The most beautiful regular script calligraphy of the Qing Dynasty
Gao Yi was a famous calligrapher in the Qing Dynasty. His regular script was known as one of the most beautiful regular script in the Qing Dynasty. His calligraphy style combined the characteristics of Ouyang Xun and Chu Suiliang. It not only had the stability and standard of the European style, but also absorbed Chu Suiliang's fluency and naturalness, forming his own unique writing style. His regular script was exquisitely written and was praised as one of the most beautiful regular scripts of the Qing Dynasty. However, there were also some calligraphy experts who felt that Gao Yi's calligraphy was too standardized and patterned, lacking elegance and style. Experts had different opinions on Gao Yi's regular script.
Regular script calligraphy works
The following are a few regular script works suitable for beginners to copy: 1. [Ninety percent Palace Almond Spring Inscription] was one of Ouyang Xun's representative works. Its font was simple and its structure was rigorous, suitable for beginners. 2. The Multi-Pagoda Stele was one of Yan Zhenqing's representative works. The font was neat and suitable for beginners to practice their basic skills. 3. The Mysterious Secret Tower Stele was one of Liu Gongquan's representative works. It was square and suitable for beginners to practice. These works displayed the artistic charm and cultural value of regular script, and were one of the representative works of Chinese calligraphy culture.
The most beautiful regular script in China
The most beautiful regular script works in China were Wang Xizhi's Preface to Lanting Collection, Yan Zhenqing's Manuscript for Sacrifice to Nephew, Ouyang Xun's Inscription of Liquan in Jiucheng Palace, and Zhang Xu's Heart of Tie Xue. These works, with their dignified and beautiful font forms, became the treasures of Chinese calligraphy and had a profound impact on the creation of regular script in later generations.
Liu Gongquan's Regular Script Calligraphy
Liu Gongquan's works include Diamond Sutra Stone Carving, Mysterious Tower Stele, Shence Army Stele, Fu Shen, Sixteen Days, Shushe Post, Mengzhao Post, Wang Xianzhi's Pear Post Postscript, etc. These works represented Liu Gongquan's regular script style. The style was rigorous and natural. Among them, the Diamond Sutra Stone Engraving, the Mysterious Secret Pagoda Stele, and the God's Will Army Stele were considered his representative works. In addition, there were also works such as the Purple Silk Invitation from the Orchid Pavilion Extension. Liu Gongquan's regular script works were unique in terms of composition, strokes, and composition. It was an excellent model for learning regular script.
Liu Gongquan's Regular Script Calligraphy
The Complete Collection of Liu Gongquan's Regular Script Calligraphy included Liu Gongquan's representative work,'Liu Gongquan Stele' and other regular script works. Liu Gongquan was a great calligrapher in the late Tang Dynasty. His regular script style was vigorous and powerful. The structure was stable and the strokes were strong and powerful, giving people a sense of vigor. His regular script works were unique in terms of composition, strokes, and composition. It was an excellent model for learning regular script. By learning Liu Gongquan's regular script works, one could appreciate the charm of Liu Gongquan's regular script and improve their calligraphy skills. Apart from that, the book also included Liu Gongquan's calligraphy theories and techniques. All in all, Liu Gongquan's Regular Script Calligraphy was an important reference material for learning Liu Gongquan's Regular Script.
Yan Zhenqing's Regular Script Calligraphy
Yan Zhenqing's regular script copybook mainly included the following aspects: 1. The structure was square and dense. Yan Zhenqing's regular script copybook was featured by a square structure and a compact font. The overall font presented a rich, vigorous, and majestic style. 2. The strokes were light horizontally and heavy vertically. In Yan Zhenqing's regular script, the horizontal strokes were relatively thin, while the vertical strokes, dots, and strokes were relatively thick, showing the characteristics of light horizontal and heavy vertical strokes. 3. Thick and vigorous strokes: In Yan Zhenqing's regular script copybook, the strokes were strong and powerful, and the ink was thick, giving people a calm and powerful feeling. 4. The knot is wide and broad: In Yan Zhenqing's regular script copybook, the font is wide and broad, the white cloth is even, the font is slightly square, dignified and stable, full of righteousness. 5. Yan Zhenqing had created a unique Yan Style, which was unique in the history of calligraphy. Yan Style had outstanding emotions and spirituality. The thoughts of writing were naturally strange, expressing a rich understanding of life, and the realm of thought was grand and open. In summary, Yan Zhenqing's regular script copybook had the characteristics of a square and dense structure, light strokes, thick strokes, broad strokes, and a unique "Yan Style" style.
