Artifacts Atlas, pottery
The following are some of the pottery relics mentioned in the reference materials: - The Tianjin Museum had a special exhibition called "Green and Blue Elegance: The Collection of Blue and White Porcelains of the Ming and Qing Dynasties", which displayed the blue and white porcelain of the Ming and Qing Dynasties. There were a series of articles that presented the ancient porcelain in the collection with many pictures, such as "127 Pictures Online: Ancient Porcelains in the Tianjin Museum 1: Blue and White Porcelains of the Ming and Qing Dynasties (1)". - The Qinghai Province Museum had a 3,000-year-old painted pottery boot, which was a masterpiece of Xindian culture pottery. It was composed of three parts: the upper and the sole. The exterior had the popular color of Millard, with symmetrical double-line stripes, double-line stripes, and triangular stripes. The craftsmanship was exquisite. The "bottom part" boot-making technology, anti-wear method, and the anti-wear technology at the junction of the upper and the sole had an important position in the history of boot-making in China and even in the world. - Many pottery from the Xia Dynasty were unearthed at Yuanzhou site, including gray pottery tripod, small mouth and high collar jar, pottery beans, pottery bowls, pottery cups, gray pottery urn, gray pottery bowl, pottery jar, gray pottery pot, cinnabar painted gray pottery urn, pottery bell, gray pottery steamer, etc. - Hemudu Culture and Banpo Museum contain relevant prehistoric pottery. For example, Hemudu Culture pottery has rich geometric shapes, Banpo Museum has Taiji Diagram; Gansu has prehistoric colored pottery art 5500 years ago, such as Yangshao fish-patterned basin; Shandong has some prehistoric pottery cultural relics; Liangzhu Culture pottery has four-pointed stars and this element continues in Shang and Zhou bronzes; There were also relevant studies on the distribution of pottery and pottery ritual vessels in Erlitou culture. These prehistoric pottery patterns were mysterious and exquisite, which may have the meaning of astronomy and calendar. In addition, some foreign museum, such as the Asian Art Museum of Strögmolt in Sweden, the Ferg Art Museum of Harvard University in the United States, and the Freer Art Museum, collected China painted pottery cultural relics, including Majiayao culture painted pottery, Xiajiadian culture painted pottery, etc. China also had pottery cultural relics such as eggshell pottery from Dawenkou and white pottery from the Shang Dynasty. The double-series pot carved with Taotie pattern on the white pottery of the Shang Dynasty was collected by the Palace Museum, and the Freer Art Museum had the white pottery bottle with the winding thunder pattern of the Shang Dynasty. - Dadi Bay Museum has a dotted triangular bowl (c. 5000 - 4000 B.C.; early period of Yangshao culture); a pair of triangle-patterned alms bowls in the museum of Gansu Province (c. 5000 - 4000 B.C.; early period of Yangshao culture), woven grid pattern pot (c. 2700 - 2300 B.C.; Majiayao culture), serrated water ripple kettle (c. 2700 - 2300 B.C.; Majiayao culture), serrated whirlpool pot (c. 2700 - 2300 B.C.; Majiayao culture), fretwork jar (c. 2300 - 2000 B.C.; Majiayao culture); A striped triangular teapot is in the museum of Dingxi City, Gansu Province.(c. 2200 - 1700 B.C.; Qijia culture); curve-circle-patterned jar in Taian County Museum, Gansu Province (c. 3500 - 3000 B.C.; Late Yangshao Culture); The museum of the Linxia Hui Autonomous Prefecture has a swirl pattern jar.(c. 2700 - 2300 B.C.; Majiayao culture), Curved Ripple Kettle (c. 2700 - 2300 B.C.; Majiayao culture); a jar with a serrated rhombus pattern in the museum collection of Yuzhong County, Gansu Province.(c. 2700 - 2300 B.C.; Majiayao culture), cross-shaped whirlpool pattern pot (about 2700 - 2300 B.C.; Majiayao culture); The Institute of Cultural Relics and Archeology of Gansu Province has a cross-shaped circular pattern inner color curved belly basin (about 3000 - 2700 B.C.; Majiayao culture); The museum of Lan 'Zhou City has a whirlpool pattern pot (about 3500 - 3000 B.C.; Yangshao culture) and a water ripple inner color basin (about 3000 - 2700 B.C.; Majiayao culture). These pottery relics had different typical decorative patterns. For example, the painted pottery of the Majiayao culture was popular with water ripples and swirl patterns as the inner color decoration of the container, and it was related to the lifestyle of the people at that time. Because the utensils were mostly placed on the ground or on low countertops, people paid attention to the effect of the decorative patterns on the utensils. Read more exciting novels for free
pottery relics
