AR static cultural relics display
AR technology had many innovative applications in the display of static cultural relics. Through 2D image tracking technology, one only needed to use a mobile phone to shoot, and the AR effect of three-dimensional objects such as cultural relics could be displayed. In the exhibition hall, AR static cultural relics display can restore the original appearance of the physical exhibition hall scene and the original appearance of the exhibit to the greatest extent, and present the key cultural relics exhibit through the forms of multi-media interaction, pictures, text, audio and video, etc., providing a more three-dimensional, rich and vivid display effect. It was difficult to display all the features and functions of traditional artifacts, but AR augmented reality technology could combine the artifacts with virtual reality, presenting the functions, features, and effects of the artifacts to the audience in a digital and comprehensive manner, increasing the appeal of the artifacts. For example, in some museum, when a user scans the corresponding item with a mobile phone, the screen will display the model of the cultural relic, as well as sound, text, and special effects, so that the audience can see the cultural relic that seems to be "alive". They can even "take the cultural relic home" to observe and study it up close. Huge murals, small utensils, and other static cultural relics could be presented using AR interaction display technology. At the same time, the cultural content behind the ruins and cultural relics could be displayed to the audience in the form of digital content. Read more exciting novels for free
AR recreates cultural relics
ar, look at cultural relics
Chen family temple and ar cultural relics
Chen Family Temple had introduced a digital experience project, which included AR technology. In the Chen Clan Temple digital experience hall, the audience could "scan" the AR card through the mobile app. The unicorn standing on the roof would dance in front of them, and there would be dubbing to explain the sculpture art to the audience. This made the cultural relics of the Chen Clan Temple "open their mouths" in a novel way, allowing the audience to more intuitively understand the sculpture art and other contents contained in the cultural relics, improving the audience's visiting experience and making the audience have a richer and more diverse "interaction" with the cultural relics. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Production and installation of cultural relics display cabinets
The production and installation of the cultural relic display cabinet included many links: ** 1. Design segment ** 1. ** Design blueprints according to requirements ** - The drawings shall be designed according to the requirements of Party A. Different renderings shall be designed according to different grades. The display case manufacturer shall establish a special design process based on the measurement table to reflect the specific information of the project and facilitate the operation and implementation of the project. The design document was traceable, starting from the moment the project measurement sheet was received. 2. ** Dealing with possible problems ** - The cultural relic showcase was the most critical and problematic part of the entire display cabinet production process, mainly reflected in the changes in the venue and production requirements. If the venue was changed, it was usually necessary to inform Party A in advance, and Party A would inform the manufacturer of the display cabinet to re-measure in time. In terms of production requirements, there may be rigid regulations that conflict with Party A's standards. Party A should strengthen communication and confirmation to facilitate the on-site operation of the display cabinet manufacturers. After the drawings are confirmed, a special offer will be made. After Party A has confirmed and reviewed it, the production will be notified after the review is passed. ** 2. Production Stage ** 1. ** Factory Operation Flow ** - Party A shall send the notice of production of the display cabinet to the producer in written form. The notice shall include the amount to be reviewed, the production area, the production type, the time of entry, the time of completion, and other specific information. After the producer received the production notice, he would send the design flow chart and the confirmed renderings to the factory. When the factory received the design flow chart (reflecting the production requirements), it would complete the review work, establish the project material collection list, and produce the materials needed for the project. The workers went to the warehouse to collect materials for production according to the material collection list. 2. ** Quality Control ** - After the completion of the factory's production, the factory manager had to carry out on-site acceptance of the project and establish a list of on-site acceptance of the project to ensure the qualification rate of the products before installation. During this process, the factory had to strictly follow the requirements of the design process list, and the factory manager also had to review the products according to the design process. ** 3. Installations ** 1. ** Pre-installation preparation ** - Before installing the museum's cultural relics display cabinet, all installation tools, installers, duty officers, etc. must be prepared. 2. ** Requirements for installation ** - Confirm the detailed installation and installation sequence of the museum display cabinets. Otherwise, it will reduce work efficiency and affect construction time. At the same time, the ground, walls, and other facilities on the site should be protected from damage. The installation tools and equipment of the exhibition cabinets in the museum should be placed well and not discarded at will. 3. ** Clean up after installation ** - After installing the museum's cultural relics display cabinet, the site should be cleaned to ensure that the site was clean and tidy, so as not to cause inconvenience to customers. In the process of making and installing the cultural relic display cabinet, there were many factors to consider: 1. ** Material Selection ** - When choosing the material of the showcase, the principle of corrosion resistance and safety should be followed. Metal materials with high corrosion resistance and metal strength such as aluminum alloy and stainless steel should be given priority. When choosing the auxiliary materials, the strength of the rubber or plastic should be high enough. 2. ** Sealing Requirement ** - The design of the showcase and the installation of the cabinet had extremely high requirements for the tightness to prevent the elements in the air such as sulfur and sulfur from corroding cultural relics such as bronzes, to prevent harmful gases from entering, and to prevent the loss of noble gases in the showcase. 3. ** Internal environmental control ** - The temperature and humidity inside the showcase should be controlled within a suitable range. The general temperature should be between 18 ° C and 20 ° C, and the humidity should be around 40%, which is very important for the protection of cultural relics. 4. ** Light Control ** - The interior of the showcase should be illuminated with a low-violet cold light lamp, and it was forbidden to illuminate the same part of the cultural relic for a long time to avoid damage such as aging. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The specifications of the cultural relics display cabinet are complete.
