Existential horror novels at their best often deal with mortality. In 'Pet Sematary', the idea of death being perverted is a key element. They also create a sense of being lost. In 'The Yellow Wallpaper', the narrator is lost in her own mind as she is trapped in the room. Moreover, they can have a sense of the uncanny. In 'The Exorcist', the possession is an uncanny event that challenges our understanding of the world and our place in it, creating a strong sense of existential horror.
One characteristic is the exploration of the human condition. They often deal with themes like alienation, as seen in 'The Metamorphosis'. Characters feel detached from society or themselves. Another is the presence of moral and ethical dilemmas, such as in 'The Guest'. This forces the reader to think about what is right or wrong in complex situations. Also, they tend to have an atmosphere of absurdity, where normal rules of life seem to be broken or questioned, like in many works of Kafka.
Some of the well - known existential novels include 'The Stranger' by Albert Camus. It explores themes of alienation and the absurdity of life through the character of Meursault. Another is 'Nausea' by Jean - Paul Sartre, which delves into the experience of existence and the feeling of nausea that the protagonist experiences when faced with the contingency of life. 'Crime and Punishment' by Fyodor Dostoevsky can also be considered in this regard as it examines the moral and existential crisis of the main character, Raskolnikov, after he commits a murder.
Often, Japanese existential novels focus on the individual's struggle within society. They might explore feelings of isolation, like in many works by Haruki Murakami. His characters often seem adrift in a complex and sometimes alienating world.
Existential mystery novels often feature characters who are in search of meaning. For example, in many such novels, the protagonist may be facing a personal crisis that forces them to question their purpose in life. This internal struggle is a key characteristic.
Existential novels typically feature an intense focus on the self. The characters are often in a state of self - reflection, trying to figure out who they are. In 'Steppenwolf', Harry Haller is constantly examining his own identity. Another key aspect is the exploration of alienation. The protagonists usually feel detached from society, as seen in 'The Trial' where Josef K. is an outsider in a strange and unyielding legal system. Moreover, they tend to question the existence of objective values. The novels show that values may be subjective and that individuals have to create their own sense of what is important in life.
Existential detective novels often feature a protagonist who is in a state of confusion or alienation. For example, in 'The Stranger', Meursault seems detached from society's norms. This reflects the existentialist idea of the individual's estrangement from the world.
Existential crime novels often focus on the moral and philosophical dilemmas of the characters. They might explore themes like the meaninglessness of life in the context of crime. The characters in such novels are usually complex, with their own internal struggles that go beyond just the act of committing or solving a crime.
Well, often they have complex characters with internal struggles. For example, in Dostoevsky's works, the characters are constantly wrestling with moral and philosophical questions. They also tend to depict a rather harsh social reality, like in Solzhenitsyn's novels, which forms the backdrop against which the characters' existential crises unfold.
Existential American novels often focus on the individual's struggle for meaning. They show characters dealing with feelings of alienation from society or from themselves. For example, in 'The Catcher in the Rye', Holden is alienated from the 'phony' world around him.
One classic is 'The Call of Cthulhu' by H.P. Lovecraft. It's filled with a sense of dread and the insignificance of humanity in the face of cosmic horrors. Another is 'House of Leaves' by Mark Z. Danielewski. Its unique format and disturbing storylines create an intense existential horror. Also, 'We Have Always Lived in the Castle' by Shirley Jackson, which delves into themes of isolation and the unknown, making the reader question the nature of reality.