residence in Jinan. The spring water was clear and poured out from the bottom of the pool. When it fell on the stone, the water and stone collided with each other. It was said that Li Qingzhao used to wash by this spring in his early years. The spring is now located at the entrance of Li Qingzhao Memorial Hall in Baotu Spring Park in Jinan. Li Qingzhao was good at poetry and prose, especially famous for his Ci. He was one of the representatives of the graceful school. The works in Shuyu Ci were mostly about his leisurely life in the early stage, but in the later stage, they were mostly lamenting about his life experience and sentimental sentiments. Some also revealed nostalgia for the Central Plains. In terms of form, he was good at using plain drawing techniques, opening up his own way, and his language was clear and beautiful. The characteristics of his Ci were that his writing style was amazing, unique, and changeable. Some were beautiful and graceful, some were dreamy and hazy, some were flying with melancholy, some were sad and regretful, and the meaning was full. The Ci of Shuyu included Southern Songs, Transferring Mantingfang, Yu Jia Ao, Ru Meng Ling, Ode to White Chrysanthemum, Bodhisattva Man, Huanxi Sha, Recalling Blowing Flute on Phoenix Terrace, One Cut Plum, Butterfly Love Flowers, Partridges Sky, Xiaozhong Mountain, Resentment of the Royal Sun, Linjiang Immortal, Drunken Flower Yin, Wuling Spring, Qingping Music, Red Lips, etc. Among them, there were many famous works that have been passed down to this day. For example," Memories of Blowing Xiao on Phoenix Terrace " expressed the character image through subtle shots, revealing the poet's feelings and emotions to express the deep-rooted yearning; In " Drunken Flower Yin,"" Mo Dao is not ecstasy, the curtain rolls in the west wind, and people are thinner than yellow flowers " used the image of " yellow flowers " to show the poet's emotional persistence. These words reflected her deep and beautiful husband and wife love, which was different from the love between Liu Yong and other literati and geisha dancers. Her lyrics displayed her happy relationship as husband and wife. It was a kind of noble emotion with common interests and deep longing. When expressing love, she had rationally refined it, with high feelings and elegance, elegant and dignified demeanor. In terms of the edition of Shuyu Ci, Chen Zhensun's Shu Lu Jie Ti recorded Qingzhao's Shuyu Ci in one volume, and said that it was another five volumes; Huang Sheng's Hua An Ci Xuan called Shuyu Ci three volumes, but now these versions are not passed down. The current version only has seventeen poems, accompanied by a Preface to the Record of Gold and Stone. It was compiled by later generations and is no longer the old version. Moreover, the Preface to the Record of Gold and Stone is not complete. While waiting for the TV series, he could also read the exciting content related to this site!
Li Qingzhao's Graceful Ci
Li Qingzhao's graceful works include "Like a Dream·Last Night's Rain and Wind", in which "Ask the Curtain Rollers, but the Begonia is still the same." Do you know, do you know? It should be green, fat, red and thin,"which is well known by people;" Like a Dream Order·Chang Ji Xi Ting Sunset ", such as" intoxicated and do not know the way back." I returned to the boat late at night and mistakenly entered the depths of lotus flowers. Fight to cross, fight to cross, startle a pool of gulls and egrets "to describe lively scenes;" Drunken Flower Shade, Mist Thick Clouds Sorrow Forever Day "," Mist Thick Clouds Sorrow Forever Day, Auspicious Brain Consumes Golden Beasts." On the Double Ninth Festival, there was a jade pillow in the gauze kitchen, and it was cold at midnight. After dusk, there is a faint fragrance filling my sleeves. Mo Dao does not dispel the soul, the curtain rolls the west wind, the person is thinner than the yellow flower "also reflects her graceful style; There is also" A Cut of Plum, Red Lotus Root Fragrance Remnant Jade Bamboo in Autumn "," Flowers drift and water flows." A kind of yearning, two idle worries. There is no way to eliminate this feeling. Just when I frown, it comes to my heart. The emotion is delicate and graceful. In Wuling Spring, the wind lives in the dust and the fragrant flowers are gone. It is said that Shuangxi spring is still good, but also want to sail a light boat. I'm only afraid that the boats on the twin streams can't carry many worries "is also a graceful word;" Slow voice, searching and searching "," searching and searching, cold and clear, desolate and miserable ", it is more vivid and vivid to show the graceful style of the word. While waiting for the TV series, he could also read the exciting content related to this site!
Li Qingzhao's Canhua Ci
Li Qingzhao's "Canhua" poem is: "Flowers bloom and fall without regret, fate comes and goes like water." Flowers wither for flowers bloom, flowers fly for flowers sorrow. Flower sorrow is flower tears, flower tears are flower fragments. Flowers danced, flowers shed tears, flowers cried, petals flew. For whom do the flowers bloom and wither, and for whom do the flowers wither and grieve?" There are 54 words in this word, of which the word "flower" is repeated 17 times. It described the process of the flower from the moment it bloomed to the moment it was destroyed by the outside world. Li Qingzhao compared herself to a flower. She was once as beautiful as a flower, but she had suffered through the hardships of life. Seeing the flowers wither, she thought of her own fate. She shed tears because of the flowers 'short life and the passing of their youth. She was sad for the flowers' hardships and her own tragic experience. She was sad for the flowers 'withering and her future fate that might be like the flowers. Li Qingzhao's works were mostly related to melancholy. Whether it was the early love sorrow, the family sorrow of the family's destruction, or the country's sorrow of the broken mountains and rivers, melancholy always accompanied her. Although these worries made her physically and mentally tired, it also made her Ci work bloom with a unique charm. She was like the plum blossoms in the literary world, still fragrant despite the harsh winter. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!