Chen family temple and ar cultural relics
Chen Family Temple had introduced a digital experience project, which included AR technology. In the Chen Clan Temple digital experience hall, the audience could "scan" the AR card through the mobile app. The unicorn standing on the roof would dance in front of them, and there would be dubbing to explain the sculpture art to the audience. This made the cultural relics of the Chen Clan Temple "open their mouths" in a novel way, allowing the audience to more intuitively understand the sculpture art and other contents contained in the cultural relics, improving the audience's visiting experience and making the audience have a richer and more diverse "interaction" with the cultural relics. Read more exciting novels for free
AR recreates cultural relics
ar, look at cultural relics
Cultural Relics of Chen Baisha Temple
There were many cultural relics in Chen Baisha Temple: 1. Chastity Archway: - It was located in front of Baisha Temple in Renxian Village, Baisha Village, Jiangmen City. It was a wooden and stone archway with 12 pillars, three rooms and three floors. The Ming Tower is the top of the Boische Hall, and the second tower is the top of the Boische Mountain. Both are cut with green glazed edges, and all are outstretched by four-jump Ruyi Dougong. - The memorial archway was first built in the 13th year of Chenghua of the Ming Dynasty (1477). It was built by Xinhui County in recognition of the chastity of Chen Baisha's mother, Lin. It was rebuilt in the 39th year of Wanli of the Ming Dynasty (1611). On the front of the Ming Tower, there was a wooden plaque with the words "Imperial Decree" engraved vertically. On the thick wooden plaque, there were the words "Chastity" engraved horizontally (written by Zhan Ruoshui). On the back, there were the words "Mother's integrity and son's virtue" engraved horizontally. The entire archway had a rigorous and spectacular structure. It was nine meters high and did not have a nail. It was one of the more well-preserved archways of the Ming Dynasty in Guangdong Province. 2. Spring Sun Hall: The gate of the White Sand Temple. It was named after the Spring Terrace where Mr. White Sand lectured before his death. In front of the hall, there was a plaque that read "True Confucian Daughter", and beside it was the name, official position, time, and other information of the person who erected the plaque. In front of the door was a monument of Jiahui Building, which recorded the relevant events during the Hongzhi period of the Ming Dynasty. On the side of the door, there were three signs: Xiangxian from worship, Zhongxiao from worship, and Confucian Temple from worship. 3. [Chastity Hall: built in memory of Mr. Baisha's mother. It worships Mr. Baisha's mother.] The wooden sign was written by Chen Baisha's teacher, Wu Kangzhai. There were two signs in the corridor in front. One was written by Mr. Chen Baisha himself,"Respect for Righteousness", and the other was a "Divine Edict" stele. On it were written,"Your salary, your salary, the people's fat and grease." The people are easy to abuse, but the heavens are hard to bully." 4. ** Chongzheng Hall **: This is the place where sacrifices are made to Chen Baisha. In front of the hall, there is a plaque of "Chongzheng Hall" written by He Weibai. In front of it, there is a plaque of "The First Peak of Penglai". In the hall, there is a woodcut couplet given by the imperial court during the Wanli period of the Ming Dynasty,"The Three Thousand Years of Confucius and Mencius, the First of Cheng and Zhu." 5. ** Jasper House **: Because Mr. Baisha had a lost piece of jasper that was passed down from his ancestors, it was built. It was where he worshiped the jasper and raised his mother. There was no inscription on the plaque, but according to the handwriting and rumors, it was written by his disciple, Zhan Ruoshui. 6. ** Chen Baisha Temple complex itself **: It is a courtyard style layout with four entrances, followed by Chunyang Hall, Chastity Hall, Chongzheng Hall, and Jasper Building. There are verandas connecting each entrance. The gables have purlins, green bricks and earth tiles, and green sulfur glass cut edges. The beam structure is rigorous and the workmanship is fine. It has been repaired in various dynasties. It was completed in the 12th year of Wanli of Ming Dynasty (1584). In 2019, it was listed in the eighth batch of national key cultural relics protection units. 7. ** Mr. Baisha's parents 'tomb **: It is located on the back mountain of Baisha Temple. It is made of granite. The tombstone reads,"The tomb of Mr. Chen, a scholar of the Imperial Ming Dynasty," <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cultural Relics of Cihua Temple
There are many cultural relics in Cihua Temple. Now there are still the first and second volumes of the Imperial Granted Nanquan Mountain genealogy, the Record of Puzu's Spiritual Effect, the Complete Manual of Sakyamuni's Secret Practice, the Sutra of Vajra Prajna Paramita written by Pu 'an, the Thousand Man Pot, the Snot Bell and other cultural relics. Among them,"Pu An's Handwritten Sutra of Vajra Prajna Paramita Sutra" is a precious cultural relic. It was written by Pu An, the founder of Cihua Temple in Yichun of Song Dynasty, with blood as ink and gold powder. The scripture was made of special blue gold paper with a total length of 1850 cm. It was 33 centimeters wide (35 centimeters in other words) and had a total of more than 20,000 words. Zen Master Pu 'an personally wrote 32 sections of "Jia Song", all of which were five words and eight sentences. It was written between 1151 and 1161, more than 800 years ago (or 850 years ago). It had extremely high cultural relics and academic value. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cultural Relics Protection of Kaishan Temple
Kaishan Temple was a national key cultural relic protection unit located in Gaobeidian City, Hebei Province. Kaishan Temple was listed as a national key cultural relic protection unit in 1996. The temple had undergone many repairs and protection works, including the repair of the main body of the Mahavira Hall, the Heavenly King Hall, the Vajra Hall, and other buildings. The walls and courtyards were repaired, guardrails were installed, and special personnel were assigned to take care of them 24 hours a day. The main hall of Kaishan Temple was one of the representative wooden structures of the Liao Dynasty and had an important position in the history of ancient China architecture. In 2006, the State Council declared the temple as a national key cultural relic protection unit. After the renovation, Kaishan Temple was officially opened to visitors for free on April 25th, 2023. The visitors could visit the thousand-year-old temple up close and feel its grandeur and magnificence.
