Too often, the words of the Ci card are clearer
The representative works of Tai Chang Yin Ci Pai include Xin Qiji's "Tai Chang Yin·Immortal Ji seems to want to weave silk", Xin Qiji's "Tai Chang Yin·Jiankang Mid-Autumn Night Fu for Lu Shu Qian", Nalan Xingde's "Tai Chang Yin·Self-Inscribed Small Picture", Xiang Hongzuo's "Tai Chang Yin·Guest Wen Song", Ao Dun Zhou Qing's "Tai Chang Yin·West Lake Smoke and Water Vast" and so on.
The cell phone takes a clearer picture than the card machine
This statement was not completely accurate. In some aspects, cell phones were clearer than card machines, and in other aspects, card machines were more advantageous. In terms of detail clarity, the phone might perform better in some cases. For example, in some comparisons, it was found that the photos taken by the mobile phone were clearer in details, and the anti-shake function of the mobile phone helped to take clear photos when holding the camera, while some card machines without anti-shake function were easy to take photos when holding the camera. In the zooming mode, the phone could also beat the card machine. However, the card machine also had its advantages. The camera sensor of the card machine was larger than that of a smartphone, and it had a higher number of resolution, which allowed it to capture more details and theoretically achieve higher image clarity. At the same time, card machines were generally equipped with more advanced lens technology, which could better restore colors and details, bringing more realistic and vivid photos. The card machine had more light control options and shooting modes when shooting. By adjusting the aperture, shutter speed, and so on, the shooting effect could be better controlled. It also provided a variety of professional shooting modes, such as panoramic, long exposure, macro, etc., to meet different shooting needs. In addition, card processors usually had more powerful image processing chips and faster response speeds, enabling faster image processing, such as higher-speed autofocus and lower shutter lag. They performed better in complex lighting conditions such as high light and dark areas, and presented a more balanced exposure effect. They also had more room for creativity and professional functions, such as larger storage capacity and longer battery life. It could take more photos in a row and support a more diverse lens selection and a richer attachment system. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Willow green Ci card
Willow tip green was a name of a poem, also known as "Longtou Moon","Jade Water Bright Sand","Early Spring Resentment","Faded Cloud Autumn Sky","Rain Washing Lantern Festival" and so on. Its formal style is represented by Qin Guan's Ci "Liu Shao Qing·Wu Zhong," with forty-nine words in double tone, six sentences with three flat rhymes on the top and five sentences with three flat rhymes on the bottom. In addition, there are other variations, such as forty-nine words, six sentences with two flat rhymes, five sentences with three flat rhymes, fifty words, six sentences with two oblique rhymes, five sentences with two oblique rhymes, etc. In history, many Ci writers had created "Willow Shoot Green," such as Cai Shen's "Willow Shoot Green, Several Sounds," Zhong Shu's "Willow Shoot Green, Wuzhong," Yang Wujiu's "Willow Shoot Green, Cottage Shackling Fence," Dai Fugu's "Willow Shoot Green, Yueyang Tower," Liu Guo's "Willow Shoot Green, Farewell to Lu Meipo," Liu Chenweng's "Willow Shoot Green, Spring Sense," Xin Qiji's "Willow Shoot Green, On the Return of Three Mountains, On behalf of the White Gulls, See the Laugh," Liu Zhen's" Willow Shoot Green, Qixi," He Zhu's" Willow Shoot Green, Zigui Cry Blood," Cai Shen's" Willow Shoot Green, Seeking Spring on the Wall," Zhao Yanduan's "Willow Green·Birthday" and so on. The whole tune of this Ci card is mainly composed of four-character sentences. Its syllables are gentle, loud and beautiful. At the end of each paragraph, three four-character sentences are flat and overlapping. The image is beautiful and the meaning is coherent, which can well reflect the characteristics of sound and emotion.
Is the partridges sky a Ci card?
Francolin Heaven is the name of the Song Ci Ci, double-tone, fifty-five words, flat rhyme. It was also the name of a tune, such as Xianlu Palace in the Southern Qu and Dashi Diao in the Northern Qu. The words and rhythms were the same as those of the Ci tune. The Northern Song was used as a small order or a divertimento, while the Southern Song was listed as an introduction, mostly used at the end of legendary plays. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
Pipa immortal Ci card rhyme
Pipa immortal Ci card for the preface Ze rhyme grid, double-tone 100 words, the first nine sentences of four Ze rhyme, after eight sentences of four Ze rhyme.
Zither tune, lovesickness, Ci card
Qin Diao Yearning Yin was the name of the Ci. It was also known as "Qin Diao Yearning Yin","Dingfeng Order","Mirror Man","Jade Jiaozhi", etc. It was originally the name of a song from the Tang Dynasty and the Five Dynasties. This song was entrusted with the feelings of a woman's heart. The tune was sad. Yuan Quhua's "Acacia Guide·Xiao Jian Rouge Fu Zi Mian" is the main body, with 46 words in double tone, four sentences in the first paragraph with three flat rhymes, and four sentences in the second paragraph with two flat rhymes. There were many representative works, such as He Zhu's "Qin Diao Xiang Si Yin·Send Fan Dian to Huang Gang", Wang Ce's "Xiang Si Yin·Runzhou Autumn Night", Xu Wei's "Qin Diao Xiang Si Yin·Embroidered Box Full Machine", anonymous "Mirror Man·Willow Smoke Thick", etc. There were also works created by many poets from Song Dynasty to modern times.