There were many types of pottery relics, which appeared in various historical periods of ancient China and had different characteristics. During the Shang Dynasty, a ceramic sewer was unearthed in the Yin Ruins of Anyang, which indicated that China's research on drainage systems was quite in-depth at that time. From the perspective of colored pottery, China colored pottery was developed on the basis of red pottery. It was made by using a specific dye to paint the surface of the red pottery and then firing it. For example, the painted pottery boat-shaped pot in the Yangshao culture period was shaped like a boat and painted with a net pattern at the belly of the pot; The painted pottery human-faced fish-patterned basin had human-face patterns and fish patterns on the inner wall, reflecting the worship of fish by Banpo people; The painted pottery stork fish stone axe vat was a representative work of China painting in its infancy, painted with storks, fish and giant axes; The painted pottery dance basin in the Majiayao culture period was painted with 15 people holding hands and dancing. The black pottery was formed by adding water from the top of the kiln at the final stage of the firing of the object to extinguish the charcoal and produce thick smoke to blacken the object. The eggshell black pottery cup in the Longshan culture could be called the essence of ancient pottery. Its shape was unique and beautiful. The thinnest part of the cup was less than 0.5 mm, and the whole body was black and glossy. The texture was delicate and warm. There were also other black pottery products such as black pottery cups and pottery cauldrons that had their own characteristics. White pottery was white inside and outside, and its body was white. It was made of porcelain clay or kaolin. It originated in the Neoliths Era and reached its highest achievement in the Shang Dynasty. During the Longshan culture period, there were white pottery and other representative cultural relics. In addition, cultural relics such as small terracotta warriors and horses were found near the tomb of King Qingwang in Gaomi; among the cultural relics returned to China by the National Art Museum of Australia, there were painted terracotta figures riding horses; the Longshan culture of the Neolith Age also had painted dragon-patterned pottery plates with dragons painted on the inner walls, known as "the first dragon pottery in China". <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
A novel about pottery
A few novels to recommend: - " Drawing the Heavens: The Beginning of the Destruction of Ghosts ", the author rolled up his blanket. The protagonist, Yan Yu, was run over by the strange autobots and transmigrated. He brought the Heavens Drawing System and used the metaphysics lottery technique to travel through the two-dimensional plane. It was super fun to show off his skills in the worlds of Ghost Blade, Curse Battle, Naruto, and One-Punch Superman. - "The Lady of the Kiln," created by the oil doll. The female protagonist traveled through the ancient folk kiln home. Although she was ridiculed, she made a living in the kiln industry with secret manuals. The plot was very interesting. - " From the Holy Lord to the Boss ", written by the stupid rabbit. The protagonist brought a low-quality boss to collect games and was reborn in Japan. With the Holy Lord as the starting point, he made up a myth and became the boss behind the scenes. Although there were some small flaws, it was not bad overall. - "Hundred Craftsmen's Ingenious Heart," written by Ya Wan Jushi. It was a story about the main character passing down his craft and touching objects to obtain craftsmanship. It could increase his knowledge. Although there were some minor flaws, it was worth watching. - " A Resplendent Life of Entertainment ", written by Drunken Smile. The protagonist traveled through parallel worlds to transport classics. If you are a Jay fan or a Song Rat, you can enter. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
preservation of pottery relics
The preservation of pottery cultural relics required many considerations. First of all, the warehouse where the pottery cultural relics were stored should have a good ventilation environment. This was the basic condition. The room should maintain an appropriate temperature and humidity, and the temperature should not exceed 25 ° C. The temperature in the micro-environment of the museum display cabinet should be about 14 - 24 ° C. Secondly, due to the influence of various deterioration factors in the underground burial environment and after being unearthed, the texture of the pottery became loose and fragile. While maintaining the relative balance of temperature and humidity in the preservation environment, it also needed to be protected by means of disinfection, desalting, repair and reinforcement. After being unearthed, most of the surface and soil of the pottery were contaminated with dirt and covered with coagulated substances (such as carbon dioxide or plaster, clay, as well as sulfuric acid, Silicate and other substances), which needed to be treated. Moreover, whether it was displayed or stored in the museum, it could not be separated from the assistance of the museum display cabinet. It was a better choice to use professional cultural relics display cabinets and cultural relics storage exhibition. These display cabinets could be made according to the cultural relics protection standards, such as radiation protection, temperature and humidity control, air exchange and other functions designed according to the characteristics of cultural relics. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Who is Atlas in the Myth of Atlas Story?
