What are the four tragedies of Yuan Qü?
The four tragedies of the Yuan Dynasty were Dou E's Injustice, Han Palace's Autumn, Wutong Rain, and Zhao's Orphan.
What were the four tragedies and four love dramas of the four great families of Yuan Qü? Help me!
Yuan Qu referred to the operas of the Yuan Dynasty, namely Guan Hanqing, Bai Pu, Ma Zhiyuan, and Zheng Guangzu. There were four tragedies in their opera works: Bai Pu's "Tianjing Sand·Autumn Thoughts", Ma Zhiyuan's "Han Palace Autumn", Zheng Guangzu's "Chinese Ghost Story" and Bai Pu's "Wutong Rain". The four great love dramas referred to the works that depicted love in the Yuan Dynasty. They were Guan Hanqing's "Lord Bao's Confession," Bai Pu's "The Wall's Horses," Zheng Guangzu's "A Chinese Ghost Story," and Ma Zhiyuan's "Tianjing Sha·Autumn Thoughts."
The Four Tragedies and Four Romance Dramas of the Yuan Dynasty
The four tragedies of the Yuan Dynasty were Guan Hanqing's Dou E Yuan, Ma Zhiyuan's Han Palace Autumn, Bai Pu's Wutong Rain, and Ji Junxiang's Zhao's Orphan. The four great romance dramas were Guan Hanqing's Moon Worship Pavilion, Wang Shifu's The West Chamber, Bai Pu's The Wall Horses, and Zheng Guangzu's A Beautiful Woman's Soul.
The Four Tragedies and Four Love Plays of the Yuan Dynasty
The pithy formula for the four tragedies of the Yuan Dynasty was 'My Son Cries for Injustice,' which referred to Bai Pu's 'Wutong Rain', Ji Junxiang's' Zhao's Orphan,'Ma Zhiyuan's' Han Palace Autumn 'and Guan Hanqing's' Dou E's Injustice.' The pithy formula for the four great love dramas of the Yuan Dynasty was the joy of leading a horse, which referred to Zheng Guangzu's "Qian Nv Li Hun", Bai Pu's "Wall Head Horse", Wang Shifu's "West Chamber" and Guan Hanqing's "Moon Worship Pavilion".
Four Tragedies and Four Love Dramatists of the Yuan Dynasty
The authors of the four tragedies of the Yuan Dynasty were Guan Hanqing, Ma Zhiyuan, Bai Pu, and Ji Junxiang. The authors of the four great romance dramas were Guan Hanqing, Wang Shifu, Bai Pu, and Zheng Guangzu.
Introduction to Yuan Qü
Yuanqu was a literary form of the Yuan Dynasty (1271-1368), which belonged to the category of Mongolian literature and art. Like Yuan Zhen's Ci, Bai Juyi's Fu, Su Shi's Ci and other literary forms, Yuan Qu was also a literary form promoted and advocated by the rulers of the Yuan Dynasty. Yuan Qü originated from the Mongol region and later spread to the Central Plains. In Yuan Qu, the strong musical nature was often accompanied by dance, singing and other forms of performance, which had a unique musical style and performance form. Yuan Qü mainly spread on the stage of opera in the Yuan Dynasty, such as Liyuan, Xiqu, Xiaoling, etc. There were many forms of Yuan Qu, such as long tune, short order, zhezi opera, etc. Changdiao was often used to describe scenery, narrate historical events, and express emotions; Xiaoling was often used to express the character, psychology, and feelings of the characters; Zhezi opera was a short and concise literary form, often with the story plot and character image as the theme. The representative works of Yuan Qü included Chinese classical novels such as Journey to the West, Water Margins, and Dream of the Red Chamber, as well as works by Yuan Qü writers such as Ma Zhiyuan, Bai Pu, and Zheng Sixiao.
