Well, it can be applied by making authors think about the role of technology. If they still want to write detective fiction, they need to either work around the cameras or incorporate them in a way that still keeps the mystery alive. For instance, the camera footage could be tampered with, leading the detective on a false trail. This shows how 'camera kills detective fiction' makes writers adapt their plots to fit the modern, camera - filled world.
In modern literature, many stories are set in urban environments full of cameras. Writers now have to find new ways to create mystery. They can't rely on the old tricks as much because cameras can solve things too quickly. So, they might focus more on the motives behind crimes rather than just who did it.
It can impact it by removing the element of mystery. Mystery is the heart of detective fiction. If a camera can solve all the puzzles instantly, there's no mystery left for the detective to solve.
Perhaps it refers to a camera with some sort of special function that makes detective - style investigations obsolete. Like a camera that can not only see the present but also reconstruct the past in a way that leaves no room for speculation. In detective fiction, the process of piecing together clues is important. But such a camera would make that process redundant.
It could mean that the presence of cameras, like surveillance cameras, makes detective fiction less relevant. In detective fiction, a big part of the mystery is often about finding clues and piecing together who did what. But if there are cameras everywhere, it's easier to just look at the footage and know what happened. So, it takes away some of the fun and intrigue that detective fiction is known for.
For modern detective novels, the complex plot rule means dealing with modern - day crimes like cybercrimes. Well - developed characters can be diverse, representing different modern social groups. And logical events should fit the modern context.
Well, one way is through character arcs. For example, in the 'Overcoming the Monster' basic story, the hero in modern lit can be facing a corporate giant as the'monster' instead of a literal beast. The plot structure remains similar - the hero starts as an underdog, faces challenges from the 'corporate monster', and finally overcomes it, perhaps by exposing its unethical practices.
Modern literature can apply 'light beyond novel' by delving deeper into the subconscious and the digital realm. With the influence of psychology, authors can explore the hidden parts of the human mind in ways that were not common in the past, creating a sense of discovery. Also, in the digital age, literature can interact with technology. For instance, hypertext novels or interactive stories can provide a different kind of experience that goes beyond the static nature of a traditional novel. This exploration of new territories, whether in the human psyche or in the digital space, can be seen as a way of achieving that 'light beyond novel' by expanding the boundaries of what literature can be.
Anzaldua's ideas can be applied by using history fiction to explore diverse cultural heritages. Modern literature can incorporate her view of history fiction as a means to tell the stories of marginalized groups, like immigrants.
One way is by using official - like institutions in a fictional story. For example, a made - up government in a dystopian novel. This official body can drive the plot.
Aristotle's theory of plot unity can be applied. In detective fiction, all elements of the plot, from the crime to the investigation and the final solution, should be unified. There should be no loose ends. For example, the clues presented throughout the story must all be relevant to solving the mystery. His idea of a beginning, middle, and end also holds. The crime is the beginning, the investigation the middle, and the solution the end.
In detective novels, semiotics helps to create a web of meaning. For instance, the color of a suspect's clothing might be a semiotic sign. A character always wearing black could be associated with mystery or evil. Street names, house numbers, and the layout of a city in the novel are also semiotic elements. They can give hints about the social status of the people living there, which could be relevant to the crime. For example, if a crime occurs in a wealthy neighborhood, it might suggest a different set of motives compared to a crime in a poor area.