In the Myth of Atlas Story, Atlas is a Titan. He was on the losing side of the war between the Titans and the Olympians. And because of that, he was given the extremely difficult task of holding up the sky, which became his eternal burden.
A novel revolving around pottery
He recommended a few web novels. The author of "Drawing the Heavens: The Beginning of the Destruction of Ghosts" rolled up his blanket. Yan Yu had transmigrated after being run over by the strange autobots. With the lottery system, he used the metaphysics lottery to travel through the two-dimensional plane. It was cool to show off in worlds like the Ghost Destroyer Blade. " A Young Lady in the Kiln," an ancient romance novel written by an oil doll. The female protagonist was ridiculed when she traveled through the ancient kiln house. She had secret manuals. Although she was ridiculed for her dowry being pottery, she was doing well. Porcelain King, the history of Geyu's creation-Song, Yuan and Ming Dynasties. The modern arts and crafts master became the king of porcelain in the early Ming Dynasty. He knew all kinds of ceramic skills and made the Ming ceramic glass industry reach its peak. " A Resplendent Life of Entertainment ", written by Drunken Laughing Beauty. It was an urban entertainment star genre. The protagonist traveled through a parallel world to transport classics, and there were also settings such as the character's constellation and birthday. " From the Holy Lord to the Boss " was a light novel by the stupid rabbit Mr. Bunny. The main character was reborn in Japan as the big boss behind the scenes. The story was quite interesting, but there were some minor flaws. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Jinxing building pottery wholesale
According to the information provided, it was mentioned that Jinxing Jiantao Summit Tile (Jinxing Jiantao may be the brand name) in Dongchangfu District of Liaocheng City was located about 150 meters south of the intersection of G240 and Weiyu Road. There was also the Jiaxing Building Materials and Porcelain Market Jinxing Porcelain wholesale department, which was registered and established in Jiaxing on January 7, 2004. It mainly engaged in wholesale and retail of architectural porcelain and sanitary ware. Its office address was No. 2 - 3, Building 11, Jiaxing Jiantao Market, Zhejiang Province. It had two employees. However, more detailed business content, scale, market scope, etc. were unknown. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Tang Dynasty pottery relics
The pottery cultural relics of the Tang Dynasty include the Tri-colored Colored Glazed Tile of the Tang Dynasty, the dragon head pot with pottery decals, and the Kunlun slave figurines of the Tang Dynasty. Tri-colored glazed pottery of the Tang Dynasty was popular during the Tang Dynasty. Its full name was "Tri-colored glazed pottery of the Tang Dynasty." It belonged to low-temperature glazed pottery. The glaze colors were yellow, green, white, brown, blue, black, etc. Most of them were yellow, green, and white as the basic glaze colors. It was unearthed in a vast area, and the Tri-colored Glazed Tile of the Tang Dynasty unearthed in Luoyang, Henan Province was the earliest, the largest in quantity, and the largest in scale. It was also known as the "Tri-colored Glazed Tile of the Tang Dynasty in Luoyang". It rose in the period of Emperor Gaozong of the Tang Dynasty. In the early Tang Dynasty, the production process was simple and the types of products were few. In the prosperous Tang Dynasty, the production process was complicated and the quality of the products was high. In the late Tang Dynasty, the production and development declined, the production scope was reduced and the process was rough. After the Tang Dynasty, only parts of the north continued to produce and the level of craftsmanship was relatively low. The firing process was exquisite. Generally, it needed to be fired twice. First, it was fired at a high temperature of about 1000 - 1100 ° C. Then, it was evenly glazed and put into the kiln to be baked at about 800 ° C for the second time. There was also the painted Tri-colored Colored Glaze of the Tang Dynasty that was directly painted after the firing. Tri-colored glazed pottery of the Tang Dynasty had various shapes, including daily utensils.(as) a plate, bowl, pot, jar, animal (such as horses, camels, cattle, sheep, etc.), figures (such as figurines, Buddha statues, etc.), etc. Their shapes reflect the living customs and aesthetic concepts of the Tang Dynasty society. The colors are mainly yellow, green, and white. The colors are bright and the contrast is strong. It is an outstanding achievement in the handicraft industry of the Tang Dynasty. It is also a representative art product formed by the collision of China local culture and foreign culture. In 2008, its firing skills were selected into the second batch of national intangible cultural heritage representative projects. The dragon head pot with ceramic decals was a pottery from the Tang Dynasty, which was now in the Palace Museum. The Kunlun slave figure was a pottery work from the Tang Dynasty. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Carving jade, pottery, etc.