Temple ditch represents cultural relics
Miaodigou had many representative cultural relics, such as the Miaodigou pottery bell unearthed in 1956 in Miaodigou, Shan County, Henan Province. Among the approximately 3300 cultural relics to be exhibited in the Miaodigou Museum, there were also many representative cultural relics, such as 1166 stone plates, complete curved triangular painted pottery basins, urn coffins, etc. In addition, the cultural relics in the collection of Sanmenxia Miaodigou Museum displayed in "Searching Ancient China·Heluo Record", such as fingerprint colored pottery pieces, petal-patterned colored pottery pots, crescent-patterned colored pottery pots, double-spiral patterned colored pottery pots, spiral patterned colored pottery pots, arc-shaped triangular colored pottery pots, bird-patterned colored pottery bowls, fish-patterned colored pottery bowls, grid-patterned colored pottery bowls, human-faced colored pottery bowls and striped colored pottery bowls, etc., can also be regarded as representative cultural relics. There was also the Miaodigou type of Yangshao culture pottery, the most representative of which was the pottery with flower patterns, and the pottery with animal patterns such as birds and frogs could also be regarded as representative cultural relics. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Chen Mingjie Cultural Relics Bureau
Chen Mingjie worked in the Beijing City Relics Bureau. He was the secretary of the party group, the director, and the director of the Beijing Central Axis Cultural Heritage Protection Office. He actively participated in the work related to cultural relics, such as leading a team to Changzi County to carry out support cooperation and docking inspection, going deep into the Chongqing Temple in Changzi County to understand its historical and cultural heritage, tourism resources development, etc. He also stressed the need to increase the promotion of Chongqing Temple, and take advantage of the opportunity of cooperation between Changzhi City and Beijing City to promote the economic and social development of Zhangzi. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Qiao Family's Cultural Relics
The Qiao family had many precious cultural relics, among which there were three national treasures. The first was the Nine Dragon Palace Lantern. There were only two of them in the world, and it had a unique structure. There were four dragons at the top and four dragons at the bottom. The dragon head at the bottom was facing down, implying that the emperor could understand the people's feelings. Each dragon head could shrink and rotate freely with the wind. After lighting the candle on the candlestick, it could illuminate the entire room through the reflection of the mirror above. This was given to the Qiao family by Cixi to repay the favor. The second was the Rhinoceros Moon-Watching Mirror, which was two meters high and weighed one ton. It was carved from Southeast Asian ironwood and was a national first-class cultural relic. The entire treasure was composed of a circular mirror representing the moon, an auspicious cloud in the middle, and a rhinoceros at the bottom. The rhinoceros was homonym for the ox, and it had the meaning of good fortune. It had been around for more than 200 years and had a high value. The third was the 10,000-person ball. It could monitor the entire environment of the house 360 degrees without any blind spots. If the area was large enough, it could monitor 10,000 people without having to plug in the power. In addition, the Qiao Family Courtyard also had Cixi's authentic work,"Fu Zhong Lang also" and other cultural relics that reflected the Qiao Family's heritage. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Family ancestral hall, cultural relics
As a cultural relic building, the family ancestral hall carried a lot of information about history, humanities, science, art, architecture, folk customs, and so on. It was an important part of China's precious historical relics. Many family ancestral halls were listed as cultural relics protection units at all levels. For example, Zhao Nanxing's ancestral hall was located in Gaoyi County and was a key cultural relic protection unit in Hebei Province. It was built during the Hongwu period of the Ming Dynasty and rebuilt during the Jiaqing year of the Qing Dynasty. Qutang's Yang's ancestral hall was built in the 48th year of Qianlong of the Qing Dynasty and rebuilt in the 4th year of Daoguang. It was now announced by the State Council as a national key cultural relic protection unit. Xiao's ancestral hall was located in Xiaojiadian Village, Anzhuang Town. It was built during the Qing Dynasty and was a county-level cultural relic protection unit. The Shao Ancestral Temple on the bank of Nanxi River in Yongjia County, Wenzhou, was built in 1194. It was a state-level cultural preservation unit. There were many precious cultural relics in these ancestral halls. For example, the Luo Ancestral Hall in Xingguang Village, Beimu Town, Dongxing District, preserved cultural relics from the Qing Dynasty, such as signboards and birthday banners sent by relatives and friends, as well as some seriously damaged calligraphy and paintings. These ancestral halls and their internal cultural relics all had important historical value. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Chen Yinke talks about cultural relics
As a historian, Chen Yinke had an in-depth study of Dunhuang cultural relics. He combed through China history through the cultural relics excavated from Dunhuang, but the reference materials did not mention more about Chen Yinke's discussion of cultural relics, so it was difficult to provide more detailed content. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>