Prehistoric Relic Jade Dragon
The jade dragon was a piece of jade from the Hongshan culture of the Neolith Age. It was made of dark green Xiuyan jade. It was unearthed in 1971 at the Sanxing Tara site in Wengniute Banner, Inner Mongolia Autonomous Region. It is now in the National Museum of China. It was 21 centimeters long and 26 centimeters high. Its entire body was curled in the shape of a "C". Its snout was slightly curved upward, its mouth was closed and had symmetrical nostrils, its eyes were protruding in a rhombus shape and had a mane, and its back had a symmetrical single hole. Most of the dragon's body was light and without patterns. Only its forehead and the bottom of its jaw were engraved with fine grid network patterns. The grid protruded into regular small diamonds. Because of its shape, it was also named C-shaped Jade Dragon. It was one of the representative artifacts of the Hongshan culture and also the largest known jade dragon of the Hongshan culture. He was known as the " First Dragon of China ". On August 19, 2013, he was included in the " Third batch of cultural relics exhibition prohibited from going abroad " by the State Administration of Cultural Relics. In addition, archaeologists dug up four identical jade dragons in Inner Mongolia, Hubei, Anhui, and Zhejiang, which were thousands of kilometers apart. This discovery revealed the complex trade network of ancient times. It may be the integration of different regional crafts to produce innovation, or it may be that the ancients passed on the jade dragon and its production skills, aesthetic concepts, and even lifestyle through the trade network. There was also a type of jade dragon with a length of 60cm and a diameter of 2.2 - 2.4 cm. The jade was made of light green old Xiuyan jade. The dragon's body was thick and curly in the shape of an inverted "C". Its long snout was slightly tilted, and it had two round nostrils. Its eyes were olive-shaped and protruded. From the top of its head to the back of its neck, it had a long mane that was curled up at the end. There was a rhombus-shaped net carved on its forehead and under its jaw. The dragon's body was flat and round. There was a hole on its back that could be used to hang a rope. Because its snout was extended forward and its front end was protruding and tilted, it was also known as the Jade Pig Dragon. It was a representative work of the early clan art. It was probably a totem of a certain tribe. It was originally collected by Mr. Fu Zhongmo and was purchased by the Palace Museum in 1992. It was the largest C-shaped jade dragon that had been seen so far. Read more exciting novels for free
China cultural relic, Jade Dragon
The jade dragon was a piece of jade from the Hongshan culture of the Neolith Age. It was made of dark green Xiuyan jade. It was unearthed in 1971 at the Sanxing Tara site in Wengniute Banner, Inner Mongolia Autonomous Region. It is now in the National Museum of China. The jade dragon was 21 centimeters long and 26 centimeters high. It curled up in the shape of a "C". Its snout was slightly curved upward, and its mouth was tightly closed. It had symmetrical nostrils, prismatic eyes, and a mane. There was a symmetrical single hole on its back. Most of the dragon's body was light and without patterns. Only its forehead and the bottom of its jaw were engraved with fine grid network patterns. The grid protruded into regular small diamonds. Because of its shape, it was named C-shaped jade dragon. It was one of the representative artifacts of Hongshan culture and also the largest known jade dragon of Hongshan culture. He was known as the " First Dragon of China ". On August 19, 2013, he was included in the " Third batch of cultural relics exhibition prohibited from going abroad " by the State Administration of Cultural Relics. In addition, there was also a jade dragon with a length of 60cm and a diameter of 2.2 - 2.4 cm. The jade was made of light green old Xiuyan jade. The dragon's body was thick and curled in an inverted "C" shape. Its long snout was slightly tilted, with two round nostrils, and its eyes were olive-shaped. From the top of its head to the back of its neck, there was a long mane that was draped behind it, and the end was tilted up. There was a rhombus-shaped net carved on its forehead and under its jaw. The dragon's body was flat and round, and there were holes on its back that could be tied. Because its snout was extended forward, the front end was protruding and tilted, it was called the Jade Pig Dragon. It was originally collected by Mr. Fu Xinian's father, Mr. Fu Zhongmo. In 1992, when the Palace Museum purchased 396 jade articles from Mr. Fu's collection, three jade articles of Hongshan culture, including this jade dragon, were purchased. This is also the largest C-shaped jade dragon seen so far. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Relic Jade Bracelet
