The only authentic calligraphy left by Wu Zetian
Wu Zetian's only authentic calligraphy was the Stele of the Immortal Prince. This was an inscription written by Wu Zetian in 699 AD. On the surface, it told the story of Prince Ling of Zhou becoming an immortal, but in fact, it praised the prosperity of the Zhou Dynasty. The calligraphy style of the Stele of the Immortal Prince was graceful and smooth. It was regarded as a calligraphy art treasure. The inscription had 33 lines, 66 words per line. It was written in semi-cursive script and cursive script, which was similar to Zhang cursive script. On the top of the stele, the words 'Stele of the Immortal Prince' were written in a 'flying white' style, and the strokes were white. In addition, the top and bottom of the inscription, as well as the miscellaneous poems and titles of "You Xian Pian" on the back of the inscription, were respectively written by famous calligraphers Xue Ji and Zhong Shaojing of the Tang Dynasty. After more than 1300 years of ups and downs, the Stele of Prince Ascending to Immortal still stands on the top of Gou Mountain in Yanshi City, Henan Province. It has been announced by the State Council as the sixth batch of national key cultural relics protection units.
Wu Zetian's Calligraphy
Wu Zetian was a talented empress, and her calligraphy attainments were also highly praised. The most famous of her calligraphy works was the Stele of the Immortal Prince, which was regarded as one of the 100 most beautiful calligraphy works in China. This stele was inscribed in 699 AD. It had 33 lines, 66 words per line, and a total of 2162 words. On the top of the Immortal Ascension Crown Prince Stele, the words 'Immortal Ascension Crown Prince Stele' were written in Fei Bai style, forming a bird-shaped stroke, showing her unique calligraphy style. Her calligraphy strokes were tactful and fluent, and her strokes were sonorous and sonorous. Her style was vigorous and unrestrained, and she was known as the head of women's calligraphy. Her calligraphy had been influenced by Wang Xizhi, and she was especially good at Fei Bai Shu and Xing Cao Shu. Although her calligraphy remains were few, her works displayed her profound calligraphy skills and unique artistic charm.
The Three Edicts Left by Wu Zetian
The three posthumous edicts left behind by Wu Zetian were: 1. She requested to remove the title of " Emperor " and restore her status as an empress. She wanted to be buried with her husband, Li Zhi, and live in Qianling Tomb to enjoy the sacrifices of the Li family's descendants. 2. He requested for the pardon of the relatives of Empress Wang and Consort Xiao Shu, the restoration of Chu Suiliang and Han Yuan's official positions, and the recall of the exiled Wei Yuanzhong. 3. The requirement was that the tombstone did not have any words engraved on it, so it was a wordless tombstone.
Cao Zhi's authentic calligraphy
We can conclude that Cao Zhi's calligraphy works do exist. In the search results, there was a post called " Cao Zhi's Long Manuscript ", which contained 14 essays written by Cao Zhi himself in Zhang Cao calligraphy. These authentic works existed in the form of ink, and the words were clear and elegant. In addition, there was also an article called 'Cao Zhi's Stele' that mentioned Cao Zhi's original inscription stele, which included Cao Zhi's original inscription stele. However, these search results did not provide more detailed information about Cao Zhi's calligraphy, such as the specific exhibition location or collection organization. Therefore, we are unable to provide a more specific answer.
Yan Song's authentic calligraphy appreciation photos
Yan Song's calligraphy was limited, but some of his works were still passed down to this day. Among them, the most famous was his work on the list, the words on the plaque. For example, a plaque of Yan Song was found in Laizhou, Shandong Province. On it was engraved the words "Cloud Suppression", which was considered to be Yan Song's authentic work. These two words displayed the characteristics of grandeur, solemnity, agility, and elegance under Yan Song's pen, and were regarded as rare calligraphy masterpieces. In addition, Yan Song's calligraphy works also included inscriptions, seals, and scrolls. Yan Song's calligraphy remains were preserved in famous scenic spots all over the country, such as Shanhaiguan, Qufu, and Hangzhou West Lake Yuefei Temple. However, due to Yan Song's character, his calligraphy works were rare, but they were still appreciated by some people.
How to identify Liu Yong's calligraphy as authentic
To identify the authenticity of Liu Yong's calligraphy, the following aspects could be considered: 1. Form of brush and ink: The form of the brush and ink of an authentic work should be smooth and free. The brush and ink should be reunited, and the strokes should be smooth without obvious trembling or dragging. At the same time, the authentic strokes should have a certain texture and strength and not be too soft or too stiff. 2-shaped structure: The original font structure should be precise, dignified, and coordinated. The relationship between the strokes should be close and there should be no obvious difference in density. At the same time, the font of an authentic work should have a certain amount of change and movement instead of being too rigid or monotonous. 3. Sense of breath: The sense of breath of an authentic work should be natural, harmonious, elegant, and have an internal sense of rhythm. At the same time, authentic works should be able to feel the author's unique style and personality, not overly imitating or plagiarizing. 4. Historical background: The historical background of an authentic work should be clear and consistent with the author's identity and status. At the same time, the historical value of the authentic work should also be recognized as having a relatively important status and value. It should be noted that the above was only some aspects of the authenticity of the appraisal. In fact, it still needed to be combined with various factors to make a comprehensive judgment. Therefore, it was best to seek the help of a professional appraisal agency or an experienced calligrapher when identifying an authentic work.
