Prehistoric relic, black pottery
The black pottery appeared in the late Neoliths 'Dawenkou culture, Longshan culture, Qujialing culture, Liangzhu culture, and other sites. It was a prehistoric cultural relic. Longshan black pottery was first discovered in Zhangqiu, Shandong Province in 1928. It has a history of more than 4000 years. The earliest known black pottery was the black pottery unearthed from the Hemudu cultural site in Yuyao, Zhejiang Province. The firing temperature of black pottery was about 1000 degrees. There were three types of clay, mud, and sand. Among them, the thin-wall black pottery with fine mud had the highest production level. It was known as "black as paint, thin as paper." In 1936, a high-handle hollowed-out eggshell pottery cup was discovered in the cultural ruins of the two cities of Zhao. It was black and shiny without glaze. The shell was thin and hard. The thickest part of the wall was no more than 1 mm, and the thinnest part was only 0.2 mm. It weighed only 22 grams. It was exquisitely made. It was a typical representative of Longshan culture and was called "standard black pottery". It reflected the ultimate beauty of simplicity and simplicity. It had a high artistic quality and occupied an important position in the history of China arts and crafts. It was even praised by the world's archaeology community as "the most exquisite creation of Earth's civilization from 4,000 years ago." Prehistoric black pottery was mostly used for daily necessities, such as food, water, cooking and so on. Read more exciting novels for free
pottery cultural relic with characters
There were many cultural relics with words on them. The following are some examples: - There were Chinese characters engraved on the pottery unearthed in Dajiayi, Gaoling County, Gyeongsangbuk Province, South Korea. The word "big" could be recognized, and the other word was suspected to be "king". This pottery was thousands of years old. In addition, the wooden slips unearthed in Gyeongsangdo, South Korea in 2019 were engraved with 94 characters, all of which were Chinese characters. - In China, during the joint archaeological excavation of the construction project of Yuncheng City and Exhibition Center from August to October 2020, 10 ink-written terrines were found in the tomb M15 of the middle and late Western Han Dynasty. There were characters written in official script near the mouth of the terrine shoulders, such as "Five Species","Mai Yiqi","Rice Yiqi","White Grain Rice","Food Yiqi","Water Yiqi","Salt Soy","General Yiqi","Mash Yiqi","Mu Yiqi", etc. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Grade 2 pottery cultural relic
In the information provided, the second-class pottery cultural relics mentioned were Xindian culture triangular pattern colored pottery jars. Its size was 19 cm high, 17.9 cm abdominal diameter, 11 cm caliber, 7 cm bottom diameter, muddy orange-yellow pottery, extravagant mouth, high neck, smooth shoulders, round belly, flat bottom tight, symmetrical ears, white pottery clothes, black and red color on the top, a red color on the inner decoration of the mouth, the neck decorated with red color wide band pattern, filled with triangular pattern, the abdomen decorated with inverted large triangular pattern, and the lower abdomen had a string pattern of patting print. There was also the Bianjialin type pottery of the Majiayao culture. It was 27 centimeters high, 24 centimeters in diameter, 9.7 centimeters in diameter, and 9.5 centimeters in diameter at the bottom. It was orange-yellow clay with a straight mouth and neck. The shoulders were folded down, and the belly was gradually closed down. It had a flat bottom. There were symmetrical ears on the belly. It was decorated with black and red colors. The belly was decorated with large triangular patterns, the shoulders were decorated with fine symmetrical arc patterns of black and red, and the belly was decorated with water ripples. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Prehistoric Relic Jade Dragon
The jade dragon was a piece of jade from the Hongshan culture of the Neolith Age. It was made of dark green Xiuyan jade. It was unearthed in 1971 at the Sanxing Tara site in Wengniute Banner, Inner Mongolia Autonomous Region. It is now in the National Museum of China. It was 21 centimeters long and 26 centimeters high. Its entire body was curled in the shape of a "C". Its snout was slightly curved upward, its mouth was closed and had symmetrical nostrils, its eyes were protruding in a rhombus shape and had a mane, and its back had a symmetrical single hole. Most of the dragon's body was light and without patterns. Only its forehead and the bottom of its jaw were engraved with fine grid network patterns. The grid protruded into regular small diamonds. Because of its shape, it was also named C-shaped Jade Dragon. It was one of the representative artifacts of the Hongshan culture and also the largest known jade dragon of the Hongshan culture. He was known as the " First Dragon of China ". On August 19, 2013, he was included in the " Third batch of cultural relics exhibition prohibited from going abroad " by the State Administration of Cultural Relics. In addition, archaeologists dug up four identical jade dragons in Inner Mongolia, Hubei, Anhui, and Zhejiang, which were thousands of kilometers apart. This discovery revealed the complex trade network of ancient times. It may be the integration of different regional crafts to produce innovation, or it may be that the ancients passed on the jade dragon