Cao Zhi's authentic calligraphy
We can conclude that Cao Zhi's calligraphy works do exist. In the search results, there was a post called " Cao Zhi's Long Manuscript ", which contained 14 essays written by Cao Zhi himself in Zhang Cao calligraphy. These authentic works existed in the form of ink, and the words were clear and elegant. In addition, there was also an article called 'Cao Zhi's Stele' that mentioned Cao Zhi's original inscription stele, which included Cao Zhi's original inscription stele. However, these search results did not provide more detailed information about Cao Zhi's calligraphy, such as the specific exhibition location or collection organization. Therefore, we are unable to provide a more specific answer.
Yan Song's authentic calligraphy appreciation photos
Yan Song's calligraphy was limited, but some of his works were still passed down to this day. Among them, the most famous was his work on the list, the words on the plaque. For example, a plaque of Yan Song was found in Laizhou, Shandong Province. On it was engraved the words "Cloud Suppression", which was considered to be Yan Song's authentic work. These two words displayed the characteristics of grandeur, solemnity, agility, and elegance under Yan Song's pen, and were regarded as rare calligraphy masterpieces. In addition, Yan Song's calligraphy works also included inscriptions, seals, and scrolls. Yan Song's calligraphy remains were preserved in famous scenic spots all over the country, such as Shanhaiguan, Qufu, and Hangzhou West Lake Yuefei Temple. However, due to Yan Song's character, his calligraphy works were rare, but they were still appreciated by some people.
How to identify Liu Yong's calligraphy as authentic
To identify the authenticity of Liu Yong's calligraphy, the following aspects could be considered: 1. Form of brush and ink: The form of the brush and ink of an authentic work should be smooth and free. The brush and ink should be reunited, and the strokes should be smooth without obvious trembling or dragging. At the same time, the authentic strokes should have a certain texture and strength and not be too soft or too stiff. 2-shaped structure: The original font structure should be precise, dignified, and coordinated. The relationship between the strokes should be close and there should be no obvious difference in density. At the same time, the font of an authentic work should have a certain amount of change and movement instead of being too rigid or monotonous. 3. Sense of breath: The sense of breath of an authentic work should be natural, harmonious, elegant, and have an internal sense of rhythm. At the same time, authentic works should be able to feel the author's unique style and personality, not overly imitating or plagiarizing. 4. Historical background: The historical background of an authentic work should be clear and consistent with the author's identity and status. At the same time, the historical value of the authentic work should also be recognized as having a relatively important status and value. It should be noted that the above was only some aspects of the authenticity of the appraisal. In fact, it still needed to be combined with various factors to make a comprehensive judgment. Therefore, it was best to seek the help of a professional appraisal agency or an experienced calligrapher when identifying an authentic work.
Cao Zhi's Dynasty
Cao Zhi's dynasty was the Cao Wei of the Three Kingdoms at the end of the Eastern Han Dynasty.
Cao Zhi's profile
Cao Zhi (195 - 232) was a writer, poet and politician of Wei during the Bozhou City Kingdoms period. Cao Zhi was known as a "literary genius" when he was young. He was one of the most important writers of the Three Kingdoms period. He was known as the "Four Great Talents of Emperor Wen of Wei" along with Cao Pi, Cao Zhi, and Cao Zhen. Cao Zhi's literary works were mainly poetry. His poems were fresh, natural, and lyrical, expressing his pursuit of life and his love for life. His representative works include White Horse, Seven-step Poetry, and Farewell to Ancient Grass. Cao Zhi had a certain talent in politics. He once held an official position, but because of his strong personality, he was good at speaking bluntly and offended many political figures at that time. He was eventually exiled to Hainan Island. He died in exile at the age of 23.