Wu Zetian jungle
Wu Zetian could be used as a jungler in Mobile Legends. Wu Zetian's Jungler skills and strategies were as follows: 1. [Skill selection: In the game, choose Wu Zetian, click on the bottom right corner to change the skill, select the punishment skill, and confirm the change.] 2. [Equipment Selection: You can purchase Jungler Blades and Swift Boots in the game by clicking on the coin pouch on the left.] 3. [Wild clearing process: Use the second and first skills to carry out group attacks and clear the wild monsters.] At the same time, he used his Retribution skill to attack the small monsters. 4. [Skill Combination: After the skill cooldown, use the second skill to send the enemy flying, then use the ultimate skill to control the enemy, and finally use the first skill to deal damage to defeat the enemy.] 5. [Item selection: Wu Zetian's jungler can choose to use the hunting broadsword as an item to increase the damage to wild monsters.] He could then upgrade his Jungler equipment to Rune Greatsword. In conclusion, Wu Zetian, as a Mage with powerful AOE skills, could improve the efficiency and speed of clearing the jungle by choosing skills, buying suitable equipment, and using the right combination of skills. However, specific jungler routes and more detailed techniques might require further research and research.
Wu Zetian jungle
Wu Zetian could be used as a jungler in Mobile Legends. Her Jungler skills and strategies were as follows: First, choose Wu Zetian in the game and change her skill to Retribution. Secondly, in terms of equipment selection, he bought a jungler sword and a pair of rapid combat boots. Next, he would use the combination of skills and equipment to clear the wilderness and deal damage to the enemy. Wu Zetian's AOE skills and high damage allowed her to perform well in the jungle. She could use the Empress's Glow to deal area-of-effect damage to her enemies, and she could use her normal attacks to add spell points to her enemies. At the same time, her skill, Empress's Prestige, could repel wild monsters and use the effect of the Chosen One to release Empress's glow to cause fatal damage. Her damage output was strong, and after she obtained the blue BUFF in the later stages, she could solo the dragon and use it to her advantage. In short, Wu Zetian was an all-rounder Mage. Her jungling ability was outstanding, her clearing speed was fast, and her team control ability was strong, which was very helpful to the team.
It's rare to be confused about calligraphy, how to distinguish the authentic
To distinguish the authentic calligraphy, one needed to start from many aspects. The following were some possible methods: 1. Paper quality: Paper was one of the important features of a rare authentic calligraphy. High-quality paper is usually softer while low-quality paper is dry and hard. The paper used for authentic works usually had good texture and texture, while fakes might use inferior paper or plagiarized paper styles. 2. Handwriting observation: observe the shape, size, depth and smoothness of the handwriting. Genuine handwriting is usually clear, natural and smooth, while fake handwriting may be too smooth or too deliberate. 3. Ink observation: observe the color, concentration, and mobility of the ink. Genuine ink is usually more uniform, rich, and dark. Fake ink may use low-quality ink or copy the color and concentration. 4. font recognition: by identifying the font and glyph, the original font is usually more standardized and consistent, while the fake font may copy or imitate similar font. 5. Seal identification: Observing the position, size, shape, color and other characteristics of the seal. The authentic seal is usually more real and natural, while the fake seal may be copied or forged. It should be noted that the identification of rare and confused calligraphy may require a certain amount of professional knowledge and experience. If you are interested in rare and confused calligraphy, it is recommended to learn more, observe more, and combine other methods and evidence to make judgments.
Wu Zetian's Poem
Wu Zetian was the empress of the Tang Dynasty and a talented poet. Her poems had a variety of topics, including works of lofty aspirations, as well as works of tenderness and sadness. Among them, one of her most famous poems was 'Ruyi Niang', which was written for Li Zhi, Emperor Gaozong of Tang Dynasty. In addition, she also wrote poems such as "On the Day of the Labyrinth, the Imperial Edict to Shangyuan" and "Traveling to the Nine Dragons Pool". These poems displayed Wu Zetian's insight, wisdom, and decisiveness. Although we can't find any of her other poems in the information provided, we can be sure that Wu Zetian is a female emperor with rich poetic talent.
Zhong Chuxi and Wu Zetian
Zhong Chuxi played the role of Wu Zetian in the TV series "The Great Tang Di Gong's Case". Her style showed the domineering and dominant side of Empress Wu as a woman. She wore a gorgeous dragon robe and a crown on her head. Her makeup was exquisite and solemn, showing the elegant demeanor and extraordinary ruling ability of Empress Wu. However, Zhong Chuxi's performance caused some controversy. Some viewers felt that her appearance was quite different from the aesthetic standards of the Tang Dynasty. Her facial features were too three-dimensional, her eyes were too big, her nose was too high, and her lips were too thick. It did not meet the pursuit of beauty for women in the Tang Dynasty. There were also people who thought that she was too thin and somewhat masculine. Overall, she was not suitable to play Wu Zetian. However, Zhong Chuxi's acting skills and aura were also praised by some of the audience. Appearance was only one of the requirements. The most important was her acting skills. In general, Zhong Chuxi's performance in 'The Great Tang Di Gong's Case' had received much attention and controversy.