Enamel Porcelains in the Palace Museum
The Palace Museum has a collection of glazed porcelain, such as the Kangxi rouge red floor glazed lotus ball longevity pattern bowl, Qing Yongzheng glazed pine bamboo plum picture olive vase, etc. The quality of these porcelain was excellent and the craftsmanship was exquisite. It was rare in the world. The development of some of the colored porcelain was closely related to the emperor's preferences and participation. In the late Kangxi period, the colored porcelain was created under the direct instruction of Emperor Kangxi. Enamel painting had its own unique features. For example, oil was used to replace water to prepare the paint. This change made the artistic expression of the picture stronger, achieving the effect of China fine brush painting and showing the sense of space and texture of Western oil painting. The mineral paint used had a Moss hardness of more than 7. Almost every gem paint had to be burned 13 or 14 times, and special blending oil was needed to solve problems such as hair color, balancing expansion coefficient, and breaking through the attachment force. Enamel colored porcelain was almost the most exquisite in terms of drawing embryo, forming, painting, materials, glaze, color, firing, and other techniques. The painter was the top painter in the palace. After leaving the kiln, the slightest flaw would be broken on the spot, so what was left was the best of the best. While waiting for the TV series, he could also read the exciting content related to this site!
The Palace Museum in the 1990s
In 1992, tourists visiting the Forbidden City saw rows of palace maids appear on the palace wall and disappear five seconds later. This scene was photographed by tourists. The Forbidden City used to be the imperial palace of the Ming and Qing Dynasties. Due to the uniqueness of its history and culture, as well as the many secrets of the ancient imperial palace, this matter caused a heated discussion. Some people speculated that this might be a supernatural phenomenon caused by the resentment of the palace maids, but experts explained that the red paint on the palace walls of the Forbidden City contained a chemical substance called Fe3O4, which had a video-like function. The mirage of the palace maids might have been "recorded" by the red wall on a rainy night in the Qing Dynasty. When it rained in the evening of 1992, the red wall encountered the same natural conditions and recreated the scene of the palace maids walking by. This was a coincidence that happened under scientific circumstances. " Palace Wall Flower Shadow: The Legendary Life of the Mute Embroidery Girl " was equally exciting. Everyone was welcome to click and read it!
Hongyi Pavilion of the Palace Museum
The Hongyi Pavilion of the Palace Museum was a typical Ming and Qing Dynasty building located on the north-south axis of the Forbidden City in Beijing. Hongyi Pavilion was a three-story pavilion, about 21 meters high, covering an area of about 470 square meters. It was one of the largest attic buildings in the Forbidden City. In the Qing Dynasty, Hongyi Pavilion was used as the storage department of the Ministry of Internal Affairs. It was the emperor's private treasury, which stored all kinds of gold and silver treasures of the royal family, such as gold, silver, money, jade, pearls, agate, gems, and so on. Hongyi Pavilion was now an important part of the Palace Museum. Here, tourists could appreciate some exquisite works of art left over from ancient times and experience different cultural meanings.
Palace Museum ticket price
The entrance tickets to the Palace Museum were divided into peak season and off-season. In the peak season (April 1-October 31), the entrance ticket was 60 yuan per person, and in the off-season (November 1-March 31 of the following year), the entrance ticket was 40 yuan per person. The entrance ticket to the Treasure Hall was 10 yuan per person, and the entrance ticket to the Clock Hall was 10 yuan per person. The novel "Gilded Palm" is equally exciting. Everyone is welcome to click and read it!