There was a pair of jade bracelets with two dragons playing with pearls in the National Palace Museum in Taibei. The bracelets had the following characteristics: - ** Jade material **: The color of the water is excellent, and it is a rare treasure from the same piece of jade. Although it couldn't be looked at with the modern eyes that only pursued glass or ice, this pair of bracelets was a high-quality jade material with excellent water quality at that time. After more than a hundred years, it was still lustrous and translucent. - ** Model Implication **: The design is noble. The dragon is the symbol of the emperor. It is speculated that the wearer is a figure of the emperor and empress level. It is not only a beautiful jewelry, but also a symbol of status. - ** Craftsmanship design **: The design is exquisite and unique, the color is just right, and it is exquisitely crafted. The dragon's head and the pearl were made of imperial green, and the dragon's body was connected to the other end of the pearl. The color transition and gradual change were natural, and the shape of the two dragons was lifelike. In addition, there was a Qing Dynasty jade bracelet in Yichun, Jiangxi Province. It was now in the Fengcheng City Museum. It was 0.9 centimeters thick and 8.2 centimeters in diameter. It was ring-shaped and had a circular cross-section. There was no pattern on the whole body. There was red jade on one side of the bracelet. Jade bracelets also appeared in the Tang Dynasty related TV series,"The Imperial coroner." In the drama, the bracelet was full of green but the color was uneven and the water content was not high. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Free Prehistoric Relic novel recommendations
I recommend Footprints of the Wilderness. The author is full. This was an ancient pre-Qin novel. The main character Wang Lang had traveled to a parallel Earth that had not experienced the extinction 65 million years ago. It was a farming novel without any golden fingers. The original text can be read by lovers and is rated as food. Although there were some minor problems such as slow updates and slow progression of the story, the new author was experienced in writing and had clear thoughts. The beginning of the plot was attractive, and the overall situation was not bad. At present, it felt good to see chapter 125, but there were also situations where the plot developed quickly and was not full. Then there was The Emperor's Angel of Death, a fantasy-epic fantasy novel written by Mogg Zhuogen. The story was set in the 41st millennium of the Milky Way Human Empire. The protagonist, Soshyan Alexei, was a combat cultivator of the Astral Knights Legion. He was the only survivor of the World Engine Battle and was responsible for rebuilding the legion. This was one of the rare 40K Warhammer novels in Qidian. The plot was reasonable and slow to get popular. It was a rather successful copy of the original. Although there were some minor flaws such as original doujinshi, too much water content, and too many female protagonists fighting for favor, the flaws did not obscure the merits. It was suitable for Warhammer fans. There was also the ❮ Devour the Starry Sky: My Comprehension Defying the Heavens ❯. Bai Yunsong's light novel-derived doujinshi novels. The main character Luo Xia had transmigrated to become Luo Feng's younger brother, his comprehension was extremely strong, he could comprehend new things from the knowledge he already had. Although it was a new book, the results were not bad. It dealt with the relationship between the main character and his family well, but it respected the original work too much. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cultural relic jade pillar
Jade pillars had many forms of expression in cultural relics. Among the cultural relics of Guigang Han Tomb Group exhibited in Guangxi Museum, there were jade pillars. The No.1 Han Tomb of Luobowan had a high standard and many cultural relics were unearthed. There were jade pillars among the cultural relics unearthed from many tombs of Guigang Han Tomb Group. In the early Spring and Autumn Period, the jade handle of Rui Jiang, the wife of the monarch of Rui Country, was composed of a jade pillar and eight chains. The jade pillar was 10.2 cm long, 2.5 cm wide and 1.5 cm thick. It was plain and had no patterns. There was a cow's nose drilled on each of the upper and lower sides of the two ends, and six slanted holes were drilled on each of the four edges. Among the cultural relics related to Liangzhu culture, there were jade pillars, such as the jade pillar (with a lid) unearthed from Tomb No. 9 of Yaoshan Ruins in Yuhang, as well as shallow embossed divine beast patterns. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cultural relic jade headdress