The names of Ci poems often lead to meaning
The word "Tai Chang" in the name of "Tai Chang Yin" was an ancient official name. It was set up in the Qin Dynasty and changed to Tai Chang in the Western Han Dynasty. Its responsibility was to manage the etiquette of the ancestral temple and the selection of doctors. It was one of the nine ministers. This official position was used for generations and was abolished at the end of the Qing Dynasty. " Guide " was one of the ancient music styles. According to the relevant records, the origin of the name of this Ci tablet was related to the story of Zhou Ze when he was Taichang. Zhou Ze insisted on fasting, and his wife peeked into the room to ask him. Zhou Ze was furious and thought that his wife had interfered with his fasting and sent him to prison. Therefore, there was a proverb,"If you don't live well, you will be Taichang's wife." Later generations named this Ci tablet according to this matter. It was also said that Taichang was the guiding song. There are many styles of Taichang Yin, such as forty-eight words, forty-nine words, fifty words, flat rhyme, zonal rhyme, etc. Most of the people in Song and Yuan Dynasties filled in forty-nine characters. Only two styles were recorded in Imperial Ci Pu, with Xin Qiji's "Taichang Yin·Xianji seems to want to weave silk" as the main style.
The name of the Ci card cited by the bright moon
The Bright Moon Guide generally referred to the Plum Blossom Guide of Jiang City. It was the name of the Ci. It was also known as "Tan Po Jiang Cheng Zi","Jiang Mei Guide","Four Laughing Jiang Mei Guide","Plum Blossom Guide","West Lake Bright Moon Guide", etc. Cheng Gai's "Plum Blossom Guide in Jiangcheng·Juanjuan Frost Moon Cold Invades the Door" is the main body, with eighty-seven words in double tone, eight sentences in the first paragraph with four-level rhyme and one alliteration, and ten sentences in the last paragraph with six flat rhymes and two alliteration. There are also eighty-eight double-tone words, the first eight sentences of Siping rhyme, one alliteration, the latter eleven sentences of six flat rhyme, one alliteration; There are eighty-five double-tone words, the first eight sentences of five flat rhyme, the latter ten sentences of one leaf rhyme, Siping rhyme and other variants.
Is the name of the Ci card the same as the name of the song
The name of a Ci tablet was different from the name of a song. The name of a Ci tablet was the name of a standard tune of Ci, which determined the rhythm and temperament of Ci. There were about 870 Ci tablets (including a few Jin and Yuan Ci tunes). The content of Ci had nothing to do with the meaning of Ci tablets. Since the Northern Song Dynasty, Ci writers often added titles or prefaces to Ci tablets to explain the meaning of Ci. The name of Ci has a fixed number of words, format and rhythm. The rhyme of Ci is relatively sparse compared to Qu, and only a few Ci can be rhymed or toned. The songs corresponding to the name of the song were commonly known as "brands". The songs had lining characters, and some tunes could add or delete words. The rhymes of the songs were even more dense. Many songs had rhymes, and the rhyme was the same. Moreover, the tunes were divided into fourteen types, such as Huangzhong Palace, Zhenggong, Xianlu Palace, Nanlu Palace, Shuangdiao, and Yuediao.
When the flowers fall, the rhythm of the Ci card
When falling flowers: 48 words in double tone, three flat rhymes in the first half, three flat rhymes in the second half (or two flat rhymes). It was fixed as: flat and flat (rhyme), flat and flat (rhyme). Ping Ping Ze Ze Ping Ze, medium Ping Ze, Ze Ping Ze (rhyme). Ping Ping Ze Ping Ze, Ping Ze Ping Ze, Ping Ze Ping (rhyme). The middle is flat, the middle is flat, the middle is flat.
Lotus leaf cup, Ci card, meter
The rhyme of the Lotus Leaf Cup Ci is as follows: - The original style: monotonous twenty-three words, six sentences with four tones and two flat rhymes. Take Wen Tingyun's "Lotus Leaf Cup·A Little Dewdrop Condensing Cold" as an example, its rhythm is: Ze Ping Ze, Ping Ze, Ze Ping Ze. Pale, flat, flat. - Variant 1: Monotone twenty-six words, six sentences with two rhymes, three flat rhymes and one alliteration. With Gu Xiong's "Lotus Leaf Cup·Spring End Small Court Flowers Falling" as the representative, the rhythm is: Zhongze, Zhongping, Zhongze. The middle is flat, the middle is flat, the middle is flat. - Variant 2: Double-tone fifty words, five sentences before and after each paragraph, two oblique rhyme, three flat rhyme. The rhyme used in the rhyme of this poem is complicated. The rhyme used in each sentence is interchanged between flat rhyme and oblique rhyme. The third sentence is flat rhyme, and the last sentence is Ye rhyme, which contains two tones. Each section of the double-tone has two oblique rhymes, two flat rhymes, and four rhymes before and after the section. There were six sentences, two sentences, three sentences, seven sentences (monotonous), six sentences, two sentences, five sentences, seven sentences (double tone), etc. The sentence structure was complex and odd sentences and even sentences alternated, with two sentences being its characteristic.