Palace Museum Doll Relics
There were many kinds of doll relics in the Forbidden City. For example, the Qing Qianlong famille rose 16-son lantern bottle, the Qing doll door god, the Qing tooth carving baby play reed petal arm pavilion and other cultural relics with children's theme as decoration. There was also the red woolen bed frame embroidered with hundreds of children's double happiness that was once used in the back hall of the Zhong Cui Palace in the Forbidden City. The center of the frame was embroidered with children's games and other contents. The patterns embroidered around it had auspicious meanings. In addition, the white glazed child pillow of the Northern Song Dynasty Ding Kiln was a very famous collection of the Palace Museum. It was listed as one of the nine "national treasures" by the National Humanities History. It was a representative work of Ding porcelain. Its shape was that of a baby with a doll bun. It was very cute. The Palace Museum on both sides of the Taiwan Strait had a child pillow. The outer sole of the one collected by the Palace Museum in Taiwan was engraved with the imperial poem "Ode to Ding Kiln Sleeping Child Pillow" by Qianlong. Emperor Qianlong had mentioned "Ding Porcelain Doll Cool Pillow" many times. He also ordered the preparation of wooden seats and brocade mats for him. In the Palace Museum of Porcelain, there were many porcelain with children as the theme, such as the golden Cizhou kiln white ground black flower baby play picture waist round pillow, etc. The baby play pattern had already appeared on the porcelain of Changsha kiln in Tang Dynasty, and it was seen on the pillow of Cizhou kiln in Song and Jin Dynasties. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cultural Relics in the Palace Museum
There were many types of cultural relics in the Forbidden City's warehouse. In the process of the cultural relics of the Forbidden City moving south, it was known that the cultural relics transported from the Forbidden City included more than 9000 paintings and calligraphy, more than 7000 pieces of porcelain, more than 2600 pieces of bronzes, bronze mirrors, and bronze seals, countless jade articles, and 3773 boxes of documents, including the archives of the Qing court collected by the imperial historian and the inner government, the imperial records of the Ming and Qing Dynasties, daily life notes, and the historical materials of the Taiping Heavenly Kingdom. There were also the Siku Quanshu and various rare books and engraved copies. At that time, one of the earliest printed works discovered in China was the fifth generation edition of the Dharani Sutra, and the oldest stone carving in China was the Qiyang Stone Drum. These cultural relics reflected the richness of the cultural relics in the Forbidden City and were the precious cultural wealth of the Forbidden City. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Porcelains in Kilns
Porcelains from different periods and regions had different characteristics: - ** Yuan Dynasty porcelain cellar **: - Yuan Qinghua: - ** Blue and White Hair Color **: There are three types: rich and colorful (using imported Sunibo green material), light and elegant (using a mixture of imported and domestic materials), and bluish gray. Quite a few of them have dark black spots after burning. The most positive type of blue and white flowers used imported Su Ma Li green material, high iron and low Manganese, blue and white deep blue with purple, blue with green. - [Glazed glaze: It usually presents a bluish-white tone and has a glass-like texture.] - ** Bottom characteristics **: Irregular circular feet can be seen at the bottom of plum bottles and large jars. The depth of the feet is different, and the circle is thick and wide. The soles of the feet often have spiral marks and nail-shaped protruding points, showing the signs of the eight-shaped spiral cutting. - ** Matrix and impurities **: The matrix is thick and hard, and contains a lot of impurities and iron. - ** Yuan Dynasty Green Glazed Vat **: From the green glazed vat in the Chenlu Zhenyuan Blue Flower Cellar, it is a priceless treasure, but the specific characteristics of the green glazed vat itself are not mentioned. - ** Song Dynasty Porcelain Cellar **: - ** Jiangxi early and middle Northern Song Dynasty porcelain cellar (all porcelain bowls)**: The ring is high and wide, the carcass is thick, and the inner bottom is not glazed. This characteristic is not found in Sichuan cellars. - ** Ru porcelain (Looking at the Ru porcelain from the 47 cellars in the Barbarian Camp)**: - ** Glaze color **: There are azure, pink, egg blue, etc. - ** Styling and Craftsmanship **: The styling is exquisite, the craftsmanship is exquisite, the glaze color is rich, and the opening is dense. Except for a few utensils, most of them were fully glazed and had three or five nail burn marks at the bottom, which was consistent with the characteristics of the royal porcelain in the late Northern Song Dynasty. - ** Porcelains of the Song Dynasty, such as a bowl with green patterns, a bowl with green patterns, a bowl with green lotus petals, and a bottle with a black pattern. **: Unique in shape, bright and smooth in glaze. The novel "Shou Zang" is equally exciting. Everyone is welcome to click and read it!
Reflection on the Teaching Coursewares of the Palace Museum
Reflection on the teaching materials of the Palace Museum can be carried out from the following aspects: ** I. Teaching objectives and content ** 1. ** Target Rationally ** - The teaching goal should be in line with the curriculum standards and the students 'reality. If the goal was too high, it might be difficult for the students to achieve it; if the goal was too low, it would not be able to meet the teaching requirements. For example, when explaining the architectural features of the Forbidden City, the goal should be clear to the extent that students can accurately summarize the structure, function, and artistic features of the main buildings of the Forbidden City (such as Taihe Hall, Zhonghe Hall, Baohe Hall, etc.). - The content of the course should be chosen according to the goal. As for the text "Palace Museum", the content should focus on the architectural layout of the Palace Museum, historical and cultural values, etc. By showing the floor plan and architectural pictures of the Forbidden City, students could intuitively feel the grand scale and rigorous layout of the Forbidden City. 2. ** The accuracy and completeness of the content ** - To ensure that the knowledge about the Forbidden City in the lesson was accurate. Information such as the construction age of the Forbidden City and the