An Introduction to the Author of the Four Tragedies of the Yuan Dynasty
The authors of the four tragedies of the Yuan Dynasty were Guan Hanqing, Ma Zhiyuan, Bai Pu, and Ji Junxiang. Guan Hanqing was one of the four great writers of Yuan Qü, and his representative work was Dou E Yuan. Ma Zhiyuan was also one of the Four Great Yuan Dynasty Artists. His representative piece was Autumn in the Han Palace. Bai Pu was one of the four great masters of Yuan Qü, and his representative work was Rain of the Parasol Tree. Ji Junxiang was one of the four great masters of Yuan Qü, and his representative work was " The Orphan of Zhao." These four authors made great achievements in the creation of operas in the Yuan Dynasty. Their works had unique artistic value in describing characters, plot development and social reflection.
The Main Plot of the Four Tragedies of the Yuan Dynasty
The four tragedies of the Yuan Dynasty were Dou E's Injustice, Zhao's Orphan, Liang Shanbo and Zhu Yingtai, and the Legend of the White Snake. Dou E's Injustice tells the story of Dou E who was wronged and imprisoned and finally avenged after going through many hardships. " The Orphan of the Zhao Family " was a story about the Orphan of the Zhao Family, who was involved in a conspiracy because of his own background. "Liang Shanbo and Zhu Yingtai" tells the story of Liang Shanbo and Zhu Yingtai, who are willing to pay any price for love, but in the end, they still can't be together. The Legend of the White Snake tells the story of the White Lady, who went through countless hardships to save her husband, Xu Xian.
A summary of the four tragedies and four love dramas of the Yuan Dynasty
The four tragedies of the Yuan Dynasty were Guan Hanqing's Dou E Yuan, Ma Zhiyuan's Han Palace Autumn, Bai Pu's Wutong Rain, and Ji Junxiang's Zhao's Orphan. The four great romance dramas were Guan Hanqing's Moon Worship Pavilion, Wang Shifu's The West Chamber, Bai Pu's The Wall Horses, and Zheng Guangzu's A Beautiful Woman's Soul. These plays displayed the unique charm of Yuan Zaju through vivid plots and rich characters. Tragedy plays revealed the darkness of society and the tragic fate of individuals, while love plays emphasized the power of love and the complexity of human nature. These plays played an important role in the history of Chinese opera and had a far-reaching impact on the creation and cultural inheritance of later generations.
Yuan Qü Knowledge Points
Yuanqu was a literary form of the Yuan Dynasty, mainly popular during the Yuan, Ming, and Qing Dynasties. It was one of the most important stages in the history of Chinese literature and had a profound influence on later generations of literature. The following are some knowledge points of Yuan Qü: Yuan Qü is divided into four categories, namely, Gongdiao, Cipai, Quci and Xiaoling. Among them, Qu Ci referred to long chapters in the form of seven-character quatrains or Ci, while Xiao Ling referred to short and vigorous chapters. 2. The language of Yuan Qü was concise and lively, often using slang, spoken language and dialect, which had distinct characteristics of the times and regions. The theme of Yuan Qu included love, history, social reality, myths and legends, etc. Among them, the theme of love was one of the most popular topics in the Yuan Dynasty. The unique musical form of a four-yuan song was usually performed by two or more singers at the same time, forming a unique "aria" form with the rhythm and tune of the music. The representative figures of Yuan Qu were Zhang Kejiu, Ma Zhiyuan, Bai Pu, Zheng Sixiao, etc. Their writing styles and characteristics were different, but they all made important contributions to the development and influence of Yuan Qü. There are many famous works in the Yuan Qu, such as Dou E's Injustice, The Story of the Pipa, Water Margins, Journey to the West, etc. These works were very important in the history of Chinese literature and were widely read. Yuan Qü is a very distinctive and cultural literary form with high artistic value and historical value.
Who was the founder of Yuan Qü?
The founders of Yuan Qü were writers and musicians of the Yuan Dynasty (1271 - 1368). Among them, the most famous one was Zhang Sanfeng (1240 - 1309), a famous musician and writer of the Yuan Dynasty, and his music theory book, Music Theory. Zhang Sanfeng put forward the view that "temperament is based on the human heart and the human heart is based on breath" in music theory. He believed that the composition and change of music were determined by the reaction of breath and the human heart. This theory had a profound impact on the development of music.