Whose regular script is better for practicing calligraphy?
In novels, there was usually no mention of whose copybook was better for practicing calligraphy because it was usually not a necessary option. However, if you want to practice regular script, it is recommended to start with the works of calligraphers such as Wang Xizhi, Liu Gongquan, and Zhao Mengfu because their handwriting is considered to be the model of regular script. However, he could also choose the works of his favorite calligrapher according to his own interests and preferences. No matter which calligrapher's work you choose, the most important thing is to persist in practicing and gradually form your own font style.
Whose regular script is better for practicing calligraphy?
Choosing which block script was better for practicing calligraphy should depend on one's personal preferences and needs. Different people have different aesthetic views and purposes of practicing calligraphy, so when choosing a copybook, you should choose according to your actual situation. If you want to improve the beauty and overall level of handwriting, you can consider choosing works of calligraphers such as Wang Xizhi and Yan Zhenqing. The works of these calligraphers had unique styles and characteristics. When practicing calligraphy, one could learn their writing skills and aesthetic views. If you want to practice regular script to improve your writing ability, you can consider choosing some famous literary works such as Dream of the Red Chamber, Romance of the Three Kingdoms, etc. These works have high literary value and historical value. The words and phrases can help improve one's language and writing ability. The choice of whose block script was better for practicing calligraphy should be based on one's own needs and preferences. At the same time, one should also learn the calligraphy skills and aesthetic views of calligraphers to improve their handwriting.
Yan Zhenqing's Regular Script and Pagoda Calligraphy
Yan Zhenqing's regular script,'Pagoda Stele' was one of his early representative works. This copybook was based on Yan Zhenqing's works when he was 44 years old, showing the characteristics of his early calligraphy style. The handwriting of the [Multi-Pagoda Stele] was neat and meticulous, the structure was strict, and the strokes were meticulous. This stele became one of the models for future generations to learn regular script. The content of this copybook included the basic strokes of the brush and the structure and layout of the characters. It was suitable for calligraphy students to learn step by step and help them master the basic skills of regular script.
Qin Garden Spring Snow Regular Script Calligraphy
Qin Garden Spring Snow Regular Script was a regular script work written by Zheng Banqiao, a famous calligrapher in modern China. This piece of work was highly appreciated and respected by calligraphy lovers. The strokes were vigorous and powerful, which enriched the artistic expression of Chinese cultural traditions and also reflected the unique charm of Chinese calligraphy.
Yan Zhenqing's Regular Script Calligraphy Stele
Yan Zhenqing's regular script 'Diligence Stele' was one of his representative works in his later years. This copybook was based on the tombstone that Yan Zhenqing had written for his great-grandfather, Yan Qinli. It was engraved with Yan Zhenqing's unique style of regular script. The structure of the Diligence Ceremony Stele was solemn and open-minded, relaxed and cheerful, combining movement and stillness, clever and clumsy, graceful and generous. Yan Zhenqing's brush strokes are horizontal, thin and vertical, thick and thick. He hides his head and protects his tail. He uses both square and round strokes. He is vigorous and powerful. His brush strokes were varied, and there were subtle changes in his strokes. They were vivid and colorful, and had a strong sense of rhythm. This copybook showed Yan Zhenqing's maturity and exquisite calligraphy skills in his later years. The Diligence Stele was Yan Zhenqing's masterpiece in his later years, and it had the atmosphere of the Tang Empire. It had completely shed the body of the early Tang Dynasty and displayed Yan Zhenqing's unique style and talent. This copybook was a valuable model for those who learned Yan Style Regular Script.