There were many types of cultural relics display cabinets, and different types had different structural characteristics. 1. ** High showcase **: height 180 - 240cm (usually 220cm); length 160 - 200cm (usually 180cm); width (depth) 45 - 90cm (usually 60cm or 70cm). If it is a showcase with a base or legs, its height should be between 40 - 98m, and the top should be equipped with a light slot to ensure sufficient illumination. 2. ** Short display cabinet **: There are two types of flat display cabinets. The total height of flat display cabinets is 105 - 120cm, and the total height of flat display cabinets is about 140cm. 3. ** Table-type and vertical display cabinets **: 120 - 140cm in length, 70 - 90cm in width (depth), 100cm in base or leg height, 140cm in total height, and 38m in clear height of the inner hall; 180 - 208m in total height for vertical display cabinets, and 80 - 100cm from the bottom drawer to the ground. 4. ** Wall cabinet, set box **: Total height of 180 - 250cm or higher, depth of 90 - 158m or deeper. 5. ** Large-scale ecological landscape box **: The length, height, and depth are determined according to the actual needs, and will become larger as the size of the venue increases. The common types of cultural relics display cabinets include special display cabinets, set display cabinets, parts dismantling display cabinets, plug type display cabinets, single combination display cabinets, overall expansion display cabinets, complete non-dismantling display cabinets, etc. Different structures of display cabinets have different functions, applicable scenes, etc., and also have different requirements in specifications. These display cabinets of different specifications and types could meet the display needs of different cultural relics. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
A complete variety of cultural relics display cabinets
From the reference materials, the processing types of cultural relics display cabinets were more diverse. In terms of structure, there were vertical cabinets, flat cabinets, wall cabinets, etc. In terms of functional use, there were cabinets suitable for different purposes such as antique porcelain collection display, museum cultural relics display, private collection exhibition hall display, etc. In terms of shape, in addition to the conventional shape of the cabinet, there were also special-shaped cabinets. Moreover, the size of the showcase could also be customized according to the different needs of the cultural relics. For example, it could support various sizes and display cabinets of various styles according to the customer's requirements. At the same time, the showcase had different requirements and standards in terms of material selection, design concept, process production, safety performance, etc., which also reflected the variety and complexity of the cultural relic showcase processing. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Introduction to the types of cultural relics display cabinets
The common types of cultural relics display cabinets were as follows: 1. * * Special display cabinet **: Used in museum displays and some individual displays. It is a display cabinet specially made for specific items. It is only suitable for this item and not for other items. 2. * * Suit-type display cabinet **: It refers to the structure of the set of tables, tables, stools, etc. in the traditional furniture of our country, and is made into square blocks or tables of different sizes. When in use, the size and height difference can be changed, and the combination form is diverse; when not in use, small pieces can be placed in large pieces in turn, occupying only the volume of the largest table, which can fully utilize the internal space of the large display cabinet and reduce the storage or transportation space. For example, folding display shelves, folding screens, folding booths, etc. 3. * * Spare parts disassembling showcase **: Since the 21st century, there have been showcase cases that are composed of spare parts and can be disassembled and reassembled. They are mainly divided into two categories: the combination of connecting parts and tubes (poles), and the combination of connecting parts and plates or mesh boards. This type of showcase was widely used in expositions, museum displays, and window displays. For example, right-angled isosceles-triangle booths (with two heights) were combined into different shapes. 4. * * Plug-in showcase **: It is composed of various plate components. After the specific components are cut out, they are plugged and assembled to form a showcase for different purposes such as booths, shelves, screens, flower beds, and indicator signs. 5. * * Single Combined Showcase **: First design one or more single showcases, and then use more than two (or only one single unit) to combine or stack, forming a new showcase with varying shapes and specifications. 6. * * Overall Retractable Showcase **: Each part of the showcase is connected by movable joints (connecting pieces) and can be folded and folded. When it is used, it can be pulled open to form a screen wall skeleton or a connected grid. When it is not used, it can be folded into a cluster of rods (tubes). For example, the "One Pull" display rack, Type I and Type II display racks belong to this kind of convenient overall retracting showcase. 7. * * Complete non-mountable display cabinet **: Most of the first-generation display cabinets belonged to this type. Their structure and shape could not be changed. If they were no longer used, they could only discard or dismantle the materials to make other types of display cabinets. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Glass characteristics of museum cultural relics display cabinets