It's rare to be confused about calligraphy, how to distinguish the authentic
To distinguish the authentic calligraphy, one needed to start from many aspects. The following were some possible methods: 1. Paper quality: Paper was one of the important features of a rare authentic calligraphy. High-quality paper is usually softer while low-quality paper is dry and hard. The paper used for authentic works usually had good texture and texture, while fakes might use inferior paper or plagiarized paper styles. 2. Handwriting observation: observe the shape, size, depth and smoothness of the handwriting. Genuine handwriting is usually clear, natural and smooth, while fake handwriting may be too smooth or too deliberate. 3. Ink observation: observe the color, concentration, and mobility of the ink. Genuine ink is usually more uniform, rich, and dark. Fake ink may use low-quality ink or copy the color and concentration. 4. font recognition: by identifying the font and glyph, the original font is usually more standardized and consistent, while the fake font may copy or imitate similar font. 5. Seal identification: Observing the position, size, shape, color and other characteristics of the seal. The authentic seal is usually more real and natural, while the fake seal may be copied or forged. It should be noted that the identification of rare and confused calligraphy may require a certain amount of professional knowledge and experience. If you are interested in rare and confused calligraphy, it is recommended to learn more, observe more, and combine other methods and evidence to make judgments.
The only authentic calligraphy left by Wu Zetian
Wu Zetian's only authentic calligraphy was the Stele of the Immortal Prince. This was an inscription written by Wu Zetian in 699 AD. On the surface, it told the story of Prince Ling of Zhou becoming an immortal, but in fact, it praised the prosperity of the Zhou Dynasty. The calligraphy style of the Stele of the Immortal Prince was graceful and smooth. It was regarded as a calligraphy art treasure. The inscription had 33 lines, 66 words per line. It was written in semi-cursive script and cursive script, which was similar to Zhang cursive script. On the top of the stele, the words 'Stele of the Immortal Prince' were written in a 'flying white' style, and the strokes were white. In addition, the top and bottom of the inscription, as well as the miscellaneous poems and titles of "You Xian Pian" on the back of the inscription, were respectively written by famous calligraphers Xue Ji and Zhong Shaojing of the Tang Dynasty. After more than 1300 years of ups and downs, the Stele of Prince Ascending to Immortal still stands on the top of Gou Mountain in Yanshi City, Henan Province. It has been announced by the State Council as the sixth batch of national key cultural relics protection units.
Wang Qi's Zhang Cao Calligraphy
Wang Yuchang was a famous calligrapher, especially good at Zhang Cao calligraphy. His Zhang Cao works were famous for their concise strokes and rich changes in word structure. He had established a unique style of writing, and through the use of word forms and strokes, he had displayed a unique and ancient style. Wang's cursive script was unique and was called the grass. He proposed five principles and four variations in order to achieve the beauty and density of the structure. Wang Yuchang's Zhang Cao works were revived from the end of the Qing Dynasty to the Republic of China. He was enlightened by Shen Zengzhi and read extensively. However, the given information did not provide a detailed description of Wang Qu's Chang Zhangcao calligraphy works.
Cao Zhi's Character Introduction
Cao Zhi (192 - 232 December 27), also known as Zijian, was born in Qiao County, Pei State (now Bozhou City, Anhui Province). He was the third son of Cao Cao and Empress Bian of Wuxuan. He was once the King of Chen before his death, and after his death, he was given the posthumous title of "Si", so he was also known as King Chen Si. Cao Zhi was a famous writer during the Three Kingdoms period. He was regarded as one of the representatives of Jian 'an literature. His representative works include "Ode to the Goddess of Luo,""White Horse Chapter,""Seven Sorrow Poetry" and so on. Cao Zhi was intelligent since childhood and good at writing. He was deeply loved by his father Cao Cao.
Cao Zhi's Character Introduction
Cao Zhi (192 - 232 December 27), also known as Zijian, was a famous writer during the Three Kingdoms period. He was born in Qiao County, Pei State (now Bozhou City, Anhui Province). He was the third son of Cao Cao and Empress Bian of Wuxuan. He was the King of Chen before his death and was given the posthumous title of "Si" after his death, so he was also known as King Chen Si. Cao Zhi was one of the representative figures of Jian 'an literature. He was revered as a model of writing during the Jin and Southern and Northern Dynasties. Cao Zhi's representative works include "Ode to the Goddess of Luo,""White Horse Chapter,""Seven Sorrow Poetry" and so on.
Cao Zhi's Main Works
Cao Zhi was a writer of Shu Han during the Three Kingdoms period. His main works included "White Horse Chapter","Climbing the Flying Peak","Planting Beans in Nanshan" and so on. Among them, the White Horse was the most famous poem describing Cao Zhi's longing for his mother in prison. It was hailed as one of Cao Zhi's representative works.