The following was the information about the jade carvings: - Material selection: The carving of jade must be based on the shape and color of the jade material. It follows the principle of "applying art according to the material". When an excellent jade carving master sees the jade material, he will generally have a creative idea. - Design: On the basis of making the best use of the jade material, a suitable theme should be designed according to the color, texture, and shape of the jade. This requires the jade carving master to have a solid foundation in art. - Engraving: It was divided into rough carving and fine carving. The rough carving was to make an embryo, using a large tool to cut out the basic block of the jade shape and quickly remove the excess material. The fine carving was very time-consuming and paid attention to details. For example, the rough carving of a small carving may take less than half an hour, but the fine carving may take a few days to a week. - Polishing: This was the last step of the jade carving process. Only after polishing could the jade show a crystal clear, warm and smooth appearance. There was no reference on pottery carving. Sorry, I can't give an accurate answer. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Grade 2 pottery cultural relic
In the information provided, the second-class pottery cultural relics mentioned were Xindian culture triangular pattern colored pottery jars. Its size was 19 cm high, 17.9 cm abdominal diameter, 11 cm caliber, 7 cm bottom diameter, muddy orange-yellow pottery, extravagant mouth, high neck, smooth shoulders, round belly, flat bottom tight, symmetrical ears, white pottery clothes, black and red color on the top, a red color on the inner decoration of the mouth, the neck decorated with red color wide band pattern, filled with triangular pattern, the abdomen decorated with inverted large triangular pattern, and the lower abdomen had a string pattern of patting print. There was also the Bianjialin type pottery of the Majiayao culture. It was 27 centimeters high, 24 centimeters in diameter, 9.7 centimeters in diameter, and 9.5 centimeters in diameter at the bottom. It was orange-yellow clay with a straight mouth and neck. The shoulders were folded down, and the belly was gradually closed down. It had a flat bottom. There were symmetrical ears on the belly. It was decorated with black and red colors. The belly was decorated with large triangular patterns, the shoulders were decorated with fine symmetrical arc patterns of black and red, and the belly was decorated with water ripples. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
pottery cultural relic with characters
There were many cultural relics with words on them. The following are some examples: - There were Chinese characters engraved on the pottery unearthed in Dajiayi, Gaoling County, Gyeongsangbuk Province, South Korea. The word "big" could be recognized, and the other word was suspected to be "king". This pottery was thousands of years old. In addition, the wooden slips unearthed in Gyeongsangdo, South Korea in 2019 were engraved with 94 characters, all of which were Chinese characters. - In China, during the joint archaeological excavation of the construction project of Yuncheng City and Exhibition Center from August to October 2020, 10 ink-written terrines were found in the tomb M15 of the middle and late Western Han Dynasty. There were characters written in official script near the mouth of the terrine shoulders, such as "Five Species","Mai Yiqi","Rice Yiqi","White Grain Rice","Food Yiqi","Water Yiqi","Salt Soy","General Yiqi","Mash Yiqi","Mu Yiqi", etc. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>