and its production skills, aesthetic concepts, and even lifestyle through the trade network. There was also a type of jade dragon with a length of 60cm and a diameter of 2.2 - 2.4 cm. The jade was made of light green old Xiuyan jade. The dragon's body was thick and curly in the shape of an inverted "C". Its long snout was slightly tilted, and it had two round nostrils. Its eyes were olive-shaped and protruded. From the top of its head to the back of its neck, it had a long mane that was curled up at the end. There was a rhombus-shaped net carved on its forehead and under its jaw. The dragon's body was flat and round. There was a hole on its back that could be used to hang a rope. Because its snout was extended forward and its front end was protruding and tilted, it was also known as the Jade Pig Dragon. It was a representative work of the early clan art. It was probably a totem of a certain tribe. It was originally collected by Mr. Fu Zhongmo and was purchased by the Palace Museum in 1992. It was the largest C-shaped jade dragon that had been seen so far. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Free Prehistoric Relic novel recommendations
I recommend Footprints of the Wilderness. The author is full. This was an ancient pre-Qin novel. The main character Wang Lang had traveled to a parallel Earth that had not experienced the extinction 65 million years ago. It was a farming novel without any golden fingers. The original text can be read by lovers and is rated as food. Although there were some minor problems such as slow updates and slow progression of the story, the new author was experienced in writing and had clear thoughts. The beginning of the plot was attractive, and the overall situation was not bad. At present, it felt good to see chapter 125, but there were also situations where the plot developed quickly and was not full. Then there was The Emperor's Angel of Death, a fantasy-epic fantasy novel written by Mogg Zhuogen. The story was set in the 41st millennium of the Milky Way Human Empire. The protagonist, Soshyan Alexei, was a combat cultivator of the Astral Knights Legion. He was the only survivor of the World Engine Battle and was responsible for rebuilding the legion. This was one of the rare 40K Warhammer novels in Qidian. The plot was reasonable and slow to get popular. It was a rather successful copy of the original. Although there were some minor flaws such as original doujinshi, too much water content, and too many female protagonists fighting for favor, the flaws did not obscure the merits. It was suitable for Warhammer fans. There was also the ❮ Devour the Starry Sky: My Comprehension Defying the Heavens ❯. Bai Yunsong's light novel-derived doujinshi novels. The main character Luo Xia had transmigrated to become Luo Feng's younger brother, his comprehension was extremely strong, he could comprehend new things from the knowledge he already had. Although it was a new book, the results were not bad. It dealt with the relationship between the main character and his family well, but it respected the original work too much. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Black Painted Gold Relic
There were many kinds of black painted gold artifacts. The following are some examples: - The black lacquer plate with golden vine pattern is a lacquer relic from the Qianlong period of the Qing Dynasty. It is now stored in the Palace Museum. - The black painted gold landscape painting of the mid-Qing Dynasty was 51 cm long, 44.5 cm wide and 86.4 cm high. It was an old collection of the Qing Dynasty. It inherited the traditional genes of the Ming Dynasty furniture and reflected the Qing style on the decorative patterns, such as the golden bat, chime, Ruyi and other elements. The whole body was mainly black paint, and there were special crafts such as curls of grass patterns on the waist. - The hanging screen of Emperor Ming's Horse Test painted with black paint and gold in Qianlong of the Qing Dynasty, 86.5cm high and 54.5cm wide, with black paint on the ground. On the upper half of the screen, there is a poem inscribed by Emperor Qianlong of the Jin Dynasty. It is now stored in the Palace Museum in Beijing. - The black lacquer medicine cabinet painted with gold in the Wanli period of the Ming Dynasty was a cultural relic from the Ming Dynasty. It was now stored in the Palace Museum in Beijing. In the paintings of the Qing Palace, such as Prince Yong's Painting Screen, Yinzhen's Atlas of Happiness, and Emperor Yongzheng's Image Axis, there were also black lacquer gold-painted products. For example, there was a black lacquer gold-painted round box in the Painting Screen of Prince Yong's Painting Hall, and there was a black lacquer gold-painted square table in the distant view of the axis of "Holding a Watch Facing Chrysanthemum". In addition, there were also cultural relics painted with gold on glass, such as a gold-painted floral powder box, a blue-colored gold-painted glass jar, and a gold-painted pollen box. Gold paint was a kind of paint making technique, which was to add gold patterns on a single-colored paint ground. Among them, black paint was the most common. Gold paint had been produced in China since the Warring States Period and Han Dynasty, and had mastered the high skills of using gold and silver. It was spread to Japan during the Sui and Tang Dynasties or even earlier, and there were developments and innovation in the Ming Dynasty. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Where did the black and white pottery come from?