In the Qing Dynasty, there were jade butterfly headwear with silver spots, jade phoenix crown with black gauze spots, and other cultural relics with jade spots. The silver butterfly headdress is collected in the Beijing Folk Museum. The black gauze phoenix crown is 21.3 cm wide and 17.8 cm high. It is made of rattan branches and iron wires wrapped in black flannel to make the skeleton. The inner tube is made of black flannel and black gauze. It is also collected in the Beijing Folk Museum. As an ancient gold and silver jewelry making technique, the jadeite was an auxiliary work in jewelry making. It had existed since ancient times and was very popular at the end of the Qing Dynasty and the beginning of the Republic of China. The jadeite used was the feather of the kingfisher. In traditional crafts, it was often inlaid with pearls, gems, and gold silk. Its history could be traced back to the Warring States period. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Prehistoric American Jade
In America, the jade culture in Central America, which mainly carried jadeite, flourished in the Olmec culture of the lowlands along the Gulf Coast of Mexico since 2000 B.C. In the pre-classical period (2000 B.C. to 300 A.D.), the Olmec used the jade produced in the distant Motagua Valley to make exquisite jade, which was first used for sacrifice. The Olmec culture's jade-making and jade tradition had a profound impact on the ancient civilizations of Central America, especially the Maya culture that flourished in the Yucatan Peninsula during the classical period (300 - 900 AD). Among the ancient jade processing techniques in Central America, the well-developed jade drilling technology was particularly eye-catching. It had many functions and was also given symbolic meaning. In addition, an axe with the same shape as the jade Gui of the Shang Dynasty (with a difference in material) was unearthed in Mexico. In 1995, a jade with a symbol similar to the oracle bone inscriptions of China 3000 years ago was also unearthed. The Olmec civilization was the birthplace of American civilization. There were only a handful of places where early jade artifacts were unearthed in foreign countries, such as Lake Baikal in Asia, New Zealand in Oceania, and North and South America. Moreover, they appeared relatively late and did not last long. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Relic Wish Dragon
Inspired by cultural relics and auspicious beasts, the creative research and development team of Deshou Palace Ruins Museum of the Southern Song Dynasty created the hand-painted national style image of "Hairpin Flower Ruyi Dragon". It wore a hairpin flower on its head, held a golden leaf in its hand, and held Ruyi in its tail. It combined the cultural relics, architectural elements, and Song rhyme elements of Deshou Palace. The golden leaf came from the cultural relics of Song Dynasty collected in Deshou Palace, and the Ruyi pattern was taken from the brick carving patterns unearthed in Deshou Palace. Around this image, more than 10 creative products of the "Dragon Spirit" series were developed. In addition, in the Qing Dynasty, there were also figures of dragons on the Ruyi, but it was not clear whether it was the image of the Ruyi Dragon. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
China jade seal cultural relic
In China, the jade seal had a rich history. From the origin, the Zhou Dynasty began to use seals to express credit. In the Qin Dynasty, there was a distinction between seals and seals. The emperor used seals and the subjects used seals. After Qin Shihuang unified China, he ordered people to carve the Heshi jade into a jade seal. On it was engraved the words "Ordered by Heaven, Longevity Forever". This became the imperial seal of the country and was the proof of the orthodox emperors of China. It symbolized the supremacy of imperial power and also represented the traditional Chinese history and culture. It symbolized "Ordered by Heaven" and "Destiny has come to an end". However, it had been missing, broken, and stolen many times in the long river of history. In addition to the Imperial Jade Seal, there were other important jade seals. For example, the Han Dynasty emperor had six seals with different uses. There was also the Han Imperial Seal of Emperor Wu of the Han Dynasty.(Seal: "Treasure of the Son of Heaven"), Emperor Taizong of the Tang Dynasty (Seal: "Treasure of the Emperor of the Tang Dynasty"), Emperor Wu Zetian's Imperial Phoenix Seal (Seal: "Treasure of the Absolution of Life"), Emperor Taizu of the Song Dynasty (Seal: "Treasure of the Song Dynasty"), Emperor Taizu of the Yuan Dynasty (Seal: "Treasure of the Emperor of the Ming Dynasty"), etc. However, most of these jade seals have been lost. The seal of the Kangxi Kingdom is now in the Palace Museum. The seal of the Qianlong Kingdom was taken away by the Eight-Power Alliance and drifted overseas. In addition, in the eleventh year of Qianlong, twenty-five imperial jade seals of the Qing Dynasty were made, which are now stored in Jiaotai Hall of the Forbidden City. There was also the art collection of "The National Seals of the Ten Great Emperors of China", which was made up of nine imperial seals (although it was named "ten", it was actually nine national seals). After a comprehensive and systematic study and restoration of the national seals of the past dynasties in Chinese history, it was carved from nine kilograms of top-grade Hetian sapphire. It was created in the original quality, shape, size, original text, and proportion. These jade seals not only had extremely high cultural value, but they also carried heavy historical significance. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Received a cultural relic from Hetian Jade