The glass of the museum's cultural relic display cabinet has the following characteristics: 1. ** Strong impact resistance **: It is mostly made of sandwiched glass. The special colloid in the middle bonds the two pieces of glass together. When it is broken by external impact, it can maintain its integrity. The glass fragments will not fall, which can avoid damage to the human body and cultural relics. 2. ** Good anti-reflective property **: Using low reflective glass, based on nano-pore silica technology, the surface is coated with a special chemical coating to form a protective cover. This could prevent the cultural relics from fading under the illumination of the infrared rays and meet the needs of the museum for the protection of cultural relics. 3. ** Not easy to break **: Usually double-layered glass with high firmness. Even if the glass is broken, it will adhere to the film. It has a certain protective effect on cultural relics and can also buy time to deal with theft and destruction. 4. ** Ultraviolet Filterable **: It can effectively filter the violet rays to prevent the surface of paper and wooden cultural relics from peeling off and fading due to the radiation of the violet rays. 5. ** No color bias **: Low iron content, can accurately display the original color of cultural relics, is very important for the display of cultural relics with high artistic quality. 6. ** Excellent display effect **: It has the characteristics of high light transmission rate and low reflection rate. For example, the light transmission rate of the third-generation showcase glass can reach more than 98% and the reflection rate is less than 1%. The audience will not be disturbed by their own shadows when viewing the cultural relics. 7. ** Good craftsmanship **: The processing technology has been improved, the accuracy of cutting size is high, and it is closely connected with the showcase to improve the tightness. 8. ** Reduce cleaning burden **: The surface has been specially treated to prevent some fingerprints and dirt, reducing the difficulty of cleaning. When dirt accumulates to a certain extent, it can be easily cleaned with a rag and special cleaner. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
61 cultural relics
In the Xiaolingwei Blacksmith Camp community in Xuanwu District, Nanjing City, there was a volunteer team called "Watch Zhongshan" initiated by Kong Jincheng. Entrusted by the Nanjing City Relics Bureau, they went up the mountain to inspect 61 cultural relics every quarter. Through hard work, by 2020, all 61 cultural relics had been completed. In addition, Japan had looted many China cultural relics, including 61 national treasure-level cultural relics that had been stolen by Japan, but this was not directly related to the 61 cultural relics that had been stolen by Japan. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
cultural relics
The following are some cultural relics related to hiking: - Spring Painting Scroll of Zhuojiang Village in Qing Dynasty (Qing Dynasty, collected by Hebei Museum). Its composition is high and lofty. The mountain rocks are dyed with small green. The pavilion boundary painting is exquisite. It has the legacy of Song Dynasty. You can enjoy "spring" from it and feel the spring spirit of the ancients. - Hunting Banquet Painting Copper Cover Bean (Warring States Period, collected by Hebei Province Institute of Cultural Relics and Archeology). This cover bean watch is decorated with four layers of patterns, a total of 90 people, 63 beasts, 26 birds and 6 fish. The patterns are dense and vivid. It was a cultural relic related to activities like shooting willows (shooting willows was a game to practice archery skills and was one of the activities during the Qingming Festival). - Kong Xianglin and Jade Fairy Shi Shuhua Fan (collected by Confucius Museum). The content of the book is selected from Luo Dajing's "Quiet Mountains and Long Days" of the Southern Song Dynasty. The article describes the quiet and peaceful daily life in the mountains in late spring, which is consistent with the pursuit of feeling the beauty of nature. It can be used as cultural relics related to the cultural content of the green outing. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>