Both black and white pottery were unearthed from the Longshan cultural site. The Longshan culture refers to the cultural relics of the late Neoliths in the middle and lower reaches of the Yellow River in China. It belongs to the culture of the era of copper and stone. It was first discovered in Longshan Town, Licheng County, Jinan City, Shandong Province (now Zhangqiu). After radioactive carbon dating and correction, it was dated from 2500 to 2000 B.C. It was distributed in Henan, Shandong, Shanxi, Shaanxi and other provinces in the middle and lower reaches of the Yellow River. Black pottery could be divided into three types: fine mud, mud, and sand. Among them, the production level of fine mud and thin-wall black pottery was the highest. The wall was only about 0.5-1 mm, and the surface was black and shiny, so it was called eggshell black pottery. The clay of this black pottery was washed and rolled. The thickness of the wall was only 0.5-1 mm. After polishing, it was burned into a dark and bright color. It was called "eggshell pottery". It showed amazing skills and was famous both inside and outside the country. Before the pottery of this period was fired, it was polished and processed by using clay strips to coil it. The shape of the ware was regular and the thickness of the wall was uniform. In addition to daily life utensils, there were also many types of black pottery, such as Li, beans, cups, cauldrons, basins, and pots. White pottery was a kind of pottery that was white in color. It was made of porcelain clay or kaolin, and the firing temperature was around 1000 degrees. White pottery was basically handmade. In the future, they would gradually use the clay plate method and the wheel method. White pottery appeared in the late period of the Longshan culture, during the heyday of the Shang Dynasty. In the later period of the Shang Dynasty, a large number of white pottery swallowtails were produced. The largest number of swallowtails were unearthed from the Yin Ruins in Anyang, and the workmanship was quite exquisite. In the Western Zhou Dynasty, due to the development of printed hard pottery and primitive porcelain, white pottery was no longer made. While waiting for the TV series, you can also click on the link below to read the original work of "Little Fox Demon Matchmaker" to understand the plot in advance!
Where did the black and white pottery come from?
There were many ruins where black and white pottery were unearthed. The following is some information about the ruins: - Longshan black pottery: Chengziya Ruins, Longshan Street Office, Zhangqiu District, Jinan City, Shandong Province. - White pottery of Qijia culture: Qijiaping site, Guanghe County, Gansu Province. - White pottery of Daxi culture: Daxi site in Wushan County Chongqing City. - Qujialing culture black pottery: Qujialing site, Jingshan City, Hubei Province. It should be noted that this was only a part of the excavated sites of black and white pottery. There were many other sites that also unearthed these two kinds of pottery. While waiting for the TV series, you can also click on the link below to read the original work of " Little Fox Demon Matchmaker " to understand the plot in advance!
Where did the black and white pottery come from?
Black and white pottery were unearthed from the Longshan cultural site. The Longshan culture refers to the cultural relics of the late Neoliths in the middle and lower reaches of the Yellow River in China. It belongs to the culture of the era of copper and stone. It was first discovered in Longshan Town, Licheng County, Jinan City, Shandong Province (now Zhangqiu District). After radioactive carbon dating and correction, the age was between 2500 B.C. and 2000 B.C.(4000 years ago). It was distributed in Henan, Shandong, Shanxi, Shaanxi and other provinces in the middle and lower reaches of the Yellow River. While waiting for the TV series, you can also click on the link below to read the original work of "Little Fox Demon Matchmaker" to understand the plot in advance!
pottery relics
There were many types of pottery relics, which appeared in various historical periods of ancient China and had different characteristics. During the Shang Dynasty, a ceramic sewer was unearthed in the Yin Ruins of Anyang, which indicated that China's research on drainage systems was quite in-depth at that time. From the perspective of colored pottery, China colored pottery was developed on the basis of red pottery. It was made by using a specific dye to paint the surface of the red pottery and then firing it. For example, the painted pottery boat-shaped pot in the Yangshao culture period was shaped like a boat and painted with a net pattern at the belly of the pot; The painted pottery human-faced fish-patterned basin had human-face patterns and fish patterns on the inner wall, reflecting the worship of fish by Banpo people; The painted pottery stork fish stone axe vat was a representative work of China painting in its infancy, painted with storks, fish and giant axes; The painted pottery dance basin in the Majiayao culture period was painted with 15 people holding hands and dancing. The black pottery was formed by adding water from the top of the kiln at the final stage of the firing of the object to extinguish the charcoal and produce thick smoke to blacken the object. The eggshell black pottery cup in the Longshan culture could be called the essence of ancient pottery. Its shape was unique and beautiful. The thinnest part of the cup was less than 0.5 mm, and the whole body was black and glossy. The texture was delicate and warm. There were also other black pottery products such as black pottery cups and pottery cauldrons that had their own characteristics. White pottery was white inside and outside, and its body was white. It was made of porcelain clay or kaolin. It originated in the Neoliths Era and reached its highest achievement in the Shang Dynasty. During the Longshan culture period, there were white pottery and other representative cultural relics. In addition, cultural relics such as small terracotta warriors and horses were found near the tomb of King Qingwang in Gaomi; among the cultural relics returned to China by the National Art Museum of Australia, there were painted terracotta figures riding horses; the Longshan culture of the Neolith Age also had painted dragon-patterned pottery plates with dragons painted on the inner walls, known as "the first dragon pottery in China". <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
What is 'black relic novel' about?
I'm not sure specifically as I haven't read it. It could be about a relic that is black in color and perhaps has some mysterious or historical significance in the context of the novel's story.