purpose of each palace could not be wrong. For example, Taihe Hall was a place where major ceremonies were held, such as the emperor's ascension to the throne, wedding, etc., which needed to be accurately described in the class. - In terms of the completeness of the content, in addition to introducing the main buildings, it should also cover the cultural content and protection significance of the Forbidden City. For example, the architectural embodiment of the feudal hierarchy contained in the Forbidden City (such as the number of door nails, architectural colors, etc.), as well as modern protection measures for the Forbidden City, could be included. ** 2. Teaching Method and Strategy ** 1. ** Teaching Method Adaptability ** - If the teaching method was used, one should pay attention to the liveliness and conciseness of the language and avoid following the textbook. When explaining the method of changing the scenery of the Forbidden City's buildings, they could combine it with the actual tour route to let the students understand it better. - The group cooperative learning method was also applicable. For example, students could be grouped into groups to explore the architectural features and historical stories of a certain area of the Forbidden City (such as the East Six Palace or the West Six Palace), and then report in class. This could improve the students 'independent learning ability and teamwork ability. 2. ** Strategy effectiveness ** - The question guidance strategy was crucial. The design questions should be inspirational, such as "How does the layout of the Forbidden City reflect the ruling ideology of the feudal dynasty?" He guided the students to think deeply. - The use of multi-media strategies could not be ignored. The pictures, videos, and other multi-media materials in the lesson should be able to assist in teaching. For example, the video of the drainage system of the Forbidden City (a thousand dragons spitting water) should be inserted so that students could more intuitively understand the scientific nature of the Forbidden City's architecture. ** 3. Courseware Design and Production ** 1. ** Page layout ** - The layout had to be simple and clear to avoid too much information. Each page had a prominent point. For example, when introducing the Hall of Supreme Harmony, the page could use a picture of the Hall of Supreme Harmony as the main body, accompanied by simple words explaining its architectural features and uses. - The colors had to be coordinated to match the solemn and elegant style of the Forbidden City. They should avoid using overly bright and dazzling colors to avoid distracting the students. 2. ** Material Quality ** - The pictures had to be high-definition and accurately reflect the content of the lecture. For example, the pictures showing the architectural decorations of the Forbidden City (such as carved beams and painted buildings) should clearly show their exquisite craftsmanship. - The video material had to be smooth and targeted. If there was a video introducing the historical changes of the Forbidden City, make sure that the video editing was reasonable and the content was coherent. ** 4. Evaluation of Teaching Effect ** 1. ** Knowledge Level ** - Through classroom questions, homework, and other methods to check the students 'knowledge of the Forbidden City. For example, to see if the students could accurately name the three halls of the Forbidden City, their locations, and their functions. 2. ** Ability Cultivation Effect ** - To assess whether the students 'self-learning ability and ability to analyze problems have improved. For example, after the group exploration activity, observe whether the students can think independently and analyze the cultural meaning behind the Forbidden City. 3. ** Affection, attitude, influence ** - To find out if the students 'attitudes towards the Forbidden City culture had changed positively. For example, to see if the students went from simply understanding the Forbidden City to developing a sense of responsibility for the protection of the Forbidden City and the inheritance of culture. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Introduction of the Phoenix Crown in the Palace Museum
The Palace Museum has the phoenix crown of Empress Xiaoduan of the Ming Dynasty. It was unearthed from the Dingling Tomb of Emperor Wanli. It was forbidden to display cultural relics outside the country. It was 48.5 cm high, 27 cm high and weighed 2320 grams. The crown was embedded with an unprocessed sky. There were also three dragons and two phoenixes, with three lifelike little dragons carved on the top. The front of the phoenix crown was decorated with a pair of symmetrical emerald blue phoenixes. The crown weighed 2165 grams and was inlaid with 3426 pearls, 95 gems, and 80 emerald clouds. While waiting for the TV series, he could also read the exciting content related to this site!
Clay Sculpture of the Palace Museum Relics
The Palace Museum has clay sculptures of people, such as the statue of Yongzheng, wearing a dragon hat, small eyes, and a thin face. It was originally placed in Yonghe Palace, the hidden residence of Yongzheng. In the second year of Tongzhi, it was placed in Shouhuang Hall, which was dedicated to the emperors of the Qing Dynasty. It was also placed on the imperial table of Yongzheng. The characters were lifelike and were rare works of art. In addition, although Li Xiushan's clay sculpture works in Zhecheng were not explicitly mentioned as cultural relics of the Forbidden City, Li Xiushan's clay sculpture art achievements were quite high, and his works were unique, which were affirmed and praised by many experts and scholars. His work "Loyalty to the Country" was collected by the sculpture professor of Tsinghua University, and his clay sculpture works were included in the intangible cultural heritage list of Henan Province in February 2007. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Palace museum, choose three words from the text that can reflect the characteristics of the palace museum complex
The Palace Museum chose three words from the text that could reflect the characteristics of the Palace Museum's architectural complex: 1. Huge: The Forbidden City's architectural complex is huge in scale and occupies a large area. The buildings are exquisite and the layout is rigorous. 2. Complete: The Forbidden City complex is one of the most complete ancient palace complex in the world. 3. Unique: The Forbidden City's architectural style is a unique combination of traditional Chinese architecture and Western architectural style. It is a precious heritage of ancient Chinese architectural culture.