There are several notable female antagonists in fiction. Consider Nurse Ratched from 'One Flew Over the Cuckoo's Nest'. She represents the oppressive authority in the mental institution. She uses her power to control and break the patients. In 'Gone Girl', Amy Dunne can be seen as an antagonist. She sets up her husband in a complex web of lies and manipulation for her own revenge. Additionally, Harley Quinn, though she has a complex character arc, often acts as an antagonist in the Batman - related stories, with her chaotic and unpredictable behavior.
There are several notable female authors of historical fiction. Diana Gabaldon is one. Her 'Outlander' series combines elements of historical Scotland with time - travel and romance. Ursula K. Le Guin, though also known for other genres, has written historical - inspired works. And Geraldine Brooks, with books like 'March', which gives a different perspective on the events of 'Little Women' from the absent father's point of view.
One well - known female mob boss in fiction is Carmela Soprano from 'The Sopranos'. She was the wife of Tony Soprano and while not the traditional 'front - line' mob boss, she had significant influence within the family's affairs. Another is Eva Perón in some fictional portrayals. Although not a traditional mob boss in the criminal sense, she held great power and influence in a complex political and social web which can be compared to the power dynamics of a mob organization in some ways.
Margaret Atwood is also considered a significant female author in the realm of science - fiction - adjacent works. Her 'The Handmaid's Tale' is a dystopian masterpiece that has had a huge impact. And Mary Shelley, who wrote 'Frankenstein', which is often regarded as one of the first science fiction novels. It was revolutionary in exploring the idea of creating life through scientific means.
Another is Karen Kingsbury. Her works often explore themes of faith, family, and love within a Christian context. For example, her 'Redemption' series is very popular.
One well - known example is Arya Stark from 'A Song of Ice and Fire' series (and the 'Game of Thrones' TV adaptation). She is of noble birth, a Stark, which is a very important family in the fictional world of Westeros. She becomes an assassin trained in the art of killing. She has a list of people she wants to kill to avenge her family and she masters skills like changing her face and using various weapons stealthily.
Philippa Gregory is quite famous. Her works often center around the lives of women in historical settings, bringing their stories to the forefront. For example, in her books, she might explore how a noblewoman in the Middle Ages had to navigate the complex politics of the court and family. Then there's Geraldine Brooks. Her novel 'March' gives a different perspective on the events of 'Little Women' by looking at the absent father during the Civil War. And don't forget Tracy Chevalier. Her 'Girl with a Pearl Earring' vividly recreates the world of Vermeer's time.
Sue Grafton is also well - known. She created the 'Kinsey Millhone' series. Her writing is engaging and full of mystery. Patricia Cornwell is yet another. Her 'Scarpetta' series has been quite popular. She is known for her forensic - based crime stories.
One well - known fictional hypnotist is Mesmer from various historical - fiction works. He was often depicted as having the power to hypnotize people with his strange techniques.
Honestly, it's quite difficult to name authors who are well - known specifically for writing female headshave fiction. However, in the realm of experimental and avant - garde literature, there could be some emerging writers who play with this concept. But as of now, no one immediately springs to mind as being a go - to author for this particular type of fiction.
Hilary Mantel is also a prominent contemporary female author of historical fiction. Her 'Wolf Hall' trilogy delves deep into the life of Thomas Cromwell during the Tudor era. Mantel's work is noted for its in - depth research and vivid portrayal of the historical setting.