If you receive a Hetian jade cultural relic, the following are some measures to be taken: First of all, he had to ensure that it was properly preserved. To prevent Hetian jade cultural relics from being hit, scratched or exposed to extreme temperature and humidity. It is suitable to be stored in a relatively stable temperature and humidity environment. Special cultural relic storage boxes or display cabinets can be used. Secondly, if you want to know more about its value, age, authenticity, and other aspects, you can seek professional appraisal services. There were many channels to choose from, such as contacting teachers on platforms such as Hetian Yubao to verify and evaluate the authenticity. He could also refer to the relevant knowledge provided by authoritative platforms such as Hetian Jade Appreciation Network to make a preliminary self-judgment from its craftsmanship, color, texture, and other aspects. From a historical and cultural point of view, Hetian jade cultural relics have a profound cultural heritage. Hetian jade played an important role in China history. Hetian jade products of different dynasties had different characteristics. For example, the production of Hetian jade in the Han Dynasty increased greatly after the Central Plains Dynasty strengthened its ties with the Western Regions. Its products had new developments in shape and use, from making small objects to making large-scale jade articles and making some innovation. During the Sui and Tang Dynasties, Hetian jade was more used to make ornamental ornaments, and the art style of the Western Regions and neighboring countries was absorbed in the carving. If it was an ancient Hetian jade relic, it might be an important embodiment of the social culture, craftsmanship level, and aesthetic concept at that time. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
National treasure, cultural relic, jade seal
The jade seal referred to the emperor's jade seal. It was the symbol of supreme power and began with Qin Shihuang. In ancient times, seals and imperial seals were generally called gold or jade. Imperial seals first appeared in the Zhou Dynasty, and only in the Qin Dynasty did they have the distinction of imperial seals and imperial seals. The seal used by the emperor was called imperial seal, and the seal used by the subjects could only be called seal. The Imperial Jade Seal was originally made by Prime Minister Li Si after Qin Shihuang unified the six countries and proclaimed himself emperor. At first, it did not have a special name. It was a symbol of imperial power like the tiger amulet and the scepter. Later, it was given the political meaning of "orthodox symbol". The new monarch must obtain the Imperial Jade Seal, or else the title of emperor would not be justified. There were many theories about the Heirloom Seal: - [Material: There are two versions of Heshi jade and Lantian jade, but the version of Lantian jade is more credible.] Because the Heshi jade was Chu jade, and the Lantian jade was Qin jade, it was more reasonable for Qin Shihuang to first use Qin jade when carving the jade seal. Moreover, from the size, it was possible but unlikely to use the Heshi jade to carve a four-inch jade seal. In addition, the Heshi jade was already a jade, so there was no need to destroy it. - ** size and appearance **: The imperial seal of the Qin and Han Dynasties was not big. The emperor's seal was estimated to be 3 - 4 cm high and 5 cm wide. According to the historical records, the Imperial Jade Seal was four inches in circumference, which was slightly more than 10 centimeters after conversion. Its height might only be two or three centimeters. On the back, there were five dragons coiling around it. One of the dragons was missing a corner. On the front, there were eight seal characters. However, there were different versions of these eight characters, such as "Ordered by Heaven, Longevity Yongchang" and "Ordered by Heaven." Longevity and health "," Emperor Longevity "and so on. - [Spread and Lost: After the fall of the Western Jin Dynasty, the jade seal was lost, and the Emperor of the Eastern Jin Dynasty was ridiculed.] After that, in the change of dynasties, the imperial jade seal was often passed around, such as Sun Jian's. In 936 AD, Shi Jingtang destroyed the Later Tang Dynasty. Li Congke held the imperial seal and set himself on fire. From then on, the imperial seal disappeared. The Song Dynasty searched for it many times without success. What appeared later might be fakes. After the Song Dynasty, even fakes no longer appeared and were completely extinct. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>