Can you give an example of a novel that could be described as'million in one novel'?
Another one might be 'Moby - Dick' by Herman Melville. It's not just a story about a man hunting a whale. It has a lot of philosophical musings, detailed descriptions of whaling practices, and different character perspectives. There are a million different elements in there, from the technical aspects of sailing to the deep psychological exploration of Captain Ahab.
One example could be 'War and Peace' by Leo Tolstoy. It has a large number of characters, each with complex personalities and storylines. There are also numerous historical events, political discussions, and social commentaries within it. It's like a million different stories and ideas all woven into one huge novel.
Can you give an example of something that could be described as like a dirty French novel?
Some old - fashioned melodramatic soap operas with lots of love triangles, secret affairs, and over - the - top displays of passion could be described as such.
Can you give an example of a novel that could be described as 'once rejected twice desired'?
J.K. Rowling's 'Harry Potter' series could be an example in a way. Initially, many publishers rejected the manuscript. But then it became a global phenomenon and was highly desired by readers all over the world. And not just once, but it has continued to be desired over the years, with new generations of readers getting into it. So, in a sense, it went from being rejected to being desired multiple times.
Can you give an example of a 'one word novel'?
Another example could be 'Journey'. It can imply a physical journey, like traveling across a continent, or a metaphorical one, such as a personal growth journey. There could be adventures, challenges, self - discovery, and new experiences all tied up in this one word.
Can you give an example of 'one inside a novel'?
In 'The Great Gatsby', the green light at the end of Daisy's dock is 'one inside a novel'. It symbolizes Gatsby's dreams and desires, especially his longing for Daisy. This single object within the novel has a great impact on the mood and meaning of the story, representing the unattainable and the illusions that the characters have.
Can you give an example of a 'one is enough novel'?
One example could be 'The Old Man and the Sea' by Ernest Hemingway. In this novel, the single character of the old fisherman Santiago is enough to carry the whole story. His struggle with the marlin and the sea is the core of the narrative.
Can you give an example of what 'the last one' could be in F Cooper's novel?
It could be the last character to make an appearance. For example, in some of Cooper's novels, the last character might be a minor figure who ties up some loose ends at the end of the story.
Can you give an example of a person who could be described as 'he's a a ghost story'?
A hermit who lives alone in an old, dilapidated mansion on the outskirts of town. No one really knows his past, and he rarely comes out. Whenever someone catches a glimpse of him, he's all in black and has a very pale complexion. It's like he stepped out of a ghost story.
Can you give an example of a person who could be described as 'he's a ghost story'?
Someone who always seems to be in the shadows and has a lot of rumors and mysteries surrounding him. For instance, a hermit - like figure who lives in an old, spooky - looking house on the outskirts of town. People don't really know his story, but there are all kinds of strange tales about him. He might be seen at odd hours, and no one really knows what he does. It's as if he's a character straight out of a ghost story.
Can you give an example of how one could be 'raped by hero novels'?
If someone is constantly immersed in hero novels and tries to apply the simplistic hero - vs - villain concepts from the novels to real - life situations without considering the nuances. For instance, in a work environment, they might start seeing coworkers as either heroes or villains, which can lead to a very unproductive and toxic work environment. This is how the over - influence of hero novels can have a negative 'raping' - like effect on their way of interacting with the world.
Can you give an example of 'admit one novel' in real life?
A literary award committee could 'admit one novel' into the final round of consideration. There are many novels submitted for the award, but they narrow it down and 'admit one novel' as a top contender. This novel then has a chance to win the award. This shows how 'admit one novel' can be used in the context of a selection and recognition process in the real world of literature.