Well, one way is through character arcs. For example, in the 'Overcoming the Monster' basic story, the hero in modern lit can be facing a corporate giant as the'monster' instead of a literal beast. The plot structure remains similar - the hero starts as an underdog, faces challenges from the 'corporate monster', and finally overcomes it, perhaps by exposing its unethical practices.
The'seven basic stories' are a great foundation for modern literature. For instance, the 'Quest' story can be used in a science - fiction setting. A group of astronauts on a mission to find a new habitable planet can be seen as on a 'quest'. They face obstacles like malfunctioning equipment, space pirates (in a more imaginative story), and internal conflicts among the crew. By following the basic elements of the 'Quest' story from the'seven basic stories', the author can create a captivating narrative that readers can easily follow and get invested in.
In modern literature, the'seven basic stories' can be used to create engaging plots quickly. Take the 'Rags to Riches' story. An author can show a young, struggling artist in a big city. The artist goes through various hardships like rejection and poverty. But then, through a chance discovery of their unique talent by a famous gallery owner, they rise to fame and fortune. It's a simple yet effective framework from the'seven basic stories'.
Modern literature can apply 'light beyond novel' by delving deeper into the subconscious and the digital realm. With the influence of psychology, authors can explore the hidden parts of the human mind in ways that were not common in the past, creating a sense of discovery. Also, in the digital age, literature can interact with technology. For instance, hypertext novels or interactive stories can provide a different kind of experience that goes beyond the static nature of a traditional novel. This exploration of new territories, whether in the human psyche or in the digital space, can be seen as a way of achieving that 'light beyond novel' by expanding the boundaries of what literature can be.
It can be applied by recognizing the common shapes in modern stories. For example, in many dystopian novels, we often see the 'Man in a Hole' shape where the society starts in a seemingly normal state, then plunges into chaos (the hole), and the protagonist tries to find a way out. This understanding helps writers create more engaging plots and readers to better understand the underlying structure of the story.
In modern literature, many stories are set in urban environments full of cameras. Writers now have to find new ways to create mystery. They can't rely on the old tricks as much because cameras can solve things too quickly. So, they might focus more on the motives behind crimes rather than just who did it.
The basic characteristics of modern Chinese literature can be answered from many angles. The following are some of the possible characteristics: 1. Realism: In the early 20th century, modern Chinese literature was influenced by European realism and began to emphasize realistic descriptions of society, focusing on social reality and people's suffering. 2. Revolutionary thoughts: In the middle of the 20th century, modern Chinese literature began to show strong revolutionary thoughts, describing the struggles and changes of the Chinese people in politics, economy, culture and other aspects. 3. Modern style: In the second half of the 20th century, modern Chinese literature began to show a modern style, complex literary forms and language skills. Expressionism: In the second half of the 20th century, modern Chinese literature began to show the style of expressionism to express the inner contradictions and pain of the characters. 5. Female literature: In the second half of the 20th century, modern Chinese literature began to show the rise of female literature to promote gender equality. 6. New realism literature: In the early 21st century, modern Chinese literature began to show the rise of new realism literature, which described the real world in a real way. These characteristics were not completely different.
The seven basic stories are typically identified as such: Overcoming a challenging monster or obstacle, achieving success from a humble start, going on a meaningful quest, having a journey with a return, creating comedic scenarios, experiencing tragic events, and undergoing a process of rebirth or renewal. Different scholars and critics might have slightly different takes on this, though.
Well, it could be shown through psychological exploration. Modern characters may have deep - seated issues similar to Oedipus. They might struggle with a sense of self - destruction or a compulsion to rebel against parental authority in a way that echoes Oedipus' actions. This can be presented in a more nuanced way in modern literature, like in a character's inner monologue or through their erratic behavior.
In literature, 'one girl a novel in stories' can be a way to explore the depth and complexity of a female character. By presenting her story in multiple smaller stories, the author can focus on different time periods, relationships, or emotions. This allows for a more detailed and nuanced portrayal. For example, a coming - of - age story could be told through various stories about the girl's experiences at school, with friends, and at home, which all contribute to her overall growth as a character.
In literature, the tone can set the stage for the story. For instance, a gloomy tone at the start can foreshadow a tragic plot. If the tone is mysterious, it draws the reader into the story as they try to figure out what's going on.
Telling stories is how we communicate emotions and lessons. The seven basic plots give structure to our tales. Take The Quest, where characters go on a journey to find something valuable. Another is Voyage and Return, where a person goes on an adventure and comes back changed. These plots help shape our storytelling.
Anzaldua's ideas can be applied by using history fiction to explore diverse cultural heritages. Modern literature can incorporate her view of history fiction as a means to tell the stories of marginalized groups, like immigrants.