The animated version of The Twelve Kingdoms was based on Ono Fujimi's novel of the same name. It could be seen that the characters of the animated version of Twelve Kingdoms were based on Yamada Akihiro's illustrations, and the script of the animated version was written by Aichuan Sheng. As for Wings of Tunan, according to the information in the search results, this part was not animated. Therefore, there was no direct relationship between the animated version of Twelve Kingdoms and Wings of Tunan, because Wings of Tunan was not animated.
The Twelve Kingdoms was a classic fantasy novel. The plot and characters of the anime version were different from the novel version. It was impossible to determine how much of the content of the anime version was compared to the novel version because the content of the two versions was very different and difficult to compare. However, both the anime version and the novel version were works of the Twelve Kingdoms, and they were loved by the majority of readers.
Yes, I understand the difference between the novel and the animated version of The Twelve Kingdoms. Compared to the animated version, the plot of the novel described more characters and scenes in more detail. The world view and setting in the novel were also richer, including many mysterious elements and mythical stories. In addition, there were many details and descriptions in the novel version that allowed readers to understand the characters and story more deeply. On the other hand, the animated version might be different in terms of storyline and character portrayals. The animation version might pay more attention to the description of the scene and the performance of the action, while the novel version would pay more attention to the psychological description and emotional expression of the characters. In addition, there were many plots and characters in the novel that were not shown in the animated version, which might make the plot and characters in the animated version and the novel different. Although the plot and characters of the novel and the animated version were different, they were both important ways of presenting the story of the Twelve Kingdoms. Whether it was the novel version or the animated version, the readers would be able to understand the story more deeply.
The animated version of Romance of the Three Kingdoms had the following contents: Opening: The Three Kingdoms Battle of Chengdu Battle of Red Cliff 4. Separatist Situation Guan Yu Loses Jingzhou 6 Zhang Fei lost his temper Liu Bei visited the thatched cottage three times Cao Cao's Southern Expedition Lu Bu and Diao Chan Zhuge Liang Coming Out of the Mountain Guan Yu Arrives Alone Liu Bei's Defeat Zhuge Liang's Seven Captures and Seven Releases Meng Huo Cao Cao Defeated at Red Cliff Sun Quan Captured and Killed Guan Yu Liu Bei Retakes Jingzhou Guan Yu Killed by Sun Quan Cao Cao Unifies the North Liu Bei Becomes Emperor Sun Quan and Liu Bei Alliance Against Cao Cao Guan Yu Resurrected The Final Battle of the Battle of Red Cliff Liu Bei Seized Yizhou Sun Quan Seized Jingzhou Cao Cao Passed Away The Three Kingdoms Return to Jin
There were many versions of the Chinese version of the Twelve Kingdoms, and the best translation would depend on the reader's personal preferences and reading experience. However, generally speaking, readers can try to read multiple versions of the translation to find the most suitable version for themselves. Some readers preferred the old version of the translation, thinking that it was more concise and clear in language expression while retaining some of the characteristics of the original. Some readers preferred the new version of the translation, believing that it was more accurate in translation and added some modern language expressions. Therefore, choosing which version to translate better depended on one's reading preferences and reading experience.
The Twelve Kingdoms is a classic fantasy novel with many different versions and translation. Here are some of the more popular versions: Sword and Roses was first published in Japan in 1992. This version was considered one of the most popular. Its story, characters, and worldview were widely accepted and loved. The Dream King was first published in Taiwan in 1984. This version of the story and character setting was also very popular and was considered one of the classics of the Twelve Kingdoms. Ace Combat 7 was a game by the American game company Treyarch that had been adapted into a variety of forms, including comics, animations, and novels. The story and character settings of this version were also well received, especially in the game. The Scarlet Letter was first published in 1930 by American author P Lovecraft. This version of the story and worldview was dark and distorted, and was considered one of the most challenging versions of the Twelve Kingdoms. The above versions all have their own unique advantages and characteristics. The readers can choose the version that suits them according to their own preferences and needs.
The voice actors for the animated version of Romance of the Three Kingdoms included: 1 Liu Bei (Voice actor: Zhao Lu) 2 Guan Yu (Voice actor: Zhao Lu) 3 Zhang Fei (Voice actor: Zhao Lu) 4 Zhuge Liang (Voice actor: Zhao Lu) 5 Cao Cao (Voice actor: Zhao Zhen) 6. Sun Quan (Voice actor: Zhao Zhen) 7 Zhou Yu (Voice actor: Liu Xiaoyu) 8 Zhou Lang (Voice actor: Liu Xiaoyu) 9 Lu Su (Voice actor: Zhang Lei) Taishi Ci (Voice actor: Zhang Lei) These are the main voice actors of the animated version of Romance of the Three Kingdoms. There are also some important voice actors, including Sima Yi (voice actor: Li Lihong), Lu Meng (voice actor: Zu Jiang), Lu Xun (voice actor: Zhao Hai), etc.
The differences between the animated version and the comic version were as follows: 1. Story content: There are some differences in the story content between the animated version and the comic version. The animated version was more compact in terms of the storyline, omitting some undeveloped plots in the manga, and also making some adjustments and cuts to the characters. The manga version retained more complete storylines and character settings. 2. Picture style: The animation version and the manga version have different picture styles. The animation version was more gorgeous and exquisite, especially in terms of character styling and scene design. The manga version was more simple and realistic, focusing on the emotions and inner expressions of the characters. 3. Character design: The character design of the animation version and the comic version is also different. The character design of the animated version was more three-dimensional and exaggerated to show more vivid characters and emotions. The character design of the manga version was simpler and more realistic, emphasizing the contradictions and struggles in the character's heart. 4. Character relationships: The relationships between the characters in the anime version and the manga version are also slightly different. In the animated version, the relationships between the characters were more complicated and confusing. Some of the relationships between the characters were not fully explained and expressed in the story. The manga version, on the other hand, paid more attention to the interactions and emotions between the characters, showing a more in-depth and real character image. There were some differences between the animated version of Death and the manga version in terms of storyline, picture style, character design, character relationships, and so on. The audience could choose to watch it according to their preferences and needs.
The relationship between Yuan Tiangang and the 12 Clans was complicated. Yuan Tiangang was a powerful character. He had once broken into the 12 villages of the Miao Territory alone and successfully defeated 13 experts. Yuan Tiangang and Li Chunfeng were experts of the Great Tang, and they could predict and resolve many problems. Yuan Tiangang once went to the 12th cave to protect the treasure of Longquan and communicated with the Holy Child. However, the 12 Clans chose to hide from the world in the end, and Yuan Tiangang also let them go. Even though the Twelve Clans had once planned to use Soldier God Weird Altar to take revenge on the Central Plains, the appearance of Yuan Tiangang and Li Chunfeng made them decide to retreat. Although Yuan Tiangang had tried to ask for the Soldier God Monster Altar from the 12 Clans, he was rejected. In general, the relationship between Yuan Tiangang and the 12 Clans was one of mutual influence and checks and balance.
The visual representation in the anime can be different from how one might imagine the world while reading the novel. The anime may focus more on action scenes for visual appeal, while the novel can go into great detail about the political and social structures of the Twelve Kingdoms which might not be as elaborately shown in the anime.
There was a close relationship between the ancient Chinese agricultural civilization and the twelve zodiac animals. The 12 Chinese zodiac signs in ancient China were: Rat, Ox, Tiger, Rabbit, Dragon, Snake, Horse, Sheep, Monkey, Rooster, Dog, and Pig. These animals were very important in traditional Chinese culture and were given different meanings and symbolic meanings. In the ancient Chinese agricultural civilization, the twelve zodiac animals corresponded with the twelve earthly branches. Each earthly branch corresponded to a zodiac, such as the rat, the ugly ox, the tiger, the rabbit, the dragon, the snake, the horse, the sheep, the monkey, the rooster, the dog, and the pig. These earthly branches were important tools for agricultural production and divination in ancient China, used to record time and predict the future. In traditional Chinese culture, the twelve zodiac animals were also regarded as having mysterious powers. People often seek inspiration and guidance through prayers and divination to better deal with the problems and challenges in life. The relationship between the ancient Chinese agricultural civilization and the twelve zodiac animals not only reflected the deep foundation of Chinese traditional culture, but also provided people with a profound